J.S. Bach: Goldberg Variations
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- เผยแพร่เมื่อ 28 พ.ค. 2024
- Bach’s Goldberg Variations have gained iconic status, its popularity reaches well beyond the boundaries of traditional classical music audiences.
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Composer: Johann Sebastian Bach
Artist: Klára Würtz (piano)
The touch and musicianship of the Hungarian pianist Klára Würtz is amply attested by a substantial catalogue of Brilliant Classics and Piano Classics albums stretching from Mozart to Bartók. Her latest recording turns to a pillar of the keyboard repertoire, the variation set composed by J.S. Bach in 1741 as the fourth and final volume of his compendious Clavier-Übung (Keyboard exercise) project.
Practical instruction, entertainment and profound expression went hand in hand for Bach: one artistic goal never obscured the others. However, few of his works attain all three goals with the sublime mastery of the Goldberg Variations. The prowess of the performer is tested and placed on show as much as the ingenuity of the creative imagination in Bach’s most comprehensive response to the variation genre.
‘Composed for connoisseurs, for the refreshment of their spirits’: the composer’s dedication and introduction makes the artistic intent of the Goldberg Variations plain. Every third variation in the series of 30 is a canon, following an ascending pattern. The variations that intervene between the canons are also arranged in a pattern, following an order of canon, genre piece (such as a minuet or gigue) and a more freely developed and ornate fantasia. The whole set is bookended by an aria in the style of a sarabande which already presents the theme in decorated form as a grave chaconne.
The poised classicism of Klára Würtz’s pianism makes this new recording of the Goldbergs an album to be keenly anticipated by all pianophiles and lovers of Bach. She takes all the repeats, and plays with the full armoury of the modern piano’s tonal capabilities.
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Tracklist:
Goldberg Variations, BWV 988:
0:00:00 I. Aria
0:04:27 II. Variatio 1
0:06:12 III. Variatio 2
0:07:30 IV. Variatio 3, canone all unisuono
0:09:29 V. Variatio 4
0:10:33 VI. Variatio 5
0:12:02 VII. Variatio 6, canone alla seconda
0:13:15 VIII. Variatio 7, al tempo di giga
0:14:58 IX. Variatio 8
0:16:47 X. Variatio 9, canone alla terza
0:18:18 XI. Variatio 10, fugetta
0:19:54 XII. Variatio 11
0:22:00 XIII. Variatio 12, canone alla quarta
0:24:23 XIV. Variatio 13
0:29:42 XV. Variatio 14
0:31:48 XVI. Variatio 15, canone alla quinta andante
0:35:57 XVII. Variatio 16, ouverture
0:38:44 XVIII. Variatio 17
0:40:44 XIX. Variatio 18, canone alla sexta
0:42:14 XX. Variatio 19
0:43:59 XXI. Variatio 20
0:45:53 XXII. Variatio 21, canone alla settima
0:48:35 XXIII. Variatio 22, allabreve
0:50:00 XIV. Variatio 23
0:52:05 XXV. Variatio 24, canone all’ ottava
0:54:50 XXVI. Variatio 25, adagio
1:02:48 XXVII. Variatio 26
1:04:51 XXVIII. Variatio 27, canone alla nona
1:06:42 XXIX. Variatio 28
1:09:01 XXX. Variatio 29
1:11:05 XXXI. Variatio 30, quodlibet
1:13:07 XXXII. Aria da capo
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Goldberg Variations, BWV 988:
0:00:00 I. Aria
0:04:27 II. Variatio 1
0:06:12 III. Variatio 2
0:07:30 IV. Variatio 3, canone all unisuono
0:09:29 V. Variatio 4
0:10:33 VI. Variatio 5
0:12:02 VII. Variatio 6, canone alla seconda
0:13:15 VIII. Variatio 7, al tempo di giga
0:14:58 IX. Variatio 8
0:16:47 X. Variatio 9, canone alla terza
0:18:18 XI. Variatio 10, fugetta
0:19:54 XII. Variatio 11
0:22:00 XIII. Variatio 12, canone alla quarta
0:24:23 XIV. Variatio 13
0:29:42 XV. Variatio 14
