i was walking down the street in the west village nyc with some friends. It was in the sixties. A lady was walking towards us and when she got up to us just said. My son is Bobby Colomby the drummer in Blood Sweat and Tears. She was so proud of you.
A huge fan of Bobby Colomby. I played drums professionally through the '70s. Almost every band I worked with had one or two BS&T songs on their playlist
Bobby has confidence and guts, but never realized how great he is...I had to learn all his parts, and some are very difficult when I was 18 years old..At 73,I still listen to BS+T.Love this guy.
Steve Katz is brilliant - not a great guitar, technician, or chops or whatever but I feel like he deserves a little bit more credit as an important musician than he was getting here
Historic gold!.. thanks Steve... once in Houston I found myself face to face with Lew Soloff at a club. He was gracious and let me slobber over how great BS&T was.. They changed everything.
Lew’s playing in BS&T was off the charts! Incredible. Not only for his technique and range, but his lyrical interpretation. His incredible technique is on full display on his solo on Lucretia’s Reprise. And, his solo during the Latin-tinged section of God Bless the Child is unreal. Then you hear a totally more nuanced style in his solo on 40,000 Headmen. The guy was “the real deal”. I had a chance to see him much later, a few years before he passed, in NYC at the famed Iridium club. It was a beautiful display of true mastery of the horn. He truly could “tell the story” with the trumpet. He passed way too soon.
Oh man, what a GREAT interview from fellow New Yorker, Bobby Colomby. Now THERE was a guy who made me wear out some records! His playing is just spectacular, and unique. Thanks Steve! 🙂
@@stevemaxwelldrums Steve, I recall you telling me that you recovered Bobby's red ripple Rogers kit. Had no idea it was for Mark Knopfler, who is one heck of an artist as well! :)
I'm a drummer, and was 14 when the first BS&T album came out. I was instantly hooked. (and we all started to wonder about FIbes, too) Thank you, Bobby, for doing this really cool interview, and thank you, Steve, for hosting it. Great fun and memories!
@stevemaxwelldrums I never owned a Fibes kit, but owned a couple of the Fibes snare drums, and later, a couple of the wood shell "Corder" versions. So simple, and such a great sound. :)
This wouldn't be half as good if I hadn't seen Blood, sweat and Tears a few times, and like so many young musicians of my generation venerated the originality and excellence of Columby's drumming. He was great!!!
Love the interview, always admired Bobby as a drummer. His work in the music industry is epic. Never knew some of the facts learned here. Thank You Steve Maxwell, see you at the Drum Shop in Nashville.
Bobby was always one of my drumming heroes. I listen to his work today and still discover things I had missed. Thank you both for this interview! Looking forward to seeing the documentary.
Bobby you are mistaken !!!! I do use BS&T records to calibrate my 7.2 home HiFi stereo system TODAY !!!! the sound you produced STILL is one of the best in the history of Rock and POP music. PERIOD !!!!!!
Dear Mr. Colomby, if you read this comment please respond to me. In around the summer of I think 1972, BS&T played the Lenox Art Center in the Berkshires. I was a 16 year old drummer wannabe, who was such a big fan of yours that my buddies and I got there about 4 hours before you went on. I went up to the food stand for a bite, and who is standing behind me in line was you. It's indescribable how I felt, as I had listened to all your drumming work, and you were my idol. After I told you that I was a drummer there to see and hear you, you treated me as if I was your own brother. I don't know if you remember, but you brought me backstage and introduced me to every single member of the band. You then sat on a log with me and Jim Fielder on the other end warming up. You gave me a free drum lesson right on the spot. I will never forget how I felt being such a nobody being treated like royalty by you, and the other members as well. I'd like right now to say thank you, and I can honestly say, I remember just about every word you spoke to me that day. I remember how you spoke of your (then) recent drum lesson with that guy twisting your hands and thinking what an idiot he was. I would ask you to please respond to this lengthy comment with a word or two if you remember that day. Just so I know that you got my 51 year late thank you. I had no way of ever thanking you until right now. By the way, a year later at age 17, right out of high school, I went on tour as a pro drummer, and at 67 I'm still drumming. A huge part of my success was you, THANK YOU, Thank you, and Thank you.
