Heya. You've been busy, huh? . . . So, i've got a question for ya. Do you think even the worst person can change. . . ? That everybody can be a good person, if they just try? Heh heh heh he. . . All right. Well here's a better question. Do you wanna have a bad time? 'Cause if you take another step forward. . . You are REALLY not going to like what happens next. Welp. Sorry, old lady This is why i never make promises. It's a beautiful day outside. Birds are singing, flowers are blooming. . . On days like these, kids like you. . . Should be burning in hell. Huh. Always wondered why people never use their strongest attack first. What? You think im just gonna stand there and take it? Our reports showed a massive anomaly in the timespace continuum. Timelines jumping left and right, stopping and starting. . . Until suddenly, everything ends. Heh heh heh. . . That's your falt, isn't it? You can't understand how this feels. Knowing that one day, without any warning. . . It's all going to be reset. Look. I gave up trying to go back a long time ago. And getting to the surface doesn't really appeal anymore, either. Cause even if we do. . . We'll just end up right back here, without any memory of it, right? To be blunt. . . It makes it kind of hard to give it my all. . . . Or is that just a poor excuse for being lazy. . . ? Hell if i know. All i know is. . . Seeing what comes next. . . I can't afford not to care anymore. Ugh. . . That being said. . . You, uh, really like swinging that thing around, huh? . . . Listen. I know you didn't answer me before, but. . . Somewhere in there. I can feel it. There's a glimmer of a good person inside of you. The memory of someone who once wanted to do the right thing. Someone who, in anothee time, might have even been. . . A friend? C'mon, buddy. Do you remember me? Please, of you're listening. . . Let's forget all this, ok? Just lay down your weapon, and . . . Well, my job will be alot easier. Welp, it was worth a shot. Guess you like doing things the hard way, huh? Sounds strange, but before all this i was secretly hoping we could be friends. I always thought the anomaly was doing all this cause they were unhappy. And when they got what they wanted, they would stop all this. And maybe all they needed was. . . I dunno. Some good food, some bad laughs, some nice friends. But that's rediculous, right? Yeah, you're the type or person who won't EVER be happy. You'll keep cosuming timelines over and over, until. . . Well. Hey. Take it from me, kid. Someday. . . You gotta learn when to QUIT. And that day's TODAY. Cause. . . Y'see. . All this fighting is really tiring me out. And if you keep pushing me. . . Then i'll be forced to use my special attack. Yeah. My special attack. Sound familiar? Well. Get ready. Cause after the next move, i'm going to use it. So if you don't wanna see it, now would be a good time to die. Well. Here goes nothing. . . Are you ready? Survive this, and i'll show you my special attack! Huff. . . Puff. . . All right. That's it. It's time for my special attack. Are you ready? Here goes nothing. Yep. That's right. It's literally nothing. And its not gonna be anything, either. Heh heh heh. . . Ya get it? I know i can't beat you. One of your turns. . . You're just gonna kill me. So, uh. I've decided. . . It's not going to BE your turn, ever. I'm just gonna keep having MY turn until you give up. Evan if it means we have to stand here until the end of time. Capiche? You'll get bored here. If you haven't gotten bored already, i mean. And then you'll finally quit. I know your type. You're, uh, vety determined, aren't you? You'll never give up, evan if there's, uh. . . Absolutely NO benefit to perservering whatsoever. If i can make that clear. No matter what, you'll just keep going. Not out of any desire for good or evil. . . But just because you think you can. And bwcause you "can". . . . . . You "have to." But now, you've reached the end. There is nothing left for you now. So, uh, in my personal opinion. . . The most "determind" thing you can do here? Is to, uh, completely give up. And. . . (Yawn) do literally anything else. Heh, didja really think you would be able- . . . . . . . . . So. . . Guess thats it, huh? . . . Just. . . Don't say i diddn't warn you. Well. I'm going to grillby's. Papyrus, do you want anything? Heya. You've been busy, huh? . . . So, i've got a question for ya. Do you think even the worst person can change. . . ? That everybody can be a good person, if they just try? Heh heh heh he. . . All right. Well here's a better question. Do you wanna have a bad time? 'Cause if you take another step forward. . . You are REALLY not going to like what happens next. Welp. Sorry, old lady This is why i never make promises. It's a beautiful day outside. Birds are singing, flowers are blooming. . . On days like these, kids like you. . . Should be burning in hell. Huh. Always wondered why people never use their strongest attack first. What? You think im just gonna stand there and take it? Our reports showed a massive anomaly in the timespace continuum. Timelines jumping left and right, stopping and starting. . . Until suddenly, everything ends. Heh heh heh. . . That's your falt, isn't it? You can't understand how this feels. Knowing that one day, without any warning. . . It's all going to be reset. Look. I gave up trying to go back a long time ago. And getting to the surface doesn't really appeal anymore, either. Cause even if we do. . . We'll just end up right back here, without any memory of it, right? To be blunt. . . It makes it kind of hard to give it my all. . . . Or is that just a poor excuse for being lazy. . . ? Hell if i know. All i know is. . . Seeing what comes next. . . I can't afford not to care anymore. Ugh. . . That being said. . . You, uh, really like swinging that thing around, huh? . . . Listen. I know you didn't answer me before, but. . . Somewhere in there. I can feel it. There's a glimmer of a good person inside of you. The memory of someone who once wanted to do the right thing. Someone who, in anothee time, might have even been. . . A friend? C'mon, buddy. Do you remember me? Please, of you're listening. . . Let's forget all this, ok? Just lay down your weapon, and . . . Well, my job will be alot easier. Welp, it was worth a shot. Guess you like doing things the hard way, huh? Sounds strange, but before all this i was secretly hoping we could be friends. I always thought the anomaly was doing all this cause they were unhappy. And when they got what they wanted, they would stop all this. And maybe all they needed was. . . I dunno. Some good food, some bad laughs, some nice friends. But that's rediculous, right? Yeah, you're the type or person who won't EVER be happy. You'll keep cosuming timelines over and over, until. . . Well. Hey. Take it from me, kid. Someday. . . You gotta learn when to QUIT. And that day's TODAY. Cause. . . Y'see. . All this fighting is really tiring me out. And if you keep pushing me. . . Then i'll be forced to use my special attack. Yeah. My special attack. Sound familiar? Well. Get ready. Cause after the next move, i'm going to use it. So if you don't wanna see it, now would be a good time to die. Well. Here goes nothing. . . Are you ready? Survive this, and i'll show you my special attack! Huff. . . Puff. . . All right. That's it. It's time for my special attack. Are you ready? Here goes nothing. Yep. That's right. It's literally nothing. And its not gonna be anything, either. Heh heh heh. . . Ya get it? I know i can't beat you. One of your turns. . . You're just gonna kill me. So, uh. I've decided. . . It's not going to BE your turn, ever. I'm just gonna keep having MY turn until you give up. Evan if it means we have to stand here until the end of time. Capiche? You'll get bored here. If you haven't gotten bored already, i mean. And then you'll finally quit. I know your type. You're, uh, vety determined, aren't you? You'll never give up, evan if there's, uh. . . Absolutely NO benefit to perservering whatsoever. If i can make that clear. No matter what, you'll just keep going. Not out of any desire for good or evil. . . But just because you think you can. And bwcause you "can". . . . . . You "have to." But now, you've reached the end. There is nothing left for you now. So, uh, in my personal opinion. . . The most "determind" thing you can do here? Is to, uh, completely give up. And. . . (Yawn) do literally anything else. Heh, didja really think you would be able- . . . . . . . . . So. . . Guess thats it, huh? . . . Just. . . Don't say i diddn't warn you. Well. I'm going to grillby's. Papyrus, do you want anything?
o roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sw Half way...... I eat dirt..... Hi Ok MAX
Ok I can trust this a. A. Aaaaa aaaaaaaaaaaaaffhfhfhfhfhfhfhfhfhfhfhffhfhfhfhffhfhfhfhffhfhfhfhfhfhfhffhfhfhfhfhffhfhfhfhfhfhfhfhffhfhfhfhfhfhfhfhfhffhfhfhfhfhfhfhfhffhfhfhfhfhfhf
The Transformation of Tommy Thompson In the bustling town of Maplewood, there was a boy named Tommy Thompson, notorious for being the biggest bully in school. With his broad shoulders, sneering grin, and quick temper, he ruled the playground with fear. Tommy would push smaller kids around, take their lunch money, and make fun of anyone he deemed weak. The other kids dreaded recess, knowing they might fall victim to his taunts or pranks. Despite his tough exterior, Tommy was not happy. At home, he often felt lonely and misunderstood. His parents worked long hours, and he spent most of his time alone, harboring feelings of anger and frustration that he took out on others. Little did he know, change was just around the corner. One day, a new student named Leo joined their class. Leo was shy, wore thick glasses, and had a stutter that made him a target for bullies. On his first day, Tommy decided to show off in front of his friends. He approached Leo during lunch, grabbed his sandwich, and tossed it onto the ground, laughing as Leo looked on, humiliated. But something in Leo’s eyes struck Tommy differently than usual. Instead of anger or fear, Leo looked sad but unbroken. After that day, Tommy found himself thinking about Leo more than he cared to admit. He didn’t like feeling guilty, but he didn’t know how to stop. As the days went on, Leo continued to come to school with his head held high, even when Tommy and his friends teased him. Eventually, the other kids began to rally around Leo. They admired his resilience and started to include him in games, often leaving Tommy on the sidelines. Feeling increasingly isolated, Tommy’s frustration boiled over. One afternoon, after watching Leo laugh and play with the other kids, Tommy confronted him. “Why do you keep coming back? Don’t you get tired of being pushed around?” he asked, half angry, half curious. To Tommy’s surprise, Leo looked him straight in the eye and replied, “Because I know that I’m worth it. I refuse to let anyone make me feel less than I am.” His words struck a chord deep within Tommy, who had never thought about things that way. That night, Tommy lay awake in bed, contemplating Leo's courage. He realized that his bullying behavior stemmed from his own insecurities and loneliness. The more he thought about it, the more he wanted to change. But how could he? He had spent so long being mean that he didn't know where to start. The next day, Tommy approached Leo at recess, his heart pounding. “Hey, I’m… sorry for what I did,” he stammered. The words felt foreign, but they were genuine. Leo looked surprised, then nodded slowly. “Thank you. It takes courage to apologize,” he replied. Tommy felt a strange warmth in his chest as he walked away. Encouraged by his small act of kindness, he decided to try harder. Over the next few weeks, Tommy made a concerted effort to be nice. He began by helping Leo with his homework, offering to share his lunch, and standing up for him against others who teased. As time passed, the transformation in Tommy became evident. The other kids began to notice and started to warm up to him. No longer was he the bully; he became the protector. He stood up for those who were being picked on, helped younger kids with their reading, and even volunteered to organize games during recess. Eventually, Tommy’s kindness became contagious. Inspired by his change, the entire school began to foster a more supportive and friendly environment. No longer was there a fear of bullies on the playground; instead, there were laughter and joy. One day, the school principal recognized Tommy for his transformation. “It takes real strength to change, Tommy,” he said during a school assembly. “You’ve become a role model for all of us.” As Tommy stood in front of his classmates, he felt proud-not just for being recognized, but for the friendships he had built and the respect he had earned. He realized that kindness was far more rewarding than cruelty ever was. From that day on, Tommy Thompson was known as the boy who had turned from the biggest bully into the kindest person in Maplewood. He had discovered that true strength lies not in power or intimidation, but in empathy, understanding, and the courage to change. And as for Leo, he became one of Tommy’s closest friends, proving that sometimes, it only takes one small act of kindness to start a ripple effect of goodness that can change everything. Together, they made Maplewood a better place, where everyone felt valued and included.
Hay Fever was a comical play with a strong message. The actors throughout this play steadily used others to gain their own attention. The message this play left behind after many laughs was do not use others, plain and simple. The space was a well-constructed thrust stage however, the stage was not raised off the ground and the seats appeared to be mobile which lead to the belief that this is an Environmental Theater. As for the layout of the stage, there was a couch and a table in center stage for the first two acts, a door to the unseen outside front of the house upstage right, there were two large double doors upstage center leading to the backyard garden, and a raised floor upstage left containing a piano, a bookcase and a door leading to the home library. Stage left there was a half spiral staircase that lead up to the second floor which had a painting and lights that extended across to stage right. The second floor also contained the bedrooms for the house but the doors were not in sight. The detail was greater than expected: the hardwood floor throughout the first floor seemed to be genuine, the actual bookcase filled with real books not stage books, and the extremely large double doors with translucent glass and floral designs lead to the Garden, which featured an array of plants behind the doors. The entire space was well lit for the duration of the play; the stage took place inside the Bliss’ home so the bright lighting added a confortable feel to the inside of the house. The theatre was nearly sold out; it was hard to spot an empty seat, including the balcony and lower level seating. The crowd contained nearly an even amount of student audience members and senior citizens; there was few in the audience that appeared middle aged. The play was well cast, the entire Bliss family did a great job showing how overly dramatic and deceitful the family had become. Each actor portrayed their character accurately; there were no standouts that didn’t match the character. Each visitor in the first act seemed to be feasible as far as the possibility of a relationship was concerned. All of the family members acted genuine. There was one actor who stood out as a perfect fit for his character. Taylor Rascher played Simon Bliss and played him perfectly. Rascher’s character Simon was a young man who was dramatic and romantic so much so it was almost to the point of ridiculousness. Rascher stole the show in the first act when he was romancing with Michelle Luz, who plays Myra Arundel. Rascher was displaying his love for Michelle Luz (Myra) in the most dramatic of fashions; he was playing the Bliss’ game of pretending to be in complete love with someone and then a moment later change his mind. Rascher was proclaiming his love with elegant speeches and coddling up next to her and eventually kissing her. Rascher made this scene particularly hilarious because he was completely over the top in typical Bliss fashion. Of course, all of this was for naught because Luz ended up kissing Joe Hubbard’s character David Bliss in act two and also Rascher proclaimed his engagement to Caitlin Stagemoller’s character, Jackie Coryton. Rascher made his voice more shrill and audible to appear to be more dramatic and create more attention for himself. In the same way, Rascher used grander gestures with his arms (flailing, waving, etc.) to cause a more dramatic effect. The play was well interpreted by all whom were involved. Steven Wrentmore, the Director, kept the 1920’s feel by dressing in all 1920’s costumes and everyone spoke as if they were living at the time. Michelle Bisbee, the scene designer, made the inside of the home appear 1920’s because everything was grand. The Bliss’ home was grand with the spiral staircase, the very large backdoors, and the eloquent piano. The actors’ mannerisms seemed like they were portraying a silent film. In older movies, actors seemed very dramatic and had flamboyant actions to prove so; the actors in Hay Fever shared the same feel for the dramatics. As far as Stephen Wrentmore’s directing goes, he did an excellent job. The scene when Chris Karl (Richard) and Caitlin Stegemoller (Jackie) enter and are left alone to make small talk with each other is the best pertaining to directing. The two actors used the entire stage in this scene and were very awkward with one another. This was Wrentmore’s doing because you could tell he had a vision for this scene in particular because it seemed very crisp and well rehearsed. The actors played it perfect with the excessively long pauses in their awkward small talk that the crowd was laughing through the entire scene. It appeared that Wrentmore instructed the actors, to keep their pauses longer than natural to heighten the awkward tension in the scene, which made it brilliant. The blocking throughout the play worked with the floor plan very well. All of the blocking worked seamlessly; the actors were never out of sight or in awkward positioning (ex. turned around, talking to someone behind them while face forward, etc.) even during the second act in the first scene while all eight actors were on set. One part of the set that stood out was the staircase, it is obviously very large, but the way Owen Virgin followed Megan Davis up the stairs was seamless. They both walked up the stairs with footsteps I unison, and Owen Virgin was so focused on every detail of Davis, it almost screamed out how much he was infatuated with her. The artistic intent of this production was to entertain, and it fulfilled that intent completely. The entire audience was laughing during most of the production, I was even laughing out loud, which doesn’t happen very often. Every interaction between the characters was comical at one point during the production. An example of this playing out would be in the second act when Rascher busts through the door and proclaims his engagement. The only purpose of this is to entertain and entertain it did. The actors seemed natural moving along with their blocking and engaging with each other on stage. There was no point at which it was confusing why someone moved here or there, every movement made sense. The overall mood that was portrayed by the combination of lighting, sound, set, and costumes was very light and cheerful; at no point did the mood drop to something darker or saddening. This is common with many comedies because it becomes hard to laugh if the overall mood is down and dreary. The theatre space was very personal. First of all, it takes place in someone’s home so it is immediately personal. Also, the stage was built into the crowd just about so the audience felt like they were living the action out as it unfolded. The scenic design showed the audience without a doubt it was the 1920’s, with the barometer on the wall, the staircase, the piano, and the lights upstairs. However, there was little evidence to show what location the play took place. All of the costumes were well designed for the appropriate characters. Adam Espinoza did a fine job of showing how these people were all upper class with nice dresses and suits and tuxes, even when they were home alone with only each other as company. Megan Davis’ costumes represented her personality very well by drawing all attention to her with bright colors and silk-like texture. As far as the lighting goes, there were no changes to the lighting during the play, except for at the end of each act. The lighting emphasized a bright and cheerful mood throughout the play. This production was definitely representational because it doesn’t break the fourth wall into the audience. The actors never had any asides or soliloquies that were directed toward audience. The set and lighting were representational due to the realistic feel throughout the house, everything was relatable to the average person. The Bliss’ home looked like an ordinary home from the 1920’s. The overall message seemed to be: do not mislead people or play games with their emotions, or they will leave you. This was most clear during act three when Luz, Karl, Stegemoller, and Virgin were all discussing how uncomfortable they all had felt the day before in the house and decided to leave as soon as possible. This was due to the way the Bliss’ had romantic engagements just to get attention for themselves and did not care about the feelings of the people they were hurting.
o roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sw Half way...... I eat dirt..... Hi Ok MAX
4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity
love you 1%❤ I love you 2%🧡 I love you 3%💛 I love you 4%💚 I love you 5%💙 I love you 6%💜 I love you 7%💗 I love you 8%❤ I love you 9%🧡 I love you 10%💛 I love you 11%💚 I love you 12%💙 I love you 13%💜 I love you 14%💗 I love you 15%❤️ I love you 16%🧡 I love you 17%💛 I love you 18%💚 I love you 19%💙 I love you 20%💜 I love you 21%💗 I love you 22%❤️ I love you 23%🧡 I love you 24%💛 I love you 25%💚 I love you 26%💙 I love you 27%💜 I love you 28%💗 I love you 29%❤️ I love you 30%🧡 I love you 31%💛 I love you 32%💚 I love you 33%💙 I love you 34%💜 I love you 35%💗 I love you 36%❤️ I love you 37%🧡 I love you 38%💛 I love you 39%💚 I love you 40%💙 I love you 41%💜 I love you 42%💗 I love you 43%❤ I love you 44%🧡 I love you 45%💛 I love you 46%💚 I love you 47%💙 I love you 48%💜 I love you 49%💗 I love you 50%❤️ I love you 51%🧡 I love you 52%💛 I love you 53%💚 I love you 54%💙 I love you 55%💜 I love you 56%💗 I love you 57%❤️ I love you 58%🧡 I love you 59%💛 I love you 60%💚 I love you 61%💙 I love you 62%💜 I love you 63%💗 I love you 64%❤️ I love you 65%🧡 I love you 66%💛 I love you 67%💚 I love you 68%💙 I love you 69%💜 I love you 69%💗 I love you 70%❤️ I love you 71%🧡 I love you 72%💛 I love you 73%💚 I love you 74%💙 I love you 75%💜 I love you 76%💗 I love you 77%❤️ I love you 78%🧡 I love you 79%💛 I love you 80%💚 I love you 81%💙 I love you 82%💜 I love you 83%💗 I love you 84%❤️ I love you 85%🧡 I love you 86%💛 I love you 87%💚 I love you 88%💙 I love you 89%💜 I love you 90%💗 I love you 91%❤️ I love you 92%🧡 I love you 93%💛 I love you 94%💚 I love you 95%💙 I love you 96%💜 I love you 97%💗 I love you 98%❤️ I love you 99%🧡 I LOVE YOU 100% 💝💝💝 I Love you 101% I Love you 102% I Love you 103% I Love you 104% I Love you 105% I Love you 106% I Love you 107% I Love you 108% I Love you 109% I Love you 110% I Love you 111% I Love you 112% I Love you 113% I Love you 114% I Love you 115% I Love you 116% I Love you 117% I Love you 118% I Love you 119% I Love you 120% I Love you 121% I Love you 122% I Love you 123% I Love you 124% I Love you 125% I Love you 126% I Love you 127% I Love you 128% I Love you 129% I Love you 130% I Love you 131% I Love you 131% I Love you 132% I Love you 133% I Love you 134% I Love you 135% I Love you 136% I Love you 137% I Love you 138% I Love you 139% I Love you 140% I Love you 141% I Love you 142% I Love you 143% I Love you 144% I Love you 145% I Love you 146% I Love you 147% I Love you 148% I Love you 149% I Love you 150% I Love you 151% I Love you 152% I Love you 153% I Love you 154% I Love you 155% I Love you 156% I Love you 157% I Love you 158% I Love you 159% I Love you 160% I Love you 161% I Love you 162% I Love you 163% I Love you 164% I Love you 165% I Love you 166% I Love you 167% I Love you 168% I Love you 169% I Love you 170% I Love you 171% I Love you 172% I Love you 173% I Love you 174% I Love you 175% I Love you 176% I Love you 177% I Love you 178% I Love you 179% I Love you 180% I Love you 181% I Love you 182% I Love you 183% I Love you 184% I Love you 185% I Love you 186% I Love you 187% I Love you 188% I Love you 189% I Love you 190% I Love you 191% I Love you 192% I Love you 193% I Love you 194% I Love you 195% I Love you 196% I Love you 197% I Love you 198% I Love you 199% I LOVE U 200% 💝💝💝 Love you 201% I Love you 202% I Love you 203% I Love you 204% I Love you 205% I Love you 206% I Love you 207% I Love you 208% I Love you 209% I Love you 210% I Love you 211% I Love you 212% I Love you 213% I Love you 214% I Love you 215% I Love you 216% I Love you 217% I Love you 218% I Love you 219% I Love you 220% I Love you 221% I Love you 222% I Love you 223% I Love you 224% I Love you 225% I Love you 226% I Love you 227% I Love you 228% I Love you 229% I Love you 230% I Love you 231% I Love you 231% I Love you 232% I Love you 233% I Love you 234% I Love you 235% I Love you 236% I Love you 237% I Love you 238% I Love you 239% I Love you 240% I Love you 241% I Love you 242% I Love you 243% I Love you 244% I Love you 245% I Love you 246% I Love you 247% I Love you 248% I Love you 249% I Love you 250% I Love you 251% I Love you 252% I Love you 253% I Love you 254% I Love you 255% I Love you 256% I Love you 257% I Love you 258% I Love you 259% I Love you 260% I Love you 261% I Love you 262% I Love you 263% I Love you 264% I Love you 265% I Love you 266% I Love you 267% I Love you 268% I Love you 269% I Love you 270% I Love you 271% I Love you 272% I Love you 273% I Love you 274% I Love you 275% I Love you 276% I Love you 277% I Love you 278% I Love you 279% I Love you 280% I Love you 281% I Love you 282% I Love you 283% I Love you 284% I Love you 285% I Love you 286% I Love you 287% I Love you 288% I Love you 289% I Love you 290% I Love you 291% I Love you 292% I Love you 293% I Love you 294% I Love you 295% I Love you 296% I Love you 297% I Love you 298% I Love you 299% I LOVE YOU 300% 💝💝💝 Please pin i spent almost 7 hours on this😭😭
hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi hi
A few years back we were talking to the guy who was in the middle of the road and he said he was going to be there for a couple of hours and he said he was gonna come and get me and he said he was just gonna come and pick me up and then he said he was coming to pick you guys and I tyyyy so you know I don’t want you guys going anywhere and then I was just gonna go home to go and see you and I didn’t even think to ask him if I could go get you something and then I just wanted you guys and he was going home to do something to get me and I
At first I was like Woah, then I was like woah woah. (yes, it’s a meme, but I can’t upload it 🤦♂️ ) Don’t click on read more. Can we get this guy to 1000 subs and 2000 views? th-cam.com/video/kfeOIEgJVAc/w-d-xo.html
The Five Nights at Freddy's (FNAF) lore is a complex and ever-evolving narrative that revolves around a fictional pizza chain called Freddy Fazbear's Pizza and the animatronic characters that inhabit it. While the exact details are often left open to interpretation, here are some of the key elements of the FNAF lore: The Animatronics: * Purpose: Originally designed as children's entertainment characters, the animatronics are anthropomorphic figures that resemble animals. * Possession: Due to tragic incidents involving the animatronics and children, it is believed that the spirits of these children now possess the animatronics, driving them to exhibit aggressive and sometimes violent behavior. The Purple Guy: * Identity: The main antagonist of the series, often referred to as "Purple Guy," is believed to be responsible for the tragic events at Freddy Fazbear's Pizza. * Motives: His motives are unclear, but he is often associated with the murders of the children and the possession of the animatronics. The Bite of '87: * Incident: A mysterious incident involving an animatronic biting someone, likely a child, in 1987. * Victim: The identity of the victim is unknown, but it is often speculated to be the main protagonist of the first game, Mike Schmidt. The Timeline: * Multiple Locations: The series takes place across various Freddy Fazbear's Pizza locations, each with its own unique story and timeline. * Interconnected Events: The events in each game are interconnected, with clues and references often pointing to previous or future games. Theories and Interpretations: * Multiple Endings: Many games in the series have multiple endings, leading to various interpretations of the overall story. * Fan Theories: Fans have developed numerous theories about the lore, often involving complex connections between the games and characters. It's important to note that the FNAF lore is constantly evolving, with new games and additional information being released regularly. This summary provides a basic overview of the key elements, but there are many more details and theories to explore.
story: *LINA AND HAZLEY* *WARNING* *BAD GRAMMAR* *NOT TO LONG* Lina:Mommy, Lina's mom:Yes? Lina:Can I play at the park? Mom:Of course hunny. Lina:OK ty **AT THE PARK** Mom:Be careful sweetie Lina:OK MOMMY Hazley:**Saws Lina** Hazley: Hi Lina Lina:Oh. Hi Hazley 1 Like for part 2 Part 2: Lina:Hazley let's play (2×) Hazley:Ok **AFTER PLAYING** Mom:Lina its time to go. Its already 06:28. Its late Lina. Lina:Ok. Bye Hazley Hazley:Bye **AT HOME** Mom:Ok Lina its time for bedtime Lina:Ok **THE NEXT DAY** Mom:Lina wake up sweetheart Lina:5 minutes moreeeee Mom:Lina, its Monday. Lina:Ok ok. **AT SCHOOL** Lina: Hi Hazley,hi Alice Hazley and Alice:Hi Lina **AT MATH CLASS** Teacher: Ok whats 35-29 Lina:**Thinking** Lina:6 Teacher:Right answer. **AFTER SCHOOL** Lina:Mommy I'm ba- Lina:**Shoke** Like to what happened or reply.
I'm going to waist your time sorry Your still here????????????? This hurts my fingers Pls like for me it's waiting my time😒 You got 3rd place try to get 2nd and then 1st Keep going Your still here LIKE PLS PLS PLS PLS PLS PLS PLS PLS 🙏 YOUR DOING WELL YOU CAN LEAVE IM WAITING OMOST THERE TO 2nd if you do you get a..... Cookie just wait CONGRATS YOU HAVE GOT 2ND PLACE HERES LOOKING A COOKIE LIKE I PROMISED 🍪 KEEP GOING HERE FEEL HAPPY. 🍒🍓🍍🍌🍉🍎🍇 eat up Like your food if you still here LIKE YOU GOT 1ST PLACE YAY HERE🐕 A PUPPY 😁😁😁😄😃😀
The fact that so many books still name the Beatles “the greatest or most significant or most influential” rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success: the Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worth of being saved. In a sense the Beatles are emblematic of the status of rock criticism as a whole: too much attention to commercial phenomena (be it grunge or U2) and too little attention to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, a lot of rock critics will ignore him. If a major label picks up a musician who is as stereotyped as one can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for free for major labels, distributors and record stores. They simply publicize what the music business wants to make money with. Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles. And rock critics will study more of rock history and realize who invented what and who simply exploited it commercially. Beatles’ “aryan” music removed any trace of black music from rock and roll: it replaced syncopated african rhythm with linear western melody, and lusty negro attitudes with cute white-kid smiles. Contemporary musicians never spoke highly of the Beatles, and for a good reason. They could not figure out why the Beatles’ songs should be regarded more highly than their own. They knew that the Beatles were simply lucky to become a folk phenomenon (thanks to “Beatlemania”, which had nothing to do with their musical merits). That phenomenon kept alive interest in their (mediocre) musical endeavours to this day. Nothing else grants the Beatles more attention than, say, the Kinks or the Rolling Stones. There was nothing intrinsically better in the Beatles’ music. Ray Davies of the Kinks was certainly a far better songwriter than Lennon & McCartney. The Stones were certainly much more skilled musicians than the ‘Fab Fours’. And Pete Townshend was a far more accomplished composer, capable of “Tommy” and “Quadrophenia”. Not to mention later and far greater British musicians. Not to mention the American musicians who created what the Beatles later sold to the masses. The Beatles sold a lot of records not because they were the greatest musicians but simply because their music was easy to sell to the masses: it had no difficult content, it had no technical innovations, it had no creative depth. They wrote a bunch of catchy 3-minute ditties and they were photogenic. If somebody had not invented “Beatlemania” in 1963, you would not have wasted five minutes of your time to read a page about such a trivial band. Note of 2010. The Beatles were not a terribly interesting band, but their fans were and still are an interesting phenomenon. I can only name religious fundamentalists as annoying (and as threatening) as Beatles fans and as persevering in sabotaging anyone who dares express an alternative opinion on their faith. They have turned me into some kind of Internet celebrity not because of the 6,000 bios that i have written, not because of the 800-page book that i published, not because of 30 years of cultural events that i organized, but simply because i downplayed the artistic merits of the Beatles, an action that they seem to consider as disgraceful as the 2001 terrorist attacks. Jakub Krawczynski sent me this comment in 2010: I find it quite amusing that almost all of the Beatles songs have their own entries on wikipedia (nothing wrong with that in itself, actually), even if they are not singles, and each of them is meticulously dissected as if there were transcendental suites exceeding human comprehension, yet bands like Faust or Red Krayola, etc. have biographies even shorter than just one article about any random Beatles song. Needless to say, none of their songs have any articles on them, yet I’m sure there would be a lot more to talk about. Moreover, if you had put any bad review of their album on the site with the intention to show the broader scope of opinions, you’d risk your “life” there, since such fanatics don’t accept any single sign of trying to be objective. You are seen as public enemy number 1 to them. It’s like your article is one giant cognitive dissonance to them and vandalizing your bio was the only way to reduce this dissonance. (Italian text translated by Ornella C. Grannis) The Beatles most certainly belong to the history of the 60s, but their musical merits are at best dubious. The Beatles came to be at the height of the reaction against rock and roll, when the innocuous “teen idols”, rigorously white, were replacing the wild black rockers who had shocked the radio stations and the conscience of half of America. Their arrival represented a lifesaver for a white middle class terrorized by the idea that within rock and roll lay a true revolution of customs. The Beatles tranquilized that vast section of people and conquered the hearts of all those (first and foremost the females) who wanted to rebel without violating the societal status quo. The contorted and lascivious faces of the black rock and rollers were substituted by the innocent smiles of the Beatles; the unleashed rhythms of the first were substituted by the catchy tunes of the latter. Rock and roll could finally be included in the pop charts. The Beatles represented the quintessential reaction to a musical revolution in the making, and for a few years they managed to run its enthusiasm into the ground. Furthermore, the Beatles represented the reaction against a social and political revolution. They arrived at the time of the student protests, of Bob Dylan, of the Hippies, and they replaced the image of angry kids with their fists in the air, with their cordial faces and their amiable declarations. They came to replace the accusatory words of militant musicians with overindulgent nursery rhymes. In this fashion as well the Beatles served as middle-class tranquilizers, as if to prove the new generation was not made up exclusively of rebels, misfits and sexual maniacs. For most of their career the Beatles were four mediocre musicians who sang melodic three-minute tunes at a time when rock music was trying to push itself beyond that format (a format originally confined by the technical limitations of 78 rpm record). They were the quintessence of “mainstream”, assimilating the innovations proposed by rock music, within the format of the melodic song. The Beatles belonged, like the Beach Boys (whom they emulated for most of their career), to the era of the vocal band. In such a band the technique of the instrument was not as important as the chorus. Undoubtedly skilled at composing choruses, they availed themselves of producer George Martin (head of the Parlophone since 1956), to embellish those choruses with arrangements more and more eccentric. Thanks to a careful publicity campaign they became the most celebrated entertainers of the era, and are still the darlings of magazines and tabloids, much like Princess Grace of Monaco and Lady Di. The convergence between Western polyphony (melody, several parts of vocal harmony and instrumental arrangements) and African percussion - the leitmotif of American music from its inception - was legitimized in Europe by the huge success of the Merseybeat, in particular by its best sellers, Gerry and the Pacemakers and the Beatles, both produced by George Martin and managed by Brian Epstein. To the bands of the Merseybeat goes the credit of having validated rock music for a vast audience, a virtually endless audience. They were able to interpret the spirit and the technique of rock and roll, while separating it from its social circumstances, thus defusing potential explosions. In such fashion, they rendered it accessible not only to the young rebels, but to all. Mediocre musicians and even more mediocre intellectuals, bands like the Beatles had the intuition of the circus performer who knows how to amuse the peasants after a hard day’s work, an intuition applied to the era of mass distribution of consumer goods. Every one of their songs and every one of their albums followed much more striking songs and albums by others, but instead of simply imitating those songs, the Beatles adapted them to a bourgeois, conformist and orthodox dimension. The same process was applied to the philosophy of the time, from the protest on college campuses to Dylan’s pacifism, from drugs to the Orient. Their vehicle was melody, a universal code of sorts, that declared their music innocuous. Naturally others performed the same operation, and many (from the Kinks to the Hollies, from the Beach Boys to the Mamas and Papas) produced melodies even more memorable, yet the Beatles arrived at the right moment and theirs would remain the trademark of the melodic song of the second half of the twentieth century. HAVE I WON
It's more appreciated since he type in a paragraph and not put space like mine but mine took 3 hours it's way longer than the pinned one like way more hope I get some attention😢
Hello, everyone! This is the LONGEST TEXT EVER! I was inspired by the various other "longest texts ever" on the internet, and I wanted to make my own. So here it is! This is going to be a WORLD RECORD! This is actually my third attempt at doing this. The first time, I didn't save it. The second time, the Neocities editor crashed. Now I'm writing this in Notepad, then copying it into the Neocities editor instead of typing it directly in the Neocities editor to avoid crashing. It sucks that my past two attempts are gone now. Those actually got pretty long. Not the longest, but still pretty long. I hope this one won't get lost somehow. Anyways, let's talk about WAFFLES! I like waffles. Waffles are cool. Waffles is a funny word. There's a Teen Titans Go episode called "Waffles" where the word "Waffles" is said a hundred-something times. It's pretty annoying. There's also a Teen Titans Go episode about Pig Latin. Don't know what Pig Latin is? It's a language where you take all the consonants before the first vowel, move them to the end, and add '-ay' to the end. If the word begins with a vowel, you just add '-way' to the end. For example, "Waffles" becomes "Afflesway". I've been speaking Pig Latin fluently since the fourth grade, so it surprised me when I saw the episode for the first time. I speak Pig Latin with my sister sometimes. It's pretty fun. I like speaking it in public so that everyone around us gets confused. That's never actually happened before, but if it ever does, 'twill be pretty funny. By the way, "'twill" is a word I invented recently, and it's a contraction of "it will". I really hope it gains popularity in the near future, because "'twill" is WAY more fun than saying "it'll". "It'll" is too boring. Nobody likes boring. This is nowhere near being the longest text ever, but eventually it will be! I might still be writing this a decade later, who knows? But right now, it's not very long. But I'll just keep writing until it is the longest! Have you ever heard the song "Dau Dau" by Awesome Scampis? It's an amazing song. Look it up on TH-cam! I play that song all the time around my sister! It drives her crazy, and I love it. Another way I like driving my sister crazy is by speaking my own made up language to her. She hates the languages I make! The only language that we both speak besides English is Pig Latin. I think you already knew that. Whatever. I think I'm gonna go for now. Bye! Hi, I'm back now. I'm gonna contribute more to this soon-to-be giant wall of text. I just realised I have a giant stuffed frog on my bed. I forgot his name. I'm pretty sure it was something stupid though. I think it was "FROG" in Morse Code or something. Morse Code is cool. I know a bit of it, but I'm not very good at it. I'm also not very good at French. I barely know anything in French, and my pronunciation probably sucks. But I'm learning it, at least. I'm also learning Esperanto. It's this language that was made up by some guy a long time ago to be the "universal language". A lot of people speak it. I am such a language nerd. Half of this text is probably gonna be about languages. But hey, as long as it's long! Ha, get it? As LONG as it's LONG? I'm so funny, right? No, I'm not. I should probably get some sleep. Goodnight! Hello, I'm back again. I basically have only two interests nowadays: languages and furries. What? Oh, sorry, I thought you knew I was a furry. Haha, oops. Anyway, yeah, I'm a furry, but since I'm a young furry, I can't really do as much as I would like to do in the fandom. When I'm older, I would like to have a fursuit, go to furry conventions, all that stuff. But for now I can only dream of that. Sorry you had to deal with me talking about furries, but I'm honestly very desperate for this to be the longest text ever. Last night I was watching nothing but fursuit unboxings. I think I need help. This one time, me and my mom were going to go to a furry Christmas party, but we didn't end up going because of the fact that there was alcohol on the premises, and that she didn't wanna have to be a mom dragging her son through a crowd of furries. Both of those reasons were understandable. Okay, hopefully I won't have to talk about furries anymore. I don't care if you're a furry reading this right now, I just don't wanna have to torture everyone else. I will no longer say the F word throughout the rest of this entire text. Of course, by the F word, I mean the one that I just used six times, not the one that you're probably thinking of which I have not used throughout this entire text. I just realised that next year will be 2020. That's crazy! It just feels so futuristic! It's also crazy that the 2010s decade is almost over. That decade brought be a lot of memories. In fact, it brought be almost all of my memories. It'll be sad to see it go. I'm gonna work on a series of video lessons for Toki Pona. I'll expain what Toki Pona is after I come back. Bye! I'm back now, and I decided not to do it on Toki Pona, since many other people have done Toki Pona video lessons already. I decided to do it on Viesa, my English code. Now, I shall explain what Toki Pona is. Toki Pona is a minimalist constructed language that has only ~120 words! That means you can learn it very quickly. I reccomend you learn it! It's pretty fun and easy! Anyway, yeah, I might finish my video about Viesa later. But for now, I'm gonna add more to this giant wall of text, because I want it to be the longest! It would be pretty cool to have a world record for the longest text ever. Not sure how famous I'll get from it, but it'll be cool nonetheless. Nonetheless. That's an interesting word. It's a combination of three entire words. That's pretty neat. Also, remember when I said that I said the F word six times throughout this text? I actually messed up there. I actually said it ten times (including the plural form). I'm such a liar! I struggled to spell the word "liar" there. I tried spelling it "lyer", then "lier". Then I remembered that it's "liar". At least I'm better at spelling than my sister. She's younger than me, so I guess it's understandable. "Understandable" is a pretty long word. Hey, I wonder what the most common word I've used so far in this text is. I checked, and appearantly it's "I", with 59 uses! The word "I" makes up 5% of the words this text! I would've thought "the" would be the most common, but "the" is only the second most used word, with 43 uses. "It" is the third most common, followed by "a" and "to". Congrats to those five words! If you're wondering what the least common word is, well, it's actually a tie between a bunch of words that are only used once, and I don't wanna have to list them all here. Remember when I talked about waffles near the beginning of this text? Well, I just put some waffles in the toaster, and I got reminded of the very beginnings of this longest text ever. Okay, that was literally yesterday, but I don't care. You can't see me right now, but I'm typing with my nose! Okay, I was not able to type the exclamation point with just my nose. I had to use my finger. But still, I typed all of that sentence with my nose! I'm not typing with my nose right now, because it takes too long, and I wanna get this text as long as possible quickly. I'm gonna take a break for now! Bye! Hi, I'm back again. My sister is beside me, watching me write in this endless wall of text. My sister has a new thing where she just says the word "poop" nonstop. I don't really like it. She also eats her own boogers. I'm not joking. She's gross like that. Also, remember when I said I put waffles in the toaster? Well, I forgot about those and I only ate them just now. Now my sister is just saying random numbers. Now she's saying that they're not random, they're the numbers being displayed on the microwave. Still, I don't know why she's doing that. Now she's making annoying clicking noises. Now she's saying that she's gonna watch Friends on three different devices. Why!?!?! Hi its me his sister. I'd like to say that all of that is not true. Max wants to make his own video but i wont let him because i need my phone for my alarm.POOP POOP POOP POOP LOL IM FUNNY. kjnbhhisdnhidfhdfhjsdjksdnjhdfhdfghdfghdfbhdfbcbhnidjsduhchyduhyduhdhcduhduhdcdhcdhjdnjdnhjsdjxnj Hey, I'm back. Sorry about my sister. I had to seize control of the LTE from her because she was doing keymash. Keymash is just effortless. She just went back to school. She comes home from school for her lunch break. I think I'm gonna go again. Bye! Hello, I'm back. Let's compare LTE's. This one is only 8593 characters long so far. Kenneth Iman's LTE is 21425 characters long. The Flaming-Chicken LTE (the original) is a whopping 203941 characters long! I think I'll be able to surpass Kenneth Iman's not long from now. But my goal is to surpass the Flaming-Chicken LTE. Actually, I just figured out that there's an LTE longer than the Flaming-Chicken LTE. It's Hermnerps LTE, which is only slightly longer than the Flaming-Chicken LTE, at 230634 characters. My goal is to surpass THAT. Then I'll be the world record holder, I think. But I'll still be writing this even after I achieve the world record, of course. One time, I printed an entire copy of the Bee Movie script for no reason. I heard someone else say they had three copies of the Bee Movie script in their backpack, and I got inspired. But I only made one copy because I didn't want to waste THAT much paper. I still wasted quite a bit of paper, though. Now I wanna see how this LTE compares to the Bee Movie script. Okay, I checked, and the Bee Movie script is 50753 characters long. Not as long as some of the LTEs I mentioned, but still longer than mine and Kenneth Iman's combined. This LTE is getting close to 10000 characters! That means it'll be half the length of Kenneth Iman's LTE. That's pretty exciting. Also, going back to the topic of the Bee Movie Script, I tried to write the entire thing out by hand
Why is everyone doing this: Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . KILL ME PLEASE Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." Why is everyone doing this: Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . KILL ME PLEASE Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x."Why is everyone doing this: Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolanegative number that appears on the same side of the x." :)｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡
skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)
1. I Love u 2. I Love u 3. I Love u 4. I love u 5. I Love u 6. I Love u 7. I Love u 8. I Love u 9. I Love u 10. I Love u 11. I Love u 12. I Love u 13. I Love u 14. I Love u 15. I Love u 16. I Love u 17. I Love u 18. I Love u 19. I Love u 20. I Love u 21. I Love u 22. I Love u 23.I Love u 24.I Love u 25.I Love u 26.I Love u 27.I Love u 28.I Love u 29:I Love u 30.I Love u 31.I Love u 32.I Love u 33.I Love u 34.I Love u 35.I Love u 36.I Love u 37. I Love u 38. I Love u 39.I Love u 40.I Love u
It was raining hard that night. In my hurry to get into the house, I didn't notice the black car parked across the road. I realized something was wrong when I could see someone hovering around the car. I wasn't sure if it was safe to go to the car to investigate but my instincts dragged me from the gate of my building to across the road and next to the car. What happened in that half an hour is what I call my most unforgettable memory. I could see a man pacing up and down, drenched and injured. At first when I saw him, he looked inebriated as he was losing his balance now and then. But as I went near him, I was sure it was the injury and not any substance that was causing him to tip. Excuse me Sir! Can I help you? I asked him. He seemed to be in a state of shock. I tried calling out to him but he continued going round and round his car. I was not comfortable reaching out to him physically and I thought he might attack me in his condition. But there was no one I could call as my phone had switched off after getting wet in the rain. Also, if I went home, which was just across the street, my over-protective mother would panic and wouldn't let me help him. So there I was, feeling helpless and angry, because I decided to help someone without knowing what to do. I remember standing in the rain for quite some time, staring at the man hovering around his car, feeling absolutely worthless. Then in a flash of a moment, I found myself walking towards him and reaching out to his shoulder. I must have been really stupid to do that! Sir! I shouted as I grabbed his shoulder, Can you tell me your name? Do you live around here?The man seemed to have lost his ability to hear or see or feel as he continued to walk around his car, only that now he was crying and shivering .because of the rain. I grabbed both his shoulders and tried to talk again. I will help you! Tell me what I you want! Is this your car? I repeatedly asked him the above questions for at least five minutes before his finally looked at me and broke down. At that point, to be honest, I was scared to death, because he wouldn't stop screaming and trembling. After a while, he began to come back to his senses and began to calm down. Finally, when he stopped crying, he looked at me and told me that he was a second-year DU student who was out for a school reunion party at one of the schoolmates farmhouse on the outskirts of the city. He had happily agreed to go for the party because obviously we are always excited to meet our school buddies and relive the happy school memories. When he entered the farmhouse, he told me that everything was fine for a couple of hours. HE then said that they began playing a game which turned into an unpleasant episode of bullying him. He was majorly bullied by a school group when in school and at the party too, the group started bullying him. When he retaliated, they faked an apology and offered him a drink. I was foolish to assume that they were truly sorry and that they had grown up, he told me, now smiling as if recollecting what happened at the party. He told me that he doesn't remember what happened after he took that drink. He only remembers me screaming at him. When I regained consciousness, my head hurt and I was lying on the street, drenched, outside my car. I don't even know what part of the city I am in. They must have put me in the car and brought me here. And they must have thrown me out of my own car and thrown away the keys after locking it so that I cant go home. The man, whose name was Kabir, thanked me for being there. He asked me which place he had been abandoned, and asked the way to the nearest police station. I took him with me and told our complex watchman to guard his car for the night. My mother calmed down as she heard the whole story and nursed his wounds. Kabir slept at my place that night. The next morning, mom and I accompanied him to the police station and lodged an FIR. Kabir said he wanted to get a blood test done as he thought he had been made to take drugs through the drink. He was right. He gave the details of the farmhouse and of his friends. The police sealed the farmhouse and arrested the friends. Kabir and I became good friends forever after the incident. He taught me to be cautious of people, because some people can never be trusted no matter how much time has passed. He also taught me that it is okay to have a moment of fear. If you have a helping hand around, you can overcome fear and get back on your feet again. Was this answer helpful? upvote 91
Just check out the lyrics Look, I was gonna go easy on you not to hurt your feelings But I'm only going to get this one chance (Six minutes, six minutes) Something's wrong, I can feel it (Six minutes, six minutes, Slim Shady, you're on) Just a feeling I've got Like something's about to happen But I don't know what If that means, what I think it means, we're in trouble Big trouble. And if he is as bananas as you say I'm not taking any chances You were just what the doctor ordered [Chorus:] I'm beginning to feel like a Rap God, Rap God All my people from the front to the back nod, back nod Now who thinks their arms are long enough to slap box, slap box? They said I rap like a robot, so call me rap-bot [Verse 1:] But for me to rap like a computer must be in my genes I got a laptop in my back pocket My pen'll go off when I half-cock it Got a fat knot from that rap profit Made a living and a killing off it Ever since Bill Clinton was still in office With Monica Lewinski feeling on his nutsack I'm an MC still as honest But as rude and as indecent as all hell Syllables, skill-a-holic (Kill 'em all with) This flippity, dippity-hippity hip-hop You don't really wanna get into a pissing match With this rappity-rap Packing a mack in the back of the Ac backpack rap, crap, yap-yap, yackety-yack and at the exact same time I attempt these lyrical acrobat stunts while I'm practicing that I'll still be able to break a motherfuckin' table Over the back of a couple of faggots and crack it in half Only realized it was ironic I was signed to Aftermath after the fact How could I not blow? All I do is drop "F" bombs Feel my wrath of attack Rappers are having a rough time period Here's a Maxi-Pad It's actually disastrously bad For the wack while I'm masterfully constructing this masterpiece yeah [Chorus:] 'Cause I'm beginning to feel like a Rap God, Rap God All my people from the front to the back nod, back nod Now who thinks their arms are long enough to slap box, slap box? Let me show you maintaining this shit ain't that hard, that hard [Verse 2:] Everybody want the key and the secret to rap Immortality like I have got Well, to be truthful the blueprint's Simply rage and youthful exuberance Everybody loves to root for a nuisance Hit the earth like an asteroid and did nothing but shoot for the moon since (PPEEYOOM) MC's get taken to school with this music 'Cause I use it as a vehicle to 'bus the rhyme' Now I lead a New School full of students Me? Me, I'm a product of Rakim Lakim Shabazz, 2Pac, N-W-A., Cube, hey, Doc, Ren Yella, Eazy, thank you, they got Slim Inspired enough to one day grow up Blow up and being in a position To meet Run-D.M.C. and induct them Into the motherfuckin' Rock n' Roll Hall of Fame even though I walk in the church And burst in a ball of flames Only Hall of Fame I'll be inducted in is the alcohol of fame On the wall of shame You fags think it's all a game 'Til I walk a flock of flames Off a plank and Tell me what in the fuck are you thinking? Little gay looking boy So gay I can barely say it with a 'straight' face looking boy You're witnessing a mass-occur like you're watching a church gathering And take place looking boy Oy vey, that boy's gay That's all they say looking boy You get a thumbs up, pat on the back And a "way to go" from your label every day looking boy Hey, looking boy, what d'you say looking boy? I get a "hell yeah" from Dre looking boy I'mma work for everything I have Never asked nobody for shit Git out my face looking boy Basically boy you're never gonna be capable of keeping up with the same pace looking boy, 'cause [Chorus:] I'm beginning to feel like a Rap God, Rap God All my people from the front to the back nod, back nod The way I'm racing around the track, call me Nascar, Nascar Dale Earnhardt of the trailer park, the White Trash God Kneel before General Zod this planet's Krypton, no Asgard, Asgard [Verse 3:] So you'll be Thor and I'll be Odin You rodent, I'm omnipotent Let off then I'm reloading Immediately with these bombs I'm totin' And I should not be woken I'm the walking dead But I'm just a talking head, a zombie floating But I got your mom deep throating I'm out my Ramen Noodle We have nothing in common, poodle I'm a Doberman, pinch yourself In the arm and pay homage, pupil It's me My honesty's brutal But it's honestly futile if I don't utilize What I do though for good At least once in a while so I wanna make sure Somewhere in this chicken scratch I scribble and doodle Enough rhymes to Maybe try to help get some people through tough times But I gotta keep a few punchlines Just in case 'cause even you unsigned Rappers are hungry looking at me like it's lunchtime I know there was a time where once I Was king of the underground But I still rap like I'm on my Pharoahe Monch grind So I crunch rhymes But sometimes when you combine Appeal with the skin color of mine You get too big and here they come trying to Censor you like that one line I said On "I'm Back" from the Mathers LP One when I tried to say I'll take seven kids from Columbine Put 'em all in a line Add an AK-47, a revolver and a nine See if I get away with it now That I ain't as big as I was, but I'm Morphin' into an immortal coming through the portal You're stuck in a time warp from two thousand four though And I don't know what the fuck that you rhyme for You're pointless as Rapunzel With fucking cornrows You write normal, fuck being normal And I just bought a new ray gun from the future Just to come and shoot ya Like when Fabulous made Ray J mad 'Cause Fab said he looked like a fag At Mayweather's pad singin' to a man While he play piano Man, oh man, that was the 24/7 special On the cable channel So Ray J went straight to radio station the very next day "Hey, Fab, I'mma kill you" Lyrics coming at you at supersonic speed, (JJ Fad) Uh, summa lumma dooma lumma you assuming I'm a human What I gotta do to get it through to you I'm superhuman Innovative and I'm made of rubber, so that anything you say is Ricochet in off a me and it'll glue to you And I'm devastating more than ever demonstrating How to give a motherfuckin' audience a feeling like it's levitating Never fading, and I know that haters are forever waiting For the day that they can say I fell off, they'll be celebrating 'Cause I know the way to get 'em motivated I make elevating music You make elevator music "Oh, he's too mainstream." Well, that's what they do When they get jealous, they confuse it "It's not hip hop, it's pop." 'Cause I found a hella way to fuse it With rock, shock rap with Doc Throw on "Lose Yourself" and make 'em lose it I don't know how to make songs like that I don't know what words to use Let me know when it occurs to you While I'm ripping any one of these verses that versus you It's curtains, I'm inadvertently hurtin' you How many verses I gotta murder to Prove that if you were half as nice, your songs you could sacrifice virgins to Unghh, school flunky, pill junky But look at the accolades these skills brung me Full of myself, but still hungry I bully myself 'cause I make me do what I put my mind to When I'm a million leagues above you Ill when I speak in tongues But it's still tongue-and-cheek, fuck you I'm drunk so Satan take the fucking wheel I'm asleep in the front seat Bumping Heavy D and the Boys "Still chunky, but funky" But in my head there's something I can feel tugging and struggling Angels fight with devils and Here's what they want from me They're asking me to eliminate some of the women hate But if you take into consideration the bitter hatred I had Then you may be a little patient and more sympathetic to the situation And understand the discrimination But fuck it Life's handing you lemons Make lemonade then But if I can't batter the women How the fuck am I supposed to bake them a cake then? Don't mistake him for Satan It's a fatal mistake if you think I need to be overseas And take a vacation to trip a broad And make her fall on her face and Don't be a retard, be a king? Think not Why be a king when you can be a God?
