Recording Drums - Mono Room Mic Experimenting
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- เผยแพร่เมื่อ 2 ก.ค. 2024
- I'm continuing my workflow shake up with some mono room mic experimenting. I LOVE mono room mics. In my opinion a mono room mic is kind of a secret weapon of ambience. However, I've gotten in a flow of using the same mics. Do they work? Of course but I want to change things up a bit and the only way I know how to do that is to explore new options. Or in some cases re-explore!
The point is to take some time to find some new sounds. Whatever mics you have put them to use in a new way and hear what happens!
Happy recording!
Gear list:
Ludwig Neu Sonic - @LudwigDrumsHQ
Paiste Cymbals - @PaisteChannel
Audio-Technica ATM250 Kick Mic - @AudioTechnicaUSA
MicParts SDC84 Snare Mic
Heil P430 Tom Mics - @HeilSound
Roswell Pro Audio Mini K87 Overhead Mics - @RoswellProAudio
MOTU 8 Pre Interface & Mic Pres -
Heritage Audio Successor Compressor - @heritage_audio
Golden Age Project Comp-3A JR Compressor
Room Mics:
Cascade Fathead II
MXL R144
Audio-Technica AT4081
MicParts T47
12 Gauge Microphones Red12
Roswell Pro Audio Delphos
Segments:
00:00 Intro Performance
00:29 Introduction / Kit Walk through / Mic Setup
02:10 Room Mic Walk through
03:36 Room Mic Only demo montage
04:34 Ribbon Mic setup Control Room
05:23 Fathead Demo
06:12 MXL R144 Demo
06:56 Fathead II / R144 comparison performance
07:47 Audio-Technica AT4081 setup & demo
09:34 Mic Parts T47 setup & demo
11:54 12 Gauge Microphones Red12
13:32 Roswell Pro Audio Delphos (omni demo)
15:41 Roswell Pro Audio Delphos (cardioid demo)
16:30 Delphos Omni / Cardioid comparison
17:34 Adding Compression
18:30 Red12 & Comp-3A JR
20:13 Delphos & Heritage Audio Successor
22:02 Wrap
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great video, great playing. man your room sounds great
sweet!
That bass drum is killer!
Fabulous work man! You have a great sound. Thanks for sharing your work and insights! Marty from UK
Love your videos. Your format is so informative and entertaining with just the right amount of talking mixed in
I really appreciate your work man. Gaining a ton of knowledge right from the source
These videos are so freaking good. You deserve a million views. 👌 awesome.
Love it when Waymire is on drums!
Your best gear is your ROOM !
Waoo! I enjoy this video
Love the sound of that T47!
Great Informative video!!!!
VERY first fill is SICKKKK!!!
Very informative
Thank you!!!!
Thank you for taking the time to make these videos! I've been making music at home for over a decade, mostly up in the remote northern regions of Michigan (i.e. little to no access to professional studios). I've mostly relied on amp sims, programmed drums, etc, using a couple decent pencil condensers and a decent selection of dynamic mics to capture live drums whenever I have the opportunity. I've primarily invested my time in the mixing process to get it to sound as decent as I though I could. I've achieved what I consider some pretty decent results form this, but holy cow, after recently moving to a space where I can record live drums more regularly, and even with the limited time I've invested on drum recording in the last couple months based on what I've learned here, I've gotten more life-like and exciting sounds than I ever thought I'd be capable of capturing in a home studio.
After moving to my new place and before discovering your channel, I started by investing a couple hundred bucks in home-built acoustic treatment and adding a MXL r144 as a kit front mic. My room is still far from optimal, and I would wager it's pretty similar to the limitations most home studio folks have to work with, but both of these simple changes made a huge difference. I've recently added one of the single pattern 4047's and a 12 Gauge Red 12 to the palette as well, and taken some time to experiment with different placements, etc, based on what I've learned here. With the 4047, Red12, and r144 as texture mics, combined with my selection of dynamics as close mics (mostly SM57s, Sennheiser e604s, and a D6 for kick), the difference compared to my old, "fix it in the mix," close-mic-only recordings has been eye-opening.