Luved this entertaining interview, Steve. At 14, Bobby opened my eyes to jazz. A hugh influence on my early career which eventually led to succss in Nashville. Thank you Bobby! As the world turns, I believe we have a mutual friend in Jim 'Jimi Fìtz' Fitzgerald.
Hey Steve, Bobby signed and produced a group I was in called Avalon back in 82' while he was at Capitol Records. We recorded in the Capitol Records studios while next door Al Schmitt was mixing Claus Ogerman's Cityscape album featuring Michael Brecker. On a break, Michael Brecker stopped in and we all shot some hoops together in the very large studio that I believe had a regulation size basketball hoop installed (I think Bobby had it put in) Anyway, please let Bobby know that I have some pictures of us all shooting hoops with Michael and would be glad to send them to him. I also want to thank him for being so kind to me. He arranged to have Vinnie Colaiuta, Mike Porcaro, Jay Winding & Mark Isham play on our record. He also had our band play and sing backgrounds on a couple of tracks for the group America with Jeff & Mike Porcaro. I could go on but I just want to thank him for giving us the opportunities. Sincerly, Mike Mirage PS: Old email updated to my gmail account.
Bobby and Buddy Rich were my two favorite drummers growing up. I thought Bobby played with a great sense of musicality and technique and dynamics. He had a great feel and I now can see where his technique wasn't traditional in that sense. He had a very interesting career.
This going to sound crazy, but I do inboudn IT support for a major electronics company and I got a call from Bobby Colomby as him being the customer calling in TODAY!!!! Anywhose, we chatted for like... 15-20 min. I recognized his name and I realized he's fromt he band Blood Sweat and Tears and I almost totally freaked out. I had to double check that his account wasn't marked VIP in our system beacuse if it was, I have to escalate it a totally different dept. Either way, this guy is totally amazing. he's super nice. Just an all around nice guy.
Thanks for this Steve! What a great interview! Bobby is so well spoken and engaging! I remember Listening to Child is father to the man and Loving the sound of his tightly tuned kit and tasty chops!
@@bobg4657 Interesting--since you have just named my two fav drummers--any idea when this was?? I'd kill to hear him complimenting Carl. Carl is the closest to Rich in technique IMO of all drummers.
Brilliant, fun, engaging and historically important interview! I could’ve done without the silly “self deprecating” interjections at the beginning, and stuff about the gold records, come on man, you earned those, just show them and let them be, Bob!
Yes Rupert Perry Was a Executive Vise President of EMI/Australia Yet He Had a Office at The Capitol Records Tower in Hollywood on Vine and Rupert Perry Was The One Bobby Mentioned Was Connected To Thorn/EMI Yes He Was and It Was Rupert Perry Who Introduced Me Too Princes Ann of The Royals Whom At The Time Was The Head of EMI/International Yet Again Bobby Skipped Over His Capitol Records Days Yes Rupert Perry is Well Connected with Thorn/EMI Which Was The Motion Picture Side of EMI I Think Rupert Put 2 plus 2 Together I Would Be At Thorn/EMI in Beverly Hills On Dayton Way and Bobby’s Buddy Rupert Figured Out I Was a Guy Without a Title For a Very Good Reason or No Good Reason Great Interview Side Note: I Also Knew Mr. Phil Halsey of Slingerland Drums Chicago I Once Went To The Pro Drum shop on Vine in Hollywood I Wanted a Slingerland Yellow Jacket Bass Drum Pedal I Was Well Connected I Was A Guy With No Title at Capitol Records Just Up The Street and Now I Want a Drum Set and I Walked Into The Pro Drum Shop Stan and Jerry Are There Yet Their Dad Was Running The Show I Asked The Dad If I Can Put a Slingerland Drum Set On Lay-a-Way The Dad Said “” No!”” Come Back When You Get The Money 💰 I Said “” I Can’t Believe This”” so