La meraviglia è il controllo dei pedali, non c è mai esagerazione. Questo crea un equilibrio perfetto.Gente come lui non dovrebbe mai morire,dico questo perché era un essere in continua evoluzione Grazie maestro,ascolto tutti i giorni
Hoch intelligente und zugleich lyrische Interpretation dieser sechs romantischen Meisterstücke mit perfekt kontrollierten Töne und völlig effektiver Dynamik. Es gibt nichts überflüssiges. Echt unvergleichlicher Pianist!
Indeed. He’s one of my favorite pianists of all time. Sadly, there aren’t that many recordings of him like Rubinstein, Horowitz etc. But he will always be my favorite Mazurka interpreter.
ABM not The greatest! The greatest pianists of All Time Are really Artur Rubinstein ( The God) Grigory Sokolov ( The Titan The Giant of The piano) Emil Gilels ( The King) Wilhelm Kempff Maurizio Pollini Vladimir Ashkenazy ( The most beautiful volcanic piano sound) Sviatoslav Richter Mikhail Pletnev ( The most Powerful Prokoviev piano concerto no 1) Stanislav Igolinsky ( better than Lipatti) Alexei Lubimov ( The Genius) Radu Lupu ( Brahms piano concerto no 1 video TH-cam! Lupu a class of his own playing Brahms) Maria Grinberg Natalia Trull! ABM played The second-rated concertos like Mozart piano concerto no 15 Haydn concerto G major Liszt piano concerto no 1! Because ABM The Great machine player! ABM The Mechanical King!!
His touch can be so sweet, so delicate and strong when it's needed. It's like a perfect dish where the ingridient are so carefully.put.grazie Michelangeli It would have been such an honour to meet you ❤
Leggevo un articolo sulle proprietà rilassanti di questo brano, in particolare per chi è affetto da sclerosi multipla, ad affermarlo diversi medici, mi ha incuriosito, non lo conoscevo , devo dire che è proprio stupendo.
Il grande maestro , di listz aveva il domino totale del pianoforte come nessun altro tra i grandi del '900 ; le sue esecuzioni-interpretazioni non hanno possibilità di essere confrontate con altri. Il maestro apparentemente suonava il pianoforte in realtà i suoi bassi erano quelli di un organo , gli altri tasti a volte erano flauto altre volte celesta
che posso dire se non che per me è stato il più grande. Per sicurezza ho ascoltato incisioni di altri osannati interpreti di stesse sonate: non c'è paragone .
Si, che profanazione.. Un nanetto imbarazzante nella casa del Gigante, che tiene il pianoforte nella stessa stanza dove aveva il suo e dove studiava il Maestro! 😑
Mah insomma, c'é Malcuzinsky molto acclamato dai polacchi stessi, o Horowitz. ABM per carità, ha il suo stile nobile ed elevato, ma non é inaffiancabile.
The Best piano sound players Are really Artur Rubinstein ( The.God.the Golden tone) Wilhelm Kempff ( The most beautiful piano sound Ever). Radu Lupu ( The most colorful piano sound Ever) Vladimir Ashkenazy ( The most colorful volcanic piano sound Ever). Grigory Sokolov ( The.best Piano sound for Concertos like Chopin piano concerto no 2! Mozart piano concerto no 24!. Haydn piano concerto no 11!!.)