garnet from steven universe a d why she's the best character Garnet from "Steven Universe" stands out as one of the most compelling characters in the series for several reasons. First and foremost, her character embodies strength and resilience. As one of the Crystal Gems, Garnet possesses immense power, yet this strength is balanced by her calm demeanor and emotional intelligence. This combination makes her a natural leader and a source of support for the other characters. She often acts as a mentor to Steven, guiding him through challenges and helping him navigate his emotions. This nurturing aspect of her personality showcases her as not only a warrior but also as a guardian figure. Garnet's unique identity is another reason she is regarded as the best character. She is a fusion of two Gems, Ruby and Sapphire, which symbolizes the beauty of unity and love. This aspect of her character is particularly vital, as it challenges traditional notions of individuality and highlights the importance of relationships. The dynamic between Ruby and Sapphire is foundational to Garnet's character. Their bond is an example of healthy communication and partnership, emphasizing that love can empower and strengthen individuals. This message resonates deeply with viewers, particularly within the context of modern discussions about relationships and identity. Moreover, Garnet's journey throughout the series illustrates personal growth and self-acceptance. She confronts her fears and insecurities, especially when dealing with the complexities of being a fusion. This exploration of her character not only adds depth but also provides valuable lessons about embracing one's true self. As a role model, Garnet encourages viewers to appreciate the different facets of their personalities and to embrace who they are fully. In conclusion, Garnet's strength, her representation of love and unity, and her journey towards self-acceptance make her the best character in "Steven Universe." She serves as a powerful example of resilience while promoting important themes of love, partnership, and personal growth that resonate with audiences of all ages.
The Narrator begins by noting, "For a long time, I went to bed early." He comments on the way sleep seems to alter one's surroundings, and the way habit makes one indifferent to them. He remembers being in his room in the family's country home in Combray, while downstairs his parents entertain their friend Charles Swann, an elegant man of Jewish origin with strong ties to society. Due to Swann's visit, the Narrator is deprived of his mother's goodnight kiss, but he gets her to spend the night reading to him. This memory is the only one he has of Combray until years later the taste of a madeleine cake dipped in tea inspires a nostalgic incident of involuntary memory. He remembers having a similar snack as a child with his invalid aunt Léonie, and it leads to more memories of Combray. He describes their servant Françoise, who is uneducated but possesses an earthy wisdom and a strong sense of both duty and tradition. He meets an elegant "lady in pink" while visiting his uncle Adolphe. He develops a love of the theater, especially the actress Berma, and his awkward Jewish friend Bloch introduces him to the works of the writer Bergotte. He learns Swann made an unsuitable marriage but has social ambitions for his beautiful daughter Gilberte. Legrandin, a snobbish friend of the family, tries to avoid introducing the boy to his well-to-do sister. The Narrator describes two routes for country walks the child and his parents often enjoyed: the way past Swann's home (the Méséglise way), and the Guermantes way, both containing scenes of natural beauty. Taking the Méséglise way, he sees Gilberte Swann standing in her yard with a lady in white, Mme. Swann, and her supposed lover: Baron de Charlus, a friend of Swann's. Gilberte makes a gesture that the Narrator interprets as a rude dismissal. During another walk, he spies a lesbian scene involving Mlle. Vinteuil, daughter of a composer, and her friend. The Guermantes way is symbolic of the Guermantes family, the nobility of the area. The Narrator is awed by the magic of their name and is captivated when he first sees Mme. de Guermantes. He discovers how appearances conceal the true nature of things and tries writing a description of some nearby steeples. Lying in bed, he seems transported back to these places until he awakens. Mme. Verdurin is an autocratic hostess who, aided by her husband, demands total obedience from the guests in her "little clan". One guest is Odette de Crécy, a former courtesan, who has met Swann and invites him to the group. Swann is too refined for such company, but Odette gradually intrigues him with her unusual style. A sonata by Vinteuil, which features a "little phrase", becomes the motif for their deepening relationship. The Verdurins host M. de Forcheville; their guests include Cottard, a doctor; Brichot, an academic; Saniette, the object of scorn; and a painter, M. Biche. Swann grows jealous of Odette, who now keeps him at arm's length, and suspects an affair between her and Forcheville, aided by the Verdurins. Swann seeks respite by attending a society concert that includes Legrandin's sister and a young Mme. de Guermantes; the "little phrase" is played and Swann realizes Odette's love for him is gone. He tortures himself wondering about her true relationships with others, but his love for her, despite renewals, gradually diminishes. He moves on and marvels that he ever loved a woman who was not his type. At home in Paris, the Narrator dreams of visiting Venice or the church in Balbec, a resort, but he is too unwell and instead takes walks in the Champs-Élysées, where he meets and befriends Gilberte. He holds her father, now married to Odette, in the highest esteem, and is awed by the beautiful sight of Mme. Swann strolling in public. Years later, the old sights of the area are long gone, and he laments the fleeting nature of places. Volume Two: In the Shadow of Young Girls in Flower Wikiquote has quotations related to: In the Shadow of Young Girls in Flower The beach at Cabourg, a seaside resort that was the model for Balbec in the novel The Narrator's parents are inviting M. de Norpois, a diplomat colleague of the Narrator's father, to dinner. With Norpois's intervention, the Narrator is finally allowed to go see Berma perform in a play, but is disappointed by her acting. Afterwards, at dinner, he watches Norpois, who is extremely diplomatic and correct at all times, expound on society and art. The Narrator gives him a draft of his writing, but Norpois gently indicates it is not good. The Narrator continues to go to the Champs-Élysées and play with Gilberte. Her parents distrust him, so he writes to them in protest. He and Gilberte wrestle and he has an orgasm. Gilberte invites him to tea, and he becomes a regular at her house. He observes Mme. Swann's inferior social status, Swann's lowered standards and indifference towards his wife, and Gilberte's affection for her father. The Narrator contemplates how he has attained his wish to know the Swanns, and savors their unique style. At one of their parties he meets and befriends Bergotte, who gives his impressions of society figures and artists. But the Narrator is still unable to start writing seriously. His friend Bloch takes him to a brothel, where there is a Jewish prostitute named Rachel. He showers Mme. Swann with flowers, being almost on better terms with her than with Gilberte. One day, he and Gilberte quarrel and he decides never to see her again. However, he continues to visit Mme. Swann, who has become a popular hostess, with her guests including Mme. Bontemps, who has a niece named Albertine. The Narrator hopes for a letter from Gilberte repairing their friendship, but gradually feels himself losing interest. He breaks down and plans to reconcile with her, but spies from afar someone resembling her walking with a boy and gives her up for good. He stops visiting her mother also, who is now a celebrated beauty admired by passersby, and years later he can recall the glamour she displayed then. Two years later, the Narrator, his grandmother, and Françoise set out for the seaside town of Balbec. The Narrator is almost totally indifferent to Gilberte now. During the train ride, his grandmother, who only believes in proper books, lends him her favorite: the Letters of Mme. de Sévigné. At Balbec, the Narrator is disappointed with the church and uncomfortable in his unfamiliar hotel room, but his grandmother comforts him. He admires the seascape, and learns about the colorful staff and customers around the hotel: Aimé, the discreet headwaiter; the lift operator; M. de Stermaria and his beautiful young daughter; and M. de Cambremer and his wife, Legrandin's sister. His grandmother encounters an old friend, the blue-blooded Mme. de Villeparisis, and they renew their friendship. The three of them go for rides in the country, openly discussing art and politics. The Narrator longs for the country girls he sees alongside the roads, and has a strange feeling-possibly memory, possibly something else-while admiring a row of three trees. Mme. de Villeparisis is joined by her glamorous great-nephew Robert de Saint-Loup, who is involved with an unsuitable woman. Despite initial awkwardness, the Narrator and his grandmother become good friends with him. Bloch, the childhood friend from Combray, turns up with his family, and acts in typically inappropriate fashion. Saint-Loup's ultra-aristocratic and extremely rude uncle the Baron de Charlus arrives. The Narrator discovers Mme. de Villeparisis, her nephew M. de Charlus, and his nephew Saint-Loup are all of the Guermantes family. Charlus ignores the Narrator, but later visits him in his room and lends him a book. The next day, the Baron speaks shockingly informally to him, then demands the book back. The Narrator ponders Saint-Loup's attitude towards his aristocratic roots, and his relationship with his mistress, a mere actress whose recital bombed horribly with his family. One day, the Narrator sees a "little band" of teenage girls strolling beside the sea, and becomes infatuated with them, along with an unseen hotel guest named Mlle Simonet. He joins Saint-Loup for dinner and reflects on how drunkenness affects his perceptions. Later they meet the painter Elstir, and the Narrator visits his studio. The Narrator marvels at Elstir's method of renewing impressions of ordinary things, as well as his connections with the Verdurins (he is "M. Biche") and Mme. Swann. He discovers the painter knows the teenage girls, particularly one dark-haired beauty who is Albertine Simonet. Elstir arranges an introduction, and the Narrator becomes friends with her, as well as her friends Andrée, Rosemonde, and Gisele. The group goes for picnics and tours the countryside, as well as playing games, while the Narrator reflects on the nature of love as he becomes attracted to Albertine. Despite her rejection, they become close, although he still feels attracted to the whole group. At summer's end, the town closes up, and the Narrator is left with his image of first seeing the girls walking beside the sea BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEEBEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE Gonna Give You Up Gonna Let You Down L
Chorus: Alice in Wonderland, how do you get to Wonderland? Over the hill or underland, or just behind the tree? When clouds go rolling by, they roll away and leave the sky. Where is the land beyond the eye, that people can not see, where can it be? Where do stars go, where is the crescent moon? They must be somewhere in the sunny afternoon. Alice in Wonderland, where is the path to Wonderland? Over the hill or here or there, I wonder where. (One summer day, Alice was sitting up in a tree while her sister was reading a book about history.) Sister: …for if he does, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria declared for him, and even Stigand… (noticed Alice's foot and moves it) Alice! Alice: Hmm…? Oh, I’m listening. Sister: And even Stigand, the archbishop of Canterbury, agreed to meet with William and offer him the crown. (Alice places a flower crown on Dinah the cat and he shakes it of for as Alice giggles) Alice: Hihihi! Sister: William’s conduct at first was mo… (the flowers land on her) Alice: Hihihi! Sister: Alice…! (takes flowers off her) Will you kindly pay attention to your history lesson? Alice: I’m sorry, but how can one possibly pay attention to a book with no pictures in it? Sister: My dear child, there are a great many good books in this world without pictures. Alice: In this world perhaps. But in my world, the books would be nothing but pictures. Sister: Your world? Huh, what nonsense. Now… Alice: Nonsense? Sister: Once more. From the beginning. (Then Alice thought of something.) Alice: That’s it, Dinah! If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn’t. And contrariwise, what it is, it wouldn’t be, and what it wouldn’t be, it would. You see? Dinah: Meow! Alice: (climbs down tree) In my world, you wouldn’t say ‘meow’. You’d say ‘Yes, miss Alice’. Dinah: Meow! Alice: (picks up Dinah) Oh, but you would! You’d be just like people, Dinah, and all the other animals too. Why, in my world… (sings) Cats and rabbits, would reside in fancy little houses, and be dressed in shoes and hats and trousers. In a world of my own. All the flowers would have very extra special powers, they would sit and talk to me for hours, when I’m lonely in a world of my own. There’d be new birds, lots of nice and friendly howdy-do birds, everyone would have a dozen bluebirds, within that world of my own. I could listen to a babbling brook and hear a song, that I could understand. I keep wishing it could be that way, because my world would be a wonderland. (Just then, Dinah saw what appeared to be a white rabbit with a waistcoat walking by.) Dinah: Meow! Meow! Meow! Alice: Oh Dinah! Its just a rabbit with a waistcoat… (surprised) and a watch! White Rabbit: (looks at watch) Oh my fur and whiskers! I’m late, I’m late I’m late! (hops off) Alice: Now this is curious! What could a rabbit possibly be late for? (follows rabbit) Please, sir! White Rabbit: (continues hopping) I’m late, I’m late, for a very important date! No time to say hello, goodbye! I’m late, I’m late, I’m late! Alice: It must be awfully important, like a party or something! Mister Rabbit! Wait! (Alice continues to follow the rabbit) White Rabbit: No, no, no, no, no, no, no, I’m overdue. I’m really in a stew. No time to say goodbye, hello! I’m late, I’m late, I’m late! (jumps down rabbit hole) Alice: My, what a peculiar place to have a party. Dinah: Meow! (Alice squeezes herself in the hole.) Alice: You know, Dinah, we really shouldn’t…uhh…uhh…be doing this. After all, we haven’t been invited! And curiosity often leads to troubl-l-l-e-e! (Suddenly, Alice tumbles and falls down the hole.) Alice: Goodbye, Dinah! Goodbye! (Dinah waves goodbye to Alice. As Alice falls down the hole, her skirt of her dress became a parachute, slowing down her fall.) Alice: Oh! Well, after this I shall think nothing of fa-… (pushes apron off her face) of falling downstairs! (Alice noticed a lamp floating down and turns it on. Then she noticed a bunch of objects floating down the hole. She saw her reflection through a mirror. She picked up a book and looked at it. Then she landed on a rocking chair.) Alice: Oh! (relaxed in chair) Ahhh… then slips off chair) Oh, Goodness! What if I should fall right through the center of the earth… (falls through a tight opening) oh, and come out the other side, where people walk upside down. Oh, but that’s silly. Nobody… (she stops falling and is upside down, then she spotted the rabbit) oh! Oh, ha ha. (she got herself right side up) Oh, mister Rabbit! Wait! Please! … (Alice ran through the room and spotted a door. She opens it only to find another door. Then another one and another one. Then she squeezed through the last door. She finds herself in an empty hall with a small door.) Alice: Curiouser and curiouser! Doorknob: Ohhhhh!! Alice: Oh! Oh, I beg your pardon. Doorknob: Oh, oh, it’s quite all right. But you did give me quite a turn! Alice: You see, I was following… Doorknob: Rather good, what? Doorknob, turn? Alice: Please, sir. Doorknob: Well, one good turn deserves another! What can I do for you? Alice: Well, I’m looking for a white rabbit. So, um, if you don’t mind… Doorknob: Uh? Oh! Alice: There he is! I simply must get through! Doorknob: Sorry, you’re much too big. Simply impassible. Alice: You mean impossible? Doorknob: No, impassible. Nothing’s impossible! Why don’t you try the bottle on the table? Alice: Table? Oh! Doorknob: Read the directions, and directly you’ll be directed in the right direction. He he he! Alice: ‘Drink me’. Hmmm, better look first. For if one drinks much from a bottle marked ‘poison’, it’s almost certain to disagree with one, sooner or later. Doorknob: Beg your pardon! Alice: I was just giving myself some good advice. But… hmm, tastes like oh… cherry tart… custard… pineapple… roast turkey… goodness! What did I do? Doorknob: Ho ho ho ho! You almost went out like a candle! Alice: But look! I’m just the right size! Doorknob: Oh, no use! Ha ha ha ha. I forgot to tell you, ho ho ho ho! I’m locked! Alice: Oh no! Doorknob: Ha ha ha, but of course, uh, you’ve got the key, so… Alice: What key? Doorknob: Now, don’t tell me you’ve left it up there! Alice: Oh, dear! What ever will I do? Doorknob: Try the box, naturally. Alice: Oh! ‘Eat me’. All right. But goodness knows what this will do… wow, wow, wow, wow, wow! Doorknob: whtwhsthswwdthdwd! Alice: What did you say? Doorknob: I said: ‘a little of that went a long way’! Ha ha ha ha! Alice: Well, I don’t think it’s so funny! Now- now I shall never get home! Doorknob: Oh, come on now. Crying won’t help. Alice: I know, but I- I- I just can’t help myself! Doorknob: Hey, this won’t do! Bwbwlwbbwlwbl! Say, this won’t do at all! You, you up there, stop! Stop, I say! Oh look! The bottle, the bottle… Alice: Oh dear, I do wish I hadn’t cried so much. Doorknob: glpglpglp… Dodo: Oh, the sailor’s life is the life for me, how I love to sail on the bounding sea, and I never never ever do a thing about the weather for the weather never ever does a thing for me. Oh, a sailor’s life is a life for me, tiddle um (prrt, prrt) tiddle dum dum dee! And I never ne… ahoy! And other nautical expressions! Land ho, by Jove! Parrot: Where away, Dodo? Alice: Dodo?Dodo: Three points to starboard. Follow me, me hearties! Have you at port no time at all now, haha! Oh… Alice: Mister Dodo! Dodo: Johoho, and a bottle of sea, we love each time… Alice: Please! Please help me! … Um, pardon me, but uh, would you mind helping me? Please? Yoo Ho! Yoo Ho! Help me! Please! Help me! Dodo: Forward, backward, inward, outward, come and join the chase! Nothing could be drier than a jolly caucus-race. Backward, forward, outward, inward, bottom to the top, never a beginning there can never be a stop to skipping, hopping, tripping, fancy free and gay, I started it tomorrow and will finish yesterday. Round and round and round we go, and dance for evermore, once we were behind but now we find we are be-forward, backward, inward, outward, come and join the chase! Nothing could be drier than a jolly caucus-race. For backward…I say! You’ll never get dry that way! Alice: Get dry? Dodo: Have to run with the others! First rule of a caucus-race, you know! Alice: But how can I… Dodo: That’s better! Have you dry in no time now! Alice: No-one can ever get dry this way! Dodo: Nonsense! I am as dry as a bone already. Alice: Yes, but… Dodo: All right, chaps! Let’s head now! Look lively! Alice: The white rabbit! Mister Rabbit! Mi- mister Rabbit! White Rabbit: Oh, my goodness! I’m late! I’m late! Alice: Oh, don’t go away! I’ll be right back! White Rabbit: I’m late, I’m late, I’m late! Dodo: Don’t step on the fish! Eric, there, watch it there stop kicking that mackerel! William…
Alice: Mister Rabbit! Oh, mister Rabbit! Oh dear, I’m sure he came this way. Do you suppose he could be hiding? Hmmm… not here. I wonder… No, I suppose he must have… Oh! Why, what peculiar little figures! Tweedle Dee… and Tweedle Dum! Tweedle Dee: If you think we’re wax-works, you ought to pay, you know! Tweedle Dum: Contrariwise, if you think we’re alive you ought to speak to us! Dee & Dum: That’s logic! Alice: Well, it’s been nice meeting you. Goodbye! Dee: You’re beginning backwards! Dum: Aye, the first thing in a visit is to say: How do you do and shake hands, shake hands, shake hands. How do you do and shake hands and state your name and business. Dee & Dum: That’s manners! Alice: Really? Well, my name is Alice and I’m following a white rabbit. So… Dee: You can’t go yet! Dum: No, the visit has just started! Alice: I’m very sorry… Dum: Do you like to play hide-and-seek? Dee: Or button-button, who’s got the button? Alice: No, thank you. Dee: If you stay long enough we might have a battle! Alice: That’s very kind of you, but I must be going. Dee & Dum: Why? Alice: Because I am following a white rabbit! Dee & Dum: Why? Alice: Well, I- I’m curious to know where he is going! Dum: Ohhhh, she’s curious! Tsk! tsk! tsk! ts!… Dee: The oysters were curious too, weren’t they? Dum: Aye, and you remember what happened to them… Dee & Dum: Poor things! Alice: Why? What did happen to the oysters? Dee: Oh, you wouldn’t be interested. Alice: But I am! Dum: Oh, no. You’re in much too much of a hurry! Alice: Well, perhaps I could spare a little time… Dee & Dum: You could? Well… Dee: ‘The Walrus and the Carpenter’! Dum: Or: ‘The story of the curious Oysters’! Dee & Dum: The sun was shining on the sea, shining with all his might, he did his very best to make the billows smooth and bright. And this was odd, because it was the middle of the night. The Walrus and the Carpenter were walking close at hand. The beach was white from side to side but much too full of sand. ‘Mister Walrus’, said the Carpenter: ‘My brain begins to perk. We’ll sweep this clear in half a year, if you don’t mind the work.’ Walrus: Work? Uh, pff, brrrr! Uh the time has come… Dee & Dum: …the Walrus said… Walrus: …to talk of other things. Of shoes and ships and sealing wax, and cabbages and kings. And why the sea is boiling hot, and whether pigs have wings. Callooh, callay, no work today! We’re cabbages and kings! … Oh, uhhh, oysters, come and walk with us. The day is warm and bright! A pleasant walk, a pleasant talk, would be a sheer delight! Carpenter: Yes, and should we get hungry on the way, we’ll stop and uh… have a bite! Walrus: Hrmmmm! Dee & Dum: But mother Oyster winked her eye and shook her heavy head. She knew too well this was no time to leave her oyster bed. Mother oyster: The sea is nice, take my advice, and stay right here. Dee & Dum: Mom said. Walrus: Yes, yes, of course, of course! But eh… haha! The time has come, my little friends, to talk of other things. Of shoes and ships and sealing wax, of cabbages and kings. And why the sea is boiling hot, and whether pigs have wings. Haha! Callooh, callay, come run away! We’re the cabbages and kings! … Hrmmm, well now, uh… let me see… Ah! A loaf of bread is what we chiefly need. Carpenter: So how about some pepper and salt and vinegar, aye? Walrus: Oh yes, yes, splendid idea! Haha, very good indeed! Now, if you’re ready, oysters dear… haha… we can begin the feed. Oysters: Feed? Walrus: Oh yes, ahh, the time has come, my little friends, to talk of food and things! Carpenter: Of peppercorn some mustard seed and other seasonings. We’ll mix them all together in a sauce that’s fit for kings. Callooh, callay, we’ll eat today, like cabbages and kings! Walrus: I uh, weep for you, I -uh- oh, excuse me, I deeply sympathize. For I’ve enjoyed your company, oh, much more than you realize. Carpenter: Little oysters, little oysters… Dee & Dum: But answer there came none. And this was scarcely odd, because, they’d been eaten, every one! Walrus: Hmm, well, uhhh, ha ha, ha ha, ha ha, hmm… the time has come! Dee & Dum: We’re cabbages and kings! The end! Alice: That was a very sad story. Dum: Aye, and there’s a moral to it. Alice: Oh yes, a very good moral, if you happen to be an oyster. Well, it’s been a very nice visit… Dum: Another recitation… Alice: I’m sorry, but… Dum: Its titled ‘Father William’. Alice: But really, I’m… Dum: First verse: You are old father William, the young man said and your hair has become very white. And yet you incessantly stand on your head, do you think at your age it is right, is right, do you think at your age it is right? Well, in me youth, father William replied to his son, I’d do it again and again and again and I’d done it again and again and again… Alice: Now I wonder who lives here… White Rabbit: Mary Ann! Drat that girl. Where did she put ’em? Mary Ann! Alice: The rabbit! White Rabbit: Mary Ann! No use, can’t wait, I’m awfully late, oh me oh my oh me oh my! Alice: Excuse me sir, but- but I’ve been trying to… White Rabbit: Why, Mary Ann! What are you doing out here? Alice: Mary Ann? White Rabbit: Don’t just do something stand there! Uh… no no! Go go! Go get my gloves! I’m late! Alice: But late for what? That’s just what I… White Rabbit: My gloves! At once, do you hear! Alice: Goodness. I suppose I’ll be taking orders from Dinah next. Hmmm, now let me see. If I were a rabbit, where would I keep my gloves? Oh! Thank you. Don’t mind if I do. Hmhm. Hmhm. Hmhmhmhmhmhm. Hmhmhmhmhmhm-oeh! Oh no no, not again! White Rabbit: Oh! Mary Ann! Now you see here, Mary Ann… Help! No! No! Help! Monsters! Help, assistance! Alice: Hrmm… hrmm… hrmm… dear! White Rabbit: A monster! A monster, Dodo! In my house, Dodo! Alice: Dodo…? White Rabbit: Oh might, poor little bitty house… Dodo: Uh, steady old champ.Can’t be as bad as all that you know. White Rabbit: Oh my poor roof and rafters, all my walls and… there it is! Dodo: By Jove! Jolly well?? is! Isn’t it? White Rabbit: Well, do something, Dodo! Dodo: Yes, indeed! Extraordinary situation, but eh… White Rabbit: But- but- but- but- but what? Dodo: But I have a very simple solution! Alice: Thank goodness! White Rabbit: Wha- wha- what is it? Dodo: Simply pull it out the chimney. White Rabbit: Yes, go- go- go on, go on! Pull it out! Dodo: Who? Me? Don’t be ridiculous! What we need is eh… a lizard with a ladder! White Rabbit: Hmm? Oh! Bill! Bill! Eh, we need a lazzerd with a lizard, a lizard a bb…b… can you help us? Bill: At your service, governor! Dodo: Here, my lad??. Have you ever been down a chimney? Bill: Why governor, I’ve been down more chimneys… Dodo: Excellent, excellent. You just pop down the chimney, and haul that monster out of there. Bill: Righto, governor! Monster? Hoeaaaaah! No! No! …. Dodo: Steady now. That’s better! Bill, lad, you’re passing up a golden opportunity! Bill: I am? Dodo: You can be famous! Bill: I can? Dodo: Of course! There’s a brave lad! In you go now. Nothing to it, old boy. Simply tie your tail around the monsters neck and drag it out! Bill: But- but- but governor! Dodo: Good luck, Bill! Alice: (Prepares to Sneeze) and (Sneezes). Dodo: Well, there goes Bill… Alice: Poor Bill… Dodo: Ehh, perhaps we should try a more energetic remedy. White Rabbit: Yes, anything, anything. But hurry! Dodo: Now, I- I propose that we… uhh… White Rabbit: Yes, come on, come on, yes, yes… Dodo: I propose that we… uhh… dow! By Jove! That’s it! We’ll burn the house down! White Rabbit: Yes, hihi! Burn the house… what? Alice: Oh no! Dodo: Hi ho! Oh, we’ll smoke the blighter out. He’ll put the beast to rout. Some kindling, a stick or two, all this bit of rubbish ought to do. White Rabbit: Oh dear… Dodo: We’ll smoke the blighter out, we’ll smoke the monster out! White Rabbit: No, no! Not my beautiful birdhouse! Dodo: Oh, we’ll roast the blighter’s toes, we’ll toast the bounder’s nose! Just fetch that gate, we’ll make it clear that monsters aren’t welcome here. White Rabbit: Oh me, oh my… Dodo: A match! White Rabbit: Match? Dodo: Thank you! We’ll blow the thing there out, we’ll smoke the monster out! White Rabbit: We’ll smoke the monster out… noho! Noho, my poor house and furniture… Alice: Oh dear, this is serious! I simply must… oh! A garden! Perhaps if I eat something it will make me grow smaller… White Rabbit: Ahhhh! Oh, let go! Help! Alice: I’m sorry, but I must eat something! White Rabbit: Not me, you- you- you- you- you barbarian! Help! Monsters! Help! Ah! I’m late! Oh dear, I’m here, I should be there! I’m late, I’m late, I’m late! Dodo: Ah, say, do you have a match? White Rabbit: Must go. Goodbye. Hello. I’m late, I’m late, I’m late! Alice: Wait! Please wait! Dodo: Ah, young lady! Do you have a match? Alice: No, I- I’m sorry, but… mister Rabbit! Dodo: No cooperation, no cooperation at all? We can’t have monsters about! Jolly will have to carry on alone! Pf, pf, pf, pf… Alice: Wait! Please! Just a minute! Oh, dear. I’ll never catch him while I’m this small. Why curious butterflies! Rose: You mean bread-and-butterflies.
Alice: Oh, yes, of course, I… hmm? Now who do you suppose… Ah, a horse fly! I mean, a- a rocking horse fly! Rose: Naturally! Alice: I beg your pardon, but uhh… did you… oh, that’s nonsense. Flowers can’t talk. Rose: But of course we can talk, my dear. Iris: If there’s anyone worth talking to. Daisy: Or about! Hahahaha! Pansies: And we sing too! Alice: You do? Tulips: Oh, yes. Would you like to hear ‘Tell it to the tulips’? Larkspur??: No, let’s sing about us! Violets: We know one about the shy little violets… 1st Lily: Oh, no, not that old thing! 2nd Lily: Let’s do ‘Lovely lily at the valley’! Daisies: How about the daisies in the… Lilac: Oh, she wouldn’t like that! Rose: Girls, girls! We shall sing: ‘Golden afternoon’. That’s about all of us! Sound your A, Lily! Lily: Laaaa… Pansies: Mimimimi… Daisy: Lalalala… Iris: Hahahahahahaha… Dandelions: Poem, poem poem, poem poem poem poem poem…. All flowers: Little bread-and-butterflies kiss the tulips, and the sun is like a toy balloon. There are get up in the morning glories, in the golden afternoon. There are dizzy daffodils on the hillside, strings of violets are all in tune, Tiger lilies love the dandelions, in the golden afternoon, the golden afternoon. There are dog and caterpillars and a copper centipede, where the lazy daisies love the very peaceful life they lead… You can learn a lot of things from the flowers, for especially in the month of June. There’s a wealth of happiness and romance, all in the golden afternoon. … All in the golden afternoon, the golden afternoon… Alice: You can learn a lot of things from the flowers, for especially in the month of June. There’s a wealth of happiness and romance, all… Flowers: …the golden afternoon! Alice: Oh, that was lovely. Rose: Thank you, my dear. Daisy: What kind of garden do you come from? Alice: Well I don’t come from any garden… Daisy: Oh, do you suppose she’s a wild flower? Alice: Oh no, I’m not a wild flower… Rose: Just what specie, or shall we say, genus, are you, my dear? Alice: Well, I suppose you call me a genus, humanus, eh… Alice! Daisy: Ever seen an Alice with a blossom like that? Iris: Come to think of it, did you ever see an Alice? Daisy: Yes, and did you notice her petals? What a peculiar color! Iris: And no fragrance! Daisy: Hahaha! Just look at those stems! Iris: Rather scrawny, I’d say. Rose bud: I think she’s pretty! Rose: Quiet, bud! Alice: But I’m not a flower! Iris: Aha! Just as I suspected! She’s nothing but a common mobile vulgaris! Flowers: Oh no! Alice: A common what? Iris: To put it bluntly: a weed!
Alice: I’m not a weed! Tulip: Well, you wouldn’t expect her to admit it. Lilac: Can you imagine! Daisy: Well, goodness! Lily: Don’t let her stay here and go to seed! Other flower??: Go on now! Rose: Please, girls… Pansies: We don’t want weeds in our bed! Other flower: Move along, move along! Alice: Oh, all right, if that’s the way you feel about it. If I were my right size, I could pick every one of you if I wanted to! And I’d guess that’d teach you! Flowers: Hihihi! Alice: You can learn a lot of things from the flowers… Huh! Seems to me they could learn a few things about manners! Caterpillar: A, e i o u, a e i o u, a e i o u, o, u e i o a, u e i a, a e i o u… Who are you? Alice: I- I- I hardly know, sir. I changed so many times since this morning, you see… Caterpillar: I do not see. Explain yourself. Alice: Why, I’m afraid I can’t explain myself, sir, because I’m not myself, you know… Caterpillar: I do not know. Alice: Well, I can’t put it anymore clearly for it isn’t clear to me! Caterpillar: You? Who are you? Alice: Well, don’t you think you ought to tell me- cough-cough, cough-cough, who you are first? Caterpillar: Why? Alice: Oh dear. Everything is so confusing. Caterpillar: It is not. Alice: Well, it is to me. Caterpillar: Why? Alice: Well, I can’t remember things as I used to, and… Caterpillar: Recite. Alice: Hmm? Oh! Oh, oh, yes, sir! Um… how doth the little busy bee, improve each shi… Caterpillar: Stop! That is not spoken correcitically. It goes: how… Alice: Hihihi! Caterpillar: Hmm! How doth the little crocodile improve his shining tail. And pour the waters of the Nile, on every golden scale. How cheer… how cheer… Ahem! Alice: Hihihihi! Caterpillar: How cheerfully he seems to grin, how neatly spreads his claws. And welcomes little fishes in, with gently smiling jaws. Alice: Well I must say I’ve never heard it that way before… Caterpillar: I know, I have improved it. Alice: Well, cough-cough-couch, if you ask me… Caterpillar: You? Huh, who are you? Alice: Cough-cough, cough-cough, A-choo! Oh! Caterpillar: You there! Girl! Wait! Come back! I have something important to say! Alice: Oh dear. I wonder what he wants now. Well…? Caterpillar: Keep your temper! Alice: Is that all? Caterpillar: No. Exacitically, what is your problem? Alice: Well, it’s exacitici-, exaciti-, well, it’s precisely this: I should like to be a little larger, sir. Caterpillar: Why? Alice: Well, after all, three inches is such a wretched height, and… Caterpillar: I am exacitically three inches high, and it is a very good height indeed! Alice: But I’m not used to it. And you needn’t shout! Oh dear! Caterpillar: By the way, I have a few more helpful hints. One side will make you grow taller… Alice: One side of what? Caterpillar: …and the other side will make you grow shorter. Alice: The other side of what? Caterpillar: The mushroom, of course! Alice: Hmm. One side will make me grow… but which is which? Hmm. After all that’s happened, I- I wonder if I… I don’t care. I’m tired of being only three inches high -yi -yi -yi -yi -yi! Bird: (gasps) A serpent! (screams) Help! Serpent! Serpent! Alice: Oh, but please! Please! Bird: Off with you! Shoo! Shoo! Go away! Serpent! Serpent! Alice: But I’m not a serpent! Bird: So? Indeed? Then just what are you? Alice: I’m just a little girl! Bird: Little? Ha, little? (laughs) Alice: Well I am! I mean, I- I was… Bird: And, I suppose you don’t eat eggs, either? Alice: Yes, I do, but… Bird: I knew! Alice: But- but- but… Bird: I knew it! Serpent! Serpent! Alice: Oh, for goodness sake! Hmmm… and the other side will… Bird: A very idea! Spend all my time lying eggs, for serpents like her! (screams) Oh, Oh, oh, oh! Alice: Goodness… I wonder if I’ll ever get the knack of it. There, that’s much better. Hmmm… I better save these. Now let’s see, where was I? Hmmm, I wonder which way I ought to go… Cheshire Cat: ‘Twas brillig, and the slithy toves, did gyre and gimble in the wabe. All mimsy were the borogoves, and the momeraths outgrabe. Alice: Now where in the world do you suppose that… Cheshire Cat: Uh… lose something? Alice: Oh! Hehe, Oh uhhh… hehe… I- I was… no, no, I- I- I- I mean, I uhh… I was just wondering… Cheshire Cat: Oh uhh, that’s quite all right! Oh, hrmm, one moment please… Oh! Second chorus… ‘Twas brilllig, and the slithy toves, did gyre and gimble in the wabe… Alice: Why, why you’re a cat! Cheshire Cat: A Cheshire Cat. All mimsy were the borogoves… Alice: Oh, wait! Don’t go, please! Cheshire Cat: Very well. Third chorus… Alice: Oh no no no… thank you, but- but I just wanted to ask you which way I ought to go. Cheshire Cat: Well, that depends on where you want to get to. Alice: Oh, it really doesn’t matter, as long as I g… Cheshire Cat: Then it really doesn’t matter which way you go! Ah-hmm… and the momeraths outgrabe… Oh, by the way, if you’d really like to know, he went that way. Alice: Who did? Cheshire Cat: The white rabbit. Alice: He did? Cheshire Cat: He did what? Alice: Went that way? Cheshire Cat: Who did? Alice: The white rabbit! Cheshire Cat: What rabbit? Alice: But didn’t you just say… I mean… oh dear! Cheshire Cat: Can you stand on your head? Alice: Oh! Cheshire Cat: However, if I were looking for a white rabbit, I’d ask the Mad Hatter. Alice: The Mad Hatter? Uh… no, no, I don’t- I don’t… Cheshire Cat: Or, there’s the March Hare. In that direction. Alice: Oh, thank you. I- I think I shall visit him. Cheshire Cat: Of course, he’s mad too. Alice: But I don’t want to go among mad people! Cheshire Cat: Oh, you can’t help that. Almost everyone is mad here. Ha… ha ha ha ha ha! You may have noticed that I’m not all there myself…. hahaha… and the momeraths outgrabe… Alice: Goodness. If the people here are like that, I- I must try not to upset them. How very curious! March Hare: …to us. If there are no objections, let it be unanimous! Mad Hatter: A very merry unbirthday… March Hare: A very merry unbirthday… Mad Hatter & March Hare: A very merry unbirthday to us! … March Hare: A very merry unbirthday to me. Mad Hatter: To who? March Hare: To me. Mad Hatter: Oh you! March Hare: A very merry unbirthday to you. Mad Hatter: Who, me? March Hare: Yes, you. Mad Hatter: Oh me! March Hare: Let’s all congratulate us with another cup of tea, a very merry unbirthday to you! March Hare & Mad Hatter: No room, no room, no room, no room, no room, no room, no room! Alice: But I thought there was plenty of room! March Hare: Ah, but it’s very rude to sit down without being invited! Mad Hatter: I say it’s rude. Its very very rude, indeed! Hah! Dormouse: Very very very rude, indeed… Alice: Oh, I’m very sorry, but I did enjoy your singing and I wondered if you could tell me… March Hare: You enjoyed our singing? Mad Hatter: Oh, what a delightful child! Hah! I’m so excited, we never get compliments! You must have a cup of tea!