0:31:48 XVI. Variatio 15, canone alla quinta andante
0:35:57 XVII. Variatio 16, ouverture
0:38:44 XVIII. Variatio 17
0:40:44 XIX. Variatio 18, canone alla sexta
0:42:14 XX. Variatio 19
0:43:59 XXI. Variatio 20
0:45:53 XXII. Variatio 21, canone alla settima
0:48:35 XXIII. Variatio 22, allabreve
0:50:00 XIV. Variatio 23
0:52:05 XXV. Variatio 24, canone all’ ottava
0:54:50 XXVI. Variatio 25, adagio
1:02:48 XXVII. Variatio 26
1:04:51 XXVIII. Variatio 27, canone alla nona
1:06:42 XXIX. Variatio 28
1:09:01 XXX. Variatio 29
1:11:05 XXXI. Variatio 30, quodlibet
1:13:07 XXXII. Aria da capo
👍
@@kamilstrzeleckidrawing8351 I'm also a Bach fan. Recently released my version of favorite Goldberg Variations. On my page. 🙂
La mia versione pianistica preferita... Sono incantato da un ascolto senza alcuna
fatica e completo di un'espressione adeguata al carattere di ogni variazione ... Fino a rivelare con semplicità l'unità dell'opera! Sono commosso e felice di questa sorpresa..
Grazie Klara
Der Goldberg Variationen sind mit das schönste,wunderbarste an Musik,danke sehr.
아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Wunderschöne und detaillierte Interpretation dieser ewigen und perfekt komponierten Variationen in verschiedenen Tempi mit klarem doch anmutigem Klang des technisch fehlerlosen Klaviers und mit perfekt kontrollierter Dynamik. Wahrhaft intelligente und geniale Pianistin!
Oooooo! the voicing... so important and so well done!
Thank you so much for posting this excellent album. It has been delightful listening to such a skilled and confident performance by Ms Würtz.
Thanks Klara!
시공간을 초월한 영원한 명곡.
감사합니다.
Wonderful .....Calming💓💕💞💓💗💖💌
Bach dedicated this stunning work to Bill Goldberg, a professional 300 lbs muscle mountain wrestler.
Bach was the Picasso of Music
klara wurtz is a generational genius!
Beautiful!
Nice
Maravilloso!!
🌷 Thank you! 🌷
I know Klara's playing and The Goldberg Variations is one of my most favourite classical pieces, what a wonderful combo!! Thank You!
So beautiful. Brought tears to my eyes. ❤❤❤
Great!
Maravilloso II. Variatio 1
Это волшебство! ❤
Good 👍
Hermoso!!!!
Love it ❤️
modern but sound authentic
Klára has a truly vast repertoire doesn't she?
Very nice version of the Goldberg variations. It sounds so much better played on a piano!
I am ashamed to say I was not aware of Ms. Wurtz before listening to this recording of one of my very favorite pieces. The voicing, the evenness of the passagework, and the subtle but memorable phrasing set it apart from the many other versions I have heard.
I saw Lang Lang play this in Seoul, Korea live... I can never forget that wonderful day!!! Bach is the greatest baroque composer ever!(But not the greatest composer EVER; I prefer Liszt sry for that)
Lang Lang is great for bringing people to classical music, but once you study, you realize he is an amateur compared to Barenboim, Uchida, Kissin, Argerich, and many others. I've seen Lang Lang live three times with my teachers, not one had a positive thing to say about him beyond, "he plays the right notes." Minus the flailing on the bench, his playing is devoid of life in my opinion.
Just compare Lang Lang's tone to Rubinstein, Horowitz, or the Babins, a world of difference despite Lang Lang having the advantage of 5 decades of improved recording technology. That says it all right there.
Hannibal was here!
🙏🇺🇦🇺🇦🇺🇦🙏
Should be played on the Harpsichord in my opinion
But at the same time, there are already many wonderful renditions on harpsichord that you wonder, what can one come up with something new and outstanding for these variations?
don't let this recording stop you 😉
Murray Perahia Goldberg Variations END OF THE GAME
Spielt doch mal was Neues!
Great Performance!!!