I love her technique and artistry! Her hands are so efficient and perfect. Her composed, modest style and expression allows the music and her playing to shine.
Galina you are an ideal Chopenistic artist; blessed with perfect legato, breathtaking rubato, and ...nostalgia so so important for Chopin works. Not to mention the fact you looks, and sounds like a prima donna singing marvolously the fantastic instrument- the piano. I wish you a very best luck in the final of the XVII Chopin Piano Competition. I'm sure you can win. Keep it up !!!!
A wonderful B major Nocturne. Etudes are so articulate. So many artists seem to lose the left hand in the F major, and her technique is so strong that she is able to deliver remarkable dynamics. The scherzo is made less of a technique piece and more of an actual narrative than with other pianists (as it should be). A definite favorite for me going in to the next round.
I just "tuned into" the last three pieces in this short recital, and wow! I can only agree with all of the positive responses below. Ms. Chistiakova is clearly already an artist of the highest attainments. What I find especially moving is the deeply personal quality of her playing. Her playing truly comes from within. She is sensitive to the most delicate of nuances in Chopin's music. Bravo indeed! I gather that she did not "win" this competition. But she wins in terms of being a marvelously elegant musical artist already! I hope that she has the kind of musical career that she hopes for. I hope to hear much more of her playing and will "tune into" everything I can find of her playing hear on TH-cam! I also like that resembles the way I imagine Clara Schumann would come across in recital-- seriously, sensitively, and with great refinement.
+Jan Ryba Is she(at 28 today?), one of the oldest performers in the Chopin Competition? Perhaps that's why she plays so mature. I'm not sure Chopin is easy for anyone though. And since she made many mistakes, it's not easy for her. The artistry is among the best in the competition. That's why she was able to make it into the 3rd stage over some very talented pianists.
+Vette gaddia what do you mean by "mistakes"? few wrong notes? oh, then I feel sorry for you, being only able to listen to the music, counting wrong notes... "Mistake" is a very dilettantish word... impossible to judge a real music with such a primitive subjectivism. Hope that you just expressed yourself badly...
Andrea Berganza I get upset when ppl say mistakes(wrong notes, missed notes, additional notes etc) are not important. I'm telling you, the jurors are absolutely aware of them. Go to the pianoworld website and read what some concert pianists say. One concert pianist said he could not listen to a few of the B minor sonatas bc the mistakes disturbed his enjoyment and concentration. If it's the first round or two, not too bad. Aimi made them, and she got to the 3rd. But if she did not play so well in the 3rd, she would not be in the final. Many pianists gets very upset when they make a mistake. And Cho lost the Rubinstein Competition because of a few too many mistakes in the final Tchaikovsky concerto. Artistry and technique and precision are all important.
+Vette gaddia oh it's important, when there are really too many. but it's not about this performance, is it? I am also a musician, and there's nothing disturbing here.
Andrea Berganza My dear, and I have just read and commented on why she was so under par in the third round a hour or so ago somewhere on Ytube, perhaps during her playing with other pianists in the third round. I read she had a very high fever. That would explain why she was not nearly at her best in the 3rd round. I did not know she was ill. Now that I know, I can see why there were problems in the 3rd round.
I love her technique and artistry! Her hands are so efficient and perfect. Her composed, modest style and expression allows the music and her playing to shine.
Galina you are an ideal Chopenistic artist; blessed with perfect legato, breathtaking rubato, and ...nostalgia so so important for Chopin works. Not to mention the fact you looks, and sounds like a prima donna singing marvolously the fantastic instrument- the piano. I wish you a very best luck in the final of the XVII Chopin Piano Competition. I'm sure you can win. Keep it up !!!!
Bravissima!!!!!!!!!!!Adoro la tua musicalità e il modo delicato con il quale ti porgi al piano!
A wonderful B major Nocturne. Etudes are so articulate. So many artists seem to lose the left hand in the F major, and her technique is so strong that she is able to deliver remarkable dynamics. The scherzo is made less of a technique piece and more of an actual narrative than with other pianists (as it should be). A definite favorite for me going in to the next round.
Superb interpretations! I especially liked the mazurka.
I just "tuned into" the last three pieces in this short recital, and wow! I can only agree with all of the positive responses below. Ms. Chistiakova is clearly already an artist of the highest attainments. What I find especially moving is the deeply personal quality of her playing. Her playing truly comes from within. She is sensitive to the most delicate of nuances in Chopin's music. Bravo indeed! I gather that she did not "win" this competition. But she wins in terms of being a marvelously elegant musical artist already! I hope that she has the kind of musical career that she hopes for. I hope to hear much more of her playing and will "tune into" everything I can find of her playing hear on TH-cam! I also like that resembles the way I imagine Clara Schumann would come across in recital-- seriously, sensitively, and with great refinement.
Very impressive!
15:52
I think so her performace sounds like that chopin is too easy for her. so effortless.
+Jan Ryba Is she(at 28 today?), one of the oldest performers in the Chopin Competition? Perhaps that's why she plays so mature. I'm not sure Chopin is easy for anyone though. And since she made many mistakes, it's not easy for her. The artistry is among the best in the competition. That's why she was able to make it into the 3rd stage over some very talented pianists.
+Vette gaddia what do you mean by "mistakes"? few wrong notes? oh, then I feel sorry for you, being only able to listen to the music, counting wrong notes...
"Mistake" is a very dilettantish word... impossible to judge a real music with such a primitive subjectivism.
Hope that you just expressed yourself badly...
Andrea Berganza I get upset when ppl say mistakes(wrong notes, missed notes, additional notes etc) are not important. I'm telling you, the jurors are absolutely aware of them. Go to the pianoworld website and read what some concert pianists say. One concert pianist said he could not listen to a few of the B minor sonatas bc the mistakes disturbed his enjoyment and concentration. If it's the first round or two, not too bad. Aimi made them, and she got to the 3rd. But if she did not play so well in the 3rd, she would not be in the final. Many pianists gets very upset when they make a mistake. And Cho lost the Rubinstein Competition because of a few too many mistakes in the final Tchaikovsky concerto. Artistry and technique and precision are all important.
+Vette gaddia oh it's important, when there are really too many. but it's not about this performance, is it? I am also a musician, and there's nothing disturbing here.
Andrea Berganza My dear, and I have just read and commented on why she was so under par in the third round a hour or so ago somewhere on Ytube, perhaps during her playing with other pianists in the third round. I read she had a very high fever. That would explain why she was not nearly at her best in the 3rd round. I did not know she was ill. Now that I know, I can see why there were problems in the 3rd round.
sounds like that chopin is too easy for her. so effortless.
I didn't know that was possible. Demonic. She should be able to write better music than Chopin.
Ahahahahahahahahahahahaha
:-)
6.5/10
Why???
@@ilovemycatrussell9298 No vi ninguna calificación superior a 7.5 de este usuario.