One small thing worth mentioning is that the displayed notation is from a 1942 edtition by František Schäfer and Jan Racek but Radoslav Kvapil is actually playing from 1978 critical adition by Ludvík Kundera and Jarmil Burghauser. Because the latter two made some different editorial decisions the final sound is also a bit different. For example at 9:35 between measures 96 and 97 the f#s aren't connected with ligature but in the critical edition they are. This is due to the fact that the piece was originally intended for harmonium, which can sustain volume of tones the same for long time. In the manuscript copy the f#s are connected with ligature also from measure 96 to 98. And to adapt the piece for piano both duos made a bit different decision as to where to cut the ligatures. But to be fair the critical editon isn't available online. At least from what I know. Also a fun fact: Più mosso was originally intended to be a part of the first book but was cut out of it by Janáček early in the creative process. It was never intended by Janáček to be a part of the second book (the same is true for the Allegro in c minor). It is an invention by Schäfer and Racek.
I truly and deeply love the allegro piece
One small thing worth mentioning is that the displayed notation is from a 1942 edtition by František Schäfer and Jan Racek but Radoslav Kvapil is actually playing from 1978 critical adition by Ludvík Kundera and Jarmil Burghauser. Because the latter two made some different editorial decisions the final sound is also a bit different. For example at 9:35 between measures 96 and 97 the f#s aren't connected with ligature but in the critical edition they are. This is due to the fact that the piece was originally intended for harmonium, which can sustain volume of tones the same for long time. In the manuscript copy the f#s are connected with ligature also from measure 96 to 98. And to adapt the piece for piano both duos made a bit different decision as to where to cut the ligatures. But to be fair the critical editon isn't available online. At least from what I know.
Also a fun fact: Più mosso was originally intended to be a part of the first book but was cut out of it by Janáček early in the creative process. It was never intended by Janáček to be a part of the second book (the same is true for the Allegro in c minor). It is an invention by Schäfer and Racek.
Now there is also a new urtext edition published by Henle.
What a wonderful and wholesome ending... So heart-warming.
Beautiful, soulful. Brilliant.
So so beautiful!
so wonderful
La preferisco alla prima serie.