March Hare: Ah, yes indeed! The tea, you must have a cup of tea! Alice: That would be very nice. I’m sorry I interrupted your birthdayparty… uh, thank you. March Hare: Birthday? Hahaha! My dear child, this is not a birthdayparty! Mad Hatter: Of course not! Hehehe! This is an unbirthdayparty! Alice: Unbirthday? Why, I’m sorry, but I don’t quite understand. March Hare: Its very simple. Now, thirty days have sept- no, when… an unbirthday, if you have a birthday then you… haha… she doesn’t know what an unbirthday is! Mad Hatter: How silly! Ha ha ha ha! Ah-hum… I shall elucidate! Now statistics prove, prove that you’ve one birthday. March Hare: Imagine, just one birthday every year. Mad Hatter: Ahhh, but there are 364 unbirthdays! March Hare: Precisely why we’re gathered here to cheer! Alice: Why, then today is my unbirthday too! March Hare: It is? Mad Hatter: What a small world this is. March Hare: In that case… a very merry unbirthday. Alice: To me? Mad Hatter: To you! March Hare: A very merry unbirthday. Alice: For me? Mad Hatter: For you! Now blow the candle out, my dear and make your wish come true! Hihihi! March Hare & Mad hatter: A very merry unbirthday to you! Dormouse: Twinkle, twinkle, little bat, how I wonder what you’re at! Up above the world you fly, like a tea-tray in the sky! Alice: Oh, that was lovely! Mad Hatter: And uh, and now my dear, hehe, uh… you were saying that you would like to sea.. uh…? You were seaking some information some kind… hehe! Alice: Oh, yes. You see, I’m looking for a… Mad Hatter: Clean cup, clean cup! Move down! Alice: But I haven’t used my cup! March Hare: Clean cup, clean cup, move down, move down, clean cup, clean cup, move down! Mad Hatter: Would you like a little more tea? Alice: Well, I haven’t had any yet, so I can’t very well take more… March Hare: Ahh, you mean you can’t very well take less! Mad Hatter: Yes! You can always take more than nothing! Alice: But I only meant that… Mad Hatter: And now, my dear, something seems to be troubling you. Uh, won’t you tell us all about it? March Hare: Start at the beginning. Mad Hatter: Yes, yes! And when you come to the end, hehehe, stop! See? Alice: Well, it all started while I was sitting on the riverbank with Dinah. March Hare: Very interesting. Who’s Dinah? Alice: Why, Dinah is my cat. You see… Dormouse: Cat? March Hare: Hurry! Give the jam! Quickly! Give the jam! On his nose! Put it on his nose! Mad Hatter: On his nose, on his nose! Dormouse: Where’s the cat… Mad Hatter: Oh. Oh, my goodness! Those are the things that upset me! March Hare: See all the trouble you’ve started? Alice: But really, I didn’t think… March Hare: Ah, but that’s the point! If you don’t think, you shouldn’t talk! Mad Hatter: Clean cup! Clean cup! Move down, move down, move down! Alice: But I still haven’t used…. March Hare: Move down, move down, move down, move down… Mad Hatter: And now my dear, as you were saying? Alice: Oh, yes. I was sitting on the riverbank with uh… with you know who… Mad Hatter: I do, hehehe? Alice: I mean my C - A - T… Mad Hatter: Tea? March Hare: Just half a cup if you don’t mind. Mad Hatter: Come, come my dear. hehehe! Don’t you care for tea? Alice: Why, yes, I’m very fond of tea, but… March Hare: If you don’t care for tea, you could at least make polite conversation! Alice: Well, I’ve been trying to ask you… March Hare: I have an excellent idea! Let’s change the subject! Mad Hatter: Why is a raven like a writing desk? Alice: Riddles? Let me see now. Why is a raven like a writing desk? Mad Hatter: I beg your pardon? Alice: Why is a raven like a writing desk? Mad Hatter: Why is a what? March Hare: Careful! She’s stark raving mad! Alice: But- but it’s your silly riddle! You just said… Mad Hatter: Very good??! March Hare: How about a nice cup of tea? Alice: A nice cup of tea, indeed! Well, I’m sorry, but I just haven’t the time! March Hare: The time, the time! Who’s got the time? White Rabbit: No, no, no, no! No time, no time, no time! Hello, goodbye! I’m late! I’m late! Alice: The white rabbit! White Rabbit: Oh, I’m so late! I’m so very very late! Mad Hatter: Well, no wonder you’re late! Why, this clock is exactly two days slow! White Rabbit: Two days slow? Mad Hatter: Of course you’re late. Hahaha! My goodness. We’ll have to look into this. A-ha! I see what’s wrong with it! Why, this watch is full of wheels! White Rabbit: Oh, my poor watch! Oh, my wheels! My springs! But- but- but- but, but- but- but… Mad Hatter: Butter! Of course, we need some butter! Butter! March Hare: Butter! White Rabbit: But- but- butter? Mad Hatter: Butter, oh, thank you, butter. Ha ha. Yes, that’s fine. White Rabbit: Oh no no, no no no you’ll get crumbs in it! Mad Hatter: Oh, this is the very best butter! What are you talking about? March Hare: Tea? Mad Hatter: Tea! Oh, I never thought of tea! Of course! White Rabbit: No! Mad Hatter: Tea! hehehe White Rabbit: No! Not tea! March Hare: Sugar? Mad Hatter: Sugar. Two spoons, yes, ha, two spoons. Thank you, yes. White Rabbit: Oh, please! Be careful! March Hare: Jam? Mad Hatter: Jam! I forgot all about jam! White Rabbit: No, no! Not jam! Mad Hatter: Yes, sure you want, it’s nice to see. March Hare: Mustard? Mad Hatter: Mustard? Yes, but… Mustard? Don’t let’s be silly! Lemon, that’s different, that’s… yes! That should do it. Hahaha! … (The watch rings and goes mad) Look at that! March Hare: Its going mad! Alice: Oh, my goodness! White Rabbit: Oh dear! March Hare: It is going mad! Mad watch! Mad Hatter: I don’t understand, it’s the best butter. March Hare: Mad watch! Mad watch! Mad watch! Mad Hatter: Oh, look! Oh my goodness! March hare: There’s only one way to stop a mad watch! (The March Hare smashes the watch with a mallet, destroying it completely.) Mad Hatter: Two days slow, that’s what it is. White Rabbit: Oh, my watch… Mad Hatter: It was? White Rabbit: And it was an unbirthday present too. March Hare: Well, in that case… March Hare & Mad Hatter: A very merry unbirthday to you! Alice: Mister Rabbit! Oh, mister Rabbit! Oh, now where did he go to? March Hare & Mad Hatter: A very merry unbirthday to us, to us. A very merry unbirthday to us, to us… Alice: Of all the silly nonsense, this is the stupidest tea party I’ve ever been to in all my life. Well, I’ve had enough nonsense. I’m going home. Straight home. That rabbit. Who cares where he’s going anyway. Why, if it hadn’t been for him I… ‘Tulgey Wood’… Hmm, curious. I don’t remember this. Now let me see… Oh! Uh, no no, please. No more nonsense. Now, if I came this way, I should go back this way! Duck: Quack! Alice: Oh, I beg your pardon! Duck: Quack quack quack quack! … Alice: Goodness. When I get home I shall write a book about this place… If I- if I ever do get home… Oh, um, excuse me! Um, could one of you tell me… uh… ha ha, never mind. Oh dear. Its getting dreadfully dark. And nothing looks familiar. I shall certainly be glad to get out of… Oh! … It would be so nice if something would make sense for a change! Oh! ‘Don’t step on the momeraths’. The momeraths? Oh! A path! Oh thank goodness! Why, I just knew I’d find one sooner or later. Oh, if I hurry back I might even be home in time for tea! Oh, won’t Dinah be happy to see me! Oh, I just can’t wait ’till I- oh! Oh dear! Now I- now I shall never get out. Well, when- when one’s lost, I- I suppose it’s good advice to stay where you are, until someone finds you. But- but who’d ever think to look for me here? Good advice. If I listened earlier I wouldn’t be here! But that’s just the trouble with me. I give myself very good advice… but I very seldom follow it. That explains the trouble that I’m always in. Be patient is very good advice, but the waiting makes me curious. And I’d love the change, should something strange begin. Well, I went along my merry way, and I never stopped to reason. I should have known there’d be a price to pay, some day. Some day. I give myself very good advice, but I very seldom follow it. Will I ever learn to do the things I should?
Chorus: Will I ever learn, learn to do the things I should? Cheshire Cat: Hmhmhmhm… and the momeraths outgrabe. Alice: Oh, Cheshire Cat, it’s you! Cheshire Cat: Whom did you expect? The white rabbit, perchance? Alice: Oh, no no no no. I- I- I’m through with rabbits. I want to go home! But I can’t find my way. Cheshire Cat: Naturally. That’s because you have no way. All ways here you see, are the queen’s ways. Alice: But I’ve never met any queen. Cheshire Cat: You haven’t? You haven’t? Oh, but you must! She’ll be mad about you, simply mad! Hahaha! And the momeraths outgrabe… Alice: Please, please! Uh… how can I find her? Cheshire Cat: Well, some go this way, some go that way. But as for me, myself, personally, I prefer the shortcut. Alice: Oh! Card painters: Da dee dee da da da, Doodle de do, dee do dee do, bum bum bum bum, painting the roses red, we’re painting the roses red, we dare not stop or waste a drop, so let the paint be spread. We’re painting the roses red, we’re painting the roses red! Painting the roses red, and many a tear we shed, because we know they’ll cease to grow, in fact they’ll soon be dead. Noooo! And yet we go ahead, painting the roses red, red, red, red, red, red, red, red. Painting the roses red, we’re painting the roses red… Alice: Oh, pardon me, but mister Three, why must you paint them red? Card painters: Huh? Oh! Well, the fact is, miss: we planted the white roses by mistake. And, the queen, she likes them red. If she saw what we said, she’d raise a fuss and each of us would quickly lose his head. Alice: Goodness! Card painters: Since this is the thought we dread, we’re painting the roses red! Alice: Oh dear! Then let me help you! Painting the roses red… Alice & Card painters: We’re painting the roses red. Don’t tell the queen what you have seen, or say that’s what we said, what, we’re painting the roses red… Alice: Yes, painting the roses red… Card painters: Not pink, not green… Alice: Not aquamarine… Alice & Card painters: We’re painting the roses red! Card painters: The Queen! The Queen! Alice: The Queen! Card painters: The Queen! … Queen: Cards, halt! Count off! Cards: One, two, three, four, five, six, seven, eight, nine, ten, Jack. Alice: The rabbit! White Rabbit: He…he… her imperial highness, he… her grace, her excellency, her royal majesty, the Queen of Hearts! And the King… A card (or perhaps Mickey Mouse?): Hurray! Queen: Hum… Who’s been painting my roses red? Who’s been painting my roses red? Who dares to taint, with vulgar paint, the royal flower bed? For painting my roses red, someone will lose his head! Three: Oh, no! Your majesty! Please, it’s all his fault! Two: Not me, your grace! The Ace, the Ace! Queen: You? Ace: No, Two! Queen: The Deuce you say? Two: Not me, the Three! Queen: That’s enough! Off with their heads! Cards: They’re going to lose their heads, for painting the roses red, it serves them right, they planted white, the roses should be red. Oh, they’re going to lose their head… Queen: Silence! Alice: Oh, please, please! They were only trying to… Queen: And who is this? King: Uh… well, well, well, now, eh… let me see, my dear. It certainly isn’t a heart… do you suppose it’s a club? Queen: Why, it’s a little girl. Alice: Yes, and- and I was hoping… Queen: Look up, speak nicely, and don’t twiddle your fingers! Turn out your toes. Curtsey. Open your mouth a little wider, and always say ‘yes, your majesty’! Alice: Yes, your majesty! Queen: Hmhmhmhm. Now, um, where do you come from, and where are you going? Alice: Well, um, I’m trying to find my way home… Queen: Your way? All ways here are my ways! Alice: Well, yes, I know, but I was just thinking… Queen: Curtsey while you’re thinking, it saves time. Alice: Yes, your majesty, but I was only going to ask… Queen: I’ll ask the questions! Do you play croquet? Alice: Why, yes, your majesty. Queen: Then let the game begin! King: In your places, in your places, By order of the king! Hurry, hurry, hurry! Queen: Shuffle deck! Cards cut! Deal cards! Cards, halt! … Silence! (sighs) … Off with his head! King: Off with his head, off with his head! By order of the king. You heard what she said! Queen: You’re next! Alice: Oh, but… Queen: Hahaha… my dear. Alice: Ahhh… Yes, your majesty. Queen: Hmhmhmhmhm…. Cards: (laughs) Alice: Oh… (laughs)! Stop! Queen: (mutters) Of all the impossible... Alice: Do you want us both to lose our heads? Flamingo: Uh! Hum! Alice: Well, I don’t! Cards: (laughs) Hurray! … (laughs) Cheshire Cat: La la la da da dum… la la la hmm… I say, how are you getting on? Alice: Not at all. Cheshire Cat: Beg your pardon? Alice: I said ‘not at all’! Queen: Whom are you talking to? Alice: Oh, uh… a cat, your majesty! Queen: Cat? Where? Alice: There! Oh… Oh there he is again! Queen: I warn you child, if I lose my temper, you lose your head, understand? Cheshire Cat: You know, we could make her really angry. Shall we try? Alice: Oh no no! Cheshire Cat: Oh, but it’s lots of fun! Alice: No, no, no! Stop! Oh no! White Rabbit: Oh my fur and whiskers! King: Oh dear! Save the queen! Queen: Someone’s head will roll for this! Yours! Off with her… King: But- but consider, my dear. Couldn’t she have a trial… uh… first? Queen: Trial? King: Well, just a… uh… little trial? Hmm? Queen: Hmm. Very well then. Let the trial begin! White Rabbit: Huh… your majesty… members of the jury… loyal subjects… King: A-hem… White Rabbit: …and the king. The prisoner at the bar is charged with enticing her majesty, the Queen of Hearts, into a game of croquet, and thereby willfully… Alice: But… White Rabbit: …and with malice aforethought, teasing, tormenting, and otherwise annoying our beloved… Queen: Don’t mind all that! Get to the part where I lose my temper. White Rabbit: Bwbwbwl… thereby causing the queen to lose her temper. Queen: Now, Ha ha… are you ready for your sentence? Alice: Sentence? Ah, but there must be a verdict first! Queen: Sentence first! Verdict afterwards. Alice: But that just isn’t the way! Queen: All ways are… Alice: Your ways, your majesty. Queen: Yes, my child. Off with her… King: Consider, my dear. Uh… we called no witnesses… Uh… couldn’t we hear… maybe one or two? Ha? Maybe? Queen: Oh, very well. But get on with it! King: First witness! First witness! Ah, we’ll call the first witness. White Rabbit: The March Hare. King: Oh, oh, what do you know about this uh… unfortunate affair? March Hare: Nothing. Queen: Nothing whatever? March Hare: Nothing whatever! Queen: That’s very important! Jury, write that down! Alice: Unimportant, uh… your majesty means of course… Queen: Silence! Next witness. White Rabbit: The Dormouse! Queen: Well… Cards: Shhh! Queen: What have you to say about this? Dormouse: Twinkle, twinkle, little bat. How I wonder… Queen: That’s the most important piece of evidence we’ve heard yet. Write that down! Jury: Twinkle, twinkle, twinkle, twinkle, twinkle, twinkle… Alice: Twinkle, twinkle. What next? White Rabbit: The Mad Hatter! Mad Hatter: Oh… he he he he! Queen: Off with your hat! Mad Hatter: Oh, my! He he he! King: And eh… where were you when this horrible crime was committed? Mad Hatter: I was home, drinking tea. Today you know is my unbirthday. King: Why, my dear! Today is your unbirthday too! Queen: It is? March Hare & Mad Hatter: It is? Cards: It is? Mad Hatter, March Hare and Cards: A very merry unbirthday! Queen: To me? Alice: Oh no! Mad Hatter, March Hare and Cards: To you! A very merry unbirthday! Queen: For me? Mad Hatter, March Hare and Cards: For you! Mad Hatter: Now blow the candle out, my dear and make your wish come true! He he he. Mad Hatter, March Hare and Cards: A very merry unbirthday, to you! Alice: Oh! Your majesty! Queen: Oh, yes, my dear? Alice: Look! There he is now! Queen: He? Where? Who? Alice: The Cheshire Cat! Queen: Cat? Dormouse: Cat! Cat? Cat cat cat cat!
1. I Love You 2. I Love You 3. I Love You 4. I Love You 5. I Love You 6. I Love You 7. I Love You 8. I Love You 9. I Love You 10. I Love You 11. I Love You 12. I Love You 13. I Love You 14. I Love You 15. I Love You 16. I Love You 17. I Love You 8. I Love You 19. I Love You 20. I Love You 21. I Love You 22. I Love You 23. I Love You 24. I Love You 25. I Love You 26. I Love You 27. I Love You 28. I Love You 29. I Love You 30. I Love You 31. I Love You 32. I Love You 3. I Love You 34. I Love You 35. I Love You 36. I Love You 37. I Love You 38. I Love You 39. I Love You 40. I Love You 41. I Love You 42. I Love You 43. I Love You 44. I Love You 45. I Love You 46. I Love You 47. I Love You 48. I Love You 49. I Love You 50. I Love You 51. I Love You 52. I Love You 53. I Love You 54. I Love You 55. I Love You 56. I Love You 57. I Love You 58. I Love You 59. I Love You 60. I Love You 61. I Love You 62. I Love You 63. I Love You 64. I Love You 65. I Love You 66. I Love You 67. I Love You 68. I Love You 69. I Love You 70. I Love You 71. I Love You 72. I Love You 73. I Love You 74. I Love You 75. I Love You 76. I Love You 77. I Love You 78. I Love You 79. I Love You 80. I Love You 81. I Love You 82. I Love You 83. I Love You 84. I Love You 85. I Love You 86. I Love You 87. I Love You 88. I Love You 89. I Love You 90. I Love You 91. I Love You 92. I Love You 93. I Love You 94. I Love You 95. I Love You 96. I Love You 97. I Love You 98. I Love You 99. I Love You 100. I Love You 101. I Love You 102. I Love You 103. I Love You 104. I Love You 105. I Love You 106. I Love You 107. I Love you 108. I Love You 109. I Love You 110. I Love You 111. I Love You!!!!
Guys look at me I love you 1% I love you 2% I love you 3% I love you 4% I love you 5% I love you 6% I love you 7% I love you 8% I love you 9% I love you 10% I love you 11% I love you 12% I love you 13% I love you 14% I love you 15% I love you 16% I love you 17% I love you 18% I love you 19% I love you 20% I love you 21% I love you 22% I love you 23% I love you 24% I love you 25% I love you 26% I love you 27% I love you 28% I love you 29% I love you 30% We add 10+ I love you 40% I love you 50% I love you 60% I love you 70% I love you 80% I love you 90% I love you 100% I love you 110% I love you 120% I love you 130% I love you 140% I love you 150% I love you 160% I love you 170% I love you 180% I love you 190% I love you 200% Now we add 100+ I love you 300% I love you 400% I love you 500% I love you 600% I love you 700% I love you 800% I love you 900% I love you 1000% Add 1000+ I love you 2000% I love you 3000% I love you 4000% I love you 5000% I love you 6000% I love you 7000% I love you 8000% I love you 9000% I love you 10000% Add 10,000+ I love you 20,000% I love you 30,000% I love you 40,000% I love you 50,000% I love you 60,000% I love you 70,000% I love you 80,000% I love you 90,000% I love you 100,000 Add 100’000+ I love you 200,000 I love you 300,000% I love you 400,000% I love you 500,000% I love you 600,000 % I love you 700,000% I love you 800,000% I love you 900,000% I LOVE YOU 1000,0000🎉q
Chat gpt Quantum Chromodynamics (QCD) is a branch of theoretical physics that seeks to understand the strong force, one of the four fundamental forces of nature, which governs the interactions between quarks and gluons, the building blocks of protons, neutrons, and other particles known as hadrons. In this essay, we will explore the key concepts of QCD, its theoretical framework, experimental evidence, and its significance in our understanding of the universe. At the heart of QCD is the theory of quantum fields, which describes particles and their interactions in terms of fields that permeate space and time. According to QCD, quarks are the fundamental constituents of matter, combining to form composite particles called hadrons. Gluons, on the other hand, are the force carriers of the strong force, mediating the interactions between quarks. One of the defining features of QCD is its use of color charge to describe the strong force. Quarks are assigned a color charge, which can take on one of three values: red, green, or blue. Anti-quarks have anti-color charges: anti-red, anti-green, or anti-blue. Gluons, meanwhile, carry a combination of color and anti-color charges, allowing them to interact with quarks and other gluons. The strong force is characterized by its confinement property, which prevents individual quarks from existing in isolation. Instead, quarks are always bound together in color-neutral combinations, such as protons and neutrons, or more exotic hadrons like mesons and baryons. This phenomenon arises from the increasing strength of the strong force at larger distances, which makes it energetically unfavorable to separate quarks. Quantum Chromodynamics is formulated using a mathematical framework known as gauge theory, which describes the interactions between particles in terms of symmetries and transformations. In the case of QCD, the symmetry group associated with the strong force is SU(3), reflecting the three color charges of quarks. Experimental evidence for QCD comes from a variety of sources, including high-energy particle colliders such as the Large Hadron Collider (LHC) at CERN. Experiments conducted at these facilities have provided crucial insights into the behavior of quarks and gluons at extreme energies and temperatures, shedding light on phenomena such as quark-gluon plasma, a state of matter believed to have existed in the early universe. In addition to particle colliders, experiments involving deep inelastic scattering, hadron spectroscopy, and lattice QCD simulations have also contributed to our understanding of QCD. These experiments have confirmed many predictions of the theory and provided valuable data for testing and refining theoretical models. The study of Quantum Chromodynamics is not only important for understanding the strong force but also has broader implications for our understanding of the universe. QCD plays a crucial role in astrophysics, nuclear physics, and cosmology, influencing phenomena such as the structure of neutron stars, the production of elements in the early universe, and the behavior of quark-gluon plasma in heavy-ion collisions. In conclusion, Quantum Chromodynamics is a powerful theoretical framework that describes the strong force and its interactions with quarks and gluons. Through the use of color charge, gauge theory, and experimental evidence, QCD provides a comprehensive understanding of the behavior of hadronic matter and its role in the cosmos. As our knowledge of QCD continues to grow, so too will our understanding of the fundamental forces that govern the universe.
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk “My Faulkner.” Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self… downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation. While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly-for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be. Not only does Faulkner’s deep affiliation with his characters’ inner lives elevate his portraits far above the level of local color or regionalist curiosity, but it animates his sentences, makes them constantly move and breathe. No matter how long and twisted they get, they do not wilt, wither, or drag; they run river-like, turning around in asides, outraging themselves and doubling and tripling back. Faulkner’s intimacy is not earnestness, it is the uncanny feeling of a raw encounter with a nerve center lighting up with information, all of it seemingly critically important. It is the extraordinary sensory quality of his prose that enabled Faulkner to get away with writing the longest sentence in literature, at least according to the 1983 Guinness Book of World Records, a passage from Absalom, Absalom! consisting of 1,288 words and who knows how many different kinds of clauses. There are now longer sentences in English writing. Jonathan Coe’s The Rotter’s Club ends with a 33-page long whopper with 13,955 words in it. Entire novels hundreds of pages long have been written in one sentence in other languages. All of Faulkner’s modernist contemporaries, including of course Joyce, Wolff, and Beckett, mastered the use of run-ons, to different effect. But, for a time, Faulkner took the run-on as far as it could go. He may have had no intention of inspiring postmodern fiction, but one of its best-known novelists, Barth, only found his voice by first writing a “heavily Faulknerian marsh-opera.” Many hundreds of experimental writers have had almost identical experiences trying to exorcise the Oxford, Mississippi modernist’s voice from their prose. Read that onetime longest sentence in literature, all 1,288 words of it, below. Just exactly like Father if Father had known as much about it the night before I went out there as he did the day after I came back thinking Mad impotent old man who realized at last that there must be some limit even to the capabilities of a demon for doing harm, who must have seen his situation as that of the show girl, the pony, who realizes that the principal tune she prances to comes not from horn and fiddle and drum but from a clock and calendar, must have seen himself as the old wornout cannon which realizes that it can deliver just one more fierce shot and crumble to dust in its own furious blast and recoil, who looked about upon the scene which was still within his scope and compass and saw son gone, vanished, more insuperable to him now than if the son were dead since now (if the son still lived) his name would be different and those to call him by it strangers and whatever dragon’s outcropping of Sutpen blood the son might sow on the body of whatever strange woman would therefore carry on the tradition, accomplish the hereditary evil and harm under another name and upon and among people who will never have heard the right one; daughter doomed to spinsterhood who had chosen spinsterhood already before there was anyone named Charles Bon since the aunt who came to succor her in bereavement and sorrow found neither but instead that calm absolutely impenetrable face between a homespun dress and sunbonnet seen before a closed door and again in a cloudy swirl of chickens while Jones was building the coffin and which she wore during the next year while the aunt lived there and the three women wove their own garments and raised their own food and cut the wood they cooked it with (excusing what help they had from Jones who lived with his granddaughter in the abandoned fishing camp with its collapsing roof and rotting porch against which the rusty scythe which Sutpen was to lend him, make him borrow to cut away the weeds from the door-and at last forced him to use though not to cut weeds, at least not vegetable weeds -would lean for two years) and wore still after the aunt’s indignation had swept her back to town to live on stolen garden truck and out o f anonymous baskets left on her front steps at night, the three of them, the two daughters negro and white and the aunt twelve miles away watching from her distance as the two daughters watched from theirs the old demon, the ancient varicose and despairing Faustus fling his final main now with the Creditor’s hand already on his shoulder, running his little country store now for his bread and meat, haggling tediously over nickels and dimes with rapacious and poverty-stricken whites and negroes, who at one time could have galloped for ten miles in any direction without crossing his own boundary, using out of his meagre stock the cheap ribbons and beads and the stale violently-colored candy with which even an old man can seduce a fifteen-year-old country girl, to ruin the granddaughter o f his partner, this Jones-this gangling malaria-ridden white man whom he had given permission fourteen years ago to squat in the abandoned fishing camp with the year-old grandchild-Jones, partner porter and clerk who at the demon’s command removed with his own hand (and maybe delivered too) from the showcase the candy beads and ribbons, measured the very cloth from which Judith (who had not been bereaved and did not mourn) helped the granddaughter to fashion a dress to walk past the lounging men in, the side-looking and the tongues, until her increasing belly taught her embarrassment-or perhaps fear;-Jones who before ’61 had not even been allowed to approach the front of the house and who during the next four years got no nearer than the kitchen door and that only when he brought the game and fish and vegetables on which the seducer-to-be’s wife and daughter (and Clytie too, the one remaining servant, negro, the one who would forbid him to pass the kitchen door with what he brought) depended on to keep life in them, but who now entered the house itself on the (quite frequent now) afternoons when the demon would suddenly curse the store empty of customers and lock the door and repair to the rear and in the same tone in which he used to address his orderly or even his house servants when he had them (and in which he doubtless ordered Jones to fetch from the showcase the ribbons and beads and candy) direct Jones to fetch the jug, the two of them (and Jones even sitting now who in the old days, the old dead Sunday afternoons of monotonous peace which they spent beneath the scuppernong arbor in the back yard, the demon lying in the hammock while Jones squatted against a post, rising from time to time to pour for the demon from the demijohn and the bucket of spring water which he had fetched from the spring more than a mile away then squatting again, chortling and chuckling and saying `Sho, Mister Tawm’ each time the demon paused)-the two of them drinking turn and turn about from the jug and the demon not lying down now nor even sitting but reaching after the third or second drink that old man’s state of impotent and furious undefeat in which he would rise, swaying and plunging and shouting for his horse and pistols to ride single-handed into Washington and shoot Lincoln (a year or so too late here) and Sherman both, shouting, ‘Kill them! Shoot them down like the dogs they are!’ and Jones: ‘Sho, Kernel; sho now’ and catching him as he fell and commandeering the first passing wagon to take him to the house and carry him up the front steps and through the paintless formal door beneath its fanlight imported pane by pane from Europe which Judith held open for him to enter with no change, no alteration in that calm frozen face which she had worn for four years now, and on up the stairs and into the bedroom and put him to bed like a baby and then lie down himself on the floor beside the bed though not to sleep since before dawn the man on the bed would stir and groan and Jones would say, ‘flyer I am, Kernel. Hit’s all right. They aint whupped us yit, air they?’ this Jones who after the demon rode away with the regiment when the granddaughter was only eight years old would tell people that he ‘was lookin after Major’s place and niggers’ even before they had time to ask him why he was not with the troops and perhaps in time came to believe the lie himself, who was among the first to greet the demon when he returned, to meet him at the gate and say, ‘Well, Kernel, they kilt us but they aint whupped us
Me too 😅😅😅😅😅😅😅 Hello killers 😂😂😂😂😂😂😂 I have blood 🩸 in my hands The blood in my hands is not good for me 😊😊 good bye 👋🏻 bye 👋🏻 bye 👋🏻 bye 👋🏻 bye 👋🏻 It it am coming for you 😅 😂😂😂😂😂😂😅😅😅😅😅😅😅😅 The person in my head is?… Anden ❤❤❤❤ And me…. Isabel Yay bye
If “sus” and “vent” mean nothing to you, then you’ve somehow missed out on the smash-hit multiplayer game Among Us. But with numbers playing the online game heading towards 100 million, maybe you’ll find out before Christmas how good you are at being an “impostor” . For the uninitiated, Among Us is the sleeper game hit of 2020. The premise is simple: it’s Cluedo or Wink Murder on a spaceship with four to 10 players of crewmates and impostors. The crewmates perform simple tasks for take-off, while impostors sabotage operations and kill other players. Impostors are the only players who can travel through vents - hence the significance of vent in Among Us. Gamers hold meetings to pick a suspect - which is where the word sus comes in - to jettison. The aim is to catch the impostors. Video games can improve mental health. Let's stop seeing them as a guilty pleasure | Keza MacDonald The game, launched in 2018 by US software company InnerSloth, had been downloaded a respectable 1 million times by May 2019. But as lockdowns forced people around the world to stay at home and find new ways to link up with their friends, Among Us surged in popularity. By the end of September 2020, 60 million people were playing every day. This phenomenal success started in July on video-streaming platform Twitch when high-profile gamers began streaming themselves playing Among Us. Many TH-camrs and TikTok influencers immediately followed suit. Its popularity even spread to politicians - a fortnight before the US presidential election, Hasan Piker, a political commentator on Twitch with 4.5 million followers, streamed a game of Among Us with leftwing congresswomen Alexandria Ocasio-Cortez and Ilhan Omar as part of an initiative to encourage young people to vote. This year has seen the rise of covideogamers - people who’ve taken up games to pass the long hours of lockdown. In the UK, the overall gaming population has increased by 63% in 2020. Among Us has undoubtedly benefited from a captive audience, but online multiplayer games have long been a great way to socialise. Among Us Online multiplayer games, such as Among Us, have been a great way to socialise during lockdown. Photograph: InnerSloth “They provide much needed contact during lockdown,” says Dr Peter Etchells, professor of psychology and science communication at Bath Spa University. “They allow us to blow off a little steam, and catch up with friends from our own homes.” Jack Weiner, an 11-year-old Londoner who originally saw Among Us on TH-cam, uses the game to keep in touch with his social circle. “We played Among Us at my friend’s Zoom birthday party. It was way funnier listening to people trying to convince everyone who the impostor was than reading it on text in the game. My grandpa Alan has also learned how to play, and on Mondays I play with him and my cousins. He’s surprisingly good.” Etchells says that as well as the social element, the game’s dark tone rings true for a lot of people this year. “It is set in an environment that is becoming increasingly catastrophic, while we all desperately try to keep everything running smoothly.” Meg Wemyss, an 11-year-old from London who started playing Among Us with her friends two months ago after they saw it on TikTok, puts it another way: “It’s a lot of fun acting innocent and getting to kill people.” InnerSloth was developing a sequel to Among Us but the success of the first game means it is now focused on improving the original. Updates are to be announced on 10 December at the Game Awards, an annual celebration of the industry. Likely additions include turning murdered crewmates into guardian angels and a new area map that would change how matches could be played. Though Among Us is up for best multiplayer and best mobile game at the Game Awards, Etchells thinks it has just done what all good games have done, “which is to allow us to connect with the people we like and love. That’s the real power of video games; their ability to provide an unparalleled social experience.” It's not too late to
ATTENTION:If you're reading this and the video is playing, pause it. These short videos are used for only views,this is because when you're in the comments, the video keeps on playing and these videos are really short, so they get lots of views when you're in the comments. I hope u understand. Stay safe and make sure to copy and paste this message to other videos like this.
Um that's wrong like literally everything you just said is so false it's just a TH-cam short what are the chances for every single TH-cam short to just be used for views like when people are making TH-cam shorts they are most likely not thinking about people commenting and leaving the video on to play over and over again
I I love u love u I love you I l I love you I l I love you I love you I love you I love you you I love you I love you I love you I love you I love you I love you I love you I love you I love you I love you I love you I love you I love you I love 💖you❤︎ 💗
This article is about the German nation-state existing from 1871 until 1918. For other uses, see German Empire (disambiguation). The German Empire (German: Deutsches Reich),[a][15][16][17][18] also referred to as Imperial Germany,[19] the Second Reich[b][20] or simply Germany, was the period of the German Reich[21][22] from the unification of Germany in 1871 until the November Revolution in 1918, when the German Reich changed its form of government from a monarchy to a republic.[23][24] German Empire Deutsches Reich (German) 1871-1918 Flag of German Reich Flag Coat of arms (1889-1918)[1] of German Reich Coat of arms (1889-1918)[1] Motto: Gott mit uns (German)[2] Nobiscum Deus (Latin) ("God with us") Anthem: Heil dir im Siegerkranz[3] ("Hail to Thee in the Victor's Crown") Duration: 2 minutes and 54 seconds.2:54 Die Wacht am Rhein (unofficial)[4][5][6] ("The Watch on the Rhine") Duration: 1 minute and 39 seconds.1:39 The German Empire in 1914 The German Empire and its occupied territories in the final stage of World War I, September 1918 States of the German Empire Show all The German colonial empire in 1914 Capital and largest city Berlin 52°31′7″N 13°22′34″E Official languages German Common languages List Religion (1880) Majority: 62.63% Protestant (United Protestant, Lutheran, Reformed) Minorities: 35.89% Roman Catholic 1.24% Jewish 0.17% other Christian 0.07% other Demonym(s) German Government Federal parliamentary semi-constitutional monarchy[7][8][9][10] Under a military dictatorship[11] (1916-1918) Emperor • 1871-1888 Wilhelm I • 1888 Friedrich III • 1888-1918 Wilhelm II Chancellor • 1871-1890 Otto von Bismarck • 1890-1894 Leo von Caprivi • 1894-1900 C. zu Hohenlohe-Schillingsfürst • 1900-1909 Bernhard von Bülow • 1909-1917 T. von Bethmann Hollweg • 1917 Georg Michaelis • 1917-1918 Georg von Hertling • 1918 Max von Baden Legislature Bicameral • Upper house Bundesrat • Lower house Reichstag Historical era New Imperialism • World War I • Unification 18 January 1871 • Constitution 16 April 1871 • Berlin Conference 15 November 1884 • WWI began 28 July 1914 • German Revolution 3 November 1918 • Abdication of Kaiser[12] 9 November 1918 • Armistice 11 November 1918 • Weimar Constitution 11 August 1919 Area • Total 1,750,000 km2 (680,000 sq mi) 1910[13] 540,857.54 km2 (208,826.26 sq mi) Population • Estimate 70,000,000 • 1871[14] 41,058,792 • 1900[14] 56,367,178 • 1910[14] 64,925,993 Currency Until 1873: German gold mark (1873-1914) German Papiermark (1914-1918) Preceded by Succeeded by North German Confederation Bavaria Württemberg Baden Hesse Weimar Republic Memel Territory Territory of the Saar Basin Danzig Area and population not including colonial possessions The empire was founded on 18 January 1871 at the Palace of Versailles, outside Paris, France, where the south German states, except for Austria and Liechtenstein, joined the North German Confederation and the new constitution came into force on 16 April, changing the name of the federal state to the German Empire and introducing the title of German Emperor for Wilhelm I, King of Prussia from the House of Hohenzollern.[25] Berlin remained its capital, and Otto von Bismarck, Minister President of Prussia, became chancellor, the head of government. As these events occurred, the Prussian-led North German Confederation and its southern German allies, such as Baden, Bavaria, Württemberg, and Hesse, were still engaged in the Franco-Prussian War. The German Empire consisted of 25 states, each with its own nobility, four constituent kingdoms, six grand duchies, five duchies (six before 1876), seven principalities, three free Hanseatic cities, and one imperial territory. While Prussia was one of four kingdoms in the realm, it contained about two-thirds of the Empire's population and territory, and Prussian dominance was also constitutionally established, since the King of Prussia was also the German Emperor (Deutscher Kaiser). After 1850, the states of Germany had rapidly become industrialized, with particular strengths in coal, iron (and later steel), chemicals, and railways. In 1871, Germany had a population of 41 million people; by 1913, this had increased to 68 million. A heavily rural collection of states in 1815, the now united Germany became predominantly urban.[26] The success of German industrialization manifested itself in two ways in the early 20th century; German factories were often larger and more modern than many of their British and French counterparts, but the preindustrial sector was more backward.[27] The success of the German Empire in the natural sciences, especially in physics and chemistry, was such that one-third of all Nobel Prizes went to German inventors and researchers. During its 47 years of existence, the German Empire became an industrial, technological, and scientific power in Europe, and by 1913, Germany was the largest economy in continental Europe and the third-largest in the world.[28] Germany also became a great power, building the longest railway network of Europe, the world's strongest army,[29] and a fast-growing industrial base.[30] Starting very small in 1871, in a decade, the navy became second only to Britain's Royal Navy. From 1871 to 1890, Otto von Bismarck's tenure as the first and to this day longest-serving chancellor was marked by relative liberalism at its start, but in time grew more conservative. Broad reforms, the anti-Catholic Kulturkampf and systematic repression of Polish people marked his period in the office. Despite his hatred of liberalism and socialism - he called liberals and socialists "enemies of the Reich" - social programs introduced by Bismarck included old-age pensions, accident insurance, medical care and unemployment insurance, all aspects of the modern European welfare state. Late in Bismarck's chancellorship and in spite of his earlier personal opposition, Germany became involved in colonialism. Claiming much of the leftover territory that was not yet conquered by Europeans in the Scramble for Africa, it managed to build the third-largest colonial empire at the time, after the British and the French ones.[31] As a colonial state, it sometimes clashed with the interests of other European powers, especially the British Empire. During its colonial expansion, the German Empire committed the Herero and Namaqua genocide.[32] After the resignation of Otto von Bismarck in 1890, and Wilhelm II's refusal to recall him to office, the empire embarked on Weltpolitik ("world politics") - a bellicose new course that ultimately contributed to the outbreak of World War I. Bismarck's successors were incapable of maintaining their predecessor's complex, shifting, and overlapping alliances which had kept Germany from being diplomatically isolated. This period was marked by increased oppression of Polish people and various factors influencing the Emperor's decisions, which were often perceived as contradictory or unpredictable by the public. In 1879, the German Empire consolidated the Dual Alliance with Austria-Hungary, followed by the Triple Alliance with Italy in 1882. It also retained strong diplomatic ties to the Ottoman Empire. When the great crisis of 1914 arrived, Italy left the alliance and the Ottoman Empire formally allied with Germany. In the First World War, German plans to capture Paris quickly in the autumn of 1914 failed, and the war on the Western Front became a stalemate. The Allied naval blockade caused severe shortages of food and supplements. However, Imperial Germany had success on the Eastern Front; it occupied a large amount of territory to its east following the Treaty of Brest-Litovsk. The German declaration of unrestricted submarine warfare in early 1917 contributed to bringing the United States into the war. In October 1918, after the failed Spring Offensive, the German armies were in retreat, allies Austria-Hungary and the Ottoman Empire had collapsed, and Bulgaria had surrendered. The empire collapsed in the November 1918 Revolution with the abdication of Wilhelm II, which left the post-war federal republic to govern a devastated populace. The Treaty of Versailles imposed post-war reparation costs of 132 billion gold marks (around US$269 billion or €240 billion in 2019, or roughly US$32 billion in 1921),[33] as well as limiting the army to 100,000 men and disallowing conscription, armored vehicles, submarines, aircraft, and more than six battleships.[34] The consequential economic devastation, later exacerbated by the Great Depression, as well as humiliation and outrage experienced by the German population are considered leading factors in the rise of Adolf Hitler and Nazism.[35]
I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was 1:12. That part truly made me shed a tear. And especially at 6:34 that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the bacon go whirly swirly in a circle countless times. it absolutely moved my soul , and I don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on bacon. hail bacon. hail bacon. The spinning bacon, rotating in one direction with this music... This made me tear up. How could such a bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any piece of bacon I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of bacon I have ever seen especially on 57:42.I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was at 1:12. That part truly made me shed a tear. And especially at 6:34 that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the bacon go whirly swirly in a circle countless times. Tt absolutely moved my soul , and i don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on bacon. hail bacon. hail bacon. The spinning bacon, rotating in one direction with this music... This made me tear up. How could such a piece of bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any bacon I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a bacon I have ever seen especially on 17:24. I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was 1:12. That part truly made me shed a tear. And especially at 6:34 that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. The work put in to this is incredibly inspiring. The graphics, the animation, the music, so much thought was put into it. This has remined me that you can do anything you put your mind to. Not even mentioning the memories, this makes me feel like an infant again, just laying my eyes on this beautiful masterpiece gives me all the good feelings in life. I also understand what happiness is again from this. Not even to mention the most incredible part that is 2:10. Bacon spinning has changed my life for the better. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the bacon go whirly swirly in a circle countless times. it absolutely moved my soul , and I don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. So much great graphic design, so much suspense, so much greatness in this one video. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on bacon. hail bacon. hail bacon. The spinning bacon, rotating in one direction with this music... This made me tear up. How could such a bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any bacon I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of bacon I have ever seen especially on 57:42. I am crying. This has made me go through an emotional rollercoaster. I cried, beat off, and also watched a movie while watching this premiere. This has made me go through so much. I passed depression because of this. It really inspired me to become an outstanding young man. Thank you. is this the longest comment without skipping?