NOT TRUE! The greatest pianists of All Time Are really=Emil Gilels (.The King) Grigory Sokolov (.The Titan of The piano The Giant of The piano). Wilhelm Kempff (.The most beautiful piano sound Ever) Sviatoslav Richter Mikhail Pletnev (. The most Powerful Ever). Alexei Lubimov (. The Genius no 1 Mozart piano concerto no 27!). Maurizio Pollini (.The Genius no 2). Solomon Cutner ( The most perfect structure of music!. Solomon Cutner The highest IQ points Ever) Radu Lupu (. The most colorful piano sound Ever) Vladimir Ashkenazy (. The most colorful volcanic piano sound Ever). Stanislav Igolinsky ( better than Lipatti). Dimitri Bashkirov (. Mendelssohn piano concerto no 1. Dimitri Bashkirov a.class.of his.own playing Mendelssohn piano concerto no 1!. Bashkirov The Best beautiful piano sound for Mendelssohn piano concerto no 1 The really Bad. Mendelssohn piano concerto no 1 players Are really=Yuja Wang (. restless!. Yuja Wang The crazy Mad Roar fashion bashing with The cold raw no colors her Piano sound) Marc Andre Hamelin (.The Human Machine ROBOT) Thibaudet (. The weakest Mendelssohn piano concerto no 1.ever) Rudolf Serkin (. The raw rough cold piano sound Ever) Cziffra (.The.most awful trash art Mendelssohn piano concerto no 1 Ever)
Pensi di capire qualcosa di musica solo perché hai scritto un testamento? Ma chi ti credi di essere? Non sei neanche italiano e ti permetti di parlare di musica
soetimetimes I feel he is mechanical but other times so well prepared I not doubht he could do anything.Im torn inbetween these 2 things.very interesting pianist because he s over prepared so he can suddenly caome out with something that will surprise you.A not so fat tone.which I actually like a lot.What a man he wa.FUll of surprises.
ABM was not mechanical. Pollini is. ABM was precise, had a wonderful touch and deep knowledge of the score. Maybe he appeared to be cold, but he had a volcano inside. At the end of each concert he was completely exhausted, because he gave all himself to the music and to the public.
chad414 Neither Pollini is "mechanical". His technique used to be absolute, but he's always played with astonishing deepness. You've not to be confused by his perfect control of the keyboard.
I wouldn't call Pollini mechanical, many of his early recordings are very exciting, not least Chopin's Preludes and Petrushka on DG. But the older he grew, the less interesting his playing has become.
I have had occasions to meet Aldo Ciccolini and receive piano music lessons from him, and in more than one occasion he said something about Benedetti Michelangeli or Horowitz.
I admire Maestro Ciccolini but I'm not agree with this expression. I think is too strict. Petrucciani said in a masterclass ( here on TH-cam) quite the opposite. Or perhaps we should have the context in which the master was...
"His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems unsure of himself emotionally, and his otherwise direct playing is then laden with expressive devices that disturb the musical flow" From Harold Schonberg. The Great Pianists 1987
Did he ever present the mazurkas in _completeness_ ? This interpretation is breathtaking ! Otherwise I favor Fialkowska with the Mazurkas. Koroliov is excellent, too, but likewise only plays them selectively.
@@rushana1956 ,в чем-то Вы правы, я обычный человек, в чем-то, конечно, необычный, как и все мы. А меня всегда удивляют люди, замечающие недостатки и пороки только в других людях, но никак не в себе.
@@rushana1956 ,вообще музыку лучше просто слушать, ничего не говорить. Вот только в этом Вы правы, но и тут не все так просто, но об этом не здесь и не сейчас.
But the Russian/Soviet piano school was simply astonishing, marvelous and wonderful as well!! Richter and Gilels are 2 wonderful geniuses on same level as Michelangeli
Personally, I like to play Michelangeli Why did you choose so many beautiful piece? His performance is almost perfect. It makes my heart beat faster one by one
ABM suonava le mazurche come vanno suonati i notturni: con eleganza, ma non con quello spirito "selvaggio" che forse sarebbe stato quello più adatto per questo genere di composizioni di Chopin, in cui l'autore confessa il suo animo fanciullesco legato ai ricordi d'infanzia della propria terra di origine. Spirito selvaggio che invece si trova nelle interpretazioni di Horowitz, non a caso un uomo dalla personalità più scherzosa.
Condivido pienamente, compreso il richiamo a Horowitz cui potrei aggiungere quello ad Hashkenazy. Anche le sue mazurche sono più “selvagge” e ballabili. Sicuramente più corrette stilisticamente. Ma queste non sono altrettanto entusiasmati? Qualcosa viene tolto è qualcosa a mio parere aggiunto: e cioè quell’aria proprio notturna e pienamente romantica di cui l’opera di Chopin è intrisa. E forse qui sta il più grande merito di ABM. Pur se non completamente in stile realizza l’ennesimo capolavoro interpretativo. Non so se lei condivide…
@@michelepepe981 ABM era un ricercatore della perfezione, e concettualmente il perfezionismo cozza con lo spirito più selvaggio delle mazurche. Dunque in ABM prevale l'eleganza sempre. Grandi interpretazioni comunque, su questo non c'è dubbio.