I Call 📞 My Assistant at Capitol Records He Called Royal Studio Cartage Who Call SIR and I Got The Dirct Number To The Executive President of Slingerland Drums in Chicago Who was Phil Halsey Now I Talked Too Phil and He Said “” What!”” I’ll Take Care Of This I Go Back Into The Pro Drum Shop In Hollywood on Vine Street and I Said Too The Dad You are Going To Get a Phone Call 📞 From Phil Halsey The Dad Said “” Bull S%#?!” Well Before You Know It The Phone 📞 Rings it’s Phil Halsey of Slingerland and He Is Pissed Off When The Dad Got Off The Phone and Jerry and Stan Got Off The Phone The Dad Said I Don’t Know Who You Are But Here’s a Brand New Slingerland Yellow Jacket Bass Drum Pedal At No Cost 💲 Too You Now Steve Maxwell Call Jerry or Stan At The Pro Drum Shop in Hollywood California and Ask for Stan Tell him The Story and It’s Vernon Who Stan Always Says Too Me “” Outstanding “” Stan Knows That Story I Wanted a 61/2 x 14 Ludwig Snare The Dad Was Giving Me a Bad Time and a Crazy Price I Said I Can Get it For Less at The Guitar Center The Dad Grabs Me and Locked Me In A Small Practice Room So The Dad Said Ok ok Ok I Don’t Want any More Phone Calls From Your Friends I’ll Sell You The Ludwig Snare For My Price Plus Tax Call 📞 Stan and He Remembers His Dad Locking Me in a Room I Have That Drum Set I Bought At The Pro Drum Shop A 1976 Slingerland I Still Have it….
It’s Been Over 30 Years I Was The Red Headed Clad in Black Gothic Rocker That Bhaskar Menon CEO of Capital/EMI Hired Me To Be The Go Between With Joe Isgro and KISS Radio Bobby Columby Would Show Up To The Capital Records Tower on Casual Friday in A Hawaiian Shirt Shorts and Sandals That Was Bobby Columby At The Most Uptight Place To Work The Most Up/Tight Was Rupert Perry I Did Meet Princes Ann of The Royals She Was The Head of EMI International and Thorn EMI The Capital Christmas Party Was Off The Hook Bhaskar Menon Hired Me But He Said You Work For Me But You Have No Title The 7th Floor at The Capitol Tower Had The Old Neon Sign in The Lobby…..This is My Days Meeting Mr.Bobby Columby When He Was a VP at Capitol Records and I Was a Guy That Had No Title The Skinny Red Head all In Black Say Hi To Bobby Columby For Me
Bobby Colomby Mentioned Rupert Perry He Was a Vice President of EMI Australia if I remember Correctly I Did Party With Rupert at The Christmas Party There Was a Big Christmas Party in Studio B in The Basement and Small Private Parties in The Capital Records Tower Bobby Colomby Was The Most Kick Back Guy In a Very Uptight Environment at Capitol Records Funny He Doesn’t Reference His Time At Capitol Records Yet He was a Executive Vice President. At Capitol Records So I Bring a Friend of Mine and Was invited To Rupert Perry’s Party I Bring a Friend From The Printing Department Across The Street To The Rupert Perry Party and Bobby Colomby was There Yet I Walk in and Head To The Booze 🍸 and Rupert is Talking To Bobby and Rupert Walks Over To Me And Said You can Stay But You’re Buddy Has To Go Bobby Colomby Mentioned Rupert Perry Tall Dude All Business Yet Rupert Perry Bobby Colomby Invited Me To Met Princes Ann of The Royals and Yoko Ono and Bobby Colomby and Rupert Perry Invited Me To a Private Party For Miles Davis That’s My Days At Capitol Records with Bobby Colomby If You Notice on The Interview Bobby Colomby Jumps Ahead of The Capitol Records Days and Goes Into Entertainment Tonight The Entire 1980’s at Capitol Records Was The Bomb 💣 I Knew Bobby and Rupert I Think Rupert Knew What I Was Doing Yet Bobby Was “” I Don’t Want To Know “” And He Was Right I Was One Of Joe Isgro’s and Bhaskar Menon’s Guys and Bobby Colomby Would Ask Me What is You’re Title ? I Would Say “” I Don’t Have One”” Rupert Perry Bobby’s Buddy Said Too Bobby “” He Works For Bhaskar Menon “” Bobby Would Say “” I Don’t Want To Know What You Do “” I Said “” Good “”
B,S & T is one of my favorite bands! This interview with Bobby Colomby is GOLD!