Other people: I won’t do anything cuz there’s already a winner Me, an intellectual, “copy and paste pinned comment, paste and then paste again” “Ha no mine is twice is long”
Grass is a plant with narrow leaves from base. A common kind of grass is used to cover the grounds in places such as lawns and parks. Grass is usually the color ‘green’. Grasses are monocotyledon herbaceous plants.
monsters before midnight #1 diary of a stickman by neil bhatia. a book about an alien and a package and some investigator’s characters. Artham, Ruthvik,Neil, one day i woke up at night i saw a package at the door i dont know who it was but it was mail actually that said “ monsters before midnight”. i really did not know what it was so i just started sleeping again. the next morning i woke up to see someone in the bushes it was my freind but i had no idea why was he hiding in the bushes so next when we got in the school bus i asked him why was he in the bushes he said nothing so i ignored it when i arrived at school i noticed that everyone was there but normally only a few people come everyday i wondered why they were here then i realized that it was field trip day and every field trip day everybody is here oh and i forgot my name is Neil the field trip was to a skating ring indoors the building looked like a small house from the outside but when i went inside it was the size of a football field i could not believe it but after the field trip was over in the bus my friend keeps on saying monsters he sounds like a 2 year old when he said that but i figured that there was something about him that didn’t feel right so i did some investigating but i found nothing at all so i am now just chilling but the next day at school i wrote in my notebook investigating monsters i don’t know why i think Ruthvik is a monster but forget it so the next the day there was going to be a new student name Artham i think it may be a problem but i don’t think much about new students so the next day i saw the new student playing outside i asked him want to build a tree house? he said yes and i thought of an idea and we made the tree house in the woods when we were done i secretly put my name on it then when we were home i said want to do a challenge he said yes i said first to write there name on the treehouse i asked him to put it first he never new that i already put my name on it so he went and i went home and ate ice cream “”that was yummy “” and watched a movie the next day he said a bear was chasing him then he said your turn so i went into the woods stayed behind a tree for a couple of minutes and came back to act like i just put my name and i did not out my name when we build it apparently Artham is good at investigating so i asked ruthvik if we could come to his house he said yes i called artham too so we went upstairs and we investigated the rooms in his closet there was nothing we checked the entire house we failed but then the next day ruthvik went to a party so we snuck into his house and checked the place out so when we were there we played board games next to the closet then i saw a lever behind the door and i pulled it of course and the closet opened so i went inside when we were in we found Ruthvik secret lab there was so much testing stuff with dead animals in a tube and i saw it said 40% complete it said in 1 month there going to fuse the dead creatures and the most concerning part was when it said Ruthvik was non human he was a … monster he was an alien from a different universe that explains how ruthvik can say anything he wants at a halloween party and we only have one month to save everything so basically Ruthvik is sacrificing our planet for another planet to get stuff i had to stop him but the problem is i have no time i need to do school outside running classes all of those stuff so how am i supposed to do it i thought and thought and i finally had an idea use recess outside time to make a plan so i told everything that happened to Artham and he never believed me so i showed him the room and then he Believed me so Artham was smart he had a plan halloween was coming so Ruthvik always makes a halloween party so its 100 dollars .each ticket because he can wish for anything he wants so they always sign up for Ruthviks party and not mine that i now quit so we are going to go to Ruthvik’s party and see what magic he uses so we can find out what D.N.A the merging creatures have and see if Ruthvik has the same D.N.A as the merging creatures so we can tell if Ruthviks D.N.A can stop these creatures from merging so a few days later i went to the halloween party and asked Ruthvik to give me something while he was not looking i put a tiny injection to see what D.N.A he has then we went to the secret lab and checked to see if the D.N.A is the same it was but the problem was it was at 70% now so we only have a few weeks left but there is a bigger problem we have to go camping so were doomed i think at least so i grabbed my luggage and put it in the trunk of the car and sat in the car we drove there but in the middle of the ride a. car crash happened so we had to wait while we were waiting in eat some apples they were yummy finally when we reached there i was so happy first we played games and i tripped the. we ate marshmallows and i burned my marshmallow and still ate it then we played video games for an hour and i totally did not lose in the game and then we slept and i totally did not try to eat marshmallow before sleeping sounds verrry fun ye its not the worst thing possible happened when we were packing our bags then we got on the road and the worst thing possible was another car acc dent. lets play fill in the blanks car acci ent what do you think it was another car accident right you were correct good job so when we arrived at home i called Artham over to talk about this whole situation so we went to Ruthviks lab to find answers and guess what we found all of this was a prank the magic was fake these creatures were just plushies and this room is just his sceince experiment but the thing that real is Ruthvik is not the enemy Artham is Artham was the alien the whole time but i really want to do something fun now so maybe i will take a 1 month break from this whole thing so when i went to school it was the last day of school so i was so happy because it was so cold and school is boring this is what school stands for this is what i think school stands for. seven cruel hours of our lifespan is it good or bad i think its so true like school you dont do anything fun so i dont like it so anyways i dont have that much plans for summertime like theres nothing to do anymore there is probably going to be alot of storms what is a storm? a storm includes lightning rain thunder darkness so no pool and no waterslides no playing only indoors that means more online things called video games but i think i should not take a break on this investigation i think i should keep going but at the same time i don’t think Artham is going to strike during summer but maybe he is going to so have to prepare for whats coming to this world maybe more aliens are coming so maybe im not going to do something fun maybe i have to do something unfun and unfair that me and Ruthvik have to do it ?!? i guess Ruthvik could be on our side maybe i dont know i think he actaully can if he is good at investigating surely he could be good for the team so i invited him he said yes but i told him to do a test to see if he is good a investigation after the test i was like wow Ruthvik is so good at investigating i should hire him so i hired him, he said so who is this secret alien i said “Artham” he said wow really? thats kinda not sound true i will show you look just like you Artham has his own lab look at this Ruthvik says: wow this is astonishing! how did he make this this is so cool i dont know but i think Ruthvik is getting exited about them winning so i tried telling him what were here for clues and then we found this it said make Neil trust me and then he will think im on his side and Ruthvik is on the aliens side but im actaully on the alien side i have been giving all the information to the other allies that are the aliens and i am making a nuke from space to land on planet earth. so then i say Ruthvik we have to stop him from putting a nuke in space we need to go to space and destroy it before its too late so we took some money and called nasa and they said they would take us to space for some money so we said yes we drove too were the rocket ship center and we aboarded it looked so cool we went straight up into the sky and in space remember the package i got saying monsters before midnight i saw the same package in space so i picked it up and finally opened it and i saw a cool blaster saying killer alien 2048 the gun shoots out lasers apparently it one shots alein so we can destroy the aliens when we go to mars i did not know but the flight is 3 days long because it takes a long time to get to earth to mars and thankfully there was a lot of food there and stuff to do when bored it was like a hotel intil we reached mars there was alien tribes there that hate each other and they were like a bunch of aliens and they were just like devils fighting angels they had a kindom and they team up whenever someone from earth comes so we snuck up to there kindom and askeshould go home right now and come another day i said yes so we flew home i forgot that we have the guns so i told the pilot to go back but at the same time its not enough so i told him to go back home we needed no people just kidding we need alot of people and all the people have to have the killer 2048 alien gun and train them to be good at killing aliens and taking there slimes so we can save the world i. wow tysm for reading this hole thing it took me like 3 hr pls like and subribe to my youtube channel🎉
Look, I was gonna go easy on you Not to hurt your feelings But I'm only going to get this one chance Something's wrong, I can feel it (Six minutes) Just a feeling I've got Like something's about to happen But I don't know what If that means what I think it means We're in trouble, big trouble And if he is as bananas as you say I'm not taking any chances You are just what the doc ordered I'm beginnin' to feel like a Rap God, Rap God All my people from the front to the back nod, back nod Now, who thinks their arms are long enough To slap box, slap box? They said I rap like a robot, so call me Rap-bot But for me to rap like a computer It must be in my genes I got a laptop in my back pocket My pen'll go off when I half-cock it Got a fat knot from that rap profit Made a livin' and a killin' off it Ever since Bill Clinton was still in office With Monica Lewinsky feelin' on his nutsack I'm an MC still as honest But as rude and as indecent as all hell Syllables, skill-a-holic (Kill 'em all with) This flippity dippity-hippity hip-hop You don't really wanna get into a pissin' match With this rappity brat, packin' a MAC In the back of the Ac' Backpack rap crap, yap-yap, yackety-yack And at the exact same time I attempt these lyrical acrobat stunts While I'm practicin' that I'll still be able to break a motherfuckin' table Over the back of a couple of faggots and crack it in half Only realized it was ironic I was signed to Aftermath after the fact How could I not blow? All I do is drop F-bombs Feel my wrath of attack Rappers are havin' a rough time period Here's a maxi pad It's actually disastrously bad for the wack While I'm masterfully constructing this masterpiece as 'Cause I'm beginnin' to feel like a Rap God, Rap God All my people from the front to the back nod, back nod Now, who thinks their arms are long enough to slap box, slap box? Let me show you maintainin' this shit ain't that hard, that hard Everybody wants the key and the secret To rap immortality like Ι have got Well, to be truthful the blueprint's Simply rage and youthful exuberance Everybody loves to root for a nuisance Hit the Earth like an asteroid Did nothing but shoot for the Moon since (Pew!) MCs get taken to school with this music 'Cause I use it as a vehicle to "bus the rhyme" Now I lead a new school full of students Me? I'm a product of Rakim Lakim Shabazz, 2Pac, N.W.A, Cube, hey Doc, Ren Yella, Eazy, thank you, they got Slim Inspired enough to one day grow up Blow up and be in a position To meet Run-D.M.C., induct them Into the motherfuckin' Rock and Roll Hall of Fame Even though I'll walk in the church And burst in a ball of flames Only Hall of Fame I'll be inducted in Is the alcohol of fame On the wall of shame You fags think it's all a game 'Til I walk a flock of flames Off a plank and, tell me what in the fuck are you thinkin'? Little gay-lookin' boy So gay I can barely say it with a straight face Lookin' boy (Ha-ha!) You're witnessin' a massacre Like you're watching a church gathering take place, lookin' boy "Oy vey, that boy's gay!"-that's all they say, lookin' boy You get a thumbs up, pat on the back And a "way to go" from your label every day, lookin' boy Hey, lookin' boy! What you say, lookin' boy? I get a "hell yeah" from Dre, lookin' boy I'ma work for everything I have Never asked nobody for shit Get outta my face, lookin' boy! Basically, boy, you're never gonna be capable Of keepin' up with the same pace, lookin' boy, 'cause- I'm beginnin' to feel like a Rap God, Rap God All my people from the front to the back nod, back nod The way I'm racin' around the track Call me NASCAR, NASCAR Dale Earnhardt of the trailer park, the White Trash God Kneel before General Zod This planet's Krypton-no, Asgard, Asgard So you'll be Thor, I'll be Odin You rodent, I'm omnipotent Let off, then I'm reloadin' Immediately with these bombs, I'm totin' And I should not be woken I'm the walkin' dead, but I'm just a talkin' head A zombie floatin' But I got your mom deep-throatin' I'm out my Ramen Noodle We have nothin' in common, poodle I'm a Doberman, pinch yourself in the arm And pay homage, pupil It's me, my honesty's brutal But it's honestly futile if I don't Utilize what I do though For good at least once in a while So I wanna make sure somewhere in this Chicken scratch I scribble and doodle enough rhymes To maybe try to help get some people through tough times But I gotta keep a few punchlines Just in case, 'cause even you unsigned Rappers are hungry lookin' at me like it's lunchtime I know there was a time where once I Was king of the underground But I still rap like I'm on my Pharoah Monch grind So I crunch rhymes, but sometimes when you combine Appeal with the skin color of mine You get too big and here they come tryin' To censor you like that one line I said on "I'm Back" from The Mathers LP 1 when I Tried to say I'll take seven kids from Columbine Put 'em all in a line, add an AK-47, a revolver and a 9 See if I get away with it now That I ain't as big as I was, but I'm Morphin' into an immortal, comin' through the portal You're stuck in a time warp from 2004 though And I don't know what the fuck that you rhyme for You're pointless as Rapunzel with fuckin' cornrows You write normal? Fuck being normal! And I just bought a new raygun from the future Just to come and shoot ya, like when Fabolous made Ray J mad 'Cause Fab said he looked like a fag at Mayweather's pad Singin' to a man while he played piano Man, oh man, that was a 24-7 special on the cable channel So Ray J went straight to the radio station The very next day, "Hey Fab, I'ma kill you!" Lyrics comin' at you at supersonic speed (J.J. Fad) Uh, summa-lumma, dooma-lumma, you assumin' I'm a human What I gotta do to get it through to you I'm superhuman? Innovative and I'm made of rubber So that anything you say is ricochetin' off of me And it'll glue to you and I'm devastating, more than ever demonstrating How to give a motherfuckin' audience A feeling like it's levitating Never fading, and I know the haters are forever waiting For the day that they can say I fell off, they'll be celebrating 'Cause I know the way to get 'em motivated I make elevating music, you make elevator music "Oh, he's too mainstream." Well, that's what they do when they get jealous They confuse it "It's not hip-hop, it's pop, "-'cause I found a hella way to fuse it With rock, shock rap with Doc Throw on "Lose Yourself" and make 'em lose it "I don't know how to make songs like that I don't know what words to use." Let me know when it occurs to you While I'm rippin' any one of these S that versus you It's curtains, I'm inadvertently hurtin' you How many verses I gotta murder to Prove that if you were half as nice Your songs you could sacrifice virgins too? Ugh, school flunky, pill junkie But look at the accolades these skills brung me Full of myself, but still hungry I bully myself 'cause I make me do What I put my mind to And I'm a million leagues above you Ill when I speak in tongues But it's still tongue-in-cheek fuck you I'm drunk, so, Satan, take the fucking wheel I'ma sleep in the front seat Bumpin' Heavy D and the Boyz Still "Chunky but Funky" But in my head there's something I can feel tugging and struggling Angels fight with devils And here's what they want from me They're askin' me to eliminate some of the women hate But if you take into consideration the bitter hatred I have, then you may be a little patient And more sympathetic to the situation And understand the discrimination But fuck it, life's handin' you lemons? Make lemonade then! But if I can't batter the women How the fuck am I supposed to bake them a cake then? Don't mistake him for Satan; it's a fatal mistake If you think I need to be overseas and take a vacation To trip a broad, and make her fall on her face and Don't be a retard - Be a king? Think not Why be a king when you can be a God? E
I love you 1% I love you 2% I love you 3% I love you 4% I love you 5% I love you 6% I love you 7% I love you 8% I love you 9% I love you 10% I love you 11% I love you 12% I love you 13% I love you 14% I love you 15% I love you 16% I love you 17% I love you 18% I love you 19% I love you 20% I love you 21% I love you 22% I love you 23% I love you 24% I love you 25% I love you 26% I love you 27% I love you 28% I love you 29% I love you 30% I love you 31% I love you 32% I love you 33% I love you 34% I love you 35% I love you 36% I love you 37% I love you 38% I love you 39% I love you 40% I love you 41% I love you 42% I love you 43% I love you 44% I love you 45% I love you 46% I love you 47% I love you 48% I love you 49% I love you 50% I love you 51% I love you 52% I love you 53% I love you 54% I love you 55% I love you 56% I love you 57% I love you 58% I love you 59% I love you 60% I love you 61% I love you 62% I love you 63% I love you 64% I love you 65% I love you 66% I love you 67% I love you 68% I love you 69% I love you 70% I love you 71% I love you 73% I love you 74% I love you 75% I love you 76% I love you 77% I love you 78% I love you 79% I love you 80% I love you 81% I love you 82% I love you 83% I love you 84% I love you 85% I love you 86% I love you 87% I love you 88% I love you 89% I love you 90% I love you 91% I love you 92% I love you 93% I love you 94% I love you 95% I love you 96% I love you 97% I love you 98% I love you 99%
Valerie Frizzle: Seat belts, everyone! Arnold: Please let this be a normal field trip. Wanda: With the Friz? Students: No way! Arnold: Ohh! (song begins) Little Richard: Cruising on down Main Street, you're relaxed and feeling good Kids: Yeah! Little Richard: Next thing that you know, you're seeing Valerie Frizzle: (Wa-ha-ha-hoo!) All: An octopus in the neighborhood? Little Richard: Surfing on a soundwave, Swinging through the stars, (Ralphie, Wanda, and Carlos: Yee-ha!) Take a left at your intestine, Take your second right past Mars All: On the Magic School Bus, Little Richard: Navigate a nostril (Ralphie: Achoo!) All: Climb on the Magic School Bus, Little Richard: Spank a plankton too (Wanda: Take that!) All: On our Magic School Bus, Little Richard Raft a river of lava All: On the Magic School Bus, Little Richard: It's such a fine thing to do! (Kids: Whoa!) Little Richard: So strap your bones right to the seat Come on in and don't be shy (Tim: C'mon!) Just to make your day complete, You might get baked into a pie! All: On the Magic School Bu-us Little Richard: Step inside, it's a wilder ride! Little Richard: Come on!
o roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sweep the streets I used to own I used to roll the dice Feel the fear in my enemy's eyes Listen as the crowd would sing "Now the old king is dead! Long live the king!" One minute I held the key Next the walls were closed on me And I discovered that my castles stand Upon pillars of salt and pillars of sand I hear Jerusalem bells a ringing Roman Cavalry choirs are singing Be my mirror, my sword and shield My missionaries in a foreign field For some reason I can't explain Once you go there was never Never an honest word And that was when I ruled the world It was the wicked and wild wind Blew down the doors to let me in Shattered windows and the sound of drums People…I used to rule the world Seas would rise when I gave the word Now in the morning I sleep alone Sw Half way...... I eat dirt..... Hi Ok MAX
Being the middle child is awful . Ur basically old + new but. There's a good part basically ur younger sibling likes u , WANTS to play with u + ur mum and dad favoritism u bc u started a TH-cam channel for money. U might get abused more then ur sisters and brothers or u might be bad at school but at the last exam's u get a really good score like for an example 95% ( my own score ( so middle child is somehow abused + favoritism but after abusing ur mum and dad will realize what they did and cry middle child does work mostly but it's better tbh ur family will say in their minds : ( oh look honey she's/he's working so hard. we should give her a gift/surprise! ) basically this is my life as being the middle child middle child is always perfect if ur it ur pretty ur so gorgeous+pretty+devine+the best person ever this happened to me bc i do whatever my parents asked me to do when i did it my dream is coming true tomorrow tbh they said they'd buy me 1700 robux. U might get my luck, or a better luck now bye bye! Keep safety and : Ur neck isn't a coat so don't hang it Ur skin isn't paper so don't cut it Ur life isn't a movie scene so don't end it Look and the mirror and be greatful for what god gave u. Ur gorg/divine/so pretty face makes the world light! So being middle child is so good tbh u might be alone sometimes BUT i perfer u making ur sister laugh and she'd get attached to u! That's what i do ( or brother young or old it doesn't matter ) ... Read more
A couple of days ago, I was reminded I have to get back to this when I saw a comment come up on my last post “Action is his reward.” With permission, I’m reproducing it here: I am rewarded by your enthusiasm and I can relate to most of the content that you produced for this blog post. However, this project may not the best case for the perspective you are presenting, as it stands with today's technology trends and capabilities (perhaps limitations as well). I hope some day, doing this style of work proves to be more cost effective, as I would love to see more of this style in hopefully even more ambitious productions. Let me elaborate some other perspective that may explain my point better and hopefully have more people appreciate lesser understood details about what is presented in that teaser. If you think about a team of people creating this whole thing from scratch and let's say during the process they might be using some techniques uniquely advantageous and otherwise impossible when not animating using computer aided techniques, you can appreciate making those techniques work as they work in traditional animation medium will pose its own challenges. It is only fair if I gave two examples as well... For example computer simulation of any kind is hard if not impossible with non-continuous representations of motion when they don't interpolate in a relatively plausible way. Another example would be re-creating a traditional "looking" style, let alone being attempted at a scale like this, will just be a huge technical undertaking. Now, I have a consistent problem where I open my mouth intending to add just a sentence to a conversation and a nine-volume encyclopedia pops out instead. Accordingly, my attempt to answer the poster succinctly turned into a post-long response that I decided might as well just be a post, so here it is! Thanks for your comment! You may be right that Spider-verse isn’t the best example, and certainly I wouldn’t hold it up as an example of the kind of production I intend to create--just as a very good example of stylized CG. I suspect that rendering in a stylized way, and making this style work with their existing methods, was quite expensive for SPI! I recall an artist who worked on Paper Man describing it as twice the work of ordinary CG. That's certainly a danger with stylized approaches--but I think it's an avoidable one. The problem, it seems to me, is that you really can't approach this sort of production as if it were conventional CG, with a conventional methodology and pipeline, and expect to reap the cost benefits I think are potentially realizable with it. You'd have to treat this kind of production very differently. For instance, you mention simulation as something that would be difficult with non-continuous motion, and you're quite correct. So simulation itself would be the first thing on the chopping block for the production, outside of the occasional FX shot. It's one of the many steps that gums up the works of CG production and prevents us from getting to that an-artist-can-sit-down-and-just-make-something state. Plus I generally don't like its results on an artistic basis (at least in this stylized context). When traditional animators animate clothed characters, the clothing takes part in the character's silhouette and becomes a part of the performance. They never had any difficulty animating cloth by hand. Yes, I am actually claiming that hand-animating cloth would be faster then simulating it, and I know how insane that sounds from a conventional CG perspective. But stylization completely changes the game. Consider the monkey test I posted a few months back. The monkey is unclothed, of course, but there definitely parts of his body that require secondary animation, notably his hair tufts and ears. The hair tufts at least would most likely be simulated if this shot were approached in a conventional manner. The way I approached the shot was not only to animate them by hand, but to animate them from the very beginning--the very first key poses I put down already included the ears and hair tufts as an inherent aspect of those poses, already contributing to silhouettes and arcs. It’s pretty difficult to get an accurate idea of exactly what percentage of my time animating the shot was devoted to them, but I’m going to guess it was only a few percent. This is only possible because the stylized look allowed me to ignore the “higher frequency” details that would be required for a fully rendered character, and I expect these same details would also be unnecessary for character clothing. I’m much more interested in character silhouettes then I am in wrinkles and clothing detail, so some simple secondary that’s really just part of the character’s pose would actually be more effective. The idea here is that this isn’t just any form of stylization--it’s a specifically chosen set of stylizations that support each other in the goal of massively reducing the amount of work involved. And that means choosing subjects that work with the grain of those stylistic choices. For instance, you may be wondering how I’d approach a long flowing cape or a long coat. The answer is...I wouldn’t. I wouldn’t generally put characters in long coats or capes. There are about a million stories you could tell that don’t require anyone to wear a cape. Creating low-cost CG in this manner would be about making the design choices that let you get the most bang for your buck production-value wise while maintaining the essentials of character animation, a very different goal then that which I suspect drives companies like SPI and Disney to create stylized CG. This also applies to the NPR rendering. There are a lot of ways to approach this problem, and some may be very time consuming! The two-tone methods I’m using here aren’t, though. I was able, as an individual with some understanding of the problem but no custom tools, to sit down and do the shading for the Monkey test without much trouble. Partly this is again choosing the most direct path to something that both looks good and is efficient to create. The simple two-tone present in the monkey test carries far less detail then the more painterly frames from Spider-verse, but I think it wouldn’t have any difficulty supporting emotionally engaging characters or exciting action scenes. That said, the efficiency of this process could be improved a lot, and there’s a lot of room for R&D here--there’s still a required level of manual tweaking that I’d like to get rid of, and the two tone shapes could be improved. I’m hoping to tackle some of those problems this year. There’s still the question of how that process, however reasonable on a small scale, would scale up to a large production like a feature film. In many ways, it may help to think of the look development for such a production as being less like a conventional film production pipeline, and more like a game. Ideally, except for certain FX shots, such a production would not even have a rendering/compositing stage--what you would see working on the shot would simply be the shot. It might be quite literally “in-engine” if using a game engine as the hub of production turns out to be the right way to approach it (this is something I’m getting more and more interested in). While this doesn’t remove all potential issues with scaling the approach to feature film size, I think it does drastically simplify the problem. Of course, we haven’t actually produced a long-form project using these techniques, and I’m sure there are going to be unforeseen roadblocks, so we shall see! In any case, thanks again for your comment! I hope this illuminates how I envision this production process being different from the way I imagine that Spider-verse is being done, and why I think that the immense cost gains I’m claiming here are achievable.
He was chairman of the Indian delegation at the United Nations General Assembly from 1953 to 1962, at sessions of the United Nations Trusteeship Council from 1953 to 1956, and to the Eighteen Nation Committee on Disarmament. He was a member of the Indian National Congress and also at one time a member of the British Labour Party. Noted for his eloquence, brilliance and forceful and highly abrasive personality, Menon inspired widespread adulation as well as angry detraction in both India and the West. To his supporters, he was an unapologetic champion of India in the face of Western imperialism, who famously "taught the white man his place".[8] To his Western detractors, he was "Nehru's evil genius".[9] US president Dwight Eisenhower characterised him as a "menace ... governed by an ambition to prove himself the master international manipulator and politician of the age", but Indian President K.R. Narayanan eulogised him as a truly great man. Decades after his death, Menon remains an enigmatic and controversial figure. As a young man, Menon served as founding editor of the Pelican imprint of Penguin Books.[10] He led the overseas wing of the Indian independence movement, launching the India League in London, aggressively campaigning within the United Kingdom to win public support for Indian independence, and rallying the support of world powers such as the Soviet Union. In the immediate wake of independence, Menon emerged as engineer of and spokesman for India's foreign policy, and, more generally, architect of the non-aligned movement. He headed India's diplomatic missions to the United Kingdom and the United Nations, and distinguished himself in diplomatic matters including the Suez crisis. In 1957, Menon set the record for the longest speech (8 hours) before the U.N. Security Council while defending India's rights to the disputed territory of Kashmir, in the process earning widespread popularity and the sobriquet "Hero of Kashmir".[11] Returning to India, he was repeatedly elected to both houses of the Indian parliament from constituencies as varied as Mumbai, Bengal, and Trivandrum in his native state of Kerala. He served as a minister without portfolio and later as Minister of Defence, overseeing the modernization of the Indian military and development of the Indian military-industrial complex, and spearheading the Indian annexation of Goa. He resigned in the wake of the Sino-Indian War, following allegations of India's military unpreparedness, but remained counselor to Nehru, member of parliament and elder statesman until his death.[12]
I'm just waiting for someone to comment the entire declaration of independence and if no one else does I will Edit: looks like someone already did, Godspeed sir
@@IMP_ROM a user by the name of Shannon :D (the smiley face is in the name) they commented it 2 hours ago, you'll need to scroll down a ways to find it
One day there was a guy named William. William Afton. He had a beautiful wife and 3 kids. One day he opened up a pizza place, with his best friend Henry Emily. his oldest Micheal was mean to his younger brother Evan. And it was Evan’s birthday. Micheal and his friends wanted to prank him by putting him in fred bears mouth and when they did his front lobe got chomped off. and ever sense that day the afton family was never the same.. William was upset but not crazy sad, so he took his mind off of things and made a new animatronic. Circus baby he desined it for his daughter Elizabeth and he made circus baby make balloons , sing , take song request, and make ice cream… and of course kill children that’s why he told Elizabeth to never go to her because he didn’t want his daughter to be killed. But she did anyways and circus baby gave her ice cream! But while she was taking the bate. Circus baby “malfunctioned” and killed Elizabeth. At this time William was going crazy and blamed Micheal for everything he did. And to top it all off his wife got int a bad car accident and died. And so at one of his pizzerias. He dressed up like a golden bunnie and led kids into and dark room and the kids names where susie, fritz, Gabriel, Jeremy, and the vengeful spirt Cassidy.. and he killed all those kids in the room and poor little susie saw all her friends die and she died by getting chomped with an axe. Nobody knew it was William, and so the pizzeria shut down because of the murder. But a new pizzeria opened and there was a party a week later to celebrate the grand opening! Henry Emilys daughter, charlie and she got kicked out in the cold rain by bullies. And William was there tricking her to think that he would help her but instead he killed her and she died from freezing and murder. But that’s not all what happened that night. The puppet saw Charlie and took charlies soul and passed onto the puppet and then Charlie put the missing childrens souls, also known as susie, Fritz, Gabriel, Jeremy, and Cassidy.. into the robots at Freddy faze bears pizzeria. But Cassidy was put into a worn down robot also known as golden Freddy. But Evan the child who died in 1983 was also put into golden Freddy, because his soul was still there from years ago. . and now the missing children + Evan would get revenge on afton expesally Cassidy so they cased them into the same room they died in, and soon enough afton got into a springlock suit called golden bonnie and he “died” from springlock failure. He was in a coma for 30 years and in that 30 years Cassidy finally got their revenge by putting him in a hell of his worst nightmares\memorys of his children dieing to being burned in the future and exeriening his own horifing robots. But Cassidy was watching him live in the hell but Evan finally said “let the demons be his demons’ and they were put to rest by the puppet in the happiest day..meanwhile Micheal was redoing all his fathers bad deeds by being a security guard at all his fathers pizzerias. At one of these pizzerias he wasn’t only trying to undo everything he was trying to set his little sister free from the robot circus baby that killed her years ago. He worked 5 days 9 am to 6 am and it was no easy job.. and on the last night of his first ever week, he was killed by his own sister Elizabeth because she was s desprite to get out of the pizzeria. And she used him as a skin suit, but someone got to his body before Elizabeth did. It was ennard a whole bunch of old wires that were used in other animatronics. And he was miserable when he was walking home, and people were scared of him because he didn’t look like himself…he was a rotting corspe and ennard was inside of him replacing his organs and keeping him “alive.” And he went home and rested for 2 weeks, and when he went outside he saw a poster of henry Emilys hiring job, its read “I need your help at ___ restaurant call ____ for more information!” Micheal called the number and was told the plan, it was a very hard plan but he did it so he could get revenge on his father. The day finally came where they led everybody, such known as burntrap,scrap baby, lefty, ect. The plan was to lead all of them into the restaurant and once they got settled in Micheal would start the fire, while Henry would talk the iconic fire speech, he said, connection terminated “Im sorry to interrupt you Elizabeth, if you still even remember that name, but Im afraid you’ve been misinformed. you are not here to receive a gift. Nor have you been called here by the individual you assume. Although you have indeed been called, you have all been called here into a labyrinth of sounds and smells, misdirection and misfortune, a labyrinth with no exit, a maze with no prize. You don’t even realise that you are trapped, your lust for blood has driven you into endless circles, chasing through cries of children and unseen chamber always seeming. Yet somehow out of reach. But you will never find then; none of you will. This is where your story ends. And to you, my brave volunteer, who somehow found this job listing not intended for you, although there was a way out planned for you, I have a feeling that’s not what you want I have a feeling that you are, right where you want to be. I am remaining as well. I am nearby. This place will not be remembered and the memory of everything that start this, can finally begin to fade away, as the agony of every tragedy should. And to you monsters trapped in the corridors, be still and give up your spirits, they don’t belong to you. For most of you, I believe there is peace, and perhaps more waiting for you after the smoke clear. Although for one of you, the darkest pit of hell has opened to swallow you whole, so don’t keep the devil waiting old friend. My daughter if you can hear me, I knew you would return as well. It’s in your nature to protect the innocent. I’m sorry that on that day, the day you were shut out and left to die, no one was there to lift you up into their arms the way you lifted others into yours. And then what became of you. I should’ve known you wouldn’t be content to disappear, not my daughter. I couldn’t save you then, so let me save you now. It’s time to rest, for you, and for those you have carried in your arms. This ends for all of us. End communication.” And after that Henry, Micheal, and all the others burned in the fire for the very last time…… BUT! That’s not all there is a new pizzaplex made by glitch trap, the bunnie inside of Williams head that made him crazy aside from his childrens deaths. The pizzaplex was kinda like a 80s concert, but with pizza, play place, ect. And the animatronics are glamrock chic, glamrock Freddy, Montgomery gator, and Roxanne wolf. One day while the team was preforming Freddy malfunctioned and his power went off. and it was seemed to be caused by a young boy Gregory. Gregory was actually a “animatronic” rebuilt by someone that we don’t know yet, but we have a feeling that it is William because he rebuilt his daughter ect. And also there’s no record of him or his parents and he’s not a guest at the pizzaplex anyways.. so Freddy looked after Gregory while all the other robots were trying to hunt him down, because of Vanessa the night guard at the pizzaplex. So Gregory went though all the anamotronics destroyed them to upgrade Freddy. but on the reek of daylight vanny, and glitch trap are trying to kill you… **TBC**.
IM FINALLY GONNA CONTINUE while Gregory was in the pizzaplex He helped Freddy get out of his room and GO TOUCH GRASS. He crawled in vents, stalked on some anamatronics, and broke into a kitchen and made inedible pizza… ew. But after all of that he finally got a daycare pass. When he entered the slide that is brighter than my future, (I gtg so I’ll continue this laterz) hi hru? this took me soooo long (btw I can't go any further super sorry )
I still remember the third of December, me in your sweater You said it looked better on me than it did you Only if you knew how much I liked you But I watch your eyes as she Walks by What a sight for sore eyes Brighter than the blue sky She's got you mesmerised while I die Why would you ever kiss me? I'm not even half as pretty You gave her your sweater, it's just polyester But you like her better Wish I were Heather Watch as she stands with her, holding your hand Put your arm 'round her shoulder, now I'm getting colder But how could I hate her, she's such an angel But then again, kinda wish she were dead as she Walks by What a sight for sore eyes Brighter than the blue sky She's got you mesmerised while I die Why would you ever kiss me? I'm not even half as pretty You gave her your sweater, it's just polyester But you like her better I wish I were Heather Oh, I wish I were Heather Oh, oh, wish I were Heather Why would you ever kiss me? I'm not even half as pretty You gave her your sweater, it's just polyester But you like her better Wish I were Isabelle||jk17|The Fremly Me|Me|violet, pink|coffee, boba tea||||122|18|18|5|4|4|46|0|1|0|3|1|52|19|0|80|0|55|55|1|1|0|0|139|48|39|0|0|0|151|0|0|0|9|60|95|95|22|22|0|0|37|37|39|0|0|0|0|0|64|50|0|0|0|0|0|0|0|0|1|1|0|1|1|1|13|3|16|16|1|1|1|22|1|1|1|1|1|1|1|0|0|0|1|0|1|1|0|1|1|1|1|0|2|0|0|0|0|7|2|18|0|0|7|2|18|0|0|0|1|1|0|0|0|1|1|0|0|7|1|1|0|0|7|1|1|0|0|0|1|1|0|0|0|1|1|0|2|2|1|1|0|-2|6|1|1|0|0|0|1|1|351|0|0|1|1|0|2|8|1|5|0|0|0|1|1|0|0|0|1|1|0|-8|6|1|1|12|1|1|0|1|1|0|0|0|1|1|0|0|0|1|1|0|1|1|0|0|1|1|0|0|1|1|1|0|0|1|1|0|0|1|1|0|1|1|1|1|1|1|1|1|1|1|1|1|7|1|1|1|13|120|-6|0|1|9|0|1|0|0|0|1|1|0|0|1|1|0|-2|2|0|-2|0|0|0|0|0|1|1|1|0|0|-2|0|0|0|0|0|3|3|FFE2D4|AF9988|CDB6AB|513D34|CDB6AB|CDB6AB|513D34|CDB6AB|CDB6AB|513D34|CDB6AB|CDB6AB|513D34|CDB6AB|FFFFFF|B8B8B8|FFFFFF|989898|D4D4D4|B2AEDB|191919|191919|B2AEDB|191919|191919|FFFFFF|989898|FFFFFF|989898|FFFFFF|020202|FFFFFF|020202|020202|020202|ECECEC|FFF087|7B7B7B|FFFFFF|FFFFFF|B8B8B8|FFFFFF|FFFFFF|D4D4D4|FFFFFF|FF8383|FFFFFF|FFFFFF|020202|FF8383|020202|FFFFFF|FFF3A1|D4D4D4|FFEBD2|ABCBDE|6B89AA|ADDED9|FFFFFF|B8B8B8|FFFFFF|3D3E62|24253A|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|ECECEC|EBE0FF|EBE0FF|A487FF|EBE0FF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|B8B8B8|FFFFFF|FFFFFF|B8B8B8|FFFFFF|FFFFFF|D4D4D4|FFFFFF|FFFFFF|D4D4D4|FFFFFF|E0E1FF|A487FF|EBE0FF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|D7FFEA|22352E|FFFFFF|D7FFEA|22352E|FFFFFF|333333|020202|FFFFFF|333333|020202|FFFFFF|191919|020202|020202|3B5D51|22352E|3B595B|FFFFFF|7B7B7B|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FF3F3F|020202|FFFFFF|FFFFFF|7B7B7B|FFFFFF|FF3F3F|020202|191919|FFFFFF|7B7B7B|FFFFFF|FFFFFF|7B7B7B|FFFFFF|FFFFFF|7B7B7B|FFFFFF|FFFFFF|D4D4D4|FFFFFF|020202|FFFFFF|020202|CDB6AB|020202|FFFFFF|020202|EEE9FF|ECECEC|FFF9E7|020202|D4D4D4 Yuuva|||Yuuva Mei Misaki/Todoroki and Tanjiro and Bakugo's wife|iiiMystxcmoon|Blue|Salad|USA|Cool|Hero|192|7|72|13|5|5|568|0|1|0|3|1|85|19|78|0|0|70|70|2|2|1|1|209|48|0|0|0|6|0|0|0|0|55|0|63|63|22|22|71|72|85|85|63|0|17|17|34|34|0|0|0|0|0|0|0|0|0|0|1|1|0|1|1|1|0|2|1|1|1|15|1|7|7|2|20|309|42|1|1|0|0|0|1|0|0|1|0|1|1|1|1|0|1|0|0|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|4|1|1|0|0|4|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|-8|1|1|0|0|0|1|1|0|1|1|0|1|1|0|0|0|1|1|0|0|12|17|16|351|1|0|0|0|1|1|0|0|1|1|1|5|0|1|1|0|0|1|1|0|1|1|1|1|1|1|1|1|1|1|1|1|17|1|1|1|1|295|0|0|1|1|0|1|0|6|-14|1|1|0|6|1|1|0|0|0|0|0|0|0|0|-4|0|1|1|1|0|0|-4|-8|34|-4|0|0|3|3|FFE2D4|A17261|27170F|020202|46291B|27170F|020202|46291B|27170F|020202|46291B|27170F|020202|46291B|27170F|020202|46291B|020202|720226|46291B|27170F|B1522F|46291B|27170F|B1522F|27170F|27170F|27170F|27170F|01449F|020202|01449F|020202|191919|020202|ECECEC|020202|984E14|020202|DEA275|020202|F0DA72|7F7EA6|020202|8AAEFF|FF8383|FF93BC|BB9178|8C664F|FF8383|020202|FFFFFF|020202|020202|020202|6B89AA|020202|86CBC5|7807FF|020202|FFEB58|0256C9|020202|8AAEFF|E0E1FF|020202|8ACEFF|020202|020202|020202|6B89AA|252C3C|ECECEC|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|191919|020202|333333|191919|020202|333333|D4D4D4|020202|FFFFFF|020202|020202|191919|FFFFFF|C908A7|1003C2|3A027E|A487FF|1604FC|0C0295|A487FF|1604FC|FF3F3F|020202|FFC2C2|FFFFFF|191919|FFFFFF|333333|020202|FFFFFF|FF3F3F|020202|191919|020202|020202|020202|020202|020202|020202|8ACEFF|4F03AA|0093B6|FF93EC|4F03AA|1003C2|00132C|020202|020202|855944|664430|46291B|27170F|020202|020202|020202|020202|020202 Eiko|||Todoroki n Tanjiro's Wife|iiiMystxcmoon|Blue|Salad|USA|Cool|Hero|192|7|61|3|1|1|595|0|1|0|1|1|52|98|80|0|0|94|94|3|3|0|0|209|0|0|0|0|0|0|0|0|0|73|43|31|31|22|22|0|0|26|26|110|42|0|0|0|0|0|0|0|0|0|0|0|0|0|0|1|1|0|1|1|1|0|10|1|1|1|15|1|7|7|2|20|309|0|1|1|0|0|0|1|0|0|1|0|1|1|1|1|0|0|1|0|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|6|1|1|0|0|6|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|-8|1|1|0|0|0|1|1|0|1|1|0|1|1|0|0|0|1|1|0|0|12|17|16|351|1|0|0|0|1|1|0|0|1|1|1|0|0|1|1|0|0|1|1|0|1|1|1|1|1|1|1|1|1|1|1|1|17|1|1|1|1|295|0|0|1|1|0|1|0|-2|-6|1|1|0|0|1|1|0|0|0|0|0|0|0|0|-4|0|1|1|1|0|0|-4|-8|8|-6|0|0|0|0|FFE2D4|A17261|FFE4BB|C6903D|F7D4AA|FFE4BB|C6903D|F7D4AA|FFE4BB|C6903D|F7D4AA|FFE4BB|C6903D|F7D4AA|FFE4BB|C6903D|F7D4AA|8C4A4A|720226|A9B6DE|57678C|82A1CB|ADDED9|537E80|86CBC5|E0F4FF|00BDB7|E0F4FF|00BDB7|01449F|020202|01449F|020202|191919|020202|ECECEC|020202|984E14|020202|DEA275|020202|F0DA72|7F7EA6|020202|8AAEFF|FF8383|FF93BC|BB9178|8C664F|FF8383|020202|FFFFFF|FFFFFF|ECECEC|D4D4D4|6B89AA|020202|86CBC5|7807FF|020202|FFEB58|0256C9|020202|8AAEFF|E0E1FF|020202|8ACEFF|FFFFFF|310000|7B0000|82A1CB|252C3C|540000|52806F|52806F|52806F|52806F|52806F|52806F|7B0000|310000|FFFFFF|7B0000|310000|FFFFFF|020202|020202|020202|020202|020202|020202|7B0000|310000|540000|020202|020202|020202|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|ECECEC|D4D4D4|FFFFFF|ECECEC|D4D4D4|191919|020202|333333|191919|020202|333333|D4D4D4|020202|FFFFFF|020202|020202|191919|FFFFFF|C908A7|1003C2|3A027E|A487FF|1604FC|0C0295|A487FF|1604FC|FF3F3F|020202|FFC2C2|FFFFFF|191919|FFFFFF|24014F|3A027E|8C3FFF|FF3F3F|020202|191919|FF93EC|770463|EDBDFF|FF93EC|770463|EDBDFF|8ACEFF|4F03AA|0093B6|FF93EC|4F03AA|1003C2|00132C|020202|020202|855944|664430|46291B|27170F|020202|020202|020202|020202|020202 Hello, it's so good to see you We met before but nice to meet you Yeah, I don't really wanna be here like, ah-ah-ah-ah What's my name, do you remember? I'm pretty sure you have my number So let's pretend we like each other like, ah-ah-ah-ah This room is so suffocating Walking on ice, but nobody breaks it Stuck in this one-way conversation Guess I'll be here for awhile And you're blowing smoke in my face And telling me all about your paycheck Take a shot with a fake smile to chase it Guess I'll take another round Everybody in this party feels so fake I really wish that I could say it to your face But I won't, so Hello, it's so good to see you We met before, but nice to meet you Yeah, I don't really wanna be here like, ah-ah-ah-ah What's my name, do you remember? I'm pretty sure you have my number So let's pretend we like each other like, ah-ah-ah-ah Blah, blah, blah, I'm so bored Love your shoes, tell me more On and on about yourself Can't you bother somebody else? Raise a glass if you're like me, yeah Getting trashed, 'cause you can't leave Guess we're in this together Makes my head hurt Everybody in this party feels so fake And so am I, but I just got here so I gotta show some face Hello, it's so good to see you We met before, but nice to meet you Yeah, I don't really wanna be here like, ah-ah-ah-ah What's my name, do you remember? I'm pretty sure you have my number So let's pretend we like each other like, ah-ah-ah-ah To the people I don't like You're trying too hard (Keep trying, keep trying, keep trying) To the people I don't like To the people I don't, don't, d-don't, don't, don't
The wind of a foggy day rushed through his body as Steve was chopping some wood with his axe. After getting enough wood, he found himself venturing off into the plains for a while. But as he explored the plains, he saw a mysterious figure moving deep in the fog next to a hill. Steve squinted to get a clearer look at that figure. The wind blew the leaves off the trees as he got a closer look. "Is that a cow?" Steve thought. But as he drew closer, he realized that it was not a cow at all. It was a person with white, glowing eyes. Steve got closer to that person but when Steve got closer, that person vanished in the fog. As Steve remembered, the person seems to be a male. "Where did he go?" Steve wondered. When Steve was on the way home, he saw trees without leaves. Steve found that odd because his people and him usually chop the wood and not cut the leaves. "Could the white-eyed guy have done this?" Steve assumed. Steve also saw a long, small tunnel with Redstone at the walls of the tunnel. "I didn't build this, who could have built this?" asked Steve, surprised. At the village Steve lived in, Steve told Alex everything that happened. Alex was Steve's best friend. She had orange hair, white skin, green pupils, and slim arms. She usually wore green shirt with a belt, brown pants, and grey boots. When Steve told Alex everything that happened, Alex was shocked but also intrigued. Alex tilted her head "A white-eyed guy? I've never seen that before!" "But some people have seen things like trees without leaves and Redstone torches inside long tunnels before. It's been freaking people out! I even saw a small perfect pyramid in the middle of the ocean when I was fishing!" "Oh really? Well do you think the white-eyed guy could have made those?" asked Steve. His fingers pinched his chin. "I don't know but, could be," said Alex. Several days later, an ancient builder named Klara was building a new wooden house near the village Steve lived in. She made the house with dark oak wood. The house was on a hill with a lot of wooden staircases leading to the house. When the house was almost finished, Klara looked around the house feeling proud. But when she looked in her bedroom, she saw the guy with white glowing eyes looking inside her chest. Klara immediately ran screaming out of the house, almost tripping on the stairs. Fear rushed through her veins and her heart beats fast. She didn't know who that was. Many people heard the scream and gather to talk to Klara about what happened. Steve who got home from mining just looked at the crowd, wondering what had happened and went into his house. After Klara told everyone what happened and the dust had settled down, Alex told Steve what Klara said. Alex opened the door at Steve's house "Steve, you won't believe it. Klara saw the white-eyed guy that you told me!" "What? Really?" "Yes, she saw him at the house she was building!" "So that's what the crowd was talking about!" "Yeah, what do you think?" asked Alex. "That makes me wonder who is that guy? What does he want from us?" Steve asked. "I also wonder, Steve!" said Alex who then stood there, speechless. Alex also told Steve about the villagers' beliefs that the white-eyed guy was a ghost, or someone cursed. Honestly, Steve did not believe in ghosts despite him founding some zombies or skeletons sometimes. When Alex told Steve that the rumors spread and people thought that the white-eyed guy was some kind of bad guy, Steve was skeptical about it. The white-eyed guy did not do anything that was actually harmful. Even that night after Steve did his night routine, Steve still wondered about the white-eyed guy. Alex tried to calm Steve down, but Steve could not stop thinking about the white-eyed guy until he fell asleep. Steve wore his white T-shirt and black shorts and lay down. He looked at the ceiling wondering what had happened that day. The next day at the morning, Steve decided to ask some people in his village if they know who that white-eyed guy was. The myth of the white-eyed guy has spread through the village. Just like Alex said, people thought that the white-eyed guy was a ghost. However, nobody knew who the white-eyed guy actually was. Later that day, Steve went mining to collect ores as usual. But when Steve was mining, something teleported near Steve. It was the white-eyed guy, his name was Herobrine. His white, glowing eyes shined at Steve's back. Steve gasped and turned around to face the white-eyed guy. "Hello brother, I have been watching you!" said Herobrine. Steve didn't expect to meet Herobrine for the second time. Just like the night when he thought about Herobrine, Steve wondered who he was. Herobrine seemed to have the same skin color and hair color like Steve's. He also seemed to wear a teal shirt that was a bit torn. Steve was shocked, but managed to reply, "Who are you?" "I am Herobrine, the first person to escape the End dimension!" Herobrine explained. "I need to tell you something" said Herobrine. Thoughts started coming to Steve's mind. He remembered the first time he saw Herobrine, he remembered the trees without leaves, Redstone cave, and what Alex told him. "No, he couldn't be a ghost, right?" Steve thought randomly. "Look, I tried to ask for help to some people, but they seem to freak out when they see me. They ran away from me so fast. But Steve, I was surprised when you decided to get closer to me!" said Herobrine. "W-what help do you need?" Steve asked. "Wait, people freak out when they see you? Well, some people in my village saw you and thought you're a ghost" Steve continued. "A ghost?" Herobrine lifted one of his eyebrows. "Yeah, people in my village have strange beliefs about ghosts. Maybe your white eyes made them think that you're a ghost. While I don't believe in ghosts!" "I guess that answers why people ran away from me, but you didn't" said Herobrine. "So, if you are not a ghost, who are you?" "It's... a long story, brother" Herobrine sighed. Herobrine explained that some of his people got trapped in the End portal due to an evil entity known as the Wither. This three-headed floating skeleton had a powerful curse that can turn innocent beings into scary monsters. It can turn humans into zombies or skeletons. To avoid this fate, Herobrine's people created the Stronghold for protection and created the End portal because they were pretty sure that the portal could lead them to a safe place beyond the reach of the Wither's curse. The Wither destroyed the overworld. They just wanted to escape the mess. But when they got in the End portal, it turns out, the End was not a good place to live in and they didn't know how to get out. Steve listened to Herobrine's story with great interest. He could see the sadness in Herobrine's white and glowing eyes. Herobrine was the only person who managed to get out of the End portal. Everyone other than Herobrine turned into an Enderman. And the reason why his eyes were white was that he was an imperfect Enderman. Everything was different in the End portal. They had nothing to eat but chorus fruits and there were a lot of Endermites that can bite them, so they slowly evolve into Endermens. Also, Herobrine wanted to ask for help but he wasn't sure how. The Ender dragon guarded the exit portal and all the powers in the End dimension. Herobrine wanted someone to help him kill the Ender dragon and save his people. But everyone seemed to run away when they saw him. Hearing Herobrine's explanations, Steve asked "Wait, what's an Enderman?" Herobrine sighed and explained, "An Enderman is a tall, black creature with long arms that can teleport short distances and is easily provoked when looked at in the eyes. If someone looks at an Enderman in its eyes, the Enderman will get mad and attack them.". Steve nodded, understanding the danger of the Enderman. "An imperfect Enderman is already creepy. I can't imagine what happens if someone sees an Enderman" said Steve. "Are you saying that I'm creepy?" asked Herobrine with a small smile. "Are you saying that I'm creepy?" asked Herobrine with a small smile. Steve chuckled "Maybe a little creepy but you're also kind of cool!" Herobrine smiled, feeling a bit better that Steve did not fear him like everyone else. "So, where was I? Oh yeah, brother, do you want to help me kill the Ender dragon and save our people? You are the only person who don't freak out when you see me. Maybe you are a good person that I can ask help to. But if you don't want to please at least let me know where I can ask for help." At that time, Steve's heart was touched. The person who haunted the people in his village turns out to be a person who just needs help and was willing to do anything to save his people. No wonder that guy have the word "Hero" in his name. Steve really wanted to help Herobrine to save his people. But his mind was conflicted. Steve hesitated. "I want to help you kill the Ender dragon and this might be another chance of me to have an adventure. But I don't know how to kill the Ender dragon and even if I go on an adventure with you to kill the Ender dragon, my best friend Alex and the villagers I worked with will worry about me." Herobrine frowned as Steve paced back and forth thinking about what he said. But Steve had an idea. "Herobrine, we can discuss about this at night, at this cave. After I finish mining, I will make sure to leave sticks and coals over here to make a torch. This is a great hiding spot and discussion spot!" Herobrine felt a little dismissed, but he agreed to make the deal with Steve. "Okay brother!" said Herobrine. Steve cleared his throat. "Actually, it's Steve."