I don't have a perfect space or a ton of money to spend, but I have a workable space and a few hundred buck to throw at the process on a fairly regular basis, which I feel like is true of many in the home studio world. Your videos have been hugely helpful, both on the technique end of how to capture quality source material using what I already own, and in helping me build a plan for intelligently acquiring some affordable quality mics and other gear over the next few years here. Your mic discussion with Matt was one of the most insightful things I've ever seen on TH-cam regarding music production. I will be adding a pair of k87's as my next mic purchase. For people who are either interested or pretty much forced (due to location in my case) to go down the rabbit hole of capturing these sounds themselves, this information is incredibly valuable. For those who don't want to invest the time and money required to do it themselves, I hope channels like yours serve as a reminder of the value of paying a professional studio/engineer: years of dedication, experience, and equipment that collectively leads to the ability to capture great music. I make primarily hard rock/metal. I hope more people in the rock/metal community can find stuff like this and realize that great music in this genre is not only attainable, but simply better, with real instruments played by real people and captured with decent equipment and the expertise to know how to use it.
Thanks for this great lesson brother!!! Big hug from argentina
My pleasure! Hope all is well down south!
I'm having a little drumming nerd moment wowing over how powerful your paradiddle on the floortom is
Charlie’s sound checks are always so solid- no offense to the other guys
Another really good video
I’m learning Drums... and getting good cymbals n stuff. Got me some K sweets n thangs. Some vintage Zildjians for some other sounds available. Digging doing all this. Cymbals are awesomeness!
Oh yeah... that Cascade did a Cool thing.
Great review. Guessing the Delphos omni vs cardioid shootout was right as captioned rather than as verbally introduced.
You are a FANTASTIC drummer, my man! I've found the most success with mono room mics - A 57 pointed at the floor, about an inch or two up, about 8 feet or so in front of the kit. I put an amp in between as a baffle of sorts. Never got stereo rooms to do what i want, unfortunately.
Might have to try this. So the amp is there to ensure the mic is getting mainly reflected sound, right?
@@museum1401 Yes, exactly - The amp is just there as a baffle to ensure the mic is getting indirect sound. One guy told me to make sure the distance from the room mic is 3x the distance your overheads are from the snare (so as to follow the 3 to 1 rule to mitigate phase issues). Mine isn't quite that, but it works. I intend to run some experiments with some more exact measurements later on. Also, the original reason I pointed my mic straight at the ground was to filter out some of the high end, but it also helps to keep everything in phase because my overheads are pointing straight down as well. I've tried EVERY SINGLE room mic placement imaginable with just about every mic imaginable and nothing has brought me success like the 57 arranged in this way. This is just what works for me in my room (finished basement space), mind you, though. Cheers.
Also, those RED12's man... They sound exactly like i'd want my rooms to sound... And i only just realised they're 35 bucks
Charlie is no slouch...so groovy
just goes to show the importance of producers, engineers and studio crew in general... artists often use the scapegoat of "MP3 and mobile devices" for their albums sounding like plastic, but at the end of the day you can play any low-quality MP3 file of Led Zeppelin or Cream and you'll instantly hear the sound dynamics and quality there, it has nothing to do with "digital" or "compression"
It has. That stuff was recorded on tape with different processing than is applied today. Also analog gear sounds way better than mixing in the box.
Hope everything is okay, haven't posted on here in a while.
Great video, thank you! Is that a pair of Soundskulptor tape emulators fading out at 21:30? Do you find them useful?
Ribbon room mic is like the instant zep sound imo. Is that a heil on the toms instead of a 421 as usual? Great raw drum sound.
AT4081 sounds good
Hey I like your videos! Thx a lot! Maybe you or someone has a good advice for me: Looking for a good way to record my overheads!
Big problem the ceiling is only 2m high! The complete room is 7,70m x 4,00m! Any ideas! Set is complete miked! Thx for suggestions!?
Is it me or in this application are the fathead and r144 pretty similar sounding? Crazy
Charlie- should I buy an 88?
I love how the mxl sounds almost identical to the Cascade. And the $500 difference. 😂 what the fricken frick is going on here? Btw listening with an audiophile headphone setup.
Hey Charlie... 110 months without videos???
Are you really Incorporated dude?
which mic stand is that ?
It's an On-Stage Studio Boom Stand (www.zzounds.com/a--3981559/item--MUSSMS76501B?siid=192081)
What bass drum beater are you using?
It's the DW DWSM103 Medium Felt Beater.
@@Ultimatestudiosinc Aha! I gotta buy one tomorrow. It has a hard focused punch i'm not used to hearing. Thanks!
You bet!!
You got the label reversed on the Delphos during the comparison
I think that's the biggest loss in today's music scene, it has nothing to do with "labels" or "freedom", it has more to do with the fact that Producers and Engineers are often not hired and as result you have these albums full of cool compositions but sound like Lifeless Plastic 🤣take care of your product, don't cheap out, a producer/engineer is as important as a good songwriter