i was walking down the street in the west village nyc with some friends. It was in the sixties. A lady was walking towards us and when she got up to us just said. My son is Bobby Colomby the drummer in Blood Sweat and Tears. She was so proud of you.
Thank you Steve ..for being a great interviewer ..You let Mr .Colomby ( give the history ) ,,without any interruption !!!!..1st class !
Bobby Columby //Simply the best ...he has influenced so many drummers ..!! ..
A huge fan of Bobby Colomby. I played drums professionally through the '70s. Almost every band I worked with had one or two BS&T songs on their playlist
Bobby has confidence and guts, but never realized how great he is...I had to learn all his parts, and some are very difficult when I was 18 years old..At 73,I still listen to BS+T.Love this guy.
Happened to see Steve Katz 3 weeks ago speaking at a screening of the BST film. Steve played a set after as well.
Steve Katz is brilliant - not a great guitar, technician, or chops or whatever but I feel like he deserves a little bit more credit as an important musician than he was getting here
Historic gold!.. thanks Steve... once in Houston I found myself face to face with Lew Soloff at a club.
He was gracious and let me slobber over how great BS&T was..
They changed everything.
Lew’s playing in BS&T was off the charts! Incredible. Not only for his technique and range, but his lyrical interpretation. His incredible technique is on full display on his solo on Lucretia’s Reprise. And, his solo during the Latin-tinged section of God Bless the Child is unreal. Then you hear a totally more nuanced style in his solo on 40,000 Headmen. The guy was “the real deal”. I had a chance to see him much later, a few years before he passed, in NYC at the famed Iridium club. It was a beautiful display of true mastery of the horn. He truly could “tell the story” with the trumpet. He passed way too soon.
Oh man, what a GREAT interview from fellow New Yorker, Bobby Colomby. Now THERE was a guy who made me wear out some records! His playing is just spectacular, and unique. Thanks Steve! 🙂
Hey pal! Yeah, this was a lot of fun and Bobby is great. He always under-estimates his playing, but he really was great.
@@stevemaxwelldrums Steve, I recall you telling me that you recovered Bobby's red ripple Rogers kit. Had no idea it was for Mark Knopfler, who is one heck of an artist as well! :)
I'm a drummer, and was 14 when the first BS&T album came out. I was instantly hooked. (and we all started to wonder about FIbes, too) Thank you, Bobby, for doing this really cool interview, and thank you, Steve, for hosting it. Great fun and memories!
Bobby loved the Fibes kit. They projected incredibly. I am also a huge Fibes fan.
@stevemaxwelldrums I never owned a Fibes kit, but owned a couple of the Fibes snare drums, and later, a couple of the wood shell "Corder" versions. So simple, and such a great sound. :)
This wouldn't be half as good if I hadn't seen Blood, sweat and Tears a few times, and like so many young musicians of my generation venerated the originality and excellence of Columby's drumming. He was great!!!
Love the interview, always admired Bobby as a drummer. His work in the music industry is epic. Never knew some of the facts learned here. Thank You Steve Maxwell, see you at the Drum Shop in Nashville.