Alr imma try We're no strangers to love You know the rules and so do I A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We've known each other for so long Your heart's been aching, but You're too shy to say it Inside, we both know what's been going on We know the game and we're gonna play it And if you ask me how I'm feeling Don't tell me you're too blind to see Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you (Ooh, give you up) (Ooh, give you up) Never gonna give, never gonna give (Give you up) Never gonna give, never gonna give (Give you up) We've known each other for so long Your heart's been aching, but You're too shy to say it Inside, we both know what's been going on We know the game and we're gonna play it I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Hello If you see this text, you're cool. E Ee E E E E E Ee E E E EE e E Ee Ee EeE Ee E E E Ee EEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EE E EEEE E E EE E E EE E EE E E E E EE EE E EEEEE E E E E E E E E E EE EE E EEEEE EE E E EE E EE E E E E E E E E E E E E E E E E EE EE EE E E E E E E E EEEE E E EE E E EE E E EEE E E E E EE EE E E E E E E E EE E EE E E E EEE E EE E E EE E E EEE E E E E E E E EEEE E EE EEE EE EEEE E E E E E E E E E E EE E E E EE E EE EE E EEE E E E hello again E E E E E E E E E E E E E E Is this long enough? Ig imma do a lil more. E E E E E E EEe EeEE Eeeee E Ee E E EE E E E E E E Okay I give up SIKE We're no strangers to love You know the rules and so do I A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We've known each other for so long Your heart's been aching, but You're too shy to say it Inside, we both know what's been going on We know the game and we're gonna play it And if you ask me how I'm feeling Don't tell me you're too blind to see Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you (Ooh, give you up) (Ooh, give you up) Never gonna give, never gonna give (Give you up) Never gonna give, never gonna give (Give you up) We've known each other for so long Your heart's been aching, but You're too shy to say it Inside, we both know what's been going on We know the game and we're gonna play it I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We're no strangers to love You know the rules and so do I A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We've known each other for so long Your heart's been aching, but You're too shy to say it Inside, we both know what's been going on We know the game and we're gonna play it And if you ask me how I'm feeling Don't tell me you're too blind to see Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you (Ooh, give you up) (Ooh, give you up) Never gonna give, never gonna give (Give you up) Never gonna give, never gonna give (Give you up) We've known each other for so long Your heart's been aching, but You're too shy to say it Inside, we both know what's been going on We know the game and we're gonna play it I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We're no strangers to love You know the rules and so do I A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We've known each other for so long Your heart's been aching, but You're too shy to say it Inside, we both know what's been going on We know the game and we're gonna play it And if you ask me how I'm feeling Don't tell me you're too blind to see Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you (Ooh, give you up) (Ooh, give you up) Never gonna give, never gonna give (Give you up) Never gonna give, never gonna give (Give you up) We've known each other for so long Your heart's been aching, but You're too shy to say it Inside, we both know what's been going on We know the game and we're gonna play it I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you E EEE EEE EEE Eee EEeE EEEeEE E E E E E E E . I give up now
KA BE E E E E E E EE E E E E E EE E E E E EE E E E E E E E E E Erg Ger Gee Fed Efrfde Die Er Eef Eef Eef E Eve Few Eve E EE E E e E EE E EE E E E E E Ee E E E E E E E Eeeeeeeeeeee E E E E E E E E E EE e E E E E E M E E E E E E E E E E E E E E E E e E E E E E E E E E E E E E E E E E E E E E Em
2020 had a lot of low points. My first girlfriend broke up with me after 3 years together. I felt the happiest I had in about a good 4 months afterwards because she always made me feel like shit but then I kept being reminded of her and was asked if I knew her new guy. Then I had to go to virtual school. When I finally got to go back to normal it only lasted 8 days and I had two classes with her. I told my friends that I just felt uncomfortable around her but i really wanted to talk to her. I didn't want her back but to just be able to talk to someone who knew me better than everyone else. I kept avoiding her though. This year I have gotten to the point of feeling so upset and lonely that I just start shaking and have trouble breathing.the 1st time happened at my cousins, I was with two of my cousins but they both did their own thing and I was feeling alone so I listened to music and layed down. The song I listened to was so sick of this by guccihighwaters. I started to shake uncontrollably and had trouble breathing. They tried to get my attention but I couldn't hear because the music or see cause I had my eyes closed. They figured I was asleep and having a bad dream so they left. After an hour I finally opened my eyes to a room of complete darkness being alone. I went to the living room still shaking when my uncle asked what was wrong. He seemed to believe I was on drugs. I told him I didn't really know what was going on then split a drink I had gotten and burned through my knuckle on the carpet cleaning it up. The 2nd time this happened was during lunch at school this one wasn't at bad since my friends tried to help me and kept checking on me. My head hurt a bit though because during this I began to hit my head over and over on the table. Every time I feel like I am over my ex I somehow get reminded of her. We have been broken up for a good while now but talking about it still terrifies me. I feel so lonely being single because now I don't have that person constantly talking to me and making me feel appreciated. I have never gotten to really go hang out with friends so having a girlfriend was my first real experience with that. I want to date more but I have become very much of a loner and am afraid to talk to people. That's the reason this is a comment and not a message to one of my friends. I also find it hard texting some people because it is either I don't talk to them much and struggle continuing a conversation or I get left on read. This is another reason I keep to myself because I feel like most will not care.
Aw, that’s such a sad story I am really sorry to hear that I thought my life was going to go ok but my parents always argued and it was really heartbreaking. But my mom knew that my dad hated her at the point he cheated on her with woman in Africa and bars. Then one day when my mom was going to pick us up from school I saw her crying and was confused and worried cause she only cried when something very very bad happens. Ok so she started tearing up and I hugged her by her side and said “What happened mom?” And she said “Your dad tried to kill me” I was very confused and shocked and then she explained that when she went to clean my dads care form which her arrived form Africa and then my dad saw her in his care and Yelled at her then started chocking her by the neck. But my mom said she bit his fingers and she went free and called help then called 911. I’ll continue tomorrow but right now I hope you have a great day/night I am only a 10 year old girl but crazy I hope everything goes well and your health makes a better change bye and see you tomorrow and 5
@@luv_estherrr I am sorry that you have to go through that at a young age. That is very heartbreaking and I hope that you and your mom can stay safe and be there for each other
William Afton and Henry opened in 1967 the family friendly Fredbear's Family Diner, featuring a brown furry suit of a bear as a mascot. Henry would usually wear the suit, as they didn't have enough money to hire someone to do the job for a long time and they were studying at the time. William studied engineering and Henry business adminstration and communication. William met an unnamed woman, with whom he married and three years later had a boy challed Michael. They met in the court; William was being charged for murdering a child that allegedly was crying outside the Diner for being scared of Fredbear, the bear, and she was working selling hot-dogs in from of the building. (Btw, he was released because they didn't have evidences pointing it). It took them four years to actually achieve any success with the Diner, as they learnt from little Michael that Fredbear was boring. William them designed a new mascot: a yellow furry suit of a rabbit called Bonnie. The chemistry between both characters worked like black magic and the success rained on them like rain in a rainy day. The amount of money they got was so much, William used it to test his engineering skills, designing the first two Spring Lock suits: which were obviously Bonnie and Fredbear. The success increased. Freddy Fazbear's Pizza The Diner's success was so big, a company decided buy it and open a franchise around it. Hanry and William sold it, seeing a whole lot of profit coming from it, but there was a catch: the company used sneaky legal actions that allowed them to have the diner 100% under their possession, erasing Henry's and Michael's name from it. The company then opened Fazbear's Entertainment to take care of everything. William was so pissed because of this he cut any relationship with anyone involved with the franchise. Henry, on the other hand, didn't know any other thing to do, so he asked for a job; he became Phone Guy. FFP opened in 1973, and featured four furry suits of animals: Freddy Fazbear, a recolour of Bonnie, Chica and Foxy The Pirate. This made William even more pissed when he learnt they made four animatronics without him. He started planning his revenge. Btw, the Diner was still opened - as a sister location for FFP. The Origin of Purple Guy In 1976 William had twins: a little blonde girl and a little brunette boy. He started to teach Michael to take care of them, because "Daddy won't be around forever". During his free time, William started designing and projecting new robots (he hated the name "animatronics") and plans for his own company: Afton Robotics. But he had another plan under his sleeve: ruin FFP from the inside. He disguised himself as Dave Miller and started working applied for day time security guard at FFP. As he was always wearing purple - the uniform's colour - and usually hid in the shadows to stay out of sight of anyone who might recognize him, he was nicknamed by every child as "The Purple Guy". During this time, in 1980, he did his evil plan: using the Spring Bonnie suit he built years earlier, he lured five children to a back room, murdered them and hid inside the body of the animatronics. In case you're wondering what he did with the fifth one, he obviously hid it inside a spare Freddy suit he then painted yellow, duh. Fortunately for Billy, they actually caught Henry instead of him, as one of the cameras caught him walking around in one of the suits. He got out sometime later, as they managed to prove he had some mental disabilities and had a fixation with wearing the suits around, and had no violent behaviour. But Dave? Well, he was fired when FFP closed. Circus Baby With the help of the money he got from selling the children's organs in the black market, William opened Afton Robotics and had everything ready to open his own kid-friendly restaurant: Circus Baby's Pizza World. The problem is that he got a new hobby, and this where his hill went down. He liked so much the idea of killing children and the profit he could get from selling their organs - healthy children organs are way more valuable than adults' -, he made special alterations in his robots, turning them into kid-kidnapping and killing machines. The problem is that, in 1982, he accidently let his daughter get close to Baby when he wasn't looking; and Baby killed her. He knew he was the one to blame, but he actually blamed Michael for this, saying that he, as the older brother, should've protected her. This incident lead to the pizzeria's cancellation and William's divorce. His wife took Michael and the other boy with her, leaving him alone. His new hobby and this incident in his life lead him to become a human monster. The Children Going a little away from the entire "Afton story arch", let's talk about the children he murdered. The first one came to possess a Puppet from FFP. The other five, with the help of the first one, possessed the suits they were stuffed inside. They then started killing any adult they could at night, when there was no children around, because they thought every adult was the "Purple Guy" they heard of when they were still alive. The Bite of '83 William's ex-wife took the children and they started living close the Diner, that was still running great. For the good old times, before the problems, she would take them there. William, on the other didn't like it in the slightest, and bought a warehouse close to their house, where he built an underground room he used to monitor cameras installed in the house, the Diner and in the street. He also started to prepare the warehouse to building Circus Baby Entertainment & Rental. He also returned to his Dave Miller persona, working at the Diner, taking a closer looka at his sons. The Crying Child After the Baby Incident, Michael became a rebel teenager who, rebelling against his father's will, bullied his younger brother. For the brother's unluckiness, he was also traumatized for actually having witnessed Baby killing his sister in the year before. For his luckiness, though, he had a reliable friend: Psychic Friend Fredbear. Unbeknown for him, the plush was actually a camera his father used to check on him. More unbeknown for him, when the plush talked with him, it was actually the spirit of his sister, who was haunting William's warehouse, and with supernatural abilities managed to speak through the camera system.
Someday I’ll make it out of here,even if it takes all day I can fight my fear something something all alone (POV) your sister decides to tell you the back story of your mother……. There was this girl the most beautiful in the world she had all the boys in town wrapped in her finger she would walk the halls and everyone would whisper and talk cause everyone in the world wanted to be her. But behind those emerald eyes she’s a devil in disguise the prom Queen has blood in her hands….:(every boy and girl she dates disappears without a trace so be careful when she asked you to dance she a mother frickin killer Queen 👸🏼 🔪🔪🗡🩸🩸. Edit: Thx for all the likes 😅😭😭😭
Long were the nights when my days once revolved around you Counting my footsteps, Praying the floor won't fall through, again My mother accused me of losing my mind, But I swore I was fine, you paint me a blue sky And go back and turn it to rain And I lived in your chess game, But you changed the rules every day Wondering which version of you I might get on the phone Tonight, well I stopped picking up, and this song is to let you know why Dear John, I see it all now that you're gone Don't you think I was too young to be messed with? The girl in the dress, cried the whole way home, I should've known Well maybe it's me and my blind optimism to blame Maybe it's you and your sick need to give love then take it away And you'll add my name to your long list of traitors who don't understand And I'll look back and regret how I ignored when they said "run as fast as you can" Dear John, I see it all now that you're gone Don't you think I was too young to be messed with? The girl in the dress, cried the whole way home Dear John, I see it all, now it was wrong Don't you think nineteen is too young To be played by your dark twisted games, when I loved you so? I should've known You are an expert at sorry, And keeping the lines blurry Never impressed by me acing your tests All the girls that you've run dry Have tired, lifeless eyes 'Cause you burned them out But I took your matches before fire could catch me, So don't look now, I'm shining like fireworks over your sad, empty town Dear John, I see it all now that you're gone Don't you think I was too young to be messed with? The girl in the dress, cried the whole way home. I see it all now that you're gone Don't you think I was too young to be messed with? The girl in the dress wrote you a song You should've known, you should've known Don't you think I was too young? You should've known hi what? are u gonna go?? i said leave!! fine u asked for it 😤😏 We're no strangers to love You know the rules and so do I A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We've known each other for so long Your heart's been aching but You're too shy to say it Inside we both know what's been going on We're no strangers to love You know the rules and so do I A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We've known each other for so long Your heart's been aching but You're too shy to say it Inside we both know what's been going on We know the game and we're gonna play it And if you ask me how I'm feeling Don't tell me you're too blind to see Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you (Ooh, give you up) (Ooh, give you up) (Ooh) Never gonna give, never gonna give (Give you up) (Ooh) Never gonna give, never gonna give (Give you up) We've know each other for so long Your heart's been aching but You're too shy to say it Inside we both know what's been going on We know the game and we're gonna play it I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you hehe ;)
💓1. I LovE You 💕 💓2. I LovE You 💕 💓3. I LovE You 💕 💓4. I LovE You 💕 💓5. I LovE You 💕 💓6. I LovE You 💕 💓7. I LovE You 💕 💓8. I LovE You 💕 💓9. I LovE You 💕 💓10. I LovE You 💕 💓11. I LovE You 💕 💓12. I LovE You 💕 💓13. I LovE You 💕 💓14. I LovE You 💕 💓15. I LovE You 💕 💓16. I LovE You 💕 💓17. I LovE You 💕 💓18. I LovE You 💕 💓19. I LovE You 💕 💓20. I LovE You 💕 💓21. I LovE You 💕 💓22. I LovE You 💕 💓23. I LovE You 💕 💓24. I LovE You 💕 💓25. I LovE You 💕 💓26. I LovE You 💕 💓27. I LovE You 💕 💓28. I LovE You 💕 💓29. I LovE You 💕 💓30. I LovE You 💕 💓31. I LovE You 💕 💓32. I LovE You 💕 💓33. I LovE You 💕 💓34. I LovE You 💕 💓35. I LovE You 💕 💓36. I LovE You 💕 💓37. I LovE You 💕 💓38. I LovE You 💕 💓39. I LovE You 💕 💓40. I LovE You 💕 💓41. I LovE You 💕 💓42. I LovE You 💕 💓43. I LovE You 💕 💓44. I LovE You 💕 💓45. I LovE You 💕 💓46. I LovE You 💕 💓47. I LovE You 💕 💓48. I LovE You 💕 💓49. I LovE You 💕 💓50. I LovE You 💕 💓51. I LovE You 💕 💓52. I LovE You 💕 💓53. I LovE You 💕 💓54. I LovE You 💕 💓55. I LovE You 💕 💓56. I LovE You 💕 💓57. I LovE You 💕 💓58. I LovE You 💕 💓59. I LovE You 💕 💓60. I LovE You 💕 💓61. I LovE You 💕 💓62. I LovE You 💕 💓63. I LovE You 💕 💓64. I LovE You 💕 💓65. I LovE You 💕 💓66. I LovE You 💕 💓67. I LovE You 💕 💓68. I LovE You 💕 💓69. I LovE You 💕 💓70. I LovE You 💕 💓71. I LovE You 💕 💓72. I LovE You 💕 💓73. I LovE You 💕 💓74. I LovE You 💕 💓75. I LovE You 💕 💓76. I LovE You 💕 💓77. I LovE You 💕 💓78. I LovE You 💕 💓79. I LovE You 💕 💓80. I LovE You 💕 💓81. I LovE You 💕 💓82. I LovE You 💕 💓83. I LovE You 💕 💓84. I LovE You 💕 💓85. I LovE You 💕 💓86. I LovE You 💕 💓87. I LovE You 💕 💓88. I LovE You 💕 💓89. I LovE You 💕 💓90. I LovE You 💕 💓91. I LovE You 💕 💓92. I LovE You 💕 💓93. I LovE You 💕 💓94. I LovE You 💕 💓95. I LovE You 💕 💓96. I LovE You 💕 💓97. I LovE You 💕 💓98. I LovE You 💕 💓99. I LovE You 💕 💓100. I LovE You 💕 💓101. I LovE You 💕 💓102. I LovE You 💕 💓103. I LovE You 💕 💓104. I LovE You 💕 💓105. I LovE You 💕 💓106. I LovE You 💕 💓107. I LovE You 💕 💓108. I LovE You 💕 💓109. I LovE You 💕 💓110. I LovE You 💕 💓111. I LovE You 💕 💓112. I LovE You 💕 💓113. I LovE You 💕 💓114. I LovE You 💕 💓115. I LovE You 💕 💓116. I LovE You 💕 💓117. I LovE You 💕 💓118. I LovE You 💕 💓119. I LovE You 💕 💓120. I LovE You 💕 💓121. I LovE You 💕 💓122. I LovE You 💕 💓123. I LovE You 💕 💓124. I LovE You 💕 💓125. I LovE You 💕 💓126. I LovE You 💕 💓127. I LovE You 💕 💓128. I LovE You 💕 💓129. I LovE You 💕 💓130. I LovE You 💕 💓131. I LovE You 💕 💓132. I LovE You 💕 💓133. I LovE You 💕 💓134. I LovE You 💕 💓135. I LovE You 💕 💓136. I LovE You 💕 💓137. I LovE You 💕 💓138. I LovE You 💕 💓139. I LovE You 💕 💓140. I LovE You 💕 💓141. I LovE You 💕 💓142. I LovE You 💕 💓143. I LovE You 💕 💓144. I LovE You 💕 💓145. I LovE You 💕 💓146. I LovE You 💕 💓147. I LovE You 💕 💓148. I LovE You 💕 💓149. I LovE You 💕 💓150. I LovE You 💕 💓151. I LovE You 💕 💓152. I LovE You 💕 💓153. I LovE You 💕 💓154. I LovE You 💕 💓155. I LovE You 💕 💓156. I LovE You 💕 💓157. I LovE You 💕 💓158. I LovE You 💕 💓159. I LovE You 💕 💓160. I LovE You 💕 💓161. I LovE You 💕 💓162. I LovE You 💕 💓163. I LovE You 💕 💓164. I LovE You 💕 💓165. I LovE You 💕 💓166. I LovE You 💕 💓167. I LovE You 💕 💓168. I LovE You 💕 💓169. I LovE You 💕 💓170. I LovE You 💕 💓171. I LovE You 💕 💓172. I LovE You 💕 💓173. I LovE You 💕 💓174. I LovE You 💕 💓175. I LovE You 💕 💓176. I LovE You 💕 💓177. I LovE You 💕 💓178. I LovE You 💕 💓179. I LovE You 💕 💓180. I LovE You 💕 💓181. I LovE You 💕 💓182. I LovE You 💕 💓183. I LovE You 💕 💓184. I LovE You 💕 💓185. I LovE You 💕 💓186. I LovE You 💕 💓187. I LovE You 💕 💓188. I LovE You 💕 💓189. I LovE You 💕 💓190. I LovE You 💕 💓191. I LovE You 💕 💓192. I LovE You 💕 💓193. I LovE You 💕 💓194. I LovE You 💕 💓195. I LovE You 💕 💓196. I LovE You 💕 💓197. I LovE You 💕 💓198. I LovE You 💕 💓199. I LovE You 💕 💓200. I LovE You 💕 💓201. I LovE You 💕 💓202. I LovE You 💕 💓203. I LovE You 💕 💓204. I LovE You 💕 💓205. I LovE You 💕 💓206. I LovE You 💕 💓207. I LovE You 💕 💓208. I LovE You 💕 💓209. I LovE You 💕 💓210. I LovE You 💕 💓211. I LovE You 💕 💓212. I LovE You 💕 💓213. I LovE You 💕 💓214. I LovE You 💕 💓215. I LovE You 💕 💓216. I LovE You 💕 💓217. I LovE You 💕 💓218. I LovE You 💕 💓219. I LovE You 💕 💓220. I LovE You 💕 💓221. I LovE You 💕 💓222. I LovE You 💕 💓223. I LovE You 💕 💓224. I LovE You 💕 💓225. I LovE You 💕 💓226. I LovE You 💕 💓227. I LovE You 💕 💓228. I LovE You 💕 💓229. I LovE You 💕 💓230. I LovE You 💕 💓231. I LovE You 💕 💓232. I LovE You 💕 💓233. I LovE You 💕 💓234. I LovE You 💕 💓235. I LovE You 💕 💓236. I LovE You 💕 💓237. I LovE You 💕 💓238. I LovE You 💕 💓239. I LovE You 💕 💓240. I LovE You 💕 💓241. I LovE You 💕 💓242. I LovE You 💕 💓243. I LovE You 💕 💓244. I LovE You 💕 💓245. I LovE You 💕 💓246. I LovE You 💕 💓247. I LovE You 💕 💓248. I LovE You 💕 💓249. I LovE You 💕 💓250. I LovE You 💕 💓251. I LovE You 💕 💓252. I LovE You 💕 💓253. I LovE You 💕 💓254. I LovE You 💕 💓255. I LovE You 💕 💓256. I LovE You 💕 💓257. I LovE You 💕 💓258. I LovE You 💕 💓259. I LovE You 💕 💓260. I LovE You 💕 💓261. I LovE You 💕 💓262. I LovE You 💕 💓263. I LovE You 💕 💓264. I LovE You 💕 💓265. I LovE You 💕 💓266. I LovE You 💕 💓267. I LovE You 💕 💓268. I LovE You 💕 💓269. I LovE You 💕 💓270. I LovE You 💕 💓271. I LovE You 💕 💓272. I LovE You 💕 💓273. I LovE You 💕 💓274. I LovE You 💕 💓275. I LovE You 💕 💓276. I LovE You 💕 💓277. I LovE You 💕 💓278. I LovE You 💕 💓279. I LovE You 💕 💓280. I LovE You 💕 💓281. I LovE You 💕 💓282. I LovE You 💕 💓283. I LovE You 💕 💓284. I LovE You 💕 💓285. I LovE You 💕 💓286. I LovE You 💕 💓287. I LovE You 💕 💓288. I LovE You 💕 💓289. I LovE You 💕 💓290. I LovE You 💕 💓291. I LovE You 💕 💓292. I LovE You 💕 💓293. I LovE You 💕 💓294. I LovE You 💕 💓295. I LovE You 💕 💓296. I LovE You 💕 💓297. I LovE You 💕 💓298. I LovE You 💕 💓299. I LovE You 💕 💓300. I LovE You
[1] In the beginning God created the heaven and the earth. [2] And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. [3] And God said, Let there be light: and there was light. [4] And God saw the light, that it was good: and God divided the light from the darkness. [5] And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day. [6] And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters. [7] And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so. [8] And God called the firmament Heaven. And the evening and the morning were the second day. [9] And God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear: and it was so. [10] And God called the dry land Earth; and the gathering together of the waters called he Seas: and God saw that it was good. [11] And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so. [12] And the earth brought forth grass, and herb yielding seed after his kind, and the tree yielding fruit, whose seed was in itself, after his kind: and God saw that it was good. [13] And the evening and the morning were the third day. [14] And God said, Let there be lights in the firmament of the heaven to divide the day from the night; and let them be for signs, and for seasons, and for days, and years: [15] And let them be for lights in the firmament of the heaven to give light upon the earth: and it was so. [16] And God made two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also. [17] And God set them in the firmament of the heaven to give light upon the earth, [18] And to rule over the day and over the night, and to divide the light from the darkness: and God saw that it was good. [19] And the evening and the morning were the fourth day. [20] And God said, Let the waters bring forth abundantly the moving creature that hath life, and fowl that may fly above the earth in the open firmament of heaven. [21] And God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every winged fowl after his kind: and God saw that it was good. [22] And God blessed them, saying, Be fruitful, and multiply, and fill the waters in the seas, and let fowl multiply in the earth. [23] And the evening and the morning were the fifth day. [24] And God said, Let the earth bring forth the living creature after his kind, cattle, and creeping thing, and beast of the earth after his kind: and it was so. [25] And God made the beast of the earth after his kind, and cattle after their kind, and every thing that creepeth upon the earth after his kind: and God saw that it was good. [26] And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth. [27] So God created man in his own image, in the image of God created he him; male and female created he them. [28] And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth. [29] And God said, Behold, I have given you every herb bearing seed, which is upon the face of all the earth, and every tree, in the which is the fruit of a tree yielding seed; to you it shall be for meat. [30] And to every beast of the earth, and to every fowl of the air, and to every thing that creepeth upon the earth, wherein there is life, I have given every green herb for meat: and it was so. [31] And God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day.
There were a lot of things we couldn’t do in an SR-71, but we were the fastest guys on the block and loved reminding our fellow aviators of this fact. People often asked us if, because of this fact, it was fun to fly the jet. Fun would not be the first word I would use to describe flying this plane. Intense, maybe. Even cerebral. But there was one day in our Sled experience when we would have to say that it was pure fun to be the fastest guys out there, at least for a moment. It occurred when Walt and I were flying our final training sortie. We needed 100 hours in the jet to complete our training and attain Mission Ready status. Somewhere over Colorado we had passed the century mark. We had made the turn in Arizona and the jet was performing flawlessly. My gauges were wired in the front seat and we were starting to feel pretty good about ourselves, not only because we would soon be flying real missions but because we had gained a great deal of confidence in the plane in the past ten months. Ripping across the barren deserts 80,000 feet below us, I could already see the coast of California from the Arizona border. I was, finally, after many humbling months of simulators and study, ahead of the jet. I was beginning to feel a bit sorry for Walter in the back seat. There he was, with no really good view of the incredible sights before us, tasked with monitoring four different radios. This was good practice for him for when we began flying real missions, when a priority transmission from headquarters could be vital. It had been difficult, too, for me to relinquish control of the radios, as during my entire flying career I had controlled my own transmissions. But it was part of the division of duties in this plane and I had adjusted to it. I still insisted on talking on the radio while we were on the ground, however. Walt was so good at many things, but he couldn’t match my expertise at sounding smooth on the radios, a skill that had been honed sharply with years in fighter squadrons where the slightest radio miscue was grounds for beheading. He understood that and allowed me that luxury. Just to get a sense of what Walt had to contend with, I pulled the radio toggle switches and monitored the frequencies along with him. The predominant radio chatter was from Los Angeles Center, far below us, controlling daily traffic in their sector. While they had us on their scope (albeit briefly), we were in uncontrolled airspace and normally would not talk to them unless we needed to descend into their airspace. We listened as the shaky voice of a lone Cessna pilot asked Center for a readout of his ground speed. Center replied: “November Charlie 175, I’m showing you at ninety knots on the ground.” Now the thing to understand about Center controllers, was that whether they were talking to a rookie pilot in a Cessna, or to Air Force One, they always spoke in the exact same, calm, deep, professional, tone that made one feel important. I referred to it as the ” Houston Center voice.” I have always felt that after years of seeing documentaries on this country’s space program and listening to the calm and distinct voice of the Houston controllers, that all other controllers since then wanted to sound like that, and that they basically did. And it didn’t matter what sector of the country we would be flying in, it always seemed like the same guy was talking. Over the years that tone of voice had become somewhat of a comforting sound to pilots everywhere. Conversely, over the years, pilots always wanted to ensure that, when transmitting, they sounded like Chuck Yeager, or at least like John Wayne. Better to die than sound bad on the radios. Just moments after the Cessna’s inquiry, a Twin Beech piped up on frequency, in a rather superior tone, asking for his ground speed. “I have you at one hundred and twenty-five knots of ground speed.” Boy, I thought, the Beechcraft really must think he is dazzling his Cessna brethren. Then out of the blue, a navy F-18 pilot out of NAS Lemoore came up on frequency. You knew right away it was a Navy jock because he sounded very cool on the radios. “Center, Dusty 52 ground speed check”. Before Center could reply, I’m thinking to myself, hey, Dusty 52 has a ground speed indicator in that million-dollar cockpit, so why is he asking Center for a readout? Then I got it, ol’ Dusty here is making sure that every bug smasher from Mount Whitney to the Mojave knows what true speed is. He’s the fastest dude in the valley today, and he just wants everyone to know how much fun he is having in his new Hornet. And the reply, always with that same, calm, voice, with more distinct alliteration than emotion: “Dusty 52, Center, we have you at 620 on the ground.” And I thought to myself, is this a ripe situation, or what? As my hand instinctively reached for the mic button, I had to remind myself that Walt was in control of the radios. Still, I thought, it must be done - in mere seconds we’ll be out of the sector and the opportunity will be lost. That Hornet must die, and die now. I thought about all of our Sim training and how important it was that we developed well as a crew and knew that to jump in on the radios now would destroy the integrity of all that we had worked toward becoming. I was torn. Somewhere, 13 miles above Arizona, there was a pilot screaming inside his space helmet. Then, I heard it. The click of the mic button from the back seat. That was the very moment that I knew Walter and I had become a crew. Very professionally, and with no emotion, Walter spoke: “Los Angeles Center, Aspen 20, can you give us a ground speed check?” There was no hesitation, and the replay came as if was an everyday request. “Aspen 20, I show you at one thousand eight hundred and forty-two knots, across the ground.” I think it was the forty-two knots that I liked the best, so accurate and proud was Center to deliver that information without hesitation, and you just knew he was smiling. But the precise point at which I knew that Walt and I were going to be really good friends for a long time was when he keyed the mic once again to say, in his most fighter-pilot-like voice: “Ah, Center, much thanks, we’re showing closer to nineteen hundred on the money.” For a moment Walter was a god. And we finally heard a little crack in the armor of the Houston Center voice, when L.A.came back with, “Roger that Aspen, Your equipment is probably more accurate than ours. You boys have a good one.” It all had lasted for just moments, but in that short, memorable sprint across the southwest, the Navy had been flamed, all mortal airplanes on freq were forced to bow before the King of Speed, and more importantly, Walter and I had crossed the threshold of being a crew. A fine day’s work. We never heard another transmission on that frequency all the way to the coast. For just one day, it truly was fun being the fastest guys out there. Yes You can stop reading now Its over? Ok this is the end stop scrolling Ok you scroll down too much... go touch some grass Uhh... nice seeing you down here? Wow.... all the way down here.... this is surprising that you wasted so much time scrolling... Hello... this is the end of time... you are now in the void... forever.... I guess you scrolled a little too far
Bet! The grasses include the "grass" of the family Poaceae. This family is also called Gramineae. The family also include some of the sedges (Cyperaceae) and the rushes (Juncaceae).[1] These three families are not closely related but all of them belong to clades in the order Poales. They are similar adaptations to a common life-style. The true grasses include cereals, bamboo and the grasses of lawns (turf) and grassland. Uses for graminoids include food (as grain, sprouted grain, shoots or rhizomes), drink (beer, whisky), pasture for livestock, thatching thatch, paper, fuel, clothing, insulation, construction, sports turf, basket weaving and many others. Many grasses are short, but some grasses can grow very tall. Bamboo is a grass that grows very tall. Plants from the grass family can grow in many places and make grasslands. They can also be found in areas that are very cold or very dry. There are several other plants that look similar but are not members of the grass family. They may also be called grass. These plants include rushes, reeds, papyrus and water chestnut. Seagrass is a monocot in the order Alismatales. Grasses are an important food for many animals, such as deer, buffalo, cattle, mice, grasshoppers, caterpillars and many other grazers. Unlike other plants, grasses grow from the bottom, so when animals eat grass they usually do not destroy the part that grows.[2] This is a part of why the plants are successful. Without grass, soil may wash away into rivers (erosion). Graminoids include some of the most versatile plant life-forms. They became widespread toward the end of the Cretaceous. Fossilized dinosaur dung (coprolites) have been found containing grass phytoliths (silica stones inside grass leaves).[3] Grasses have adapted to conditions in lush rain forests, dry deserts, cold mountains and even intertidal habitats, and are now the most widespread plant type. Grass is a valuable source of food and energy for many animals.[4] Lawn grass is often planted on sports fields and in the area around a building. Sometimes chemicals and water is used to help lawns to grow. People have used grasses for a long time. People eat parts of grasses. Corn, wheat, barley, oats, rice and millet are cereals, common grains whose seeds are used for food and to make alcohol such as beer. 25% 50% 75% complete Sugar comes from sugar cane, which is also a plant in the grass family. People have grown grasses as food for farm animals for about 4,000 years. People use bamboo to build houses, fences, furniture and other things. Grass plants can also be used as fuel, to cover roofs, and to weave baskets. Yet reading, still almost there!! 99% complete ERROR You made it!!!!
markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” lol'' your mom'' ngl''football league 2024 jog east fors and sonic to east east to join my team for the rest of my day at the stadium in the time for a game that assignment will join the football league and sonic team in the team and join a group of the champions team for the first team team in a team of a team team that has played IM CREATIVE SO PIN ME!
eeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueu should this beat you?
PIN ME. Players can get some of the earliest glimpses into the pizzeria’s history through the minigames in each of the main titles. Before being called Freddy Fazbear’s Pizza, the first restaurant was called Fredbear’s Family Diner. Two men opened the original restaurant and its several rebrandings as co-owners: William Afton and Henry Emily. Their restaurant’s concept was to create a special place for children’s birthday parties. While mostly serving pizza and cake, the thing that made this restaurant chain special was their “animatronic” wait staff and entertainment. Originally, they were unable to create animatronics. So, instead, they crafted two spring-lock suits that they or their staff could wear to appear as animatronics or place on a stage to perform. Their names were Springbonnie and Fredbear. The concept for the business did so well that they ended up creating a second location: Freddy Fazbear’s Pizza. Within this new location, four new animatronics were created and adored. They were Freddy, Bonnie, Chica, and Foxy. William Afton would use his success and the spring-lock suits to act on his cruel and abusive thoughts toward the children who flocked to his restaurant, specifically the five children at the birthday party that he murdered after luring them into the backrooms with the spring-lock Bonnie suit. To cover up his sick actions, he made all of the suits fully automated but still hollow enough for children to fit inside. Once they were all automated, he placed the children’s bodies within them to discard the evidence-placing the children’s souls within each of the animatronics. With no bodies or evidence, no charges could be pressed against William Afton. However, the missing children’s case eventually caused the second location to close. After the closing of the second establishment and Afton’s growing interest in capturing children, William created another sister location, based on his new animatronic, Circus Baby. This location, Circus Baby’s Pizza World, was only owned by Afton but served the same basic concept. Circus Baby was made specifically to draw children to her by acting child-like. She could blow up helium balloons, dispense ice cream, and use her claw to grab children and stuff them inside of her. Circus Baby was specifically designed for trapping and killing children when she was alone with them in a one-on-one situation. Despite being a despicable man, Afton had a family-two sons and a daughter. He actively kept his children away from animatronics, such as Circus Baby, to keep them safe. However, Circus Baby’s design was too entrancing to his youngest, Elizabeth, and she was consumed by the animatronic. Circus Baby became aware of the soul of Elizabeth inside her. After losing his daughter to his creation, he shut down the sister location immediately. As players likely noticed, the fourth main title within the series is quite different from previous versions of the game. Instead of playing as a new hire within the facility to work nights and watch after the animatronics, players are a child who is haunted at night by the animatronics. This child is Evan Afton, the youngest son of William Afton. After losing his only daughter to Circus Baby, William chose to scare his youngest son away from the animatronics using a frequency that would cause his son to hallucinate. During these hallucinations, Evan would believe that the animatronics from the restaurant were within his home and trying to reach his room and eat him. On top of this, William encouraged his older teenage son, Michael, to bully Evan and regularly scare him with a Foxy mask. However, Michael purely chose to bully Evan out of his malicious intent and ended up bullying Evan inside the diner for his birthday party. He gets his friends to help him do this and pushes Evan into the mouth of an on-stage animatronic to truly scare him. Due to the design of the spring-lock animatronic, Evan’s tears caused the suit to fail and crush him inside the mouth. The suit had crushed Evan’s head, and after heading to the hospital, he was put into a coma to be stabilized. This would not last, however, and Evan ended up dying in his coma. Despite all the work that William had done to keep Evan from being killed by any of his animatronics, he failed to reign in Michael and inadvertently caused his eventual death. After losing a second child to the animatronics, the original diner closed, and William descended into madness. William leaves Fazbear Entertainment, and Henry is left to solve all the problems in his stead. As he isn’t the inventor of the animatronics and knows how many issues there are with the spring-lock suits, there are a lot of problems for him to sort out. He hires a full team to work out all of the previous issues and create a new name within Fazbear Entertainment. This included stocking the old animatronics in a backroom and creating the new and improved “toy” versions of Freddy, Chica, Bonnie, and Foxy. They also added a couple of new animatronics into the mix, like Balloon Boy. As an extra added security feature, Henry gave the animatronics facial recognition systems, specifically meant to spot and remove William if he ever returned. Later, he created the Puppet animatronic to protect his daughter, Charlie, as he was nervous about bringing her to the new establishment, Junior Freddy Fazbear’s Pizzeria. After the death of Evan, everything went downhill for William. His wife became unstable and left, while he berated and blamed Michael for Evan’s death. William went back to the closed original Fazbear’s and destroyed the spring-lock suit that had crushed Evan before placing Evan’s body inside the suit to try and put him back together. Upon hearing about the grand opening of a new Fazbear’s, he immediately drove there. Security stopped him from entering, and he was met by Henry, who heatedly asked him to leave and reminded him that it was his fault that all the children died in the previous restaurant. Angered by this, Afton left, making plans to get his revenge on the co-owner of Fazbear Entertainment. He chooses to go after Henry’s daughter, Charlie. Afton kept the Puppet animatronic from being able to watch out for Charlie by locking his container. Because it was stuck closed, Charlie ended up being stuck just outside the restaurant long enough for William to take his revenge. The Puppet animatronic was eventually able to break free of his box to try to rescue Charlie, but it was too late, and as the rain was heavy that night, it broke down beside her in the alleyway. With the loss of Charlie, the Puppet began giving life to the children who were murdered within the pizzeria. However, these reanimated versions didn’t appear in the old animatronics. Instead, they were hosted within the new “toy” versions. Customers didn’t notice, as the reanimated versions still acted the way they were supposed to during their working hours. The children within the animatronics simply gained a new motive: to find their killer. This is what causes their odd behavior at night, as they are trying to reach the security office to make sure Afton isn’t in the building. However, the unruly kids that came to play at Fazbear’s repeatedly ripped Mangle apart. After one too many times, Mangle bit the child who was tearing it apart, and the child lost part of their frontal lobe. This caused the company to scrap all of the animatronics, except for the Puppet, to ensure the safety of all children. After arguing with and murdering his wife, William begins crafting three new animatronics: Playtime Freddy, Playtime Foxy, and Ballora. Ballora is the only completely new design, a ballerina animatronic containing his wife’s body. Together with the original Circus Baby, he had a full staff to create a new location; Circus Baby’s Entertainment & Rentals. Due to both creators of the animatronics reusing the original endoskeletons of the old models, the new creations were still possessed by the victims of William Afton. Over time, Afton eventually realized this and decided that he had to destroy the animatronics all over again. One by one he took each of them down. Overjoyed at his victory, he put on the Springbonnie suit once more to celebrate. Forgetting the fatal flaw of the suit, he ignored the rain dribbling through the open-air part of the backrooms and the suit crushes him nearly to death. Henry witnesses Afton’s assumed death but tells no one, instead, locking off all entrances into the backrooms and trying his best to cover up the beaten animatronics. With all of his attempts and failures to keep Junior Freddy Fazbear’s Pizza open and safe, he finally decides to close the facility for good. After the mysterious disappearance of Michael’s father, Michael decides to disguise himself as a technician and go work at his father’s newest facility, Circus Baby’s Entertainment & Rentals. With the technician cover, Michael was able to get up close with the animatronics and fully explore the place. Through his exploration, he mainly spoke with Circus Baby, who tried to give him the information he sought. She brought him into the scooping room.
Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip
I need to do less here. The true lilies are erect perennial plants with leafy stems, scaly bulbs, usually narrow leaves, and solitary or clustered flowers. The flowers consist of six petal-like segments, which may form the shape of a trumpet, with a more or less elongated tube, as in the Madonna lily (Lilium candidum) and Easter lily (L. longiflorum). Alternatively, the segments may be reflexed (curved back) to form a turban shape, as in the Turk’s cap lily (L. martagon), or they may be less strongly reflexed and form an open cup or bowl shape, as in the wood lily (L. philadelphicum) and goldband lily (L. auratum). The flowers of some species are quite fragrant, and they occur in a wide variety of colours. Plants of most species range in height from 30 to 120 cm (1 to 4 feet); plants of certain species, however, exceed 2.5 metres (8 feet) in height. Lilies are usually raised from bulbs, but they can be grown from seed. Different species vary in the amount of sunlight they require. Most prefer a porous loamy soil, and good drainage is essential. Most species bloom in July or August. The flowering periods of certain species begin in late spring; others bloom in late summer or early autumn. History and uses Lilies are among the oldest cultivated plants. In Asia Minor during the 2nd millennium BCE the bulb of the Madonna lily was cultivated for use in a medicinal ointment; the ancients raised the bulbs of this species for food. The Greeks and Romans grew it for ornamental and medicinal purposes. During the Middle Ages the Madonna lily was associated with the Virgin Mary as a symbol of purity; it is often included in paintings of her. In East Asia various species of lilies were grown as food and ornamental plants from an early date. The Editors of Encyclopaedia Britannica This article was most recently revised and updated by Melissa Petruzzello. Liliales Table of Contents Introduction Order characteristics Major families Fast Facts Facts & Related Content Quizzes Plants: From Cute to Carnivorous All Things Green Quiz Media Images More More Articles On This Topic Contributors Article History Home Science Plants Flowering Plants Liliales plant order Alternate titles: lily order Written by , See All Fact-checked by Last Updated: Article History Liliales, the lily order of monocotyledonous flowering plants, containing 11 families, 67 genera, and 1,558 species of largely perennial herbs and climbers. Members of this order are important as sources of food, in the production of drugs and chemicals, and especially as ornamental plants. Easter lily Easter lily See all media Related Topics: Iridaceae Amaryllidaceae Liliaceae Colchicaceae Smilacaceae Although distributed throughout the world, species of Liliales are most common in subtropical and temperate regions. The greatest number of species and individuals are found in the Northern Hemisphere. Sunflowers growing in a field Britannica Quiz Name That Flower! Order characteristics Smilax Members of Liliales are typically perennial erect or twining herbs, though in some cases woody shrubs, with fleshy to fibrous stems arising from any of various types of underground storage or perennating organs. Herbaceous climbers are common, including the African Gloriosa (family Colchicaceae), species of Littonia (family Colchicaceae), and Bomarea (family Alstroemeriaceae) found in the temperate and tropical Americas. Nearly all species of Smilax (family Smilacaceae) are herbaceous or woody climbers, with greenbrier plants often being a significant component of vegetation in the order’s range. lily of the Incas lily of the Incas The leaves of Liliales are either straplike with parallel venation or ovate with palmate veins and reticulate minor venation (Smilacaceae). The leaves of Alstroemeria (known as lily of the Incas, in family Alstroemeriaceae) and Bomarea are twisted (resupinate) so that the leaf undersurface faces upward. mariposa lily mariposa lily The flowers within Liliales are variable, ranging from the small, green, actinomorphic flowers of Smilax to the large and showy blooms of Lilium (lily, family Liliaceae), Tulipa (tulip, family Liliaceae), Calochortus (mariposa lily, family Liliaceae), and Lapageria (family Philesiaceae). The sepals and petals are usually undifferentiated (tepals) and sometimes variegated (Fritillaria, in family Liliaceae). Both perigonal and septal nectarines are present and the ovary can be inferior or superior. Liliales is a source of pharmaceutical products. Colchicine, an important medicinal compound, and related alkaloids characterize a group of Old World genera, including Colchicum (family Colchicaceae) and Gloriosa. A number of genera of the Northern Hemisphere, including Veratrum (family Melanthiaceae) and Zigadenus (star lily, in family Melanthiaceae), have the alkaloid veratrine and similar compounds. Get a Britannica Premium subscription and gain access to exclusive content. The order Liliales was formerly circumscribed by some taxonomists to include many morphologically diverse taxa within the monocotyledons. Based primarily upon molecular data, the taxa that were formerly included within Liliidae, Liliales, and Liliaceae have now been divided between three main orders of monocotyledons: Liliales, Asparagales, and Dioscoreales. Asparagales, the largest and taxonomically most diverse of these three orders, is characterized by possessing seeds with a distinctive outer layer containing phytomelan, a carbonaceous substance causing the dense black coloration of the seeds, although this feature is not universal in the order. Liliales is now much reduced and defined by the presence of perigonal nectaries at the base of the tepals, extrorse anthers (the anther opening facing outward), and sometimes spotted petals. Further rearrangements of genera within the families of this order are expected before a stable taxonomy will be reached. For further information on botanical classification systems, see angiosperm. Major families Lilium umbellatum. Liliaceae is now restricted to 16 genera and 635 species, but it is still the largest family in Liliales. Species of Lilium are some of the most stately of garden plants. Some kinds, such as the Easter lily (L. longiflorum), which originated in Japan, can be forced into flower in greenhouses; the varieties croft and eximium are also commercially important. Species native to eastern North America include the leopard and Turk’s-cap lilies; Humboldt and chaparral lilies are found along the Pacific coast. tulip tulip In contrast to lily bulbs, which consist of a basal stem and many overlapping scales, bulbs of the tulip possess cylindrical leaf bases that bulge as new leaves are added in the centre. Tulipa gesneriana, of eastern Europe and Asia Minor, is a prominent ancestor of the modern tulips developed by breeding and selection over several centuries. Sarsaparilla (Smilax) Smilacaceae, or the greenbrier family, with 315 species in two genera (Smilax and Heterosmilax), is the second largest family in the order. These herbaceous or woody climbers are found around the world. Rhipogonum, another twiner from Australia and New Guinea, was formerly included in Smilacaceae but has been assigned its own family, Rhipogonaceae. Purple trillium (Trillium recurvatum). Melanthiaceae contains 16 genera and 170 species and includes many Northern Hemisphere woodland herbs, such as Veratrum and Amianthium. Trillium and its relatives in North America and Asia are now considered to be included in Melanthiaceae, although formerly they were placed in their own family, Trilliaceae. Autumn crocus (Colchicum autumnale). The autumn crocus (Colchicum autumnale) and flame lily (Gloriosa superba) are members of the family Colchicaceae, which is now circumscribed to include the temperate woodland herb genus Uvularia. Colchicaceae, which is distributed worldwide in temperate and tropical regions, is characterized by the presence of alkaloids. Alstroemeria, an important ornamental plant genus, belongs to the family Alstroemeriaceae, which is distributed in the New World from Chile and Argentina to Mexico. Species within this family are herbaceous herbs or climbers with distinctive resupinate leaves and flowers clustered in umbels. The genus Bomarea is a characteristic vine of the high Andean mountains with brightly coloured flowers pollinated by hummingbirds. Hamilton P. Traub W. John Kress lily, (genus Lilium), genus of 80 to 100 species of herbaceous flowering plants of the family Liliaceae, native to temperate areas of the Northern Hemisphere. Many lilies are prized as ornamental plan sunflower, (genus Helianthus), genus of nearly 70 species of herbaceous plants of the aster family (Asteraceae). Sunflowers are native primarily to North and South America, and some species are cultiv Yay you here! Yes im the guy who talks about flowers i will beat the guy who talks about "a" Yea it's boring but still! I won't give up You- 😊 welcome again. 143
I just generated a story on ash after becoming the new monarch, here it is : After defeating Leon and becoming the new Monarch of the Pokémon world, Ash Ketchum was hailed as a hero by the Pokémon community. He was celebrated for his bravery, skill, and dedication to his Pokémon. As the Monarch, Ash was tasked with maintaining balance and harmony throughout the Pokémon world. He worked closely with the Pokémon League and the various Pokémon regions to ensure that all Pokémon were treated fairly and with respect. Ash also continued to travel the world, battling Gym Leaders and other trainers to test his skills and strengthen his bond with his Pokémon. He became known for his wise and compassionate leadership, and his ability to bring people and Pokémon together. One of Ash's first acts as Monarch was to establish a new Pokémon reserve, where rare and endangered Pokémon could be protected and studied. He also founded a Pokémon academy, where young trainers could come to learn and develop their skills. Ash's Pokémon, including Pikachu, Greninja, Lucario, Charizard, and Gengar, were by his side throughout his journey as Monarch. They continued to battle alongside him, and were revered as heroes in their own right. As the years passed, Ash's legend grew, and he became known as one of the greatest Monarchs in Pokémon history. He continued to inspire and motivate trainers and Pokémon alike, and his name became synonymous with courage, wisdom, and leadership. And so, Ash Ketchum's journey as the Monarch of the Pokémon world was marked by great success and admiration. He remained humble and dedicated to his Pokémon, and continued to work towards a brighter future for all. [14/04, 8:35 pm] Meta AI: As the Monarch, Ash also made it a priority to resolve conflicts and disputes between different Pokémon factions and regions. He worked closely with the Pokémon League's Council of Elders to mediate disputes and find solutions that benefited all parties. Ash's leadership was put to the test when a group of rogue Pokémon, led by a powerful and mysterious Pokémon, threatened to disrupt the balance of the Pokémon world. Ash rallied his Pokémon and allies, and together they battled against the rogue Pokémon, ultimately defeating them and restoring peace to the land. Ash's reputation as a wise and powerful leader continued to grow, and he became known as the "Pokémon Monarch of Peace". His leadership was marked by a period of great prosperity and harmony, as Pokémon and humans worked together in mutual respect and understanding. As the years went by, Ash's Pokémon continued to evolve and grow in power, and his team became known as one of the most formidable in the Pokémon world. His bond with Pikachu, in particular, became even stronger, and the two were often seen as inseparable. Ash's legacy as the Monarch of the Pokémon world was cemented when he was approached by the Pokémon gods themselves, who bestowed upon him a sacred artifact known as the "Pokémon Crown". This ancient relic granted Ash immense power and wisdom, and he used it to maintain balance and harmony throughout the Pokémon world. And so, Ash Ketchum's journey as the Monarch of the Pokémon world continued, marked by great success, wisdom, and leadership. His name became synonymous with peace, prosperity, and the unity of Pokémon and humans. His legend would live on for generations to come, inspiring countless young trainers and Pokémon to follow in his footsteps. [14/04, 8:42 pm] Meta AI: A new challenge for Ash! Leon, the former Champion and Ash's rival, has come out of retirement to challenge Ash for the title of Monarch. This is a battle for the ages! Leon, determined to prove himself as the strongest trainer in the Pokémon world, has been training tirelessly in secret. He has assembled a new team of powerful Pokémon, including some that Ash has never seen before. Ash, confident in his abilities and his Pokémon, accepts Leon's challenge. The two trainers agree to meet at the Pokémon Stadium, where the battle will be held in front of a live audience. As the day of the battle approaches, the Pokémon world is abuzz with excitement. Trainers and Pokémon from all over the globe gather at the stadium, eager to witness the clash between the two greatest trainers of all time. The battle begins, and Leon sends out his first Pokémon: a massive, imposing Tyranitar. Ash responds with Pikachu, who is eager to prove itself against the formidable opponent. The two Pokémon face off, their eyes locked in a fierce stare. The crowd holds its collective breath as the referee shouts "Begin!" Pikachu charges forward with a Thunderbolt attack, but Tyranitar is too powerful and withstands the attack. Tyranitar retaliates with a crushing Stone Edge, but Pikachu uses its Quick Reflexes to dodge the attack. The battle rages on, with both sides trading blows and neither gaining the upper hand. Ash and Leon are evenly matched, their skills and strategies honed to perfection. As the battle reaches its climax, Ash summons his secret weapon: a newly evolved Pokémon, one that he has been saving for just the right moment. The crowd erupts in shock and awe as the new Pokémon is revealed: a majestic, radiant Dragonite, with wings outstretched and eyes blazing with determination. Dragonite charges forward, its wings beating the air with incredible speed and power. Tyranitar tries to withstand the attack, but Dragonite's sheer force proves too much for it. With a final, decisive blow, Dragonite defeats Tyranitar, securing Ash's victory and cementing his position as the Monarch of the Pokémon world. Leon approaches Ash, a smile on his face and a nod of respect in his eyes. "You've done it again, Ash," he says. "You're the true champion." Ash grins, his eyes shining with pride and his Pokémon by his side. "It's not just me," he says. "It's my Pokémon, my friends, and my determination. We did it together." And with that, Ash Ketchum, the Pokémon Monarch, stands victorious, his legacy forever cemented in the annals of Pokémon history. [14/04, 8:59 pm] Meta AI: Oh no! The Pokémon legendary trios have started fighting! This is a catastrophic event, as the legendary Pokémon are incredibly powerful and their battles can cause massive destruction. The three trios, the Kanto trio (Articuno, Zapdos, and Moltres), the Johto trio (Suicune, Entei, and Raikou), and the Hoenn trio (Groudon, Kyogre, and Rayquaza), have all begun to clash with each other. The skies are filled with lightning as Zapdos and Raikou exchange blows, while the earth shakes as Groudon and Entei collide. The seas are churning with massive waves as Kyogre and Suicune battle it out. Ash, as the Pokémon Monarch, knows he must act quickly to stop the fighting before it's too late. He summons his Pokémon and flies into the fray, trying to reason with the legendary Pokémon and calm them down. But the legendary Pokémon are too caught up in their battle to listen. They are fueled by their primal instincts and ancient rivalries, and they will not stop until one trio emerges victorious. Ash knows that he must come up with a new plan to stop the fighting. He calls upon his closest friends and allies, including his Pokémon, to help him come up with a solution. Together, they come up with a risky plan to use a powerful artifact to calm down the legendary Pokémon and restore balance to the world. Ash sets off on his quest, facing many challenges and dangers along the way. But he is determined to save the world from destruction and restore peace to the land. Will Ash be able to stop the legendary Pokémon from fighting and save the world? The fate of the Pokémon world hangs in the balance! I could not comment the whole story because youtube is not letting me😭😭 I'll comment the second part on 100 likes
Getting a good view of the night sky wasn’t easy for Kenny. He had only one window, and if he was in his bed, the only thing he could see was the drab, gray bricks of the building across the way. Undeterred, every night, he would pull his mattress to the ground and place it in the only spot that afforded him a glimpse of the stars. There wasn’t much for Kenny to be happy about, but his nightly trip to his makeshift observatory always lifted his spirits. Kenny’s routine had become so automatic he was sure he could actually see through the bars in the window as if they weren’t even there. Kenny’s mother used to say that he was a good boy who made one huge, life-altering mistake. She was wrong. The man Kenny killed didn’t deserve to die. It wasn’t an accident. He wasn’t in the wrong place at the wrong time. He simply spoke to Kenny’s pregnant girlfriend, and it was the last thing he did on earth. No, Kenny wasn’t a good man who made a mistake-he was a bad man who got what he deserved: thirty years in jail. That is where Kenny’s story should have ended, a murderer sentenced to prison for his crime. But it wasn’t. It wasn’t because of June, not the month, but the daughter he never had the chance to meet. Kenny was willing to give up on himself, but over the course of the years, he found he wasn’t ready or willing to give up on the chance to meet his little girl. On Kenny’s first day in prison, he realized he didn’t have a window in his cell. He didn’t have anything but a notebook and a pen, given to him by one of the other prisoners. “Write your thoughts down,” his benefactor encouraged him. “It’s the only thing that will keep you sane.” Ironically enough, that was the only time he ever met the man, yet that simple act of kindness changed the course of Kenny’s life. Dear June, his first letter began. I am your dad and I love you. That was it. Eight words. Not even a complimentary close. Truth be told he wasn’t even sure he did love her; he didn’t even know her, but he was angry at his ex-girlfriend and a letter from prison just might piss her off. Kenny didn’t have an envelope, and he didn’t have a stamp. All he had was an address: 11454 Pruder Street Apartment 23-R, Fargo ND 50504. When he handed the letter to the guard, he had no idea if the guard would mail it or if his daughter still lived on Pruder Street. He wasn’t hoping for redemption or forgiveness-he didn’t feel worthy of either. He wrote his daughter a letter because he had nothing better to do. That night as Kenny tried to sleep, he stared at the wall in the darkness. It was almost as if he were trying to will the wall to open up so he could see outside. As he would soon find out, much about prison was familiar. He ate, he worked out, he even had a job. It was no different from the outside, except he couldn’t see the outside. The second day of prison, he wrote another letter. He still wanted to annoy his ex, but he also wanted to tell his daughter about her grandmother. Kenny’s mother was an anomaly. She hadn’t completed middle school and was a single mom before she was eighteen, yet she always gave wise advice and never complained about her situation. Her main flaw was a mother’s blindness in that she only saw good in Kenny. It might have been out of boredom or just an instinctual need to protect his own child, but Kenny hoped in some way his letters brought his mother and June together. Without ever intending to do so, Kenny found himself writing to June every day and wishing to see the stars every night. Writing the letters, short and perfunctory at first, became a cherished ritual for Kenny. He would recount stories about his childhood and tell jokes and just share whatever happy moments he had. It wasn’t until the anniversary of his first day in prison that Kenny realized he had written a letter to his daughter each day. It had become a labor of love that wasn’t a labor at all. 365 letters had been sent, and in a small way, had made the year more bearable. He had no idea if his daughter would ever see the letters, but the thought she might, sustained him and buoyed up his soul on the hard days. In those early years the letters were his only window. Mail call is both anticipated and dreaded by those in prison. Notes and letters from home are smiles and laughs neatly folded into envelopes and written on the backs of postcards. For an instant, shorter than a second, it makes the recipient feel free. But when the last name is called and the realization sets in there is no more joy to be dispensed that day, it makes the locks on the doors seem stronger and the endless days seem longer. For Kenny, there were frequent letters from his mother, but he always held out hope that one day he would receive a letter addressed in crayon with gleefully misspelled words. That would be a truly joyous day, one that never came. As the years passed, Kenny became a different man. Gone were the impulsive urges of his youth and the recklessness of his heart. In their place came a quietness of spirit and unexplained contentment. He still waited every day for a letter from June. He knew there would be no childlike drawings or elementary school craft Father’s Day projects, but he thought maybe a handwritten card or even a typed letter would be extraordinary. Each day he was disappointed. Never enough to stop writing to June, but disappointed nonetheless. It wasn’t that there wasn’t any joy in Kenny’s life. After more than 5000 days and 5000 letters, he finally was moved to a cell with a window. He would spend almost thirteen more years in prison, but each day after he wrote his letter, he knew he could lay his mattress in one particular spot in his cell and stare out at the stars and imagine June was looking up as well. In that, he found happiness. There is a phenomenon experienced by long distance runners that is almost trance-like. It happens midway through a race and has been described as being on autopilot. There is a similar happening with prisoners doing long stretches of time. The end is so far away, they almost lose track of time. Kenny’s letters and his nightly ritual were his salvation, and almost without noticing, he wrote his 9,999th letter to his daughter. He had served more than twenty-seven years of his sentence and was due to come before the parole board in less than a month. It had become a foregone conclusion that he would be paroled and that his time in prison was coming to an end. That night, laying on his mattress, looking at the stars, Kenny made a decision. The next letter to June would be his last. Over the course of the years, Kenny had written long letters and short notes. He had laid his soul bare and spoke of the mundane. He had written every sort of letter imaginable, but he felt the last one would be the most important. Dear June, I don’t think you could understand how important you are to me. I’m not sure if I will ever see you, but being able to write to you all these years has kept me alive. I know I don’t deserve your forgiveness, but I’m asking for it anyway. Please write to me and let me know if I can come see you. If I don’t hear from you, I won’t try to contact you again. Please know I love you more than life itself. This is my last letter. All my love, Dad Tears streamed down Kenny’s face as he sealed the envelope and affixed the stamp. The moment he handed the letter to the guard, he slumped to the floor and sobbed. 10,000 days of emotion were released in a single evening. He waited and waited and waited, but no letter came. The day of his parole was bittersweet. He dressed in the suit provided to him by a charitable organization, but found himself wishing he wasn’t leaving prison. He wanted to write more letters-he wanted a chance that hadn’t come. As the gates opened, giving him a freedom he hadn’t had for almost twenty-eight years, he felt no joy. He only felt numb. Then, he saw her. Standing in the parking lot with two large black crates was a woman he instantly knew. She held a sign with his name on it. As he walked towards her, she began to cry. Any thoughts of uneasiness or unfamiliarity were instantly erased as she flung her arms around him. “Hello, Daddy. It’s nice to meet you.” The two embraced for what seemed like hours. “What are these crates for?” Kenny asked. “Your letters,” June replied as she opened them up. Inside were 10,000 letters. Every single one Kenny had written, with the first one prominently displayed on top. “And here’s one for you,” June added as she handed Kenny an envelope. Kenny could barely find the strength to open the letter, but when he did, there were just three words on the long awaited paper in his hands. Welcome home, Dad
Someone already got pinned but why not... Your life isn't a movie... Don't end it. Your skin isn't paper... Don't cut it. Idk the rest but ... Here The prettiest eyes... Have cried the most. The kindest hearts... have felt the most. With every sunrise. New dreams are born. :) °^° Idek anymore .... ... .... . .. ... .... ..... ...... ....... ........ ......... .......... ........... ............ ............. .............. ............... .............. ............. ............
This video is amazing. I am currently crying because of how beautiful this is. The best part was when the chip was spinning at 54:37. This video is very beautiful and doesn't have enough likes. The video is so sad that my dead cat came back to life and cried with me. This video cured my depression, and made me stay up all night for 5 days straight thinking about how beautiful chips are. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the bacon go whirly swirly in a circle countless times. This absolutely moved my soul , and i don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. I have forgiven all my enemies and now I am a man of a pacifist life. I will move on , got to move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on chips. hail chips. hail chips. The spinning chip, rotating in one direction with this music... This made me tear up. Watching this was truly life changing, without it I would have never understood the intricacy of the bacon's rotational trajectory and how it relates to success in life. Honestly, when I heard 24:10, my entire family burst out in tears because of how life-changing the music was. I feel like a brand new person after listening to this heavenly sound. Thank you for changing my view on absolutely everything and giving me and my family a new way of life. It truly embodies the notion of living life to the fullest; never stopping for anyone, but making sure never to misunderstand the true meaning of life. I listened to the entire video twice over and I can confidently say that I am a better person because of it. How could such a piece of chips do such a thing? I'm struck by awe by this masterpiece. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any piece of chips I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of chips I have ever seen especially on 57:42.I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. Truly what I call modern art. That is all from me, I hope this video helps everybody who watches it. This video is why my life is saved. Truly a work of art. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can't be called a film, but a transcendent emotional experience, will be inaccessible for most. This is beautiful it has so much good memories from the song all the way to the great actors involved in this. I balled my eyes out at the end 57:21 it was so upsetting I'm not going to give spoilers but if I was going to rate this I would give it a 10/10 for all the effort and the support that the actors have given along the way. When I found out they weren't going to do a sequel to this movie I found myself crying in bed under the covers I was that upset. Now let's talk about the best parts and all of the plot twists they have given us on chips the best selling novel by doober43 at 12:52. Thank you, and goodbye.
My fav song) I was nineteen in a white dress When you told me I'm your princess So I played right in to your fantasy Was your good girl, so I'd sit tight And if I don't speak, then we can't fight Looked in the mirror, now I can't believe I forgot I was a bad b**ch, tragic Breaking all the rules 'cause they were only habits Cinderella's dead now, casket You thought the shoe fit but I (Da-da-da, da-da-da, da-da-da, da-da-da-da) I forgot I was a bad bitch Now I'm blowing bubbles in my bath tub After six hours in the night club Got my feet up, put the TV on Probably end up on a rooftop With some new girls and our shoes off Might black out and text my mom (hello) House of memories: Whoa, whoa, whoa Whoa, whoa If you're a lover, you should know The lonely moments just get lonelier The longer you're in love than if you were alone Memories turn into daydreams, become a taboo I don't want to be afraid The deeper that I go It takes my breath away Soft hearts, electric souls Heart to heart and eyes to eyes Is this taboo? Baby, we built this house on memories Take my picture now, shake it 'til you see it And when your fantasies become your legacy Promise me a place in your house of memories Whoa, whoa, whoa Whoa, whoa I think of you from time to time More than I thought I would You were just too kind and I was too young to know That's all that really matters I was a fool Baby, we built this house on memories Take my picture now, shake it 'til you see it And when your fantasies become your legacy Promise me a place in your house of memories Whoa, whoa, whoa Whoa, whoa Those thoughts of past lovers, they'll always haunt me I wish I could believe you'd never wrong me Then will you remember me in the same way as I remember you Baby, we built this house on memories Take my picture now, shake it 'til you see it And when your fantasies become your legacy Promise me a place Baby, we built this house on memories Take my picture now, shake it 'til you see it And when your fantasies become your legacy Promise me a place in your house of memories Whoa, whoa, whoa Whoa, whoa In your house of memories Whoa, whoa Promise me a place (whoa, whoa) Your still here? Ok What about we play a game? Alright Try to find this emoji 😕 😏😏😏😏😏😏😏😏😏😏😏 😏😏😏😏😏😏😏😏😏😏😏 😏😏😕😏😏😏😏😏😏😏😏 Did you find it? Great job it you find it Oh you want another one? Alright Try to find this emoji ☺️ 😊😊😊😊😊😊😊😊😊😊 😊😊😊☺️😊😊😊😊😊😊 😊😊😊😊😊😊😊😊😊😊 Your still here? I hope I get pinned You want another one? Ok this is the last one Try to find this emoji 🤪 😜😜😜😜😜😜😜😜😜😜 😜😜😜😜😜🤪😜😜😜😜 😜😜😜😜😜😜😜😜😜😜 Good job! you made it to the bottom!
You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me
We're no strangers to love You know the rules and so do I (do I) A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We've known each other for so long Your heart's been aching, but you're too shy to say it (say it) Inside, we both know what's been going on (going on) We know the game and we're gonna play it And if you ask me how I'm feeling Don't tell me you're too blind to see Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you We've known each other for so long Your heart's been aching, but you're too shy to say it (to say it) Inside, we both know what's been going on (going on) We know the game and we're gonna play it I just wanna tell you how I'm feeling Gotta make you understand Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and hurt you Never gonna give you up
I love u 1% ♥️ love u 2%💙 i love you3% 💚 i love you 3%🩷 i love you 4%🧡 i love you 5%💛 i love you 6% 🩷 i love you 7%💝 i love you 8% 💘 i love you 9% i love you 10%💗
I love you 1% I love you 2% I love you 3% I love you 4% I love you 5% I love you 6% I love you 7% I love you 8% I love you 9% Alr so I was like hey mabye I should work on this... Then I was like wait what am I doing with my life So instead..... I decided to tell you guys a story And no not about me Alright the will be here in a sec story Alright fine if you still here I'll begin the story This story is fake but anyway here we go So the story is there was once to boys named Jack and Justin now sometimes Jack and justin would fight now don't get me wrong they were really good friends it was just that one problem so one time Jack and justin were walking home one day and then they both found this note on the ground on the note it said Jack hates you and then justin asked Jack what it said and Jack didn't really respond so justion thought it was just some random note or something but then the next day they found a man running with a bag the a note fell from the man's bag and just decided to read this note because Jack read the other when justin read his note it said die and Jack asked Justin what it had said and justin ran home quickly while make was quite weirded out and the next day there was a man with a black coat and black glasses with a tint of dark blue the mysterious man had looked at the boys and started shouting out their names JACK! JUSTIN! And kept repeatedly saying their names loudly and scary so Jack and justin had begun to act weird and the next day Jack knocked on Justin's door and the Justin's mom answered instead and had told Jack that they were going to have a funeral Jack had asked for who and Justin's mom had said for my son Jack had been really sad and told the mom sorry for your loss and asked if he could be there of course the mom said yes and while Jack had been at the funeral he had spotted that the corpse had started shaking very rapidly and increasing speed finally people started noticing too and finally the corpes stopped shaking and in an instant justin had been and had gave a strong sign to Jack of your next one year later.. Had past the day justion died the day after Jack went missing and a bit after the cops told the mom that they had discovered that a man named Jack had killed justin by stabbing him 5 times in the guts shooting him in the ribs and breaking several of his bones and the man named Jack was just the father of a kid named junior Jack and junior had been killed the same way so they suspect that it had been the father of junior doing this whole mess and also discovered that junior had been told his father died wearing black coat and the cops also found a couple of notes written in the fathers hand writing showing that there's more than enough evidence that the dad was guilty
currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was @ That part truly made me shed a tear. And especially at @ that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the chip go whirly swirly in a circle countless times. it absolutely moved my soul , and I don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the chip is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on chip . hail chip. hail chip . The spinning chip, rotating in one direction with this music... This made me tear up. How could such a bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the chip spins, showing its lightly salt covered yellow skin. I can hear the crunch just from here, and so as the beautiful sound of the chip scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating chip. Truly what I call modern art. This was the most legendary performance by any piece of chip I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of chip I have ever seen especially on @.I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was at @. That part truly made me shed a tear. And especially at @ that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the chip go whirly swirly in a circle countless times. Tt absolutely moved my soul , and i don't think I can ever be the same. this chip has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the chip is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on chip. hail chip. hail chip. The spinning chip, rotating in one direction with this music... This made me tear up. How could such a piece of bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the chip spins, showing its lightly salt covered yellow skin. I can hear the crunch just from here, and so as the beautiful sound of the chip scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any chip I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a bacon I have ever seen especially on @. I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was @. That part truly made me shed a tear. And especially at @ that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. The work put in to this is incredibly inspiring. The graphics, the animation, the music, so much thought was put into it. This has remined me that you can do anything you put your mind to. Not even mentioning the memories, this makes me feel like an infant again, just laying my eyes on this beautiful masterpiece gives me all the good feelings in life. I also understand what happiness is again from this. Not even to mention the most incredible part that is @. chip spinning has changed my life for the better. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the chip go whirly swirly in a circle countless times. it absolutely moved my soul , and I don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. So much great graphic design, so much suspense, so much greatness in this one video. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on chip . hail chip . hail chip. The spinning chip, rotating in one direction with this music... This made me tear up. How could such a chip do such a thing? I'm struck by awe by this masterpiece. Especially when the chip spins, showing its lightly salt covered yellow skin. I can hear the crunch just from here, and so as the beautiful sound of the chip scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating chip. Truly what I call modern art. This was the most legendary performance by any chip I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of chip I have ever seen especially on @. I am crying. This has made me go through an emotional rollercoaster. I cried, beat off, and also watched a movie while watching this premiere. This has made me go through so much. I passed depression because of this. It really inspired me to become an outstanding young man. well pleased like chip sus Thank you. 👆
Open main menu Search Orange (fruit) Language Watch Edit "Orange peel" redirects here. For other uses, see Orange peel (disambiguation). The orange is the fruit of various citrus species in the family Rutaceae (see list of plants known as orange); it primarily refers to Citrus × sinensis,[1] which is also called sweet orange, to distinguish it from the related Citrus × aurantium, referred to as bitter orange. The sweet orange reproduces asexually (apomixis through nucellar embryony); varieties of sweet orange arise through mutations.[2][3][4][5] Open main menu Search Orange (fruit) Language Watch Edit "Orange peel" redirects here. For other uses, see Orange peel (disambiguation). The orange is the fruit of various citrus species in the family Rutaceae (see list of plants known as orange); it primarily refers to Citrus × sinensis,[1] which is also called sweet orange, to distinguish it from the related Citrus × aurantium, referred to as bitter orange. The sweet orange reproduces asexually (apomixis through nucellar embryony); varieties of sweet orange arise through mutations.[2][3][4][5] Open main menu Search Orange (fruit) Language Watch Edit "Orange peel" redirects here. For other uses, see Orange peel (disambiguation). The orange is the fruit of various citrus species in the family Rutaceae (see list of plants known as orange); it primarily refers to Citrus × sinensis,[1] which is also called sweet orange, to distinguish it from the related Citrus × aurantium, referred to as bitter orange. The sweet orange reproduces asexually (apomixis through nucellar embryony); varieties of sweet orange arise through mutations.[2][3][4][5]
Okay fine i can. (Explains the FNAF lore) A Deep Dive into the FNAF Lore (Including Mimic) Disclaimer: The Five Nights at Freddy's (FNAF) lore is complex, with multiple interpretations and theories. This response provides a general overview incorporating the significant elements, including the impact of the Mimic. The Core Story: Freddy Fazbear's Pizza The FNAF series revolves around the fictional Freddy Fazbear's Pizza, a family-friendly restaurant chain featuring animatronic characters. However, a dark underbelly emerges as the games progress. Murder and Deception: The original games introduce the horrifying truth: several children were lured and murdered within the restaurants, their souls trapped within the animatronics. These possessed animatronics become hostile at night, seeking to stuff intruders into empty suits to possess them. William Afton, the Purple Guy: The primary antagonist, William Afton, is revealed to be the killer. A brilliant but disturbed individual, he experiments with immortality and possesses the ability to transfer his consciousness into animatronics. Timelines and Dimensions: The series introduces multiple timelines and dimensions, complicating the narrative. These alternate realities often feature different versions of characters and events. The Role of Remnant and Glitchtrap Remnant: A mysterious substance derived from the souls of the murdered children. It possesses properties that can manipulate reality, create illusions, and even bring the dead back to life. Glitchtrap: A digital manifestation of William Afton created by using Remnant. He exists within virtual reality games, seeking to spread corruption and possess new hosts. The Introduction of the Mimic The Mimic is a character introduced in the Help Wanted game. It's a peculiar animatronic capable of perfectly imitating other characters, both in appearance and behavior. Identity Crisis: The Mimic's true nature remains a mystery, but it's believed to be a creation of William Afton or a remnant-based entity. Lore Implications: The Mimic's ability to mimic raises questions about the true identities of other characters and the possibility of multiple personalities within the animatronics. Key Points and Theories The Bite of '87: A traumatic incident involving an animatronic biting off a child's frontal lobe. Different characters are suspected as the culprit, including Freddy, Foxy, and Mangle. Springlock Failures: A deadly malfunction in the animatronics' suits, leading to multiple deaths. The Twisted Ones: A series of twisted, nightmare-like versions of the original characters, created by William Afton using Remnant. The Scraptrap and Scrap Baby: These are deteriorated versions of William Afton and Circus Baby, respectively. Ongoing Mysteries and Fan Theories The FNAF lore is far from complete. Many questions remain unanswered, fueling endless speculation and theories among fans. Some of the most prominent theories include: The true identity of the Puppet and its connection to the children's souls. The nature of the afterlife and the fate of the characters' souls. The ultimate goal of William Afton and the extent of his influence. Note: This is a simplified overview of a vast and intricate lore. The FNAF community is incredibly active, constantly analyzing the games for hidden details and potential connections.
BoyWithUke Lyrics Toxic & more All my friends are toxic, all ambitionless So rude and always negative I need new friends, but it's not that quick and easy Oh, I'm drowning, let me breathe I'm better off all by myself Though I'm feeling kinda empty without somebody else Oh, I hear you crying out for help But you never showed for me when I was ringing your cellphone Oh, you don't know how it feels to be alone Baby, oh, I'll make you know, I'll make you know, oh I'm drowning, let me breathe I'm drowning, let me breathe I'm drowning, let me breathe I'm drowning, let me breathe But life is immaculate, backing it up a bit Counting my hours and knocking on wood Avoiding my opposites, chewin' on chocolate Had a bit limited time, but I should Be good for a minute, don't want to admit it I'm running on seconds, I'm rigid, I'm screwed Don't know what to do, I'm thinking of you I'm drinking up bottles and bottles of booze I'm better off all by myself Though I'm feeling kinda empty without somebody else Oh, I hear you crying out for help But you never showed for me when I was ringing your cellphone Oh, you don't know how it feels to be alone Baby, oh, I'll make you know, I'll make you know, oh I fell into your river That's where you told me lies You said that I'd feel better But this is where good guys die You took my pride away, but You cannot take my life I'll find another way I'll wonder if you're takin' my life Don't you see how I... I'm better off all by myself Though I'm feeling kinda empty without somebody else Oh, I hear you crying out for help But you never showed for me when I was ringing your cellphone Oh, you don't know how it feels to be alone Baby, oh, I'll make you know, I'll make you know, oh I'm better off all by myself Though I'm feeling kinda empty without somebody else Oh, I hear you crying out for help But you never showed for me when I was ringing your cellphone Oh, you don't know how it feels to be alone Baby, oh, I'll make you know, I'll make you know, oh Things are better off this way Wish you never ever knew my name Wish I never said "Hi" 'cause you got really cute eyes I don't wanna cut ties just to kiss your face So things are better this way Get out of my brain, I'm out of my lane I'm not playing this game I know I'll be fine, I can tell you tell lies And I hope you don't mind that I turn away 'Cause you'll just do it again And you'll fuck all my friends, and you'll just fuck with my head And I'm so done with the mess you left embedded in lead I want you out of my life, I'm sick of all of your lies I'm sick of all the little things you used to do with my mind 'Cause you'll just do it again You just love to pretend to be innocent Fuck you, I think you're insignificant Don't you look at my eyes, go and say your goodbyes You fucked up bad now you're wasting my time You treated me wrong, I'm so glad you're gone Why can't I move on? You filled me with hate, you made my heart break Still, I can't escape I tried and I tried but I'm left dead inside And you're killing me slowly without even knowing Well, love has a cost and both of us lost It went on way too long Like, it never would end 'til the day that we're dead And both of us are gone I tried and I tried, we both had lost our minds I felt so sick to my stomach but I know that you love it 'Cause you'll just do it again And you'll fuck all my friends, and you'll just fuck with my head And I'm so done with the mess you left embedded in lead I want you out of my life, I'm sick of all of your lies I'm sick of all the little things you used to do with my mind 'Cause you'll just do it again You just love to pretend to be innocent Fuck you, I think you're insignificant Don't you look at my eyes, go and say your goodbyes You fucked up bad now you're wasting my time You made my heart break and my stomach ache And in my mouth you left a terrible taste Why do I love you still? I got physically ill from every shitty thing you made me feel Yup, and it's so cold, but what do I know? I got somebody in my psyche hitting high notes I got nobody on my side, I'm a psycho Might go at night, I'm a boy with a knife, woah Thank God every night for my nice home Even if I wish I'd die, I'm alright bro Thoughts stay inside my mind with a light code Life goes on and on 'Cause you'll just do it again And you'll fuck all my friends, and you'll just fuck with my head And I'm so done with the mess you left embedded in lead I want you out of my life, I'm sick of all of your lies I'm sick of all the little things you used to do with my mind 'Cause you'll just do it again You just love to pretend to be innocent Fuck you, I think you're insignificant Don't you look at my eyes, go and say your goodbyes You fucked up bad now you're wasting my time Wanted to hold your hand, but I can't Wanted to be your man back then And you knew I fell for you, but you Just broke my heart in two I was sad, mad, and broken on my bed Hoping I get rid of all the voices in my head I was opening a packet of an undeveloped med When I was met with a prescription of a bullet made of lead And when I woke up in an hour in a pool of my own sweat I said, "I swear to God I'll never even try to sleep again" So instead I took my pen and started writing evidence And when I started making sense, I found that I had reached the end Oh, I'm upset, I have no friends, you wanna bet, you're just pretend? You're just a pet confined within the lines of writing, you're not - I thought I stopped my psychopathic ways, I swear I did I said I talked to people 'bout the problematic life I lived They were my neighbors; razor blades and different flavored pills I hid Therefore, I'm at surely my last straw I'm so gassed, stuck in the past, I said that Girl, I hope you understand I Wanted to hold your hand, but I can't Wanted to be your man back then And so far I never held you with my arms So it's hard to be the one you aren't with Instead, filled with anxiety Always was a part of me, guess I'm not cut out to be Somebody 'cause it's not me, I'm not used to all the talking Was an introvert that had converted feelings into writing Used to cope with all my problems using notes and lots of rhyming Used to hope for better days whenever nights would have me crying I'm not lying when I say that I would rather die than go back To the times that I would try and be the guy the people know as Always fighting with the demons hiding far behind my eyelids On an island full of violence, in my head I had two pilots Oh, the sun don't shine, the skies turn gray I feel it coursing through my veins I said before I'm not okay But you don't listen anyway You know I tried, you turned away Straight out lied right to my face You - my life, ruined my day But you don't know, so I'll say Nothing can fill this silence No one can love like I did (you don't know, so I'll say) Nobody cares, you lied, it's Not fair, you still deny it (so I'll say) Nothing can fill this silence No one can love like I did (you don't know, so I'll say) Nobody cares, you lied, it's Not fair, you still deny it (so I'll say) Girl, I hope you understand I Wanted to hold your hand, but I can't Wanted to be your man back then And too bad I know I can't wake up Because I've lost my weight, and you don't give a - about me This could be a dream, I can't see the things that you see, so please, oh Girl, I hope you understand I Wanted to hold your hand, but I can't Wanted to be your man back then And you had known and played along, you Were my home, I wrote you songs Now you're dead to me, effectively Removed yourself outside my dreams Two moons, I can feel myself start catching on fire But you knew, yeah, you kept it to yourself, to yourself Two moons, I get lost on my way searching for liars This ain't good for my health, no, this ain't good for my health Sorry, please excuse me for my mess My heart's been pouring through my chest I fell through corridors of broken floors I'm sorry that I left Fell asleep in my new bed I can't feel happy in my head I see two moons and nothing more I close my door, I'm left with less I don't feel serene (no) No, I don't feel too clean (oh) And I don't want to be the one to make you cry I'll play inside, I'll start a fire I'll tell your friends that I lost my mind It'll take a while but I'll start to smile Broken windows and broken tiles Frozen willows, we'll go for miles Hope will let go, yeah, that's its style And you don't know where my soul's headed I'm forgetting you, so I'll say Sorry, please excuse me for my mess My heart's been pouring through my chest I fell through corridors of broken floors I'm sorry that I left Fell asleep in my new bed I can't feel happy in my head I see two moons and nothing more I close my door, I'm left with less Left, right, my eyesight is diminishing My life sucks at night, I try to finish it Early, pearly, whites get blurry Surely I'll go bite the dirty dust Cuts deeper as my head goes nuts I'll be a believer if I ever see trust I must be disgusting rust God, I hate myself, I just wanna unplug Yeah, fuck no I go where I want to But I'm stuck in my bedroom I'm telling lies to keep myself from hurting those around you Yeah, after all these years I found you I found you again Sorry, please excuse me for my mess My heart's been pouring through my chest I fell through corridors of broken floors I'm sorry that I left Fell as
I will beat the pinned guy using a computer.
Want some bread here 🍞🍞
Some drinks and a room for you! 🍷🍸🍹🍺🥛 🛏️
Condom wtf
@camera man I WILL BE AT HIM
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
e
how pls tell me
@@kxrr1top Ok
WHAT THE F*CK
fun fact: I had the longest comment but it said “error” and made me delete everything :’)
F.
F
Heya.
You've been busy, huh?
. . .
So, i've got a question for ya.
Do you think even the worst person can change. . . ?
That everybody can be a good person, if they just try?
Heh heh heh he. . .
All right.
Well here's a better question.
Do you wanna have a bad time?
'Cause if you take another step forward. . .
You are REALLY not going to like what happens next.
Welp.
Sorry, old lady
This is why i never make promises.
It's a beautiful day outside.
Birds are singing, flowers are blooming. . .
On days like these, kids like you. . .
Should be burning in hell.
Huh.
Always wondered why people never use their strongest attack first.
What? You think im just gonna stand there and take it?
Our reports showed a massive anomaly in the timespace continuum.
Timelines jumping left and right, stopping and starting. . .
Until suddenly, everything ends.
Heh heh heh. . .
That's your falt, isn't it?
You can't understand how this feels.
Knowing that one day, without any warning. . .
It's all going to be reset.
Look. I gave up trying to go back a long time ago.
And getting to the surface doesn't really appeal anymore, either.
Cause even if we do. . .
We'll just end up right back here, without any memory of it, right?
To be blunt. . .
It makes it kind of hard to give it my all.
. . . Or is that just a poor excuse for being lazy. . . ?
Hell if i know.
All i know is. . . Seeing what comes next. . .
I can't afford not to care anymore.
Ugh. . . That being said. . .
You, uh, really like swinging that thing around, huh?
. . .
Listen.
I know you didn't answer me before, but. . .
Somewhere in there. I can feel it.
There's a glimmer of a good person inside of you.
The memory of someone who once wanted to do the right thing.
Someone who, in anothee time, might have even been. . .
A friend?
C'mon, buddy.
Do you remember me?
Please, of you're listening. . .
Let's forget all this, ok?
Just lay down your weapon, and . . .
Well, my job will be alot easier.
Welp, it was worth a shot.
Guess you like doing things the hard way, huh?
Sounds strange, but before all this i was secretly hoping we could be friends.
I always thought the anomaly was doing all this cause they were unhappy.
And when they got what they wanted, they would stop all this.
And maybe all they needed was. . . I dunno.
Some good food, some bad laughs, some nice friends.
But that's rediculous, right?
Yeah, you're the type or person who won't EVER be happy.
You'll keep cosuming timelines over and over, until. . .
Well.
Hey.
Take it from me, kid.
Someday. . .
You gotta learn when to QUIT.
And that day's TODAY.
Cause. . . Y'see. .
All this fighting is really tiring me out.
And if you keep pushing me. . .
Then i'll be forced to use my special attack.
Yeah. My special attack. Sound familiar?
Well. Get ready. Cause after the next move, i'm going to use it.
So if you don't wanna see it, now would be a good time to die.
Well. Here goes nothing. . .
Are you ready?
Survive this, and i'll show you my special attack!
Huff. . . Puff. . .
All right. That's it.
It's time for my special attack.
Are you ready?
Here goes nothing.
Yep.
That's right.
It's literally nothing.
And its not gonna be anything, either.
Heh heh heh. . . Ya get it?
I know i can't beat you.
One of your turns. . .
You're just gonna kill me.
So, uh.
I've decided. . .
It's not going to BE your turn, ever.
I'm just gonna keep having MY turn until you give up.
Evan if it means we have to stand here until the end of time.
Capiche?
You'll get bored here.
If you haven't gotten bored already, i mean.
And then you'll finally quit.
I know your type.
You're, uh, vety determined, aren't you?
You'll never give up, evan if there's, uh. . .
Absolutely NO benefit to perservering whatsoever.
If i can make that clear.
No matter what, you'll just keep going.
Not out of any desire for good or evil. . .
But just because you think you can.
And bwcause you "can". . .
. . . You "have to."
But now, you've reached the end.
There is nothing left for you now.
So, uh, in my personal opinion. . .
The most "determind" thing you can do here?
Is to, uh, completely give up.
And. . . (Yawn) do literally anything else.
Heh, didja really think you would be able-
. . .
. . .
. . .
So. . .
Guess thats it, huh?
. . .
Just. . .
Don't say i diddn't warn you.
Well.
I'm going to grillby's.
Papyrus, do you want anything? Heya.
You've been busy, huh?
. . .
So, i've got a question for ya.
Do you think even the worst person can change. . . ?
That everybody can be a good person, if they just try?
Heh heh heh he. . .
All right.
Well here's a better question.
Do you wanna have a bad time?
'Cause if you take another step forward. . .
You are REALLY not going to like what happens next.
Welp.
Sorry, old lady
This is why i never make promises.
It's a beautiful day outside.
Birds are singing, flowers are blooming. . .
On days like these, kids like you. . .