Your silly and shallow trolls could help someone like Geert D. in grasping why you were terminated for bigotry and hate speech/harassment before as 'fredericfranc', they are so bad in such an identical way. THAT is the link between these trolls, it is an educational link.
Yuja Wang has nothing to do with these performances. Benedetti played this concert, long before Yuja was born, so then what can she have to do with "these performances" ??? Or perhaps you think she's Arturo's ghost ? ABMsghost, heu... ?
Brian Stash It has passion. Is on Polish passion good enough for Chopin? If that were so, then his music would never have reached the salons of Paris, nor the world.
@ByronGordon erm that would be exceedingly easy, just listen to any mazurka recordings by the great Eastern European pianists of the golden age, e.g. Ignaz Friedman, Vladimir de Pachmann, Moriz Rosenthal, Artur Rubinstein, Rachmaninoff, Horowitz, Paderewski, Heinrich Neuhaus - I could go on and on. Michelangeli rubato, for instance, is far from authentically Chopinesque, and his playing is palpably more detached than those who I listed. Is his performance any the weaker for it? Of course not, he redefines the Mazurka as something more modern and angular than ever before, with glorious results.
This is not the ABM I know. Agree with what others have commented regarding lack of rhythm, vitality, Polish spirit, etc in his handling of these mazurkas. Also, the piano sound is unpleasant. Either it was a poor instrument or poorly recorded. Maybe both. Honestly, I have to question if this was ABM at all at the piano.
You're just saying that because he's Italian. :) Seriously, I doubt any performers after 1900 know much of anything about the rhythm of a mazurka. Someone once counted out Chopin's performance of one of his Mazurkas to demonstrate to him that he was elongating the second beat so much that he was actually playing in 4/4 time! I've never heard any performance of his mazurkas that comes close to stretching the beat that much. Also, Tolstoy's description of the dance in _War and Peace_ (which you can read here: books.google.com/books?id=BXRHAQAAMAAJ&pg=PA72) is instructive.
I agree with Luganikos. Very interesting to some extent, but not mazurkas at all. No rythm , no style , no spirit of mazurkas. Played sometimes like nocturne, sometimes like valse. Sorry, I didn't like it. Bad performance, however interesting to hear, how mazurkas can be destroyed.
@@lucatia08 . I don't play piano, but I know mazurkas very well, I used to dance it a thousend times in a folk group. First time I danced mazurka when I was 3 years old, when I was with my grandpa, quite famous folk violinist on the folk festial, and my first award in mazurka dancing I got when I was 6 years old. Mazurkas are in my blood, it flows in my veins like red blood cells. I'm a big admirerer of Michelangeli, but sorry, not this time. Mazurka is mazurka, not a valse, not a prelude or anything else.
@@robertrodes1546 Anyone who's played a Mazurka can feel out the rhythms. On top of that, in most editions, the "hesitations" are marked by an accent or phrase marking. If Chopin wants rubato, he usually literally wrote "rubato", in which case you slow down at the ends or beginnings of phrases. Mazurka rhythm is really a holdoff from the baroque era where non-dynamic instruments had to hold notes longer to accent them. Michelangeli is not honoring that here, whether due to it being a "modern" interpretation or a lack of knowledge I don't know.
![[LIVE] : ONE ลุมพินี 88 | คู่เอก "ป้อมเพชร vs อัสลามจอน"](http://i.ytimg.com/vi/1ZqTVVbMgbo/mqdefault.jpg)
Tocco magico, perfezione del timbro, sonorità, espressività, dolcezza. MAGICO .
No, si chiama una corda
La meraviglia è il controllo dei pedali, non c è mai esagerazione. Questo crea un equilibrio perfetto.Gente come lui non dovrebbe mai morire,dico questo perché era un essere in continua evoluzione
Grazie maestro,ascolto tutti i giorni
Hoch intelligente und zugleich lyrische Interpretation dieser sechs romantischen Meisterstücke mit perfekt kontrollierten Töne und völlig effektiver Dynamik. Es gibt nichts überflüssiges. Echt unvergleichlicher Pianist!
