Miles Davis - Berliner Jazztage 1971
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- เผยแพร่เมื่อ 18 ต.ค. 2024
- Miles Davis and his group performing at Berliner Jazztage 1971 in Germany. Thanks to einsfestival for the great digital rebroadcast!
Miles Davis - tr
Keith Jarrett - keys
Gary Bartz - as
Michael Henderson - b
Don Alias - perc
James Forman - perc
Leon Chandler - dr
We need the few minutes before with the (also epic) Gary Bartz moment!!
There's a Gary Bartz sax solo just b4 this that totally smokes. Would recommend searching out the audio boot.
The Michael Henderson bassline that underpins the song changed every night on this Fall '71 tour of Europe.
Yes, I think it's on the Jazz Video Guy channel.
If Keith Jarrett had to go into those contortions in order to produce that incredible music so be it.
This is a great concert.
Only 16,000 views??? For The Greatest American Artist, to date, any form. His body of work over 6 decades is unmatched
The bitter truth .... although still breaking ground
Miles qnd Keith Jarret! MARVELOUS! 2 GENIUS!
I freaking love this jam. Keith kills it. The band is on fire. Totally feeling it. I think it's even better than anything from the Isle of Wight performance. It has more patience, with lots of melodic, colorful chords mixed in with the funk. so deep
I know the whole concert is better. It's a little more intimate.
Miles had Keith seeking a sound different from the electric piano sound by utilizing the intersection of piano and organ to forge the technique Keith would later used in his solo piano concerts.Keith was playing like a god and found the niche he was comfortable with and trusted the artistic merits of his resolve to solve the artistic problems Miles created for him. They were an unique tantrum .
Great music, from a wonderful band. Back in the day not every Miles fan dug this stuff but I think there are a lot more out there, like me, who can't hear enough of it.
Wonder-full performance. 3:56 to 4:20 - I recall seeing THAT snippet of footage in a documentary (Miles Ahead, narrated by Oscar Brown Jr, 1986). That little section is magical and it's been in my head ever since. I love Michael Henderson's bass, it's almost a reggae approach. The chords Keith Jarrett plays to compliment Miles. Some of those notes Miles plays have all the poignancy and nuance of the way he would play ballads in an earlier era. Only the setting has changed. Thank you for the upload.
these fellas seem to know what they are doing
That little line he plays at 3:55-4:00 & 5:00-5:04 --- remember him playing that at like 11:30 in "Spanish Key" on the album as that dark section builds up --- love the recurrences
Great close-ups... of Miles, that is! they help us share the intensity even more.
FUNKY AS HELL!!! GREAT GIG
I loooove it ! Great Gig !!!
Stone cold righteous.
Top of their game...amazing performance
It's like before Allan Holdsworth (probably the greatest electric guitar player) decides to play the synthaxe (a new sound), Miles was trying to give the trumpet a new sound to the world within his music. The critics could never understand it. Miles to Wayne: When Miles and I talked, he would ask me a question. 'Wayne (in his voice), hey Wayne -- do you ever get tired of playing music that sounds like music?' Before I answered him, he said, 'I know what you mean.'
Mclaughlin is the greatest overall guitarist (acoustic & electric), Holdsworth is the greatest electric guitar player.
Outstanding stuff right there!
"It's about that time" - they changed the bassline.
Jarret volandose como siempre .
If Miles was a football coach he would've won the World Cup by a handball. He was what Maradona was to Music. A total MASTER. Skill, Innovation, Genius.
the original was on 'Silent Way' of course, but it morphed a lot between then and this gig.
Magic
Thanks for upload--- FANTASTIC STUFF!
MORE!!
Keith jarret genio
total genius group
Miles is God
Beautiful thanks
Alessandro de ❤Souza
u will never be this good.maybe no one will-keith is a survivor.u have a computer.
..👍
cool
💙🎶🏵️
1971~2年、ドロドロ、モコモコ、ずぶ濡れになるまでマイルスだった私、このコンボでのキース・ジャレットが好きでたまらなかったナ!~猛烈エレピ #jazzm
Miles is exploring terrain that only the High Priests of our communities attained. Western theology creates settings that through outward searches for meaning one can find God., Miles demonstrated through his intense and personal searches of who and what he was the God that he sought was always an integral part of his being.Realization of God comes through fully gaining control and power over the essential ingredients that define each and everyone of us as creatures of unlimited creative potential and it Is through this understanding that we can then focus on the true mysteries of life. Magic is acquired by channeling the byproducts of the journey into a self-fulfilling expose’ of the unique genius and indomitable creative spirit which reveals the God quotient that is our constitutional make-up.The Witch Doctor leads the blind until they can negotiate what lies before them.
MILES IS GOD
Alessandro de Souza sujeira
Haters will always find faults
What is the name of this song? i've been trying to find this but i don't even know what it could be.
It’s a Lawrence welk tune
5:00 - 5:13
0:29 5:35
E basta
Thousand of horn players as good maybe better. F that narcissis. The only reason they give him attention is that's all they think there is.
Keith should let his music do the talking, not his ridiculous histrionics. He is an outstanding player; I own several of his trio and solo CDs, but I am quite frankly disturbed by his 'grunting...' at least I can't SEE him!
What's that breed making funny face for drama ?
Nope.
Keith Jarrett’s “guitar face” adds nothing to the conversation here. Keyboard is busy going nowhere. This band was destined to morph.
Is Miles' trumpet amplified from the mouthpiece? That seems odd.