Should be burning in hell.
Huh.
Always wondered why people never use their strongest attack first.
What? You think im just gonna stand there and take it?
Our reports showed a massive anomaly in the timespace continuum.
Timelines jumping left and right, stopping and starting. . .
Until suddenly, everything ends.
Heh heh heh. . .
That's your falt, isn't it?
You can't understand how this feels.
Knowing that one day, without any warning. . .
It's all going to be reset.
Look. I gave up trying to go back a long time ago.
And getting to the surface doesn't really appeal anymore, either.
Cause even if we do. . .
We'll just end up right back here, without any memory of it, right?
To be blunt. . .
It makes it kind of hard to give it my all.
. . . Or is that just a poor excuse for being lazy. . . ?
Hell if i know.
All i know is. . . Seeing what comes next. . .
I can't afford not to care anymore.
Ugh. . . That being said. . .
You, uh, really like swinging that thing around, huh?
. . .
Listen.
I know you didn't answer me before, but. . .
Somewhere in there. I can feel it.
There's a glimmer of a good person inside of you.
The memory of someone who once wanted to do the right thing.
Someone who, in anothee time, might have even been. . .
A friend?
C'mon, buddy.
Do you remember me?
Please, of you're listening. . .
Let's forget all this, ok?
Just lay down your weapon, and . . .
Well, my job will be alot easier.
Welp, it was worth a shot.
Guess you like doing things the hard way, huh?
Sounds strange, but before all this i was secretly hoping we could be friends.
I always thought the anomaly was doing all this cause they were unhappy.
And when they got what they wanted, they would stop all this.
And maybe all they needed was. . . I dunno.
Some good food, some bad laughs, some nice friends.
But that's rediculous, right?
Yeah, you're the type or person who won't EVER be happy.
You'll keep cosuming timelines over and over, until. . .
Well.
Hey.
Take it from me, kid.
Someday. . .
You gotta learn when to QUIT.
And that day's TODAY.
Cause. . . Y'see. .
All this fighting is really tiring me out.
And if you keep pushing me. . .
Then i'll be forced to use my special attack.
Yeah. My special attack. Sound familiar?
Well. Get ready. Cause after the next move, i'm going to use it.
So if you don't wanna see it, now would be a good time to die.
Well. Here goes nothing. . .
Are you ready?
Survive this, and i'll show you my special attack!
Huff. . . Puff. . .
All right. That's it.
It's time for my special attack.
Are you ready?
Here goes nothing.
Yep.
That's right.
It's literally nothing.
And its not gonna be anything, either.
Heh heh heh. . . Ya get it?
I know i can't beat you.
One of your turns. . .
You're just gonna kill me.
So, uh.
I've decided. . .
It's not going to BE your turn, ever.
I'm just gonna keep having MY turn until you give up.
Evan if it means we have to stand here until the end of time.
Capiche?
You'll get bored here.
If you haven't gotten bored already, i mean.
And then you'll finally quit.
I know your type.
You're, uh, vety determined, aren't you?
You'll never give up, evan if there's, uh. . .
Absolutely NO benefit to perservering whatsoever.
If i can make that clear.
No matter what, you'll just keep going.
Not out of any desire for good or evil. . .
But just because you think you can.
And bwcause you "can". . .
. . . You "have to."
But now, you've reached the end.
There is nothing left for you now.
So, uh, in my personal opinion. . .
The most "determind" thing you can do here?
Is to, uh, completely give up.
And. . . (Yawn) do literally anything else.
Heh, didja really think you would be able-
. . .
. . .
. . .
So. . .
Guess thats it, huh?
. . .
Just. . .
Don't say i diddn't warn you.
Well.
I'm going to grillby's.
Papyrus, do you want anything?
Same oof
@@Steve4Space AHHHHH DONT REMIND ME OF MY GENOCIDE ROUTE!!
POV: everyone is smashing their head on the keyboard to create the longest comment.
Thanks for the idea
POV: people are searching " Worlds longest text"
I mean... your not wrong
o roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sw
Half way......
I eat dirt.....
Hi
Ok
MAX
@@klixzz2381 lol
POV: Your scrolling through the comments and want to press "read more" but your afraid it's gonna be too long
So that's me....XD
Ok I can trust this a. A. Aaaaa aaaaaaaaaaaaaffhfhfhfhfhfhfhfhfhfhfhffhfhfhfhffhfhfhfhffhfhfhfhfhfhfhffhfhfhfhfhffhfhfhfhfhfhfhfhffhfhfhfhfhfhfhfhfhffhfhfhfhfhfhfhfhffhfhfhfhfhfhf
That’s me
i can take long comments even if its as long as the video duration
Are u afraid to press my read more or not?
The Transformation of Tommy Thompson
In the bustling town of Maplewood, there was a boy named Tommy Thompson, notorious for being the biggest bully in school. With his broad shoulders, sneering grin, and quick temper, he ruled the playground with fear. Tommy would push smaller kids around, take their lunch money, and make fun of anyone he deemed weak. The other kids dreaded recess, knowing they might fall victim to his taunts or pranks.
Despite his tough exterior, Tommy was not happy. At home, he often felt lonely and misunderstood. His parents worked long hours, and he spent most of his time alone, harboring feelings of anger and frustration that he took out on others. Little did he know, change was just around the corner.
One day, a new student named Leo joined their class. Leo was shy, wore thick glasses, and had a stutter that made him a target for bullies. On his first day, Tommy decided to show off in front of his friends. He approached Leo during lunch, grabbed his sandwich, and tossed it onto the ground, laughing as Leo looked on, humiliated.
But something in Leo’s eyes struck Tommy differently than usual. Instead of anger or fear, Leo looked sad but unbroken. After that day, Tommy found himself thinking about Leo more than he cared to admit. He didn’t like feeling guilty, but he didn’t know how to stop.
As the days went on, Leo continued to come to school with his head held high, even when Tommy and his friends teased him. Eventually, the other kids began to rally around Leo. They admired his resilience and started to include him in games, often leaving Tommy on the sidelines.
Feeling increasingly isolated, Tommy’s frustration boiled over. One afternoon, after watching Leo laugh and play with the other kids, Tommy confronted him. “Why do you keep coming back? Don’t you get tired of being pushed around?” he asked, half angry, half curious.
To Tommy’s surprise, Leo looked him straight in the eye and replied, “Because I know that I’m worth it. I refuse to let anyone make me feel less than I am.” His words struck a chord deep within Tommy, who had never thought about things that way.
That night, Tommy lay awake in bed, contemplating Leo's courage. He realized that his bullying behavior stemmed from his own insecurities and loneliness. The more he thought about it, the more he wanted to change. But how could he? He had spent so long being mean that he didn't know where to start.
The next day, Tommy approached Leo at recess, his heart pounding. “Hey, I’m… sorry for what I did,” he stammered. The words felt foreign, but they were genuine. Leo looked surprised, then nodded slowly. “Thank you. It takes courage to apologize,” he replied.
Tommy felt a strange warmth in his chest as he walked away. Encouraged by his small act of kindness, he decided to try harder. Over the next few weeks, Tommy made a concerted effort to be nice. He began by helping Leo with his homework, offering to share his lunch, and standing up for him against others who teased.
As time passed, the transformation in Tommy became evident. The other kids began to notice and started to warm up to him. No longer was he the bully; he became the protector. He stood up for those who were being picked on, helped younger kids with their reading, and even volunteered to organize games during recess.
Eventually, Tommy’s kindness became contagious. Inspired by his change, the entire school began to foster a more supportive and friendly environment. No longer was there a fear of bullies on the playground; instead, there were laughter and joy.
One day, the school principal recognized Tommy for his transformation. “It takes real strength to change, Tommy,” he said during a school assembly. “You’ve become a role model for all of us.”
As Tommy stood in front of his classmates, he felt proud-not just for being recognized, but for the friendships he had built and the respect he had earned. He realized that kindness was far more rewarding than cruelty ever was.
From that day on, Tommy Thompson was known as the boy who had turned from the biggest bully into the kindest person in Maplewood. He had discovered that true strength lies not in power or intimidation, but in empathy, understanding, and the courage to change.
And as for Leo, he became one of Tommy’s closest friends, proving that sometimes, it only takes one small act of kindness to start a ripple effect of goodness that can change everything. Together, they made Maplewood a better place, where everyone felt valued and included.
[Inserts school homework] that’s long 😃
haha
XD
(Insert di-
He he
@@blitzmau7952 ck
Hay Fever was a comical play with a strong message. The actors throughout this play steadily used others to gain their own attention. The message this play left behind after many laughs was do not use others, plain and simple.
The space was a well-constructed thrust stage however, the stage was not raised off the ground and the seats appeared to be mobile which lead to the belief that this is an Environmental Theater. As for the layout of the stage, there was a couch and a table in center stage for the first two acts, a door to the unseen outside front of the house upstage right, there were two large double doors upstage center leading to the backyard garden, and a raised floor upstage left containing a piano, a bookcase and a door leading to the home library. Stage left there was a half spiral staircase that lead up to the second floor which had a painting and lights that extended across to stage right. The second floor also contained the bedrooms for the house but the doors were not in sight. The detail was greater than expected: the hardwood floor throughout the first floor seemed to be genuine, the actual bookcase filled with real books not stage books, and the extremely large double doors with translucent glass and floral designs lead to the Garden, which featured an array of plants behind the doors. The entire space was well lit for the duration of the play; the stage took place inside the Bliss’ home so the bright lighting added a confortable feel to the inside of the house. The theatre was nearly sold out; it was hard to spot an empty seat, including the balcony and lower level seating. The crowd contained nearly an even amount of student audience members and senior citizens; there was few in the audience that appeared middle aged.
The play was well cast, the entire Bliss family did a great job showing how overly dramatic and deceitful the family had become. Each actor portrayed their character accurately; there were no standouts that didn’t match the character. Each visitor in the first act seemed to be feasible as far as the possibility of a relationship was concerned. All of the family members acted genuine. There was one actor who stood out as a perfect fit for his character. Taylor Rascher played Simon Bliss and played him perfectly. Rascher’s character Simon was a young man who was dramatic and romantic so much so it was almost to the point of ridiculousness. Rascher stole the show in the first act when he was romancing with Michelle Luz, who plays Myra Arundel. Rascher was displaying his love for Michelle Luz (Myra) in the most dramatic of fashions; he was playing the Bliss’ game of pretending to be in complete love with someone and then a moment later change his mind. Rascher was proclaiming his love with elegant speeches and coddling up next to her and eventually kissing her. Rascher made this scene particularly hilarious because he was completely over the top in typical Bliss fashion. Of course, all of this was for naught because Luz ended up kissing Joe Hubbard’s character David Bliss in act two and also Rascher proclaimed his engagement to Caitlin Stagemoller’s character, Jackie Coryton. Rascher made his voice more shrill and audible to appear to be more dramatic and create more attention for himself. In the same way, Rascher used grander gestures with his arms (flailing, waving, etc.) to cause a more dramatic effect.
The play was well interpreted by all whom were involved. Steven Wrentmore, the Director, kept the 1920’s feel by dressing in all 1920’s costumes and everyone spoke as if they were living at the time. Michelle Bisbee, the scene designer, made the inside of the home appear 1920’s because everything was grand. The Bliss’ home was grand with the spiral staircase, the very large backdoors, and the eloquent piano. The actors’ mannerisms seemed like they were portraying a silent film. In older movies, actors seemed very dramatic and had flamboyant actions to prove so; the actors in Hay Fever shared the same feel for the dramatics. As far as Stephen Wrentmore’s directing goes, he did an excellent job. The scene when Chris Karl (Richard) and Caitlin Stegemoller (Jackie) enter and are left alone to make small talk with each other is the best pertaining to directing. The two actors used the entire stage in this scene and were very awkward with one another. This was Wrentmore’s doing because you could tell he had a vision for this scene in particular because it seemed very crisp and well rehearsed. The actors played it perfect with the excessively long pauses in their awkward small talk that the crowd was laughing through the entire scene. It appeared that Wrentmore instructed the actors, to keep their pauses longer than natural to heighten the awkward tension in the scene, which made it brilliant.
The blocking throughout the play worked with the floor plan very well. All of the blocking worked seamlessly; the actors were never out of sight or in awkward positioning (ex. turned around, talking to someone behind them while face forward, etc.) even during the second act in the first scene while all eight actors were on set. One part of the set that stood out was the staircase, it is obviously very large, but the way Owen Virgin followed Megan Davis up the stairs was seamless. They both walked up the stairs with footsteps I unison, and Owen Virgin was so focused on every detail of Davis, it almost screamed out how much he was infatuated with her.
The artistic intent of this production was to entertain, and it fulfilled that intent completely. The entire audience was laughing during most of the production, I was even laughing out loud, which doesn’t happen very often. Every interaction between the characters was comical at one point during the production. An example of this playing out would be in the second act when Rascher busts through the door and proclaims his engagement. The only purpose of this is to entertain and entertain it did. The actors seemed natural moving along with their blocking and engaging with each other on stage. There was no point at which it was confusing why someone moved here or there, every movement made sense.
The overall mood that was portrayed by the combination of lighting, sound, set, and costumes was very light and cheerful; at no point did the mood drop to something darker or saddening. This is common with many comedies because it becomes hard to laugh if the overall mood is down and dreary. The theatre space was very personal. First of all, it takes place in someone’s home so it is immediately personal. Also, the stage was built into the crowd just about so the audience felt like they were living the action out as it unfolded. The scenic design showed the audience without a doubt it was the 1920’s, with the barometer on the wall, the staircase, the piano, and the lights upstairs. However, there was little evidence to show what location the play took place.
All of the costumes were well designed for the appropriate characters. Adam Espinoza did a fine job of showing how these people were all upper class with nice dresses and suits and tuxes, even when they were home alone with only each other as company. Megan Davis’ costumes represented her personality very well by drawing all attention to her with bright colors and silk-like texture. As far as the lighting goes, there were no changes to the lighting during the play, except for at the end of each act. The lighting emphasized a bright and cheerful mood throughout the play.
This production was definitely representational because it doesn’t break the fourth wall into the audience. The actors never had any asides or soliloquies that were directed toward audience. The set and lighting were representational due to the realistic feel throughout the house, everything was relatable to the average person. The Bliss’ home looked like an ordinary home from the 1920’s.
The overall message seemed to be: do not mislead people or play games with their emotions, or they will leave you. This was most clear during act three when Luz, Karl, Stegemoller, and Virgin were all discussing how uncomfortable they all had felt the day before in the house and decided to leave as soon as possible. This was due to the way the Bliss’ had romantic engagements just to get attention for themselves and did not care about the feelings of the people they were hurting.
That is longer than the pinned comment?-
Welp... sorry
o roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sw
Half way......
I eat dirt.....
Hi
Ok
MAX
this is longer than the pined guy
@@explosivefart1209 i know
POV : you regret clicking “Read more” on the pinned comment
true XD
Fr
Accurate
How'd you know
But I didn’t click,’Read more’
4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity 4:17 PM Sun 5 May 31% End of Year Examination Syllabus - Class 6 GEOGRAPHY Unit 4 - Forests of the World Unit 5 - Natural disasters Unit 6 - Changing Earth and Human Activities ISLAMIYAT cllgog. Patterns of global Economic interactions (Recall economic activities related to natural, capital and human resources, understandprosperity
love you 1%❤
I love you 2%🧡
I love you 3%💛
I love you 4%💚
I love you 5%💙
I love you 6%💜
I love you 7%💗
I love you 8%❤
I love you 9%🧡
I love you 10%💛
I love you 11%💚
I love you 12%💙
I love you 13%💜
I love you 14%💗
I love you 15%❤️
I love you 16%🧡
I love you 17%💛
I love you 18%💚
I love you 19%💙
I love you 20%💜
I love you 21%💗
I love you 22%❤️
I love you 23%🧡
I love you 24%💛
I love you 25%💚
I love you 26%💙
I love you 27%💜
I love you 28%💗
I love you 29%❤️
I love you 30%🧡
I love you 31%💛
I love you 32%💚
I love you 33%💙
I love you 34%💜
I love you 35%💗
I love you 36%❤️
I love you 37%🧡
I love you 38%💛
I love you 39%💚
I love you 40%💙
I love you 41%💜
I love you 42%💗
I love you 43%❤
I love you 44%🧡
I love you 45%💛
I love you 46%💚
I love you 47%💙
I love you 48%💜
I love you 49%💗
I love you 50%❤️
I love you 51%🧡
I love you 52%💛
I love you 53%💚
I love you 54%💙
I love you 55%💜
I love you 56%💗
I love you 57%❤️
I love you 58%🧡
I love you 59%💛
I love you 60%💚
I love you 61%💙
I love you 62%💜
I love you 63%💗
I love you 64%❤️
I love you 65%🧡
I love you 66%💛
I love you 67%💚
I love you 68%💙
I love you 69%💜
I love you 69%💗
I love you 70%❤️
I love you 71%🧡
I love you 72%💛
I love you 73%💚
I love you 74%💙
I love you 75%💜
I love you 76%💗
I love you 77%❤️
I love you 78%🧡
I love you 79%💛
I love you 80%💚
I love you 81%💙
I love you 82%💜
I love you 83%💗
I love you 84%❤️
I love you 85%🧡
I love you 86%💛
I love you 87%💚
I love you 88%💙
I love you 89%💜
I love you 90%💗
I love you 91%❤️
I love you 92%🧡
I love you 93%💛
I love you 94%💚
I love you 95%💙
I love you 96%💜
I love you 97%💗
I love you 98%❤️
I love you 99%🧡
I LOVE YOU 100%
💝💝💝
I Love you 101%
I Love you 102%
I Love you 103%
I Love you 104%
I Love you 105%
I Love you 106%
I Love you 107%
I Love you 108%
I Love you 109%
I Love you 110%
I Love you 111%
I Love you 112%
I Love you 113%
I Love you 114%
I Love you 115%
I Love you 116%
I Love you 117%
I Love you 118%
I Love you 119%
I Love you 120%
I Love you 121%
I Love you 122%
I Love you 123%
I Love you 124%
I Love you 125%
I Love you 126%
I Love you 127%
I Love you 128%
I Love you 129%
I Love you 130%
I Love you 131%
I Love you 131%
I Love you 132%
I Love you 133%
I Love you 134%
I Love you 135%
I Love you 136%
I Love you 137%
I Love you 138%
I Love you 139%
I Love you 140%
I Love you 141%
I Love you 142%
I Love you 143%
I Love you 144%
I Love you 145%
I Love you 146%
I Love you 147%
I Love you 148%
I Love you 149%
I Love you 150%
I Love you 151%
I Love you 152%
I Love you 153%
I Love you 154%
I Love you 155%
I Love you 156%
I Love you 157%
I Love you 158%
I Love you 159%
I Love you 160%
I Love you 161%
I Love you 162%
I Love you 163%
I Love you 164%
I Love you 165%
I Love you 166%
I Love you 167%
I Love you 168%
I Love you 169%
I Love you 170%
I Love you 171%
I Love you 172%
I Love you 173%
I Love you 174%
I Love you 175%
I Love you 176%
I Love you 177%
I Love you 178%
I Love you 179%
I Love you 180%
I Love you 181%
I Love you 182%
I Love you 183%
I Love you 184%
I Love you 185%
I Love you 186%
I Love you 187%
I Love you 188%
I Love you 189%
I Love you 190%
I Love you 191%
I Love you 192%
I Love you 193%
I Love you 194%
I Love you 195%
I Love you 196%
I Love you 197%
I Love you 198%
I Love you 199%
I LOVE U 200%
💝💝💝
Love you 201%
I Love you 202%
I Love you 203%
I Love you 204%
I Love you 205%
I Love you 206%
I Love you 207%
I Love you 208%
I Love you 209%
I Love you 210%
I Love you 211%
I Love you 212%
I Love you 213%
I Love you 214%
I Love you 215%
I Love you 216%
I Love you 217%
I Love you 218%
I Love you 219%
I Love you 220%
I Love you 221%
I Love you 222%
I Love you 223%
I Love you 224%
I Love you 225%
I Love you 226%
I Love you 227%
I Love you 228%
I Love you 229%
I Love you 230%
I Love you 231%
I Love you 231%
I Love you 232%
I Love you 233%
I Love you 234%
I Love you 235%
I Love you 236%
I Love you 237%
I Love you 238%
I Love you 239%
I Love you 240%
I Love you 241%
I Love you 242%
I Love you 243%
I Love you 244%
I Love you 245%
I Love you 246%
I Love you 247%
I Love you 248%
I Love you 249%
I Love you 250%
I Love you 251%
I Love you 252%
I Love you 253%
I Love you 254%
I Love you 255%
I Love you 256%
I Love you 257%
I Love you 258%
I Love you 259%
I Love you 260%
I Love you 261%
I Love you 262%
I Love you 263%
I Love you 264%
I Love you 265%
I Love you 266%
I Love you 267%
I Love you 268%
I Love you 269%
I Love you 270%
I Love you 271%
I Love you 272%
I Love you 273%
I Love you 274%
I Love you 275%
I Love you 276%
I Love you 277%
I Love you 278%
I Love you 279%
I Love you 280%
I Love you 281%
I Love you 282%
I Love you 283%
I Love you 284%
I Love you 285%
I Love you 286%
I Love you 287%
I Love you 288%
I Love you 289%
I Love you 290%
I Love you 291%
I Love you 292%
I Love you 293%
I Love you 294%
I Love you 295%
I Love you 296%
I Love you 297%
I Love you 298%
I Love you 299%
I LOVE YOU 300%
💝💝💝
Please pin i spent almost 7 hours on this😭😭
Do 1000%
@@shamsurisuri193max character limit is 10000 not infinite bro
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
hi
I got more
A few years back we were talking to the guy who was in the middle of the road and he said he was going to be there for a couple of hours and he said he was gonna come and get me and he said he was just gonna come and pick me up and then he said he was coming to pick you guys and I tyyyy so you know I don’t want you guys going anywhere and then I was just gonna go home to go and see you and I didn’t even think to ask him if I could go get you something and then I just wanted you guys and he was going home to do something to get me and I
POV: you lose there a person who win because spamming on rick roll lyrics
@Xano poggers
The person who got pinned copied my comment
@Xanothat is actually impressive
@@tenyabo727 wdym i did not copy this, I don’t get it
@@DillanDhio Not you, the person who got pinned, which is Hao Duan, he copied my comment
People with hippopotomonstrosesquippedaliophobia: *INTERNAL SCREAMING*
I searched up what that meant and OH HOW I NOW PRAISE YOU.
WHY THE FUCK IS THAT WORD SO LONG IF IT MEANS A PHOBIA OF LONG WORDS?!
Hah I taught myself how to say it to repel the people with hippopotomontrossesquippedaliophobia because I could SPELL the number 3
@@pig_master101 lmao same just learned how to say
Hippo-potto-monstro-sis-qui-pi-dahlio-phobia
At first I was like Woah, then I was like woah woah.
(yes, it’s a meme, but I can’t upload it 🤦♂️ )
Don’t click on read more.
Can we get this guy to 1000 subs and 2000 views?
th-cam.com/video/kfeOIEgJVAc/w-d-xo.html
The Five Nights at Freddy's (FNAF) lore is a complex and ever-evolving narrative that revolves around a fictional pizza chain called Freddy Fazbear's Pizza and the animatronic characters that inhabit it. While the exact details are often left open to interpretation, here are some of the key elements of the FNAF lore:
The Animatronics:
* Purpose: Originally designed as children's entertainment characters, the animatronics are anthropomorphic figures that resemble animals.
* Possession: Due to tragic incidents involving the animatronics and children, it is believed that the spirits of these children now possess the animatronics, driving them to exhibit aggressive and sometimes violent behavior.
The Purple Guy:
* Identity: The main antagonist of the series, often referred to as "Purple Guy," is believed to be responsible for the tragic events at Freddy Fazbear's Pizza.
* Motives: His motives are unclear, but he is often associated with the murders of the children and the possession of the animatronics.
The Bite of '87:
* Incident: A mysterious incident involving an animatronic biting someone, likely a child, in 1987.
* Victim: The identity of the victim is unknown, but it is often speculated to be the main protagonist of the first game, Mike Schmidt.
The Timeline:
* Multiple Locations: The series takes place across various Freddy Fazbear's Pizza locations, each with its own unique story and timeline.
* Interconnected Events: The events in each game are interconnected, with clues and references often pointing to previous or future games.
Theories and Interpretations:
* Multiple Endings: Many games in the series have multiple endings, leading to various interpretations of the overall story.
* Fan Theories: Fans have developed numerous theories about the lore, often involving complex connections between the games and characters.
It's important to note that the FNAF lore is constantly evolving, with new games and additional information being released regularly. This summary provides a basic overview of the key elements, but there are many more details and theories to explore.
This is probably least liked comment ever so well done on scrolling through the entire comments
Least liked doesn’t mean at the bottom
Roblox
It’s the third comment I saw
@@typicallyridingahorse8533 it is
I had my comment it's so long that it took me 21 mins I had to spam
story:
*LINA AND HAZLEY*
*WARNING*
*BAD GRAMMAR*
*NOT TO LONG*
Lina:Mommy,
Lina's mom:Yes?
Lina:Can I play at the park?
Mom:Of course hunny.
Lina:OK ty
**AT THE PARK**
Mom:Be careful sweetie
Lina:OK MOMMY
Hazley:**Saws Lina**
Hazley: Hi Lina
Lina:Oh. Hi Hazley
1 Like for part 2
Part 2:
Lina:Hazley let's play (2×)
Hazley:Ok
**AFTER PLAYING**
Mom:Lina its time to go. Its already 06:28. Its late Lina.
Lina:Ok. Bye Hazley
Hazley:Bye
**AT HOME**
Mom:Ok Lina its time for bedtime
Lina:Ok
**THE NEXT DAY**
Mom:Lina wake up sweetheart
Lina:5 minutes moreeeee
Mom:Lina, its Monday.
Lina:Ok ok.
**AT SCHOOL**
Lina: Hi Hazley,hi Alice
Hazley and Alice:Hi Lina
**AT MATH CLASS**
Teacher: Ok whats 35-29
Lina:**Thinking**
Lina:6
Teacher:Right answer.
**AFTER SCHOOL**
Lina:Mommy I'm ba-
Lina:**Shoke**
Like to what happened or reply.
What's next?
,.,,.,..,.,.
I'm going to waist your time sorry
Your still here?????????????
This hurts my fingers
Pls like for me it's waiting my time😒
You got 3rd place try to get 2nd and then 1st
Keep going
Your still here
LIKE PLS PLS PLS PLS PLS PLS PLS PLS 🙏
YOUR DOING WELL
YOU CAN LEAVE IM WAITING OMOST THERE TO 2nd if you do you get a.....
Cookie just wait
CONGRATS YOU HAVE GOT 2ND PLACE HERES LOOKING A COOKIE LIKE I PROMISED 🍪 KEEP GOING
HERE FEEL HAPPY. 🍒🍓🍍🍌🍉🍎🍇 eat up
Like your food if you still here LIKE
YOU GOT 1ST PLACE YAY HERE🐕 A PUPPY 😁😁😁😄😃😀
omg! did did the mom died?? or is it just the end?????
I can beat you.
The fact that so many books still name the Beatles “the greatest or most significant or most influential” rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success: the Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worth of being saved.
In a sense the Beatles are emblematic of the status of rock criticism as a whole: too much attention to commercial phenomena (be it grunge or U2) and too little attention to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, a lot of rock critics will ignore him. If a major label picks up a musician who is as stereotyped as one can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for free for major labels, distributors and record stores. They simply publicize what the music business wants to make money with.
Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles. And rock critics will study more of rock history and realize who invented what and who simply exploited it commercially.
Beatles’ “aryan” music removed any trace of black music from rock and roll: it replaced syncopated african rhythm with linear western melody, and lusty negro attitudes with cute white-kid smiles.
Contemporary musicians never spoke highly of the Beatles, and for a good reason. They could not figure out why the Beatles’ songs should be regarded more highly than their own. They knew that the Beatles were simply lucky to become a folk phenomenon (thanks to “Beatlemania”, which had nothing to do with their musical merits).
That phenomenon kept alive interest in their (mediocre) musical endeavours to this day. Nothing else grants the Beatles more attention than, say, the Kinks or the Rolling Stones. There was nothing intrinsically better in the Beatles’ music. Ray Davies of the Kinks was certainly a far better songwriter than Lennon & McCartney. The Stones were certainly much more skilled musicians than the ‘Fab Fours’. And Pete Townshend was a far more accomplished composer, capable of “Tommy” and “Quadrophenia”. Not to mention later and far greater British musicians. Not to mention the American musicians who created what the Beatles later sold to the masses.
The Beatles sold a lot of records not because they were the greatest musicians but simply because their music was easy to sell to the masses: it had no difficult content, it had no technical innovations, it had no creative depth. They wrote a bunch of catchy 3-minute ditties and they were photogenic. If somebody had not invented “Beatlemania” in 1963, you would not have wasted five minutes of your time to read a page about such a trivial band.
Note of 2010. The Beatles were not a terribly interesting band, but their fans were and still are an interesting phenomenon. I can only name religious fundamentalists as annoying (and as threatening) as Beatles fans and as persevering in sabotaging anyone who dares express an alternative opinion on their faith. They have turned me into some kind of Internet celebrity not because of the 6,000 bios that i have written, not because of the 800-page book that i published, not because of 30 years of cultural events that i organized, but simply because i downplayed the artistic merits of the Beatles, an action that they seem to consider as disgraceful as the 2001 terrorist attacks.
Jakub Krawczynski sent me this comment in 2010:
I find it quite amusing that almost all of the Beatles songs have their own entries on wikipedia (nothing wrong with that in itself, actually), even if they are not singles, and each of them is meticulously dissected as if there were transcendental suites exceeding human comprehension, yet bands like Faust or Red Krayola, etc. have biographies even shorter than just one article about any random Beatles song. Needless to say, none of their songs have any articles on them, yet I’m sure there would be a lot more to talk about. Moreover, if you had put any bad review of their album on the site with the intention to show the broader scope of opinions, you’d risk your “life” there, since such fanatics don’t accept any single sign of trying to be objective. You are seen as public enemy number 1 to them. It’s like your article is one giant cognitive dissonance to them and vandalizing your bio was the only way to reduce this dissonance. (Italian text translated by Ornella C. Grannis)
The Beatles most certainly belong to the history of the 60s, but their musical merits are at best dubious.
The Beatles came to be at the height of the reaction against rock and roll, when the innocuous “teen idols”, rigorously white, were replacing the wild black rockers who had shocked the radio stations and the conscience of half of America. Their arrival represented a lifesaver for a white middle class terrorized by the idea that within rock and roll lay a true revolution of customs. The Beatles tranquilized that vast section of people and conquered the hearts of all those (first and foremost the females) who wanted to rebel without violating the societal status quo.
The contorted and lascivious faces of the black rock and rollers were substituted by the innocent smiles of the Beatles; the unleashed rhythms of the first were substituted by the catchy tunes of the latter. Rock and roll could finally be included in the pop charts. The Beatles represented the quintessential reaction to a musical revolution in the making, and for a few years they managed to run its enthusiasm into the ground.
Furthermore, the Beatles represented the reaction against a social and political revolution. They arrived at the time of the student protests, of Bob Dylan, of the Hippies, and they replaced the image of angry kids with their fists in the air, with their cordial faces and their amiable declarations. They came to replace the accusatory words of militant musicians with overindulgent nursery rhymes. In this fashion as well the Beatles served as middle-class tranquilizers, as if to prove the new generation was not made up exclusively of rebels, misfits and sexual maniacs.
For most of their career the Beatles were four mediocre musicians who sang melodic three-minute tunes at a time when rock music was trying to push itself beyond that format (a format originally confined by the technical limitations of 78 rpm record). They were the quintessence of “mainstream”, assimilating the innovations proposed by rock music, within the format of the melodic song.
The Beatles belonged, like the Beach Boys (whom they emulated for most of their career), to the era of the vocal band. In such a band the technique of the instrument was not as important as the chorus.
Undoubtedly skilled at composing choruses, they availed themselves of producer George Martin (head of the Parlophone since 1956), to embellish those choruses with arrangements more and more eccentric.
Thanks to a careful publicity campaign they became the most celebrated entertainers of the era, and are still the darlings of magazines and tabloids, much like Princess Grace of Monaco and Lady Di.
The convergence between Western polyphony (melody, several parts of vocal harmony and instrumental arrangements) and African percussion - the leitmotif of American music from its inception - was legitimized in Europe by the huge success of the Merseybeat, in particular by its best sellers, Gerry and the Pacemakers and the Beatles, both produced by George Martin and managed by Brian Epstein. To the bands of the Merseybeat goes the credit of having validated rock music for a vast audience, a virtually endless audience.
They were able to interpret the spirit and the technique of rock and roll, while separating it from its social circumstances, thus defusing potential explosions. In such fashion, they rendered it accessible not only to the young rebels, but to all. Mediocre musicians and even more mediocre intellectuals, bands like the Beatles had the intuition of the circus performer who knows how to amuse the peasants after a hard day’s work, an intuition applied to the era of mass distribution of consumer goods.
Every one of their songs and every one of their albums followed much more striking songs and albums by others, but instead of simply imitating those songs, the Beatles adapted them to a bourgeois, conformist and orthodox dimension. The same process was applied to the philosophy of the time, from the protest on college campuses to Dylan’s pacifism, from drugs to the Orient. Their vehicle was melody, a universal code of sorts, that declared their music innocuous. Naturally others performed the same operation, and many (from the Kinks to the Hollies, from the Beach Boys to the Mamas and Papas) produced melodies even more memorable, yet the Beatles arrived at the right moment and theirs would remain the trademark of the melodic song of the second half of the twentieth century. HAVE I WON
No
It's more appreciated since he type in a paragraph and not put space like mine but mine took 3 hours it's way longer than the pinned one like way more hope I get some attention😢
Nu uh check my comment
Hello, everyone! This is the LONGEST TEXT EVER! I was inspired by the various other "longest texts ever" on the internet, and I wanted to make my own. So here it is! This is going to be a WORLD RECORD! This is actually my third attempt at doing this. The first time, I didn't save it. The second time, the Neocities editor crashed. Now I'm writing this in Notepad, then copying it into the Neocities editor instead of typing it directly in the Neocities editor to avoid crashing. It sucks that my past two attempts are gone now. Those actually got pretty long. Not the longest, but still pretty long. I hope this one won't get lost somehow. Anyways, let's talk about WAFFLES! I like waffles. Waffles are cool. Waffles is a funny word. There's a Teen Titans Go episode called "Waffles" where the word "Waffles" is said a hundred-something times. It's pretty annoying. There's also a Teen Titans Go episode about Pig Latin. Don't know what Pig Latin is? It's a language where you take all the consonants before the first vowel, move them to the end, and add '-ay' to the end. If the word begins with a vowel, you just add '-way' to the end. For example, "Waffles" becomes "Afflesway". I've been speaking Pig Latin fluently since the fourth grade, so it surprised me when I saw the episode for the first time. I speak Pig Latin with my sister sometimes. It's pretty fun. I like speaking it in public so that everyone around us gets confused. That's never actually happened before, but if it ever does, 'twill be pretty funny. By the way, "'twill" is a word I invented recently, and it's a contraction of "it will". I really hope it gains popularity in the near future, because "'twill" is WAY more fun than saying "it'll". "It'll" is too boring. Nobody likes boring. This is nowhere near being the longest text ever, but eventually it will be! I might still be writing this a decade later, who knows? But right now, it's not very long. But I'll just keep writing until it is the longest! Have you ever heard the song "Dau Dau" by Awesome Scampis? It's an amazing song. Look it up on TH-cam! I play that song all the time around my sister! It drives her crazy, and I love it. Another way I like driving my sister crazy is by speaking my own made up language to her. She hates the languages I make! The only language that we both speak besides English is Pig Latin. I think you already knew that. Whatever. I think I'm gonna go for now. Bye! Hi, I'm back now. I'm gonna contribute more to this soon-to-be giant wall of text. I just realised I have a giant stuffed frog on my bed. I forgot his name. I'm pretty sure it was something stupid though. I think it was "FROG" in Morse Code or something. Morse Code is cool. I know a bit of it, but I'm not very good at it. I'm also not very good at French. I barely know anything in French, and my pronunciation probably sucks. But I'm learning it, at least. I'm also learning Esperanto. It's this language that was made up by some guy a long time ago to be the "universal language". A lot of people speak it. I am such a language nerd. Half of this text is probably gonna be about languages. But hey, as long as it's long! Ha, get it? As LONG as it's LONG? I'm so funny, right? No, I'm not. I should probably get some sleep. Goodnight! Hello, I'm back again. I basically have only two interests nowadays: languages and furries. What? Oh, sorry, I thought you knew I was a furry. Haha, oops. Anyway, yeah, I'm a furry, but since I'm a young furry, I can't really do as much as I would like to do in the fandom. When I'm older, I would like to have a fursuit, go to furry conventions, all that stuff. But for now I can only dream of that. Sorry you had to deal with me talking about furries, but I'm honestly very desperate for this to be the longest text ever. Last night I was watching nothing but fursuit unboxings. I think I need help. This one time, me and my mom were going to go to a furry Christmas party, but we didn't end up going because of the fact that there was alcohol on the premises, and that she didn't wanna have to be a mom dragging her son through a crowd of furries. Both of those reasons were understandable. Okay, hopefully I won't have to talk about furries anymore. I don't care if you're a furry reading this right now, I just don't wanna have to torture everyone else. I will no longer say the F word throughout the rest of this entire text. Of course, by the F word, I mean the one that I just used six times, not the one that you're probably thinking of which I have not used throughout this entire text. I just realised that next year will be 2020. That's crazy! It just feels so futuristic! It's also crazy that the 2010s decade is almost over. That decade brought be a lot of memories. In fact, it brought be almost all of my memories. It'll be sad to see it go. I'm gonna work on a series of video lessons for Toki Pona. I'll expain what Toki Pona is after I come back. Bye! I'm back now, and I decided not to do it on Toki Pona, since many other people have done Toki Pona video lessons already. I decided to do it on Viesa, my English code. Now, I shall explain what Toki Pona is. Toki Pona is a minimalist constructed language that has only ~120 words! That means you can learn it very quickly. I reccomend you learn it! It's pretty fun and easy! Anyway, yeah, I might finish my video about Viesa later. But for now, I'm gonna add more to this giant wall of text, because I want it to be the longest! It would be pretty cool to have a world record for the longest text ever. Not sure how famous I'll get from it, but it'll be cool nonetheless. Nonetheless. That's an interesting word. It's a combination of three entire words. That's pretty neat. Also, remember when I said that I said the F word six times throughout this text? I actually messed up there. I actually said it ten times (including the plural form). I'm such a liar! I struggled to spell the word "liar" there. I tried spelling it "lyer", then "lier". Then I remembered that it's "liar". At least I'm better at spelling than my sister. She's younger than me, so I guess it's understandable. "Understandable" is a pretty long word. Hey, I wonder what the most common word I've used so far in this text is. I checked, and appearantly it's "I", with 59 uses! The word "I" makes up 5% of the words this text! I would've thought "the" would be the most common, but "the" is only the second most used word, with 43 uses. "It" is the third most common, followed by "a" and "to". Congrats to those five words! If you're wondering what the least common word is, well, it's actually a tie between a bunch of words that are only used once, and I don't wanna have to list them all here. Remember when I talked about waffles near the beginning of this text? Well, I just put some waffles in the toaster, and I got reminded of the very beginnings of this longest text ever. Okay, that was literally yesterday, but I don't care. You can't see me right now, but I'm typing with my nose! Okay, I was not able to type the exclamation point with just my nose. I had to use my finger. But still, I typed all of that sentence with my nose! I'm not typing with my nose right now, because it takes too long, and I wanna get this text as long as possible quickly. I'm gonna take a break for now! Bye! Hi, I'm back again. My sister is beside me, watching me write in this endless wall of text. My sister has a new thing where she just says the word "poop" nonstop. I don't really like it. She also eats her own boogers. I'm not joking. She's gross like that. Also, remember when I said I put waffles in the toaster? Well, I forgot about those and I only ate them just now. Now my sister is just saying random numbers. Now she's saying that they're not random, they're the numbers being displayed on the microwave. Still, I don't know why she's doing that. Now she's making annoying clicking noises. Now she's saying that she's gonna watch Friends on three different devices. Why!?!?! Hi its me his sister. I'd like to say that all of that is not true. Max wants to make his own video but i wont let him because i need my phone for my alarm.POOP POOP POOP POOP LOL IM FUNNY. kjnbhhisdnhidfhdfhjsdjksdnjhdfhdfghdfghdfbhdfbcbhnidjsduhchyduhyduhdhcduhduhdcdhcdhjdnjdnhjsdjxnj Hey, I'm back. Sorry about my sister. I had to seize control of the LTE from her because she was doing keymash. Keymash is just effortless. She just went back to school. She comes home from school for her lunch break. I think I'm gonna go again. Bye! Hello, I'm back. Let's compare LTE's. This one is only 8593 characters long so far. Kenneth Iman's LTE is 21425 characters long. The Flaming-Chicken LTE (the original) is a whopping 203941 characters long! I think I'll be able to surpass Kenneth Iman's not long from now. But my goal is to surpass the Flaming-Chicken LTE. Actually, I just figured out that there's an LTE longer than the Flaming-Chicken LTE. It's Hermnerps LTE, which is only slightly longer than the Flaming-Chicken LTE, at 230634 characters. My goal is to surpass THAT. Then I'll be the world record holder, I think. But I'll still be writing this even after I achieve the world record, of course. One time, I printed an entire copy of the Bee Movie script for no reason. I heard someone else say they had three copies of the Bee Movie script in their backpack, and I got inspired. But I only made one copy because I didn't want to waste THAT much paper. I still wasted quite a bit of paper, though. Now I wanna see how this LTE compares to the Bee Movie script. Okay, I checked, and the Bee Movie script is 50753 characters long. Not as long as some of the LTEs I mentioned, but still longer than mine and Kenneth Iman's combined. This LTE is getting close to 10000 characters! That means it'll be half the length of Kenneth Iman's LTE. That's pretty exciting. Also, going back to the topic of the Bee Movie Script, I tried to write the entire thing out by hand
Longest evert
@@blayses3116 "Evert"????
rickroll the best
Rickroll: you’re going to Brazil
Everyone: laugh
I live in beazil
@@dari4440 then run from it
When you live in Brazil:
Why is everyone doing this: Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . KILL ME PLEASE Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." Why is everyone doing this: Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . KILL ME PLEASE Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12" , rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17 . Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x."Why is everyone doing this: Everyone: Isolate "x" on one side of the algebraic equation by adding the negative number that appears on the same side of the equation as the " x." For example, in the equation "x - 5 = 12", rewrite the equation as " x = 12 + 5" and solve for "x." The solution is "x = 17. Everyone: Isolanegative number that appears on the same side of the x." :)｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡｡ﾟ•┈┈┈୨ ୧┈┈┈•ﾟ｡
Beautiful
skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)skin concept for an potential doomspire defense x tower heroes collab: 1 skin:mr. doombringer skin for chef 2 skin: rockstar for spectre 3: sword master an skin for yasuke. (ive ran out of ideas please reply with more skin ideas or maps for this collab thank you.)
1. I Love u
2. I Love u
3. I Love u
4. I love u
5. I Love u
6. I Love u
7. I Love u
8. I Love u
9. I Love u
10. I Love u
11. I Love u
12. I Love u
13. I Love u
14. I Love u
15. I Love u
16. I Love u
17. I Love u
18. I Love u
19. I Love u
20. I Love u
21. I Love u
22. I Love u
23.I Love u
24.I Love u
25.I Love u
26.I Love u
27.I Love u
28.I Love u
29:I Love u
30.I Love u
31.I Love u
32.I Love u
33.I Love u
34.I Love u
35.I Love u
36.I Love u
37. I Love u
38. I Love u
39.I Love u
40.I Love u
You want likes
It was raining hard that night. In my hurry to get into the house, I didn't notice the black car parked across the road. I realized something was wrong when I could see someone hovering around the car. I wasn't sure if it was safe to go to the car to investigate but my instincts dragged me from the gate of my building to across the road and next to the car. What happened in that half an hour is what I call my most unforgettable memory.
I could see a man pacing up and down, drenched and injured. At first when I saw him, he looked inebriated as he was losing his balance now and then. But as I went near him, I was sure it was the injury and not any substance that was causing him to tip.
Excuse me Sir! Can I help you? I asked him. He seemed to be in a state of shock. I tried calling out to him but he continued going round and round his car. I was not comfortable reaching out to him physically and I thought he might attack me in his condition. But there was no one I could call as my phone had switched off after getting wet in the rain. Also, if I went home, which was just across the street, my over-protective mother would panic and wouldn't let me help him. So there I was, feeling helpless and angry, because I decided to help someone without knowing what to do.
I remember standing in the rain for quite some time, staring at the man hovering around his car, feeling absolutely worthless. Then in a flash of a moment, I found myself walking towards him and reaching out to his shoulder. I must have been really stupid to do that!
Sir! I shouted as I grabbed his shoulder, Can you tell me your name? Do you live around here?The man seemed to have lost his ability to hear or see or feel as he continued to walk around his car, only that now he was crying and shivering .because of the rain.
I grabbed both his shoulders and tried to talk again.
I will help you! Tell me what I you want! Is this your car?