Superb. Incredible technique, but he knows how to surprise you, great intelligence and sensibility, a model for me.
absolutely !!!
Спасибо большое за редкую запись!!
Спасибо большое за редкую запись!!
When I listen to those pieces of music I can feel how much I love Poland, my country
I don't know how Chopin is supposed to sound. But Michelangeli only delivers beauty. Unmatched beauty.
Indeed. He’s one of my favorite pianists of all time. Sadly, there aren’t that many recordings of him like Rubinstein, Horowitz etc. But he will always be my favorite Mazurka interpreter.
ABM not The greatest! The greatest pianists of All Time Are really Artur Rubinstein ( The God) Grigory Sokolov ( The Titan The Giant of The piano) Emil Gilels ( The King) Wilhelm Kempff Maurizio Pollini Vladimir Ashkenazy ( The most beautiful volcanic piano sound) Sviatoslav Richter Mikhail Pletnev ( The most Powerful Prokoviev piano concerto no 1) Stanislav Igolinsky ( better than Lipatti) Alexei Lubimov ( The Genius) Radu Lupu ( Brahms piano concerto no 1 video TH-cam! Lupu a class of his own playing Brahms) Maria Grinberg Natalia Trull! ABM played The second-rated concertos like Mozart piano concerto no 15 Haydn concerto G major Liszt piano concerto no 1! Because ABM The Great machine player! ABM The Mechanical King!!
Это прекрасно, очень тонко, стильно,! Спасибо большое!
Inigualável!
Magic.
Perfect.
Unique.
Fantastic.
Requinte de detalhes!!
改めてミケランジェリさんの偉大さを認識しました。素晴らしい❗🎶有り難うございました。
Really expressive and beautiful tones..
Mazurki Fryderyka Chopina to kwintesencja polskości. Wspaniałe wykonanie, bardzo dziękuję.
What can one say? No words are equal to this sort musicianship.
His touch can be so sweet, so delicate and strong when it's needed. It's like a perfect dish where the ingridient are so carefully.put.grazie Michelangeli
It would have been such an honour to meet you
❤
Merveilleuse interpretation que de.talentet de sensibilite , ce que demande la musique du grand Frederic C.
MERCI.
Bravo bravo bravo brilliance genial fantastic music
I agree, wonderfully played with cultivated delicacy!
Sublime, greetings from Brazil
Leggevo un articolo sulle proprietà rilassanti di questo brano, in particolare per chi è affetto da sclerosi multipla, ad affermarlo diversi medici, mi ha incuriosito, non lo conoscevo , devo dire che è proprio stupendo.
Quale brano? Questi són sei.
Wonderful incredible legato... probably unexcelled.
非常に個性的な解釈だ。技術的にも、完璧なものを感じる。５０年前の技術だから、と言う訳ではない。間違わない為に、指の都合を感じさせる事がない。
Виртуозная подача шедевров!!!!!
Il più grande.
Il grande maestro , di listz aveva il domino totale del pianoforte come nessun altro tra i grandi del '900 ; le sue esecuzioni-interpretazioni non hanno possibilità di essere confrontate con altri. Il maestro apparentemente suonava il pianoforte in realtà i suoi bassi erano quelli di un organo , gli altri tasti a volte erano flauto altre volte celesta
condivido assolutamente Giuseppe Bisignano
very elegant sound.
meraviglioso
ejecución magistral, cuasi puntillista sin dejar de lado un medido temperamento gracias
Thank you very much for the wonderful upload
che posso dire se non che per me è stato il più grande. Per sicurezza ho ascoltato incisioni di altri osannati interpreti di stesse sonate: non c'è paragone .
Ashkenazy è superiore: th-cam.com/video/4ebbDnR2eyA/w-d-xo.html
These are not sonatas, but mazurkas
@@EmptyVee00000Ma per l'amor di Dio.ABM inavvicinabile. Anche il Russo Ask.lo sapeva tantevvero che si è comprato la sua casa(di ABM)in montagna.
Si, che profanazione.. Un nanetto imbarazzante nella casa del Gigante, che tiene il pianoforte nella stessa stanza dove aveva il suo e dove studiava il Maestro! 😑
Mah insomma, c'é Malcuzinsky molto acclamato dai polacchi stessi, o Horowitz. ABM per carità, ha il suo stile nobile ed elevato, ma non é inaffiancabile.
