Takemitsu: Complete Works for Piano
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- เผยแพร่เมื่อ 5 ก.ค. 2024
- This album contains the complete piano works by Takemitsu, presented by Piano Classics, a label of Brilliant Classics.
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Although the composer once admitted that he took the title for Rain Tree Sketch from a can of shaving foam, the piece and several others in this invaluable collection share a watery theme which links them back to the music of Debussy as well as the more obvious influence of Messiaen. This collection of Takemitsu’s piano music is filled with a quizzical air and often touches of oblique humour, as though someone is smiling, somewhere. With warm, softly resounding chords and pitter-pattering melodic motifs above, Takemitsu’s piano so often evokes rain gently falling on earth and leaves. There are bright, brisk flashes of light as well as a pervasive undertone of melancholy, which in a work such as Les Yeux Clos can be accounted for by the work’s nature as a memorial to a friend.
Born in 1987, the Belgian pianist Lukas Huisman has made a speciality of new music, studying with the likes of Ian Pace and Geoffrey Douglas Madge. Through these and other teachers he has immersed himself in the complex worlds of Brian Ferneyhough and Kaiksohru Sorabji, among others, requiring a phenomenal technique as well as an appetite for the unfamiliar and challenging.
Composer: Tōru Takemitsu
Artist: Lukas Huisman (piano)
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Tracklist:
00:00:00 Rain Tree Sketch II
00:03:24 Les yeux clos II
00:11:35 Rain Tree Sketch
00:16:03 Les yeux clos
Piano Pieces for Children:
00:22:28 I. Breeze
00:23:13 II. Clouds
00:24:37 For Away
00:30:42 Piano Distance
Uninterrupted Rests
00:35:41 I. Slowly, Sadly and as if to Converse with
00:37:31 II. Quietly and with a Cruel Reverberation
00:40:48 III. A Song of Love
Litany:
00:42:00 I. Adagio
00:46:24 II. Lento misterioso
00:51:48 Romance
00:56:05 De Brauwer: Something, Something. ’n’ Rain ’n’ Such
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#Takemitsu #Classical #Piano #Music - เพลง
I wholeheartedly worship the musical works of the great Toru Takemitsu.They make up my everyday living backround and I cannot live without them and I am endlessly beholden to him.
The composer whose works enabled me to finally appreciate the - is "avant garde" the right term? - Brilliant, beautiful music.
Its.... I don't know how to fully put into words all the emotions I feel right now... Thinking of a past, a present and even a future that may or may not have existed... Past lives I may have or think I experienced... Ethereal but daunting... A faint memory so gruesome, trying to come up from the depths on malice it was buried... Forgotten... For a reason.
How come do you manage to find such gems, Brilliant Classics? Your repertoire of classical music archives is truly astounding!
We try to release a diverse selection of classical music, many of them first recordings
@@BrilliantClassics Thanks!!!!!!
Takemitsu is famous for the music track he provided for the superb meditative movie on Antonio Gaudi by Hiroshi Teshigahara. It is available on youtube.
@@sudhirpv He also did music for Ran, Harakiri, Woman in the Dunes, Face of Another, Kwaidan, Pale Flower and many many more great Japanese films
Takemitsu's paino music is generally realy in his outcome. In addition, since we are accustomed to his fabulous orchestration, the sound of the piano solo creates another world, even if we recognize the melodix/harmonic style of his author
One of the best background music while working at home...
Yes ,you are thoroughly right !
a little more than that...🙂
Brilliant Classics always have a "musical ace" up their sleeve !!! Thanks so much for it...
I love Takemitu's music so much. Thanks so much for uploading this! Also it's a nice touch that "Les yeux clos 2" was before "Rain tree sketch" in this vid, because i noticed that the last note of "Les yeux clos 2" is in the beginning chord of "Rain tree sketch" so it made for a really smooth transition lol. IDK if this was intentional, but I thought it was neat lol. (For reference i'm talking about 11:20)
very haunting and original music I love it +1 like
This tree is "SHIDAREGURI(malformed chestnut tree)" in Japan.
Hoch kultivierte und wunderschöne Interpretation dieser modernen und perfekt komponierten Klavierwerke in verschiedenen Tempi mit klarem doch etwas anmutigem Anschlag und mit sorgfältig kontrollierter Dynamik. Wahrlich intelligenter und genialer Pianist!
Love this music 🎵🎶. I just want to fall in deep and never return!!💙
I ,too ! I worship this musical work !
outstanding recording
Autumn garden rain
I hear the water dreaming
How slow the wind waves
I
Love
This
Channel
Gracias y saludos cordiales desde Mallorca para vosotros brillant classic
👑
This music gives me the mental image of Erik Satie on an acid trip. I like it.
I'd say it's closer to Scriabin on acid
tone clusters at high level
GRATIDÃO !!!!!!!!!!!
曲が美しい。
曲名が、美し過ぎて、詩的です。
コロナは、入って無いのですか？
Thank you. We're sorry, but this song is not included
@@BrilliantClassics thank you .Playing graphic notation requires being an expert in contemporary music. It's not the time for ordinary pianists to play. In the first place, it is not a score written by Toru Takemitsu. He came up with the idea, but it was written by another person. Yuji Takahashi called it a present. The relationship between the two was not very good.Takahashi recorded Corona.
7:57 Debussy?
Más quisiera
BEAUTIFUL ,,BUT IT IS MISSING LITANY FOR SOLO PIANO
Ah yes, the composer who influenced Matt Uelmen in the making of the Diablo II sound/aesthetic...
Fancy seeing you here, Modern Hermeticist. Big fan!
It is lonely that there is no enough melody that can be engraved deep into my memory .
Unfortunately , it is not the work I want to listen to many times .
From Tokyo of the Land of the Rising Sun
I worship this work and all works of the great Toru Takemitsu ! They make the everyday living background of my life and I am so deeply beholden to him !
@@lahm.verlassener
Thankyou so much to your wonderful comment
I am a Brucknerien and Debussyiest
I hope You are well
@@shin-i-chikozima I also thank you heartily for your timely feedback!
@@lahm.verlassener
You are welcome
Please live well
Toru Takemitsu's piano songs are beautiful.
The song title is too beautiful and poetic literary.
Is "Corona" not included in the CD?
Why? Pianist composer " Yuji Takahashi" played figure music for over 30 minutes.
The composer Takemitsu was not expecting such a Incredible wonderful performance.
Yeah also Corona is a bit of a sensitive topic these days 😂
@@TomSistermans same thing that Sting doesn’t sing his song called Russians.
Qui est le peintre de la pochette?
Thamy Steckelbruck according to www.discogs.com/T%C5%8Dru-Takemitsu-Lukas-Huisman-Complete-Works-For-Piano/release/13514828
sorry ,im wrong !! didnt see it on the list
Holaaas ,no es fea Pero es uns mélodie Como anemica, ,👎🧑🙄 que Tenga à un buen dis gracias,💋💋💋💋💋🌹🌻💞
Puras vabosadas, nimiedade y sandeces del mente pequeño…..
@@steveegallo3384 buen dia, jajajja jaja porque estas tan bravo, tu solo yo no estoy brava ni conmigo ni con nadie👍🧑CADA Vez que escucho opinion🧑yo no estoy ofendida con tus expressions🧑CADA cual opina ,piensa hace lo que quiera nous me molesta😝😝😝😝😝😍👍💋💋💋💋💋💋💗💗💗💙💙💙jajajaja jajajaja
@@steveegallo3384 ahora tengo que trabajar 🧑👍êtes solo un enfants mal educado hijo de papa y mama
💋💋💋💋💋💋🧑👍
@@barbaracrespo5828 -- Realmente es bueno que tienes que trabajar como cocechadora de los agaves jalisquenses….pero te lo entrego no para que recuerdes el tiempo, sino para que de vez en cuando lo olvides durante un instante y no agotes tus fuerzas intentando someterlo. Porque nunca se gana una batalla dijo. Ni siquiera se libran. El campo de batalla solamente revela al hombre su propia estupidez y desesperación, y la victoria es una ilusión de filósofos e imbéciles. Cada loco con su tema y, como sabes hermana, gastas saliva porque ella que tiene boca se equivoca…..Qué pasa féliz madrugada, mi Reina!
Too arbitrary, too much empathy.
I'm not sure this is what Takemitsu intended.
He created music he didn't intend?
@@mrswimmyboy Yes, Takemitsu did create music he really intended. I'm talking about the way it is played here.
I find myself trying to balance on the edge of a razor! Do I like it or do I hate it? I'm continuing to listen hoping something will convince me, satisfy me, offend me. Like Schoenberg, in very small doses and only when I'm in that rare mood. It reminds me of a 2-year-old in a pensive mood "experimenting" at the keyboard, having just discovered the sostenuto pedal! After 10 minutes of it, I've decided it's not for me. Boring and lazy come to mind. I won't listen to more or put it on again. Okay, that's me, thank goodness there are other opinions so the rich and varied world of art survives in all its countless facets.
I encourage you to put that opinion to the test by listening to his orchestral music. 'A Flock Descends' for example - ideally while reading the score. He was a complete master of orchestration despite being almost entirely self-taught, and if you came back to these piano works after comprehending his use and understanding of timbres, harmony, you may realise that what he has in mind is something not at all "experimental" in that shallow sense you suggest. In fact, it's not uncommon to pick out very traditional, neo-romantic structural elements in his pieces. Take the first piece here: Rain Tree Sketches II. If you can't tell me where the main melodic theme starts and ends, and then gets developed, you were missing something rather fundamental to Takemitsu's technique - namely, his rather conservative structures. Don't get sidetracked by his focus on the sostenuto pedal - at least not at first. The proper 'way in' to this music is the same as with Schoenberg - there are actually very traditional ideas at play, if you give yourself time to listen to more pieces, and gain a broader understanding. With Schoenberg it's even easier - Verklarte Nacht is hardly even modernistic, so you can enjoy it on a superficial level. But it also shows you his mastery of harmony, orchestration, and late romantic structures, which should convince you he wasn't just messing about on the keyboard when he wrote his piano concerto. There's reason to the madness of Schoenberg and Takemitsu, except none of it is madness once you properly understand the reason. In fact, in the case of these two particular composers, much of it begins to seem rather conservative (with the exception of purely serialist works by schoenberg, and the Cageian pieces by Takemitsu at a certain point in his development).
And one thing that Takemitsu definitely was not, was lazy. Read his biography.
en.wikipedia.org/wiki/T%C5%8Dru_Takemitsu