I am just getting started, have been playing for a while just now beginning to put the pieces together. Thank you for these extensive videos, coming from nowhere Jazz can be difficult to pick up at first. Bless you!
One little detail, first two bars C#m7 b13 Bb- A when the melody goes u to A# a C#7-#9-13 was played by Barry Harris, Tony Winston (pianist) was mentioning it today as a chord that not in all cases works well but in Lullaby of Birdland there is a G7-13-#9-C7 progression where of course in respect to the Melody that chord works because of its resolution...I guess this situation is likewise(just one tiny little moment)
I am sure the answer Is yes. Over a 2 5 1 In C Major. Over the V chord. I think Ab Major 7 or D Minorb5 or Bb Mixo Of course F minor ....... I also use them over the 2 chord . Is that Improper Jazz lol. I want a little outside sound over both Until I resovle. Do you ever do that when playing a 2 5 1? Thanks for all the help. Seriously
Hello mikko, you can read author and publisher of jerry bergonzi's book: melodic structures you have seen in the video where there are also beginnings, I bought his book, but that's not what you did to see thanks and compliments for your music, I'm following you, thank you.👌☺️
Is it just me or are you breathing between your lines as if you’re a horn player? Maybe to provide an organic way of feeling when there should be space between?
I am just getting started, have been playing for a while just now beginning to put the pieces together. Thank you for these extensive videos, coming from nowhere Jazz can be difficult to pick up at first. Bless you!
Another great lesson. Beautiful and Inspired playing at the end like you were channeling Bach. Sweet!
Robert Zullo yes, that Triadic playing at the end was great. Can you do a lesson on that? Thanks!
Thanks so much.god bless you and your family
This is your best song in my opinion.
grazie Mikko per il tuo aiuto .io non capisco l'inglese ma tu riesci a trasmettere e comunicare con grande semplicita'. buon lavoro
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Another great lesson! Well done, Mikko.
Beautiful outro!!
21:45 beautiful, thanks master for the class
Thank you very much Mikko !
One little detail, first two bars C#m7 b13 Bb- A when the melody goes u to A# a C#7-#9-13 was played by Barry Harris, Tony Winston (pianist) was mentioning it today as a chord that not in all cases works well but in Lullaby of Birdland there is a G7-13-#9-C7 progression where of course in respect to the Melody that chord works because of its resolution...I guess this situation is likewise(just one tiny little moment)
Really great ideas you share. Love the Godin also and big fan of Nossa Canta Alma; Renata Greco plays a Godin in many of their boss’s nova
Awesome lesson!
Great lesson!
thanks great lesson the best channel !!!
Thanks :D
Lesson on how you go about the triadic approach at the end?
I am sure the answer Is yes. Over a 2 5 1 In C Major. Over the V chord. I think Ab Major 7 or D Minorb5 or Bb Mixo Of course F minor ....... I also use them over the 2 chord . Is that Improper Jazz lol. I want a little outside sound over both Until I resovle. Do you ever do that when playing a 2 5 1? Thanks for all the help. Seriously
This is a lesson! Thanks K
I am getting That guitar
Great lesson! Tnx!👍🤝
Hello mikko, you can read author and publisher of jerry bergonzi's book: melodic structures you have seen in the video where there are also beginnings, I bought his book, but that's not what you did to see thanks and compliments for your music, I'm following you, thank you.👌☺️
Is it just me or are you breathing between your lines as if you’re a horn player? Maybe to provide an organic way of feeling when there should be space between?
@@djmileski yes I'm guilty of that haha but it's not something I think about. I just need air 🤷♂️😄
d minor the saddest of all keys.
rob slover 😂😂
great video i really learned a lot thanks man.
Thanks..and don't forget to turn the amp to 11 :D