chill dude he is just trying to help, but frankly, mouth breathing is better for brass, it makes less breathing noise and provides better air supply for longer holds, louder notes, high notes, slurs, etc.
@@emilyashton3739 no, mouth breathing is not "better". It disturbs the embouchure. It induces stress response, it doesn't filter and humidify the air (the nose does). The nose is for inhalation and mouth inhalation should only be supplemental when inhalation duration is limited. This is is a rare instance for most music.
Hi Darryl. I'm from the Arnold Jacobs approach on this topic. I use nose breathing sometimes when working on Frink/Caruso but find it's too restrictive when playing actual music. Relaxed breath = relaxed sound. Holding the breath increases tension, even if you're holding for just a short period of time. Heart rate increases, blood pressure increases, etc. That's why I avoid it and teach my students to avoid it too.
@@melbournetrumpetstudio1484 the ONLY time that high inflow is required in music is if the duration available for an inhalation is limited. That is a rare occurrence in most music for trumpet. The most natural breath is nose inhalation, mouth corners inhalation then should SUPPLEMENT as required IF a high inflow is required. One does not need to CHOOSE between nose or mouth, the lowest inflow resistance is BOTH. If that is what you are seeking. In most music there is adequate time for nose inhalation and the breath need not be both large of volume AND short of duration. Also, I am not suggesting excessively long "holds" of air. The air pressure for the tone must be established by the cessation of the inhalation action. This air pressure is " held" by the tongue for ( Hopefully) a short duration before note release. But that is not necessarily "tension".
What a thumbnail 👏👏👏
I know, I know.....
not my choice!
Thanks! This really helped me a lot.
We were lucky to have you here in the Shenandoah Valley and I was fortunate to grab a few lessons from you!
Thanks Bish! I hope you're doing well!
I play the g-bugle for velvet knights this is very helpful
this really helped me a lot with my breathing and understanding thank u
My music teacher gave me a letter about playing the brass and I was so happy
wow.. am working at it from Ghana . thank u
Nice! Thanks Ernest!
Awesome sauce
You don't increase the speed of the air to play high notes. You increase air compression which will consequently increase the speed of lip vibration.
@ayakosaito7323 th-cam.com/video/8mhz4TQReVM/w-d-xo.htmlsi=NMf9eejHz6MhlvuL&t=362
When he explained how a normal person breaths i was focused on how i breath
Its 12:23 am
Moral Dilemma me^^^
Why are you mouth breathing Tim. Did you NOT consider that you can use the nose?
Also, "holding " is not tension.
chill dude he is just trying to help, but frankly, mouth breathing is better for brass, it makes less breathing noise and provides better air supply for longer holds, louder notes, high notes, slurs, etc.
@@emilyashton3739 no, mouth breathing is not "better". It disturbs the embouchure. It induces stress response, it doesn't filter and humidify the air (the nose does). The nose is for inhalation and mouth inhalation should only be supplemental when inhalation duration is limited. This is is a rare instance for most music.
Hi Darryl. I'm from the Arnold Jacobs approach on this topic. I use nose breathing sometimes when working on Frink/Caruso but find it's too restrictive when playing actual music. Relaxed breath = relaxed sound. Holding the breath increases tension, even if you're holding for just a short period of time. Heart rate increases, blood pressure increases, etc. That's why I avoid it and teach my students to avoid it too.
@@melbournetrumpetstudio1484 the ONLY time that high inflow is required in music is if the duration available for an inhalation is limited. That is a rare occurrence in most music for trumpet.
The most natural breath is nose inhalation, mouth corners inhalation then should SUPPLEMENT as required IF a high inflow is required.
One does not need to CHOOSE between nose or mouth, the lowest inflow resistance is BOTH. If that is what you are seeking.
In most music there is adequate time for nose inhalation and the breath need not be both large of volume AND short of duration.
Also, I am not suggesting excessively long "holds" of air. The air pressure for the tone must be established by the cessation of the inhalation action. This air pressure is " held" by the tongue for ( Hopefully) a short duration before note release. But that is not necessarily "tension".
Darryl, my dog speaks more sense than you.
im is player baritone..
Ade Rizkadinata hello awesome baritone play I am too
Play to baritone me as well.
I play marching baritone and concert trombone :)
well me trumpet play :D (2021 anyone?)
y dis in my recommended?
cabeza de huevo ajajajaj :v
Nunca sabes cuando la alopecia llamará a tu puerta.