Bobby was always one of my drumming heroes. I listen to his work today and still discover things I had missed. Thank you both for this interview! Looking forward to seeing the documentary.
Thanks Steve & Bobby for this wonderful conversation. Fun, Insightful and inspirational.
Bobby you are mistaken !!!! I do use BS&T records to calibrate my 7.2 home HiFi stereo system TODAY !!!! the sound you produced STILL is one of the best in the history of Rock and POP music. PERIOD !!!!!!
Dear Mr. Colomby, if you read this comment please respond to me. In around the summer of I think 1972, BS&T played the Lenox Art Center in the Berkshires. I was a 16 year old drummer wannabe, who was such a big fan of yours that my buddies and I got there about 4 hours before you went on. I went up to the food stand for a bite, and who is standing behind me in line was you. It's indescribable how I felt, as I had listened to all your drumming work, and you were my idol. After I told you that I was a drummer there to see and hear you, you treated me as if I was your own brother. I don't know if you remember, but you brought me backstage and introduced me to every single member of the band. You then sat on a log with me and Jim Fielder on the other end warming up. You gave me a free drum lesson right on the spot. I will never forget how I felt being such a nobody being treated like royalty by you, and the other members as well. I'd like right now to say thank you, and I can honestly say, I remember just about every word you spoke to me that day. I remember how you spoke of your (then) recent drum lesson with that guy twisting your hands and thinking what an idiot he was. I would ask you to please respond to this lengthy comment with a word or two if you remember that day. Just so I know that you got my 51 year late thank you. I had no way of ever thanking you until right now. By the way, a year later at age 17, right out of high school, I went on tour as a pro drummer, and at 67 I'm still drumming. A huge part of my success was you, THANK YOU, Thank you, and Thank you.
Hi Steve. I will make sure to send your comment to Bobby. Bobby’s a great guy both personally and professionally. He’ll appreciate hearing this. Steve
Thank you so much Mr. Maxwell!@@stevemaxwelldrums
Luved this entertaining interview, Steve. At 14, Bobby opened my eyes to jazz. A hugh influence on my early career which eventually led to succss in Nashville. Thank you Bobby! As the world turns, I believe we have a mutual friend in Jim 'Jimi Fìtz' Fitzgerald.
Great interview. There is a total of 16 bars of Randy Brecker soloing on "Without Her." Too short, of course.😂
Great interview!! He can really tell a story!! Had me rolling on the floor with some of the stories!!!!
Steve this was the coolest interview the history Bobby thanks !
Hey Steve, Bobby signed and produced a group I was in called Avalon back in 82' while he was at Capitol Records. We recorded in the Capitol Records studios while next door Al Schmitt was mixing Claus Ogerman's Cityscape album featuring Michael Brecker. On a break, Michael Brecker stopped in and we all shot some hoops together in the very large studio that I believe had a regulation size basketball hoop installed (I think Bobby had it put in) Anyway, please let Bobby know that I have some pictures of us all shooting hoops with Michael and would be glad to send them to him.
I also want to thank him for being so kind to me. He arranged to have Vinnie Colaiuta, Mike Porcaro, Jay Winding & Mark Isham play on our record. He also had our band play and sing backgrounds on a couple of tracks for the group America with Jeff & Mike Porcaro. I could go on but I just want to thank him for giving us the opportunities. Sincerly, Mike Mirage PS: Old email updated to my gmail account.
Bobby and Buddy Rich were my two favorite drummers growing up. I thought Bobby played with a great sense of musicality and technique and dynamics. He had a great feel and I now can see where his technique wasn't traditional in that sense. He had a very interesting career.
This going to sound crazy, but I do inboudn IT support for a major electronics company and I got a call from Bobby Colomby as him being the customer calling in TODAY!!!! Anywhose, we chatted for like... 15-20 min. I recognized his name and I realized he's fromt he band Blood Sweat and Tears and I almost totally freaked out. I had to double check that his account wasn't marked VIP in our system beacuse if it was, I have to escalate it a totally different dept. Either way, this guy is totally amazing. he's super nice. Just an all around nice guy.
