Jakub Józef Orliński - Epic Performance of "Gemo in un punto e fremo" (Vivaldi: L Olimpiade)
ฝัง
- เผยแพร่เมื่อ 7 ก.พ. 2025
- Aria di Licida: Gemo in un punto e fremo
Opera : l'olimpiade
Composer : Antonio vivaldi
Performer : Jakub Józef Orliński
Ensemble Matheus
Mise en scéne : Emmanuel Daumas
Credit : THEATRE DES CHAMPS-ELYSEES
⚜️Lyrics In ENGLISH:
All at once I moan and tremble;
the day seems to me dark and fearsome;
I have a hundred ghosts within me
and a thousand furies in my heart.
With her bloody face,
Megaera burns my heart,
and Alecto injects all my veins
with her icy poison.
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⚜️Lyrics in italian
Gemo in un punto e fremo;
fosco mi sembra il giorno;
ho cento larve intorno;
ho mille furie in sen.
Con la sanguigna face
m’arde Megera il petto;
m’empie ogni vena Aletto
del freddo suo velen.
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JJO, a charismatic countertenor and breakdancer, continues to break stereotypes with his virtuoso talent, with his extraordinary artistic versatility to bring the classical to the contemporary in a natural way. 💐 💐 👏🏽🙌🏽
Totally agree! ♥️♥️♥️
I saw it in the theater and it was amazing, he is the best
JJO is the miracle of classical music.
♥️♥️♥️
Yes indeed he is.
Eccelso! Bravo!!!
Inscenizacja przypomina mi teledysk Lady Gaga . Jakub jak zawsze genialny . Jestem dumny z tego mlodego czlowieka ♥️
♥️♥️♥️
❤
Absolutely beautiful
Thank you
❤
♥️♥️♥️
Powerful and inspiring! Bravo!
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Jakub is such an incredible singer and artist he often takes my breath away. Thank you for sharing.
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Je n'ai pas aimé la mise en scène mais Orlinski est phénoménal ! 👏🏼
Bravo Bravo Bravo ❤❤❤
Diamond 💙Beautifull😍
Thanks 👍🍀👍
😊♥️♥️♥️
Bravo!!
Genialne!!!!
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@@TimelessMusicaOFFICIAL 🙂🙂
Formidable!!!!
😍❤🔥
¡Epic!
♥️♥️♥️
STUPEFACENTE!!! ❤
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Mesmo não conseguindo alcançar notas muito agudas, ele consegue cantar com facilidade e colocar volume, impressionante! Bravo Orlinski! Sou seu fã!
Concordo plenamente♥️♥️♥️
Yes
❤
Latest update! Very very creative!
It really is!
Nasza duma narodowa!
He really is 🌹🌹
Yes
meraviglia
я плачу от его голоса, хотя я очень мужественный мужчина!!!
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Jakub can sing in all positions... Does not avoid uncomfortable positions for a singer
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That's down to being properly trained.
Ekstremalnie fantastyczny i perfekcyjny.
Jakubie, wspaniałe, tak trzymaj i serdeczności MOC.💛
Absolutamente soberbios !! Vivaldi siempre adorado y JJO , colosal . Esos espectros ya los siento saltando sobre mí ! 😱
♥️♥️♥️♥️
💜💜💜
Божественно
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Anyone is the album recording of this production is available somewhere? ❤❤
There's no way he could sing and go through all that physical movement without gasping for breath. So, yes, a majestic performance but not live singing.
If you would listen properly you could hear him become more breathy in the end.
And if you ever saw Opera live or even him in a live concert, you would know it's perfectly possible. I have been to one of his concerts and he is totally able to do a cartwheel and continue singing flawlessly.
Thank you for your reply, I thought it was a lipsync too. But Now I'm very impressed by him. 💐💐
I am scared.
😂😂😂🌹🌹
Looks to me like he’s lip-synching.
Most ignorant comment ever under an opera video 😅😅😅
@@myrtosifaki9067 I have studied opera singing and found out that it's pretty much impossible to do anything else than concentrate on the voice. My teacher, Matti Piipponen, made me do abdominal exercises while singing simple scales and that didn't work out at all.
Fatemi un favore.
It's much more interesting to watch it without sound. They're twitching so funny!
David Garrick, Metastasio, Vivaldi...
What would they think?
Vocally, this performance is dull if compared to female contraltos.
People admire it because:
1) the singer is bare-chested;
2) the singer uses commedia dell'arte-like slapstick moves totally inappropriate for Licida's feeling of loneliness here;
3) the scenery recalls horror movies.
PS Remember that Licida, Act 1 Scene 1, asks Megacle to fight for him at the Olympics because he feels he is not good enough. So he would not be able to do such movements according to the plot.
This is not opera, but opera that wants to be "cool" and similar to TikTok.
A perfect mirror of our wretched times.
Hmm somebody did not get the point. I think Orlinski would have been a sensation in Vivaldi's time, particularly since counter tenors then did not exist. I remember the furore in the nineteen seventies and eighties ("Were they as good as the castrati?") Opera was the pop music of its time, it was political and exciting. Pickled and ossified, it will die or become the esoteric stone baby of snobs and rich purists...Oh yes, that's what it is now.... You forget us hoi polloi and part with your dollars to haunt your gilded houses of shrieking fossils.
@@agnesday9233 In this comment, you are implying that people not being part of the elite cannot appreciate true beauty (i.e. opera without all this unnecessary overacting and sexualisation). THIS is offensive, rather than my comment. People from all the social strata should be able to appreciate this kind of beauty.
@@hofmusikus91 As I said, you missed the point and you still do. I personally can not bear that warbling vibrato most opera singers insist on that stems from nineteenth century fashion. As a geologist , rather than a musician, I see beauty in rocks but I defy you to see it in dried up old things. I am not rich. I cannot afford the cost of live music but I know what is good because it stops me in my tracks and few things do these days. I do understand the importance of context but doing something because it was always done that way does not stop it being bad when it was always bad. If you enjoy warbling vibrato then a pure, clear voice might seem dull to you but personally in Baroque or earlier music, I think it gets in the way of the ornament and gives me a headache. And anyway, what's wrong with a little but of fun and seeing some bloke with his top off? Decolletage ok to you? Teenage dancers in little tutus? I've seen a little too much about that. Or maybe you are a little too erudite for such things.
Bravo!!
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