I repeatedly asked him the above questions for at least five minutes before his finally looked at me and broke down. At that point, to be honest, I was scared to death, because he wouldn't stop screaming and trembling. After a while, he began to come back to his senses and began to calm down. Finally, when he stopped crying, he looked at me and told me that he was a second-year DU student who was out for a school reunion party at one of the schoolmates farmhouse on the outskirts of the city. He had happily agreed to go for the party because obviously we are always excited to meet our school buddies and relive the happy school memories. When he entered the farmhouse, he told me that everything was fine for a couple of hours. HE then said that they began playing a game which turned into an unpleasant episode of bullying him. He was majorly bullied by a school group when in school and at the party too, the group started bullying him. When he retaliated, they faked an apology and offered him a drink.
I was foolish to assume that they were truly sorry and that they had grown up, he told me, now smiling as if recollecting what happened at the party. He told me that he doesn't remember what happened after he took that drink. He only remembers me screaming at him.
When I regained consciousness, my head hurt and I was lying on the street, drenched, outside my car. I don't even know what part of the city I am in. They must have put me in the car and brought me here. And they must have thrown me out of my own car and thrown away the keys after locking it so that I cant go home.
The man, whose name was Kabir, thanked me for being there. He asked me which place he had been abandoned, and asked the way to the nearest police station. I took him with me and told our complex watchman to guard his car for the night. My mother calmed down as she heard the whole story and nursed his wounds. Kabir slept at my place that night. The next morning, mom and I accompanied him to the police station and lodged an FIR. Kabir said he wanted to get a blood test done as he thought he had been made to take drugs through the drink. He was right. He gave the details of the farmhouse and of his friends. The police sealed the farmhouse and arrested the friends.
Kabir and I became good friends forever after the incident. He taught me to be cautious of people, because some people can never be trusted no matter how much time has passed. He also taught me that it is okay to have a moment of fear. If you have a helping hand around, you can overcome fear and get back on your feet again.
Was this answer helpful?
upvote
91
Just check out the lyrics
Look, I was gonna go easy on you not to hurt your feelings
But I'm only going to get this one chance
(Six minutes, six minutes)
Something's wrong, I can feel it
(Six minutes, six minutes, Slim Shady, you're on)
Just a feeling I've got
Like something's about to happen
But I don't know what
If that means, what I think it means, we're in trouble
Big trouble. And if he is as bananas as you say
I'm not taking any chances
You were just what the doctor ordered
[Chorus:]
I'm beginning to feel like a Rap God, Rap God
All my people from the front to the back nod, back nod
Now who thinks their arms are long enough to slap box, slap box?
They said I rap like a robot, so call me rap-bot
[Verse 1:]
But for me to rap like a computer must be in my genes
I got a laptop in my back pocket
My pen'll go off when I half-cock it
Got a fat knot from that rap profit
Made a living and a killing off it
Ever since Bill Clinton was still in office
With Monica Lewinski feeling on his nutsack
I'm an MC still as honest
But as rude and as indecent as all hell
Syllables, skill-a-holic (Kill 'em all with)
This flippity, dippity-hippity hip-hop
You don't really wanna get into a pissing match
With this rappity-rap
Packing a mack in the back of the Ac
backpack rap, crap, yap-yap, yackety-yack
and at the exact same time
I attempt these lyrical acrobat stunts while I'm practicing that
I'll still be able to break a motherfuckin' table
Over the back of a couple of faggots and crack it in half
Only realized it was ironic
I was signed to Aftermath after the fact
How could I not blow? All I do is drop "F" bombs
Feel my wrath of attack
Rappers are having a rough time period
Here's a Maxi-Pad
It's actually disastrously bad
For the wack while I'm masterfully constructing this masterpiece yeah
[Chorus:]
'Cause I'm beginning to feel like a Rap God, Rap God
All my people from the front to the back nod, back nod
Now who thinks their arms are long enough to slap box, slap box?
Let me show you maintaining this shit ain't that hard, that hard
[Verse 2:]
Everybody want the key and the secret to rap
Immortality like I have got
Well, to be truthful the blueprint's
Simply rage and youthful exuberance
Everybody loves to root for a nuisance
Hit the earth like an asteroid
and did nothing but shoot for the moon since (PPEEYOOM)
MC's get taken to school with this music
'Cause I use it as a vehicle to 'bus the rhyme'
Now I lead a New School full of students
Me? Me, I'm a product of Rakim
Lakim Shabazz, 2Pac, N-W-A., Cube, hey, Doc, Ren
Yella, Eazy, thank you, they got Slim
Inspired enough to one day grow up
Blow up and being in a position
To meet Run-D.M.C. and induct them
Into the motherfuckin' Rock n'
Roll Hall of Fame even though I walk in the church
And burst in a ball of flames
Only Hall of Fame I'll be inducted in is the alcohol of fame
On the wall of shame
You fags think it's all a game
'Til I walk a flock of flames
Off a plank and
Tell me what in the fuck are you thinking?
Little gay looking boy
So gay I can barely say it with a 'straight' face looking boy
You're witnessing a mass-occur like you're watching a church gathering
And take place looking boy
Oy vey, that boy's gay
That's all they say looking boy
You get a thumbs up, pat on the back
And a "way to go" from your label every day looking boy
Hey, looking boy, what d'you say looking boy?
I get a "hell yeah" from Dre looking boy
I'mma work for everything I have
Never asked nobody for shit
Git out my face looking boy
Basically boy you're never gonna be capable
of keeping up with the same pace looking boy, 'cause
[Chorus:]
I'm beginning to feel like a Rap God, Rap God
All my people from the front to the back nod, back nod
The way I'm racing around the track, call me Nascar, Nascar
Dale Earnhardt of the trailer park, the White Trash God
Kneel before General Zod this planet's Krypton, no Asgard, Asgard
[Verse 3:]
So you'll be Thor and I'll be Odin
You rodent, I'm omnipotent
Let off then I'm reloading
Immediately with these bombs I'm totin'
And I should not be woken
I'm the walking dead
But I'm just a talking head, a zombie floating
But I got your mom deep throating
I'm out my Ramen Noodle
We have nothing in common, poodle
I'm a Doberman, pinch yourself
In the arm and pay homage, pupil
It's me
My honesty's brutal
But it's honestly futile if I don't utilize
What I do though for good
At least once in a while so I wanna make sure
Somewhere in this chicken scratch I scribble and doodle
Enough rhymes to
Maybe try to help get some people through tough times
But I gotta keep a few punchlines
Just in case 'cause even you unsigned
Rappers are hungry looking at me like it's lunchtime
I know there was a time where once I
Was king of the underground
But I still rap like I'm on my Pharoahe Monch grind
So I crunch rhymes
But sometimes when you combine
Appeal with the skin color of mine
You get too big and here they come trying to
Censor you like that one line I said
On "I'm Back" from the Mathers LP
One when I tried to say I'll take seven kids from Columbine
Put 'em all in a line
Add an AK-47, a revolver and a nine
See if I get away with it now
That I ain't as big as I was, but I'm
Morphin' into an immortal coming through the portal
You're stuck in a time warp from two thousand four though
And I don't know what the fuck that you rhyme for
You're pointless as Rapunzel
With fucking cornrows
You write normal, fuck being normal
And I just bought a new ray gun from the future
Just to come and shoot ya
Like when Fabulous made Ray J mad
'Cause Fab said he looked like a fag
At Mayweather's pad singin' to a man
While he play piano
Man, oh man, that was the 24/7 special
On the cable channel
So Ray J went straight to radio station the very next day
"Hey, Fab, I'mma kill you"
Lyrics coming at you at supersonic speed, (JJ Fad)
Uh, summa lumma dooma lumma you assuming I'm a human
What I gotta do to get it through to you I'm superhuman
Innovative and I'm made of rubber, so that anything you say is
Ricochet in off a me and it'll glue to you
And I'm devastating more than ever demonstrating
How to give a motherfuckin' audience a feeling like it's levitating
Never fading, and I know that haters are forever waiting
For the day that they can say I fell off, they'll be celebrating
'Cause I know the way to get 'em motivated
I make elevating music
You make elevator music
"Oh, he's too mainstream."
Well, that's what they do
When they get jealous, they confuse it
"It's not hip hop, it's pop."
'Cause I found a hella way to fuse it
With rock, shock rap with Doc
Throw on "Lose Yourself" and make 'em lose it
I don't know how to make songs like that
I don't know what words to use
Let me know when it occurs to you
While I'm ripping any one of these verses that versus you
It's curtains, I'm inadvertently hurtin' you
How many verses I gotta murder to
Prove that if you were half as nice,
your songs you could sacrifice virgins to
Unghh, school flunky, pill junky
But look at the accolades these skills brung me
Full of myself, but still hungry
I bully myself 'cause I make me do what I put my mind to
When I'm a million leagues above you
Ill when I speak in tongues
But it's still tongue-and-cheek, fuck you
I'm drunk so Satan take the fucking wheel
I'm asleep in the front seat
Bumping Heavy D and the Boys
"Still chunky, but funky"
But in my head there's something
I can feel tugging and struggling
Angels fight with devils and
Here's what they want from me
They're asking me to eliminate some of the women hate
But if you take into consideration the bitter hatred I had
Then you may be a little patient and more sympathetic to the situation
And understand the discrimination
But fuck it
Life's handing you lemons
Make lemonade then
But if I can't batter the women
How the fuck am I supposed to bake them a cake then?
Don't mistake him for Satan
It's a fatal mistake if you think I need to be overseas
And take a vacation to trip a broad
And make her fall on her face and
Don't be a retard, be a king?
Think not
Why be a king when you can be a God?
Underrated
@@John_again_John yh
Underrated
@@John_again_John thx this took a lot of time to write
@@thecontinent3240 have you seen my comment?
garnet from steven universe a d why she's the best character
Garnet from "Steven Universe" stands out as one of the most compelling characters in the series for several reasons. First and foremost, her character embodies strength and resilience. As one of the Crystal Gems, Garnet possesses immense power, yet this strength is balanced by her calm demeanor and emotional intelligence. This combination makes her a natural leader and a source of support for the other characters. She often acts as a mentor to Steven, guiding him through challenges and helping him navigate his emotions. This nurturing aspect of her personality showcases her as not only a warrior but also as a guardian figure.
Garnet's unique identity is another reason she is regarded as the best character. She is a fusion of two Gems, Ruby and Sapphire, which symbolizes the beauty of unity and love. This aspect of her character is particularly vital, as it challenges traditional notions of individuality and highlights the importance of relationships. The dynamic between Ruby and Sapphire is foundational to Garnet's character. Their bond is an example of healthy communication and partnership, emphasizing that love can empower and strengthen individuals. This message resonates deeply with viewers, particularly within the context of modern discussions about relationships and identity.
Moreover, Garnet's journey throughout the series illustrates personal growth and self-acceptance. She confronts her fears and insecurities, especially when dealing with the complexities of being a fusion. This exploration of her character not only adds depth but also provides valuable lessons about embracing one's true self. As a role model, Garnet encourages viewers to appreciate the different facets of their personalities and to embrace who they are fully.
In conclusion, Garnet's strength, her representation of love and unity, and her journey towards self-acceptance make her the best character in "Steven Universe." She serves as a powerful example of resilience while promoting important themes of love, partnership, and personal growth that resonate with audiences of all ages.
The Narrator begins by noting, "For a long time, I went to bed early." He comments on the way sleep seems to alter one's surroundings, and the way habit makes one indifferent to them. He remembers being in his room in the family's country home in Combray, while downstairs his parents entertain their friend Charles Swann, an elegant man of Jewish origin with strong ties to society. Due to Swann's visit, the Narrator is deprived of his mother's goodnight kiss, but he gets her to spend the night reading to him. This memory is the only one he has of Combray until years later the taste of a madeleine cake dipped in tea inspires a nostalgic incident of involuntary memory. He remembers having a similar snack as a child with his invalid aunt Léonie, and it leads to more memories of Combray. He describes their servant Françoise, who is uneducated but possesses an earthy wisdom and a strong sense of both duty and tradition. He meets an elegant "lady in pink" while visiting his uncle Adolphe. He develops a love of the theater, especially the actress Berma, and his awkward Jewish friend Bloch introduces him to the works of the writer Bergotte. He learns Swann made an unsuitable marriage but has social ambitions for his beautiful daughter Gilberte. Legrandin, a snobbish friend of the family, tries to avoid introducing the boy to his well-to-do sister. The Narrator describes two routes for country walks the child and his parents often enjoyed: the way past Swann's home (the Méséglise way), and the Guermantes way, both containing scenes of natural beauty. Taking the Méséglise way, he sees Gilberte Swann standing in her yard with a lady in white, Mme. Swann, and her supposed lover: Baron de Charlus, a friend of Swann's. Gilberte makes a gesture that the Narrator interprets as a rude dismissal. During another walk, he spies a lesbian scene involving Mlle. Vinteuil, daughter of a composer, and her friend. The Guermantes way is symbolic of the Guermantes family, the nobility of the area. The Narrator is awed by the magic of their name and is captivated when he first sees Mme. de Guermantes. He discovers how appearances conceal the true nature of things and tries writing a description of some nearby steeples. Lying in bed, he seems transported back to these places until he awakens.
Mme. Verdurin is an autocratic hostess who, aided by her husband, demands total obedience from the guests in her "little clan". One guest is Odette de Crécy, a former courtesan, who has met Swann and invites him to the group. Swann is too refined for such company, but Odette gradually intrigues him with her unusual style. A sonata by Vinteuil, which features a "little phrase", becomes the motif for their deepening relationship. The Verdurins host M. de Forcheville; their guests include Cottard, a doctor; Brichot, an academic; Saniette, the object of scorn; and a painter, M. Biche. Swann grows jealous of Odette, who now keeps him at arm's length, and suspects an affair between her and Forcheville, aided by the Verdurins. Swann seeks respite by attending a society concert that includes Legrandin's sister and a young Mme. de Guermantes; the "little phrase" is played and Swann realizes Odette's love for him is gone. He tortures himself wondering about her true relationships with others, but his love for her, despite renewals, gradually diminishes. He moves on and marvels that he ever loved a woman who was not his type.
At home in Paris, the Narrator dreams of visiting Venice or the church in Balbec, a resort, but he is too unwell and instead takes walks in the Champs-Élysées, where he meets and befriends Gilberte. He holds her father, now married to Odette, in the highest esteem, and is awed by the beautiful sight of Mme. Swann strolling in public. Years later, the old sights of the area are long gone, and he laments the fleeting nature of places.
Volume Two: In the Shadow of Young Girls in Flower
Wikiquote has quotations related to: In the Shadow of Young Girls in Flower
The beach at Cabourg, a seaside resort that was the model for Balbec in the novel
The Narrator's parents are inviting M. de Norpois, a diplomat colleague of the Narrator's father, to dinner. With Norpois's intervention, the Narrator is finally allowed to go see Berma perform in a play, but is disappointed by her acting. Afterwards, at dinner, he watches Norpois, who is extremely diplomatic and correct at all times, expound on society and art. The Narrator gives him a draft of his writing, but Norpois gently indicates it is not good. The Narrator continues to go to the Champs-Élysées and play with Gilberte. Her parents distrust him, so he writes to them in protest. He and Gilberte wrestle and he has an orgasm. Gilberte invites him to tea, and he becomes a regular at her house. He observes Mme. Swann's inferior social status, Swann's lowered standards and indifference towards his wife, and Gilberte's affection for her father. The Narrator contemplates how he has attained his wish to know the Swanns, and savors their unique style. At one of their parties he meets and befriends Bergotte, who gives his impressions of society figures and artists. But the Narrator is still unable to start writing seriously. His friend Bloch takes him to a brothel, where there is a Jewish prostitute named Rachel. He showers Mme. Swann with flowers, being almost on better terms with her than with Gilberte. One day, he and Gilberte quarrel and he decides never to see her again. However, he continues to visit Mme. Swann, who has become a popular hostess, with her guests including Mme. Bontemps, who has a niece named Albertine. The Narrator hopes for a letter from Gilberte repairing their friendship, but gradually feels himself losing interest. He breaks down and plans to reconcile with her, but spies from afar someone resembling her walking with a boy and gives her up for good. He stops visiting her mother also, who is now a celebrated beauty admired by passersby, and years later he can recall the glamour she displayed then.
Two years later, the Narrator, his grandmother, and Françoise set out for the seaside town of Balbec. The Narrator is almost totally indifferent to Gilberte now. During the train ride, his grandmother, who only believes in proper books, lends him her favorite: the Letters of Mme. de Sévigné. At Balbec, the Narrator is disappointed with the church and uncomfortable in his unfamiliar hotel room, but his grandmother comforts him. He admires the seascape, and learns about the colorful staff and customers around the hotel: Aimé, the discreet headwaiter; the lift operator; M. de Stermaria and his beautiful young daughter; and M. de Cambremer and his wife, Legrandin's sister. His grandmother encounters an old friend, the blue-blooded Mme. de Villeparisis, and they renew their friendship. The three of them go for rides in the country, openly discussing art and politics. The Narrator longs for the country girls he sees alongside the roads, and has a strange feeling-possibly memory, possibly something else-while admiring a row of three trees. Mme. de Villeparisis is joined by her glamorous great-nephew Robert de Saint-Loup, who is involved with an unsuitable woman. Despite initial awkwardness, the Narrator and his grandmother become good friends with him. Bloch, the childhood friend from Combray, turns up with his family, and acts in typically inappropriate fashion. Saint-Loup's ultra-aristocratic and extremely rude uncle the Baron de Charlus arrives. The Narrator discovers Mme. de Villeparisis, her nephew M. de Charlus, and his nephew Saint-Loup are all of the Guermantes family. Charlus ignores the Narrator, but later visits him in his room and lends him a book. The next day, the Baron speaks shockingly informally to him, then demands the book back. The Narrator ponders Saint-Loup's attitude towards his aristocratic roots, and his relationship with his mistress, a mere actress whose recital bombed horribly with his family. One day, the Narrator sees a "little band" of teenage girls strolling beside the sea, and becomes infatuated with them, along with an unseen hotel guest named Mlle Simonet. He joins Saint-Loup for dinner and reflects on how drunkenness affects his perceptions. Later they meet the painter Elstir, and the Narrator visits his studio. The Narrator marvels at Elstir's method of renewing impressions of ordinary things, as well as his connections with the Verdurins (he is "M. Biche") and Mme. Swann. He discovers the painter knows the teenage girls, particularly one dark-haired beauty who is Albertine Simonet. Elstir arranges an introduction, and the Narrator becomes friends with her, as well as her friends Andrée, Rosemonde, and Gisele. The group goes for picnics and tours the countryside, as well as playing games, while the Narrator reflects on the nature of love as he becomes attracted to Albertine. Despite her rejection, they become close, although he still feels attracted to the whole group. At summer's end, the town closes up, and the Narrator is left with his image of first seeing the girls walking beside the sea
BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE
BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE
BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEEBEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE BEE
Gonna
Give
You
Up
Gonna
Let
You
Down
L
MY COMMENT IS MOST LONG
Read my comment it isn’t that long but it has stories :3 which are true
Btw U SHOULD BE PINNED
@@sxshee yeah
Omg
Chorus: Alice in Wonderland, how do you get to Wonderland? Over the hill or underland, or just behind the tree? When clouds go rolling by, they roll away and leave the sky. Where is the land beyond the eye, that people can not see, where can it be? Where do stars go, where is the crescent moon? They must be somewhere in the sunny afternoon. Alice in Wonderland, where is the path to Wonderland? Over the hill or here or there, I wonder where.
(One summer day, Alice was sitting up in a tree while her sister was reading a book about history.)
Sister: …for if he does, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria declared for him, and even Stigand… (noticed Alice's foot and moves it) Alice!
Alice: Hmm…? Oh, I’m listening.
Sister: And even Stigand, the archbishop of Canterbury, agreed to meet with William and offer him the crown.
(Alice places a flower crown on Dinah the cat and he shakes it of for as Alice giggles)
Alice: Hihihi!
Sister: William’s conduct at first was mo… (the flowers land on her)
Alice: Hihihi!
Sister: Alice…! (takes flowers off her) Will you kindly pay attention to your history lesson?
Alice: I’m sorry, but how can one possibly pay attention to a book with no pictures in it?
Sister: My dear child, there are a great many good books in this world without pictures.
Alice: In this world perhaps. But in my world, the books would be nothing but pictures.
Sister: Your world? Huh, what nonsense. Now…
Alice: Nonsense?
Sister: Once more. From the beginning.
(Then Alice thought of something.)
Alice: That’s it, Dinah! If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn’t. And contrariwise, what it is, it wouldn’t be, and what it wouldn’t be, it would. You see?
Dinah: Meow!
Alice: (climbs down tree) In my world, you wouldn’t say ‘meow’. You’d say ‘Yes, miss Alice’.
Dinah: Meow!
Alice: (picks up Dinah) Oh, but you would! You’d be just like people, Dinah, and all the other animals too. Why, in my world… (sings) Cats and rabbits, would reside in fancy little houses, and be dressed in shoes and hats and trousers. In a world of my own. All the flowers would have very extra special powers, they would sit and talk to me for hours, when I’m lonely in a world of my own. There’d be new birds, lots of nice and friendly howdy-do birds, everyone would have a dozen bluebirds, within that world of my own. I could listen to a babbling brook and hear a song, that I could understand. I keep wishing it could be that way, because my world would be a wonderland.
(Just then, Dinah saw what appeared to be a white rabbit with a waistcoat walking by.)
Dinah: Meow! Meow! Meow!
Alice: Oh Dinah! Its just a rabbit with a waistcoat… (surprised) and a watch!
White Rabbit: (looks at watch) Oh my fur and whiskers! I’m late, I’m late I’m late! (hops off)
Alice: Now this is curious! What could a rabbit possibly be late for? (follows rabbit) Please, sir!
White Rabbit: (continues hopping) I’m late, I’m late, for a very important date! No time to say hello, goodbye! I’m late, I’m late, I’m late!
Alice: It must be awfully important, like a party or something! Mister Rabbit! Wait!
(Alice continues to follow the rabbit)
White Rabbit: No, no, no, no, no, no, no, I’m overdue. I’m really in a stew. No time to say goodbye, hello! I’m late, I’m late, I’m late! (jumps down rabbit hole)
Alice: My, what a peculiar place to have a party.
Dinah: Meow!
(Alice squeezes herself in the hole.)
Alice: You know, Dinah, we really shouldn’t…uhh…uhh…be doing this. After all, we haven’t been invited! And curiosity often leads to troubl-l-l-e-e!
(Suddenly, Alice tumbles and falls down the hole.) Alice: Goodbye, Dinah! Goodbye!
(Dinah waves goodbye to Alice. As Alice falls down the hole, her skirt of her dress became a parachute, slowing down her fall.)
Alice: Oh! Well, after this I shall think nothing of fa-… (pushes apron off her face) of falling downstairs!
(Alice noticed a lamp floating down and turns it on. Then she noticed a bunch of objects floating down the hole. She saw her reflection through a mirror. She picked up a book and looked at it. Then she landed on a rocking chair.)
Alice: Oh! (relaxed in chair) Ahhh… then slips off chair) Oh, Goodness! What if I should fall right through the center of the earth… (falls through a tight opening) oh, and come out the other side, where people walk upside down. Oh, but that’s silly. Nobody… (she stops falling and is upside down, then she spotted the rabbit) oh! Oh, ha ha. (she got herself right side up) Oh, mister Rabbit! Wait! Please! …
(Alice ran through the room and spotted a door. She opens it only to find another door. Then another one and another one. Then she squeezed through the last door. She finds herself in an empty hall with a small door.)
Alice: Curiouser and curiouser!
Doorknob: Ohhhhh!!
Alice: Oh! Oh, I beg your pardon.
Doorknob: Oh, oh, it’s quite all right. But you did give me quite a turn!
Alice: You see, I was following…
Doorknob: Rather good, what? Doorknob, turn?
Alice: Please, sir.
Doorknob: Well, one good turn deserves another! What can I do for you?
Alice: Well, I’m looking for a white rabbit. So, um, if you don’t mind…
Doorknob: Uh? Oh!
Alice: There he is! I simply must get through!
Doorknob: Sorry, you’re much too big. Simply impassible.
Alice: You mean impossible?
Doorknob: No, impassible. Nothing’s impossible! Why don’t you try the bottle on the table?
Alice: Table? Oh!
Doorknob: Read the directions, and directly you’ll be directed in the right direction. He he he!
Alice: ‘Drink me’. Hmmm, better look first. For if one drinks much from a bottle marked ‘poison’, it’s almost certain to disagree with one, sooner or later.
Doorknob: Beg your pardon!
Alice: I was just giving myself some good advice. But… hmm, tastes like oh… cherry tart… custard… pineapple… roast turkey… goodness! What did I do?
Doorknob: Ho ho ho ho! You almost went out like a candle!
Alice: But look! I’m just the right size!
Doorknob: Oh, no use! Ha ha ha ha. I forgot to tell you, ho ho ho ho! I’m locked!
Alice: Oh no!
Doorknob: Ha ha ha, but of course, uh, you’ve got the key, so…
Alice: What key?
Doorknob: Now, don’t tell me you’ve left it up there!
Alice: Oh, dear! What ever will I do?
Doorknob: Try the box, naturally.
Alice: Oh! ‘Eat me’. All right. But goodness knows what this will do… wow, wow, wow, wow, wow!
Doorknob: whtwhsthswwdthdwd!
Alice: What did you say?
Doorknob: I said: ‘a little of that went a long way’! Ha ha ha ha!
Alice: Well, I don’t think it’s so funny! Now- now I shall never get home!
Doorknob: Oh, come on now. Crying won’t help.
Alice: I know, but I- I- I just can’t help myself!
Doorknob: Hey, this won’t do! Bwbwlwbbwlwbl! Say, this won’t do at all! You, you up there, stop! Stop, I say! Oh look! The bottle, the bottle…
Alice: Oh dear, I do wish I hadn’t cried so much.
Doorknob: glpglpglp…
Dodo: Oh, the sailor’s life is the life for me, how I love to sail on the bounding sea, and I never never ever do a thing about the weather for the weather never ever does a thing for me. Oh, a sailor’s life is a life for me, tiddle um (prrt, prrt) tiddle dum dum dee! And I never ne… ahoy! And other nautical expressions! Land ho, by Jove!
Parrot: Where away, Dodo?
Alice: Dodo?Dodo: Three points to starboard. Follow me, me hearties! Have you at port no time at all now, haha! Oh…
Alice: Mister Dodo!
Dodo: Johoho, and a bottle of sea, we love each time…
Alice: Please! Please help me! … Um, pardon me, but uh, would you mind helping me? Please? Yoo Ho! Yoo Ho! Help me! Please! Help me!
Dodo: Forward, backward, inward, outward, come and join the chase! Nothing could be drier than a jolly caucus-race. Backward, forward, outward, inward, bottom to the top, never a beginning there can never be a stop to skipping, hopping, tripping, fancy free and gay, I started it tomorrow and will finish yesterday. Round and round and round we go, and dance for evermore, once we were behind but now we find we are be-forward, backward, inward, outward, come and join the chase! Nothing could be drier than a jolly caucus-race. For backward…I say! You’ll never get dry that way!
Alice: Get dry?
Dodo: Have to run with the others! First rule of a caucus-race, you know!
Alice: But how can I…
Dodo: That’s better! Have you dry in no time now!
Alice: No-one can ever get dry this way!
Dodo: Nonsense! I am as dry as a bone already.
Alice: Yes, but…
Dodo: All right, chaps! Let’s head now! Look lively!
Alice: The white rabbit! Mister Rabbit! Mi- mister Rabbit!
White Rabbit: Oh, my goodness! I’m late! I’m late!
Alice: Oh, don’t go away! I’ll be right back!
White Rabbit: I’m late, I’m late, I’m late!
Dodo: Don’t step on the fish! Eric, there, watch it there stop kicking that mackerel! William…
Alice: Mister Rabbit! Oh, mister Rabbit! Oh dear, I’m sure he came this way. Do you suppose he could be hiding? Hmmm… not here. I wonder… No, I suppose he must have… Oh! Why, what peculiar little figures! Tweedle Dee… and Tweedle Dum!
Tweedle Dee: If you think we’re wax-works, you ought to pay, you know!
Tweedle Dum: Contrariwise, if you think we’re alive you ought to speak to us!
Dee & Dum: That’s logic!
Alice: Well, it’s been nice meeting you. Goodbye!
Dee: You’re beginning backwards!
Dum: Aye, the first thing in a visit is to say: How do you do and shake hands, shake hands, shake hands. How do you do and shake hands and state your name and business.
Dee & Dum: That’s manners!
Alice: Really? Well, my name is Alice and I’m following a white rabbit. So…
Dee: You can’t go yet!
Dum: No, the visit has just started!
Alice: I’m very sorry…
Dum: Do you like to play hide-and-seek?
Dee: Or button-button, who’s got the button?
Alice: No, thank you.
Dee: If you stay long enough we might have a battle!
Alice: That’s very kind of you, but I must be going.
Dee & Dum: Why?
Alice: Because I am following a white rabbit!
Dee & Dum: Why?
Alice: Well, I- I’m curious to know where he is going!
Dum: Ohhhh, she’s curious! Tsk! tsk! tsk! ts!…
Dee: The oysters were curious too, weren’t they?
Dum: Aye, and you remember what happened to them…
Dee & Dum: Poor things!
Alice: Why? What did happen to the oysters?
Dee: Oh, you wouldn’t be interested.
Alice: But I am!
Dum: Oh, no. You’re in much too much of a hurry!
Alice: Well, perhaps I could spare a little time…
Dee & Dum: You could? Well…
Dee: ‘The Walrus and the Carpenter’!
Dum: Or: ‘The story of the curious Oysters’!
Dee & Dum: The sun was shining on the sea, shining with all his might, he did his very best to make the billows smooth and bright. And this was odd, because it was the middle of the night. The Walrus and the Carpenter were walking close at hand. The beach was white from side to side but much too full of sand. ‘Mister Walrus’, said the Carpenter: ‘My brain begins to perk. We’ll sweep this clear in half a year, if you don’t mind the work.’
Walrus: Work? Uh, pff, brrrr! Uh the time has come…
Dee & Dum: …the Walrus said…
Walrus: …to talk of other things. Of shoes and ships and sealing wax, and cabbages and kings. And why the sea is boiling hot, and whether pigs have wings. Callooh, callay, no work today! We’re cabbages and kings! … Oh, uhhh, oysters, come and walk with us. The day is warm and bright! A pleasant walk, a pleasant talk, would be a sheer delight!
Carpenter: Yes, and should we get hungry on the way, we’ll stop and uh… have a bite!
Walrus: Hrmmmm!
Dee & Dum: But mother Oyster winked her eye and shook her heavy head. She knew too well this was no time to leave her oyster bed.
Mother oyster: The sea is nice, take my advice, and stay right here.
Dee & Dum: Mom said.
Walrus: Yes, yes, of course, of course! But eh… haha! The time has come, my little friends, to talk of other things. Of shoes and ships and sealing wax, of cabbages and kings. And why the sea is boiling hot, and whether pigs have wings. Haha! Callooh, callay, come run away! We’re the cabbages and kings! … Hrmmm, well now, uh… let me see… Ah! A loaf of bread is what we chiefly need.
Carpenter: So how about some pepper and salt and vinegar, aye?
Walrus: Oh yes, yes, splendid idea! Haha, very good indeed! Now, if you’re ready, oysters dear… haha… we can begin the feed.
Oysters: Feed?
Walrus: Oh yes, ahh, the time has come, my little friends, to talk of food and things!
Carpenter: Of peppercorn some mustard seed and other seasonings. We’ll mix them all together in a sauce that’s fit for kings. Callooh, callay, we’ll eat today, like cabbages and kings!
Walrus: I uh, weep for you, I -uh- oh, excuse me, I deeply sympathize. For I’ve enjoyed your company, oh, much more than you realize.
Carpenter: Little oysters, little oysters…
Dee & Dum: But answer there came none. And this was scarcely odd, because, they’d been eaten, every one!
Walrus: Hmm, well, uhhh, ha ha, ha ha, ha ha, hmm… the time has come!
Dee & Dum: We’re cabbages and kings! The end!
Alice: That was a very sad story.
Dum: Aye, and there’s a moral to it.
Alice: Oh yes, a very good moral, if you happen to be an oyster. Well, it’s been a very nice visit…
Dum: Another recitation…
Alice: I’m sorry, but…
Dum: Its titled ‘Father William’.
Alice: But really, I’m…
Dum: First verse: You are old father William, the young man said and your hair has become very white. And yet you incessantly stand on your head, do you think at your age it is right, is right, do you think at your age it is right? Well, in me youth, father William replied to his son, I’d do it again and again and again and I’d done it again and again and again…
Alice: Now I wonder who lives here…
White Rabbit: Mary Ann! Drat that girl. Where did she put ’em? Mary Ann!
Alice: The rabbit!
White Rabbit: Mary Ann! No use, can’t wait, I’m awfully late, oh me oh my oh me oh my!
Alice: Excuse me sir, but- but I’ve been trying to…
White Rabbit: Why, Mary Ann! What are you doing out here?
Alice: Mary Ann?
White Rabbit: Don’t just do something stand there! Uh… no no! Go go! Go get my gloves! I’m late!
Alice: But late for what? That’s just what I…
White Rabbit: My gloves! At once, do you hear!
Alice: Goodness. I suppose I’ll be taking orders from Dinah next. Hmmm, now let me see. If I were a rabbit, where would I keep my gloves? Oh! Thank you. Don’t mind if I do. Hmhm. Hmhm. Hmhmhmhmhmhm. Hmhmhmhmhmhm-oeh! Oh no no, not again!
White Rabbit: Oh! Mary Ann! Now you see here, Mary Ann… Help! No! No! Help! Monsters! Help, assistance!
Alice: Hrmm… hrmm… hrmm… dear!
White Rabbit: A monster! A monster, Dodo! In my house, Dodo!
Alice: Dodo…?
White Rabbit: Oh might, poor little bitty house…
Dodo: Uh, steady old champ.Can’t be as bad as all that you know.
White Rabbit: Oh my poor roof and rafters, all my walls and… there it is!
Dodo: By Jove! Jolly well?? is! Isn’t it?
White Rabbit: Well, do something, Dodo!
Dodo: Yes, indeed! Extraordinary situation, but eh…
White Rabbit: But- but- but- but- but what?
Dodo: But I have a very simple solution!
Alice: Thank goodness!
White Rabbit: Wha- wha- what is it?
Dodo: Simply pull it out the chimney.
White Rabbit: Yes, go- go- go on, go on! Pull it out!
Dodo: Who? Me? Don’t be ridiculous! What we need is eh… a lizard with a ladder!
White Rabbit: Hmm? Oh! Bill! Bill! Eh, we need a lazzerd with a lizard, a lizard a bb…b… can you help us?
Bill: At your service, governor!
Dodo: Here, my lad??. Have you ever been down a chimney?
Bill: Why governor, I’ve been down more chimneys…
Dodo: Excellent, excellent. You just pop down the chimney, and haul that monster out of there.
Bill: Righto, governor! Monster? Hoeaaaaah! No! No! ….
Dodo: Steady now. That’s better! Bill, lad, you’re passing up a golden opportunity!
Bill: I am?
Dodo: You can be famous!
Bill: I can?
Dodo: Of course! There’s a brave lad! In you go now. Nothing to it, old boy. Simply tie your tail around the monsters neck and drag it out!
Bill: But- but- but governor!
Dodo: Good luck, Bill!
Alice: (Prepares to Sneeze) and (Sneezes).
Dodo: Well, there goes Bill…
Alice: Poor Bill…
Dodo: Ehh, perhaps we should try a more energetic remedy.
White Rabbit: Yes, anything, anything. But hurry!
Dodo: Now, I- I propose that we… uhh…
White Rabbit: Yes, come on, come on, yes, yes…
Dodo: I propose that we… uhh… dow! By Jove! That’s it! We’ll burn the house down!
White Rabbit: Yes, hihi! Burn the house… what?
Alice: Oh no!
Dodo: Hi ho! Oh, we’ll smoke the blighter out. He’ll put the beast to rout. Some kindling, a stick or two, all this bit of rubbish ought to do.
White Rabbit: Oh dear…
Dodo: We’ll smoke the blighter out, we’ll smoke the monster out!
White Rabbit: No, no! Not my beautiful birdhouse!
Dodo: Oh, we’ll roast the blighter’s toes, we’ll toast the bounder’s nose! Just fetch that gate, we’ll make it clear that monsters aren’t welcome here.
White Rabbit: Oh me, oh my…
Dodo: A match!
White Rabbit: Match?
Dodo: Thank you! We’ll blow the thing there out, we’ll smoke the monster out!
White Rabbit: We’ll smoke the monster out… noho! Noho, my poor house and furniture…
Alice: Oh dear, this is serious! I simply must… oh! A garden! Perhaps if I eat something it will make me grow smaller…
White Rabbit: Ahhhh! Oh, let go! Help!
Alice: I’m sorry, but I must eat something!
White Rabbit: Not me, you- you- you- you- you barbarian! Help! Monsters! Help! Ah! I’m late! Oh dear, I’m here, I should be there! I’m late, I’m late, I’m late!
Dodo: Ah, say, do you have a match?
White Rabbit: Must go. Goodbye. Hello. I’m late, I’m late, I’m late!
Alice: Wait! Please wait!
Dodo: Ah, young lady! Do you have a match?
Alice: No, I- I’m sorry, but… mister Rabbit!
Dodo: No cooperation, no cooperation at all? We can’t have monsters about! Jolly will have to carry on alone! Pf, pf, pf, pf…
Alice: Wait! Please! Just a minute! Oh, dear. I’ll never catch him while I’m this small. Why curious butterflies!
Rose: You mean bread-and-butterflies.
Alice: Oh, yes, of course, I… hmm? Now who do you suppose… Ah, a horse fly! I mean, a- a rocking horse fly!
Rose: Naturally!
Alice: I beg your pardon, but uhh… did you… oh, that’s nonsense. Flowers can’t talk.
Rose: But of course we can talk, my dear.
Iris: If there’s anyone worth talking to.
Daisy: Or about! Hahahaha!
Pansies: And we sing too!
Alice: You do?
Tulips: Oh, yes. Would you like to hear ‘Tell it to the tulips’?
Larkspur??: No, let’s sing about us!
Violets: We know one about the shy little violets…
1st Lily: Oh, no, not that old thing!
2nd Lily: Let’s do ‘Lovely lily at the valley’!
Daisies: How about the daisies in the…
Lilac: Oh, she wouldn’t like that!
Rose: Girls, girls! We shall sing: ‘Golden afternoon’. That’s about all of us! Sound your A, Lily!
Lily: Laaaa…
Pansies: Mimimimi…
Daisy: Lalalala…
Iris: Hahahahahahaha…
Dandelions: Poem, poem poem, poem poem poem poem poem….
All flowers: Little bread-and-butterflies kiss the tulips, and the sun is like a toy balloon. There are get up in the morning glories, in the golden afternoon. There are dizzy daffodils on the hillside, strings of violets are all in tune, Tiger lilies love the dandelions, in the golden afternoon, the golden afternoon. There are dog and caterpillars and a copper centipede, where the lazy daisies love the very peaceful life they lead… You can learn a lot of things from the flowers, for especially in the month of June. There’s a wealth of happiness and romance, all in the golden afternoon. … All in the golden afternoon, the golden afternoon…
Alice: You can learn a lot of things from the flowers, for especially in the month of June. There’s a wealth of happiness and romance, all…
Flowers: …the golden afternoon!
Alice: Oh, that was lovely.
Rose: Thank you, my dear.
Daisy: What kind of garden do you come from?
Alice: Well I don’t come from any garden…
Daisy: Oh, do you suppose she’s a wild flower?
Alice: Oh no, I’m not a wild flower…
Rose: Just what specie, or shall we say, genus, are you, my dear?
Alice: Well, I suppose you call me a genus, humanus, eh… Alice!
Daisy: Ever seen an Alice with a blossom like that?
Iris: Come to think of it, did you ever see an Alice?
Daisy: Yes, and did you notice her petals? What a peculiar color!
Iris: And no fragrance!
Daisy: Hahaha! Just look at those stems!
Iris: Rather scrawny, I’d say.
Rose bud: I think she’s pretty!
Rose: Quiet, bud!
Alice: But I’m not a flower!
Iris: Aha! Just as I suspected! She’s nothing but a common mobile vulgaris!
Flowers: Oh no!
Alice: A common what?
Iris: To put it bluntly: a weed!
Alice: I’m not a weed!
Tulip: Well, you wouldn’t expect her to admit it.
Lilac: Can you imagine!
Daisy: Well, goodness!
Lily: Don’t let her stay here and go to seed!
Other flower??: Go on now!
Rose: Please, girls…
Pansies: We don’t want weeds in our bed!
Other flower: Move along, move along!
Alice: Oh, all right, if that’s the way you feel about it. If I were my right size, I could pick every one of you if I wanted to! And I’d guess that’d teach you!
Flowers: Hihihi!
Alice: You can learn a lot of things from the flowers… Huh! Seems to me they could learn a few things about manners!
Caterpillar: A, e i o u, a e i o u, a e i o u, o, u e i o a, u e i a, a e i o u… Who are you?
Alice: I- I- I hardly know, sir. I changed so many times since this morning, you see…
Caterpillar: I do not see. Explain yourself.
Alice: Why, I’m afraid I can’t explain myself, sir, because I’m not myself, you know…
Caterpillar: I do not know.
Alice: Well, I can’t put it anymore clearly for it isn’t clear to me!
Caterpillar: You? Who are you?
Alice: Well, don’t you think you ought to tell me- cough-cough, cough-cough, who you are first?
Caterpillar: Why?
Alice: Oh dear. Everything is so confusing.
Caterpillar: It is not.
Alice: Well, it is to me.
Caterpillar: Why?
Alice: Well, I can’t remember things as I used to, and…
Caterpillar: Recite.
Alice: Hmm? Oh! Oh, oh, yes, sir! Um… how doth the little busy bee, improve each shi…
Caterpillar: Stop! That is not spoken correcitically. It goes: how…
Alice: Hihihi!
Caterpillar: Hmm! How doth the little crocodile improve his shining tail. And pour the waters of the Nile, on every golden scale. How cheer… how cheer… Ahem!
Alice: Hihihihi!
Caterpillar: How cheerfully he seems to grin, how neatly spreads his claws. And welcomes little fishes in, with gently smiling jaws.
Alice: Well I must say I’ve never heard it that way before…
Caterpillar: I know, I have improved it.
Alice: Well, cough-cough-couch, if you ask me…
Caterpillar: You? Huh, who are you?
Alice: Cough-cough, cough-cough, A-choo! Oh!
Caterpillar: You there! Girl! Wait! Come back! I have something important to say!
Alice: Oh dear. I wonder what he wants now. Well…?
Caterpillar: Keep your temper!
Alice: Is that all?
Caterpillar: No. Exacitically, what is your problem?
Alice: Well, it’s exacitici-, exaciti-, well, it’s precisely this: I should like to be a little larger, sir.
Caterpillar: Why?
Alice: Well, after all, three inches is such a wretched height, and…
Caterpillar: I am exacitically three inches high, and it is a very good height indeed!
Alice: But I’m not used to it. And you needn’t shout! Oh dear!
Caterpillar: By the way, I have a few more helpful hints. One side will make you grow taller…
Alice: One side of what?
Caterpillar: …and the other side will make you grow shorter.
Alice: The other side of what?
Caterpillar: The mushroom, of course!
Alice: Hmm. One side will make me grow… but which is which? Hmm. After all that’s happened, I- I wonder if I… I don’t care. I’m tired of being only three inches high -yi -yi -yi -yi -yi!
Bird: (gasps) A serpent! (screams) Help! Serpent! Serpent!
Alice: Oh, but please! Please!
Bird: Off with you! Shoo! Shoo! Go away! Serpent! Serpent!
Alice: But I’m not a serpent!
Bird: So? Indeed? Then just what are you?
Alice: I’m just a little girl!
Bird: Little? Ha, little? (laughs)
Alice: Well I am! I mean, I- I was…
Bird: And, I suppose you don’t eat eggs, either?
Alice: Yes, I do, but…
Bird: I knew!
Alice: But- but- but…
Bird: I knew it! Serpent! Serpent!
Alice: Oh, for goodness sake! Hmmm… and the other side will…
Bird: A very idea! Spend all my time lying eggs, for serpents like her! (screams) Oh, Oh, oh, oh!
Alice: Goodness… I wonder if I’ll ever get the knack of it. There, that’s much better. Hmmm… I better save these. Now let’s see, where was I? Hmmm, I wonder which way I ought to go…
Cheshire Cat: ‘Twas brillig, and the slithy toves, did gyre and gimble in the wabe. All mimsy were the borogoves, and the momeraths outgrabe.
Alice: Now where in the world do you suppose that…
Cheshire Cat: Uh… lose something?
Alice: Oh! Hehe, Oh uhhh… hehe… I- I was… no, no, I- I- I- I mean, I uhh… I was just wondering…
Cheshire Cat: Oh uhh, that’s quite all right! Oh, hrmm, one moment please… Oh! Second chorus… ‘Twas brilllig, and the slithy toves, did gyre and gimble in the wabe…
Alice: Why, why you’re a cat!
Cheshire Cat: A Cheshire Cat. All mimsy were the borogoves…
Alice: Oh, wait! Don’t go, please!
Cheshire Cat: Very well. Third chorus…
Alice: Oh no no no… thank you, but- but I just wanted to ask you which way I ought to go.
Cheshire Cat: Well, that depends on where you want to get to.
Alice: Oh, it really doesn’t matter, as long as I g…
Cheshire Cat: Then it really doesn’t matter which way you go! Ah-hmm… and the momeraths outgrabe… Oh, by the way, if you’d really like to know, he went that way.
Alice: Who did?
Cheshire Cat: The white rabbit.
Alice: He did?
Cheshire Cat: He did what?
Alice: Went that way?
Cheshire Cat: Who did?
Alice: The white rabbit!