Maravilhoso.
" tanto nomine nullum par elogium "
ABM in Te continua a vivere il mito di Roma Eterna !!
Fabulousis, so pretty... Makes me crying. Thanks for uploading.
Beautiful piano playing ! Thanks for posting :)
È il più grande...Suona con la stessa maestria Chopin, Ravel, Debussy , Liszt...mai sentito un suono più puro.,.
The Best piano sound players Are really Artur Rubinstein ( The.God.the Golden tone) Wilhelm Kempff ( The most beautiful piano sound Ever). Radu Lupu ( The most colorful piano sound Ever) Vladimir Ashkenazy ( The most colorful volcanic piano sound Ever). Grigory Sokolov ( The.best Piano sound for Concertos like Chopin piano concerto no 2! Mozart piano concerto no 24!. Haydn piano concerto no 11!!.)
Emil Gilels The King of The Best piano sound players! Emil Gilels The Waldstein sonata!
Assoluto.
Thank you from Meadville Pennsylvania 👍
Rubinstein, Horowitz, Benedetti Michelangeli. 3 greats!
NOT TRUE! The greatest pianists of All Time Are really=Emil Gilels (.The King) Grigory Sokolov (.The Titan of The piano The Giant of The piano). Wilhelm Kempff (.The most beautiful piano sound Ever) Sviatoslav Richter Mikhail Pletnev (. The most Powerful Ever). Alexei Lubimov (. The Genius no 1 Mozart piano concerto no 27!). Maurizio Pollini (.The Genius no 2). Solomon Cutner ( The most perfect structure of music!. Solomon Cutner The highest IQ points Ever) Radu Lupu (. The most colorful piano sound Ever) Vladimir Ashkenazy (. The most colorful volcanic piano sound Ever). Stanislav Igolinsky ( better than Lipatti). Dimitri Bashkirov (. Mendelssohn piano concerto no 1. Dimitri Bashkirov a.class.of his.own playing Mendelssohn piano concerto no 1!. Bashkirov The Best beautiful piano sound for Mendelssohn piano concerto no 1 The really Bad. Mendelssohn piano concerto no 1 players Are really=Yuja Wang (. restless!. Yuja Wang The crazy Mad Roar fashion bashing with The cold raw no colors her Piano sound) Marc Andre Hamelin (.The Human Machine ROBOT) Thibaudet (. The weakest Mendelssohn piano concerto no 1.ever) Rudolf Serkin (. The raw rough cold piano sound Ever) Cziffra (.The.most awful trash art Mendelssohn piano concerto no 1 Ever)
Pensi di capire qualcosa di musica solo perché hai scritto un testamento? Ma chi ti credi di essere? Non sei neanche italiano e ti permetti di parlare di musica
Michelangeli was a dream....
Grande esecuzione!
GÊNIO sem lâmpada... 👽💚💙💛
soetimetimes I feel he is mechanical but other times so well prepared I not doubht he could do anything.Im torn inbetween these 2 things.very interesting pianist because he s over prepared so he can suddenly caome out with something that will surprise you.A not so fat tone.which I actually like a lot.What a man he wa.FUll of surprises.
ABM was not mechanical. Pollini is.
ABM was precise, had a wonderful touch and deep knowledge of the score. Maybe he appeared to be cold, but he had a volcano inside. At the end of each concert he was completely exhausted, because he gave all himself to the music and to the public.
well said Oldville! While appreciating and recognizing the words of Chad :)
chad414 Neither Pollini is "mechanical". His technique used to be absolute, but he's always played with astonishing deepness. You've not to be confused by his perfect control of the keyboard.
I wouldn't call Pollini mechanical, many of his early recordings are very exciting, not least Chopin's Preludes and Petrushka on DG. But the older he grew, the less interesting his playing has become.
En effet, "très intéressant" pour ABM c'est un peu, er, "limitatif"
Marvelous!
BRAVO...!!!
große Kunst, so zu spielen
👏👏👏👏👏👌👍
Mazurka op.68 n°4 was Chopin's last composition.
Perfezione.