I think the singer/guitarist from Michigan was probably Dick Wagner. Thank you Steve for this amazing interview.
Thanks for this Steve! What a great interview! Bobby is so well spoken and engaging! I remember Listening to Child is father to the man and Loving the sound of his tightly tuned kit and tasty chops!
Bobby was my first drum hero.
BTW... Jerry Fisher was no slouch! So Long Dixie still gives me goose bumps!
Steve, you should interview former Chicago drummer Danny Seraphine.
One of the great drummers of all time and literally the only drummer that Buddy Rich ever complimented.
Not true. I remember Buddy complimenting Carl Palmer on the Tonite Show.
@@bobg4657 Interesting--since you have just named my two fav drummers--any idea when this was?? I'd kill to hear him complimenting Carl. Carl is the closest to Rich in technique IMO of all drummers.
He also said “Anything I can do, Joe Morello can do.” They were good friends.
Brilliant, fun, engaging and historically important interview! I could’ve done without the silly “self deprecating” interjections at the beginning, and stuff about the gold records, come on man, you earned those, just show them and let them be, Bob!
Yes Rupert Perry
Was a Executive
Vise President of
EMI/Australia Yet He
Had a Office at The Capitol Records Tower in Hollywood on Vine and
Rupert Perry Was The One Bobby Mentioned Was Connected To
Thorn/EMI
Yes He Was and It
Was Rupert Perry Who Introduced Me
Too Princes Ann of
The Royals Whom At The Time Was The Head of
EMI/International
Yet Again Bobby Skipped Over His Capitol Records
Days
Yes Rupert Perry is
Well Connected with
Thorn/EMI
Which Was The Motion Picture Side of
EMI
I Think Rupert Put
2 plus 2 Together
I Would Be At
Thorn/EMI in Beverly Hills
On Dayton Way
and Bobby’s Buddy
Rupert Figured Out
I Was a Guy Without a
Title For a Very Good Reason or No Good Reason
Great Interview
Side Note:
I Also Knew
Mr. Phil Halsey of
Slingerland Drums Chicago
I Once Went To The Pro
Drum shop on Vine in Hollywood I Wanted a
Slingerland Yellow Jacket Bass Drum Pedal I Was Well Connected I Was A Guy With No Title at
Capitol Records Just Up The Street and Now I Want a Drum Set and I Walked Into The Pro Drum Shop
Stan and Jerry Are There Yet Their Dad Was Running The Show
I Asked The Dad If I Can Put a Slingerland Drum Set On Lay-a-Way
The Dad Said “” No!””
Come Back When You Get
The Money 💰
I Said “” I Can’t Believe This”” so I Call 📞 My Assistant at Capitol Records He Called Royal
Studio Cartage Who Call
SIR and I Got The Dirct
Number To The Executive President of Slingerland Drums in Chicago
Who was Phil Halsey
Now I Talked Too Phil and He Said “” What!””
I’ll Take Care Of This
I Go Back Into
The Pro Drum Shop In Hollywood on Vine Street and I Said Too The Dad
You are Going To Get a
Phone Call 📞 From
Phil Halsey
The Dad Said “” Bull S%#?!”