Il migliore pianisyaq
Poesia pura
"Nothing should ever be imitated, not ever Horowitz' interpetations!" (Maestro Aldo Ciccolini).
By the way, Benedetti died, several years ago.
I have had occasions to meet Aldo Ciccolini and receive piano music lessons from him, and in more than one occasion he said something about Benedetti Michelangeli or Horowitz.
I admire Maestro Ciccolini but I'm not agree with this expression. I think is too strict. Petrucciani said in a masterclass ( here on TH-cam) quite the opposite.
Or perhaps we should have the context in which the master was...
😍❤️!
so good omg
"His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems unsure of himself emotionally, and his otherwise direct playing is then laden with expressive devices that disturb the musical flow" From Harold Schonberg. The Great Pianists 1987
Harold Schonberg had a lot of bias as a critic and often made ridiculous remarks
What's your point?
@@danielevans849 Well said.
CI SONO 25 INFELICI
*36
36 persone condannate alla pena di morte
Did he ever present the mazurkas in _completeness_ ? This interpretation is breathtaking ! Otherwise I favor Fialkowska with the Mazurkas. Koroliov is excellent, too, but likewise only plays them selectively.
Музыка Шопена звучит гордо, несколько надменно, жизнерадостно, немного печально и меланхолично...
Всегда удивляли люди которые описывают музыку своими сомнительными и обыденными прилагательными...банально
@@rushana1956 ,в чем-то Вы правы, я обычный человек, в чем-то, конечно, необычный, как и все мы. А меня всегда удивляют люди, замечающие недостатки и пороки только в других людях, но никак не в себе.
@@rushana1956 ,вообще музыку лучше просто слушать, ничего не говорить. Вот только в этом Вы правы, но и тут не все так просто, но об этом не здесь и не сейчас.
@@ОльгаАбросимова-з3у во всех нас куча пороков. Поэтому примите мои слова не в осудительном, а в ироническом ключе:)
И без никакой советской фортепианной школы, без вечного спора Рихтера -Гилельса! Просто слушаешь неповторимое искусство!
А что, собственно, Вы имеете против "советской фортепианной школы"?..
But the Russian/Soviet piano school was simply astonishing, marvelous and wonderful as well!! Richter and Gilels are 2 wonderful geniuses on same level as Michelangeli
Personally, I like to play Michelangeli Why did you choose so many beautiful piece? His performance is almost perfect. It makes my heart beat faster one by one
He lets the music speak for itself.
Thank you for your reply.
otherworldly.
ABM suonava le mazurche come vanno suonati i notturni: con eleganza, ma non con quello spirito "selvaggio" che forse sarebbe stato quello più adatto per questo genere di composizioni di Chopin, in cui l'autore confessa il suo animo fanciullesco legato ai ricordi d'infanzia della propria terra di origine. Spirito selvaggio che invece si trova nelle interpretazioni di Horowitz, non a caso un uomo dalla personalità più scherzosa.
Condivido pienamente, compreso il richiamo a Horowitz cui potrei aggiungere quello ad Hashkenazy. Anche le sue mazurche sono più “selvagge” e ballabili. Sicuramente più corrette stilisticamente. Ma queste non sono altrettanto entusiasmati? Qualcosa viene tolto è qualcosa a mio parere aggiunto: e cioè quell’aria proprio notturna e pienamente romantica di cui l’opera di Chopin è intrisa. E forse qui sta il più grande merito di ABM. Pur se non completamente in stile realizza l’ennesimo capolavoro interpretativo. Non so se lei condivide…
@@michelepepe981 ABM era un ricercatore della perfezione, e concettualmente il perfezionismo cozza con lo spirito più selvaggio delle mazurche. Dunque in ABM prevale l'eleganza sempre. Grandi interpretazioni comunque, su questo non c'è dubbio.
Very romántic
Not so much ! Chopin was not a real 'romantic', and Arturo, here, plays with a great sobriety, natural affect.
Chopin was not a romantic. He was "the" romantic.
@@keplergso8369 Chopin was not a real romantic?
Hello, can i have a permission to use this sound for my vlog that I'm working on now? or can you tell me how can I get one?
Thank you in advance❤️
Hello, I have no permission to give you, you can use it if you want !
@@incontrariomotu Thank you for replying 💞
he cut the music, he didn't play bars 145-146 in mazurka op59 n3.
Ha ha! Bazinga!
Your silly and shallow trolls could help someone like Geert D. in grasping why you were terminated for bigotry and hate speech/harassment before as 'fredericfranc', they are so bad in such an identical way. THAT is the link between these trolls, it is an educational link.
Yuja Wang has nothing to do with these performances.
Benedetti played this concert, long before Yuja was born, so then what can she have to do with "these performances" ???
Or perhaps you think she's Arturo's ghost ? ABMsghost, heu... ?
is there any more recordings of his mazurkas?
Tre poveri pazzi nati con i pollici al contrario...
11:57 ahaha, Frederic....
Someone of you maybe have sheet music of Op.68 n.4 in this revised versione played by Michelangeli? I cannot found it anywhere :(
It’s probably an old copy of the sheet music.
Lacks the Polish heart and style but beautiful still.
Brian Stash It has passion. Is on Polish passion good enough for Chopin? If that were so, then his music would never have reached the salons of Paris, nor the world.
Listen to Rachmaninoff, Lipatti, Cortot in order to reveal other sides of the crystal
Refer me to a performance of this piece on YT that displays "Polish heart" better than Michelangeli Brescia
@ByronGordon erm that would be exceedingly easy, just listen to any mazurka recordings by the great Eastern European pianists of the golden age, e.g. Ignaz Friedman, Vladimir de Pachmann, Moriz Rosenthal, Artur Rubinstein, Rachmaninoff, Horowitz, Paderewski, Heinrich Neuhaus - I could go on and on. Michelangeli rubato, for instance, is far from authentically Chopinesque, and his playing is palpably more detached than those who I listed. Is his performance any the weaker for it? Of course not, he redefines the Mazurka as something more modern and angular than ever before, with glorious results.
Michelangeli lacks the Polish heart but not the heart, and so his performances are brilliant.
What is this? Tuned to A470?
It's about 430hz
This is not the ABM I know. Agree with what others have commented regarding lack of rhythm, vitality, Polish spirit, etc in his handling of these mazurkas. Also, the piano sound is unpleasant. Either it was a poor instrument or poorly recorded. Maybe both. Honestly, I have to question if this was ABM at all at the piano.
Honestly you have to question your musical judgment...
A really great artist! But about the rhythm of a mazurka he doesn't know anything. It's a kind of an italian valse what he is playing...
You're just saying that because he's Italian. :) Seriously, I doubt any performers after 1900 know much of anything about the rhythm of a mazurka. Someone once counted out Chopin's performance of one of his Mazurkas to demonstrate to him that he was elongating the second beat so much that he was actually playing in 4/4 time! I've never heard any performance of his mazurkas that comes close to stretching the beat that much.
Also, Tolstoy's description of the dance in _War and Peace_ (which you can read here: books.google.com/books?id=BXRHAQAAMAAJ&pg=PA72) is instructive.
I agree with Luganikos. Very interesting to some extent, but not mazurkas at all. No rythm , no style , no spirit of mazurkas. Played sometimes like nocturne, sometimes like valse. Sorry, I didn't like it. Bad performance, however interesting to hear, how mazurkas can be destroyed.
@@lucatia08 . I don't play piano, but I know mazurkas very well, I used to dance it a thousend times in a folk group. First time I danced mazurka when I was 3 years old, when I was with my grandpa, quite famous folk violinist on the folk festial, and my first award in mazurka dancing I got when I was 6 years old. Mazurkas are in my blood, it flows in my veins like red blood cells. I'm a big admirerer of Michelangeli, but sorry, not this time. Mazurka is mazurka, not a valse, not a prelude or anything else.
@@robertrodes1546 Anyone who's played a Mazurka can feel out the rhythms. On top of that, in most editions, the "hesitations" are marked by an accent or phrase marking. If Chopin wants rubato, he usually literally wrote "rubato", in which case you slow down at the ends or beginnings of phrases.
Mazurka rhythm is really a holdoff from the baroque era where non-dynamic instruments had to hold notes longer to accent them. Michelangeli is not honoring that here, whether due to it being a "modern" interpretation or a lack of knowledge I don't know.
G
Ok ok ok ok ok ok