Well Before You Know It
The Phone 📞 Rings it’s Phil Halsey of Slingerland and He Is Pissed Off
When The Dad Got Off The Phone and
Jerry and Stan Got Off The Phone
The Dad Said
I Don’t Know Who You Are
But Here’s a Brand New
Slingerland Yellow Jacket Bass Drum Pedal
At No Cost 💲 Too You
Now Steve Maxwell
Call Jerry or Stan
At The Pro Drum Shop in Hollywood California and Ask for Stan
Tell him The Story and
It’s Vernon Who Stan Always Says Too
Me “” Outstanding “”
Stan Knows That Story
I Wanted a 61/2 x 14
Ludwig Snare
The Dad Was Giving Me a
Bad Time and a Crazy Price I Said I Can Get it For Less at The Guitar Center
The Dad Grabs Me and Locked Me In A Small Practice Room
So The Dad Said
Ok ok Ok
I Don’t Want any
More Phone Calls From Your Friends
I’ll Sell You The Ludwig Snare For My Price
Plus Tax
Call 📞 Stan and He Remembers His Dad
Locking Me in a Room
I Have That Drum Set
I Bought At
The Pro Drum Shop
A 1976 Slingerland I Still Have it….
What expression is he supposed to make??
Tough luck, bud. Serves you right for being so good.
It’s Been Over 30 Years
I Was The Red Headed Clad in Black Gothic Rocker That Bhaskar Menon CEO of
Capital/EMI Hired Me To
Be The Go Between With
Joe Isgro and KISS Radio
Bobby Columby Would Show Up To The Capital Records Tower on Casual Friday in A Hawaiian Shirt Shorts and Sandals
That Was Bobby Columby At The Most Uptight Place To Work
The Most Up/Tight Was
Rupert Perry
I Did Meet Princes Ann of The Royals She Was The Head of EMI International
and Thorn EMI
The Capital Christmas Party Was Off The Hook
Bhaskar Menon Hired Me But He Said You Work For Me But You Have No
Title
The 7th Floor at The Capitol Tower Had The Old Neon Sign in The Lobby…..This is My Days Meeting
Mr.Bobby Columby
When He Was a
VP at Capitol Records and I Was a Guy That Had No
Title
The Skinny Red Head all In Black
Say Hi To Bobby Columby For Me
Bobby Colomby Mentioned
Rupert Perry
He Was a Vice President of EMI Australia if I remember Correctly
I Did Party With Rupert at
The Christmas Party
There Was a Big
Christmas Party in Studio B in The Basement and Small Private Parties in The Capital Records Tower
Bobby Colomby
Was The Most Kick Back
Guy In a Very Uptight Environment at Capitol Records
Funny He Doesn’t Reference His Time At
Capitol Records
Yet He was a
Executive Vice President.
At Capitol Records
So I Bring a Friend of Mine and Was invited To
Rupert Perry’s Party I
Bring a Friend From The Printing Department Across The Street To The Rupert Perry Party
and Bobby Colomby was There Yet I Walk in and Head To The Booze 🍸 and Rupert is Talking To Bobby and Rupert Walks Over To Me And Said
You can Stay But You’re Buddy Has To Go
Bobby Colomby Mentioned
Rupert Perry
Tall Dude All Business Yet
Rupert Perry Bobby Colomby Invited Me To
Met Princes Ann of The Royals and Yoko Ono and
Bobby Colomby and Rupert Perry Invited Me
To a Private Party For
Miles Davis
That’s My Days At
Capitol Records with
Bobby Colomby
If You Notice on The Interview Bobby Colomby Jumps Ahead of
The Capitol Records Days and Goes Into Entertainment Tonight
The Entire 1980’s at
Capitol Records Was The Bomb 💣 I Knew Bobby
and Rupert
I Think Rupert Knew What I Was Doing Yet Bobby Was “” I Don’t Want To
Know “”
And He Was Right
I Was One Of
Joe Isgro’s and
Bhaskar Menon’s
Guys and Bobby
Colomby Would Ask Me
What is You’re Title ?
I Would Say
“” I Don’t Have One””
Rupert Perry
Bobby’s Buddy Said
Too Bobby
“” He Works For
Bhaskar Menon “”
Bobby Would Say
“” I Don’t Want To
Know What You Do “”
I Said “” Good “”
Always liked Bobby's playing. Just saw the movie - just a meh rating from me.
Hahahahaha😂😂😂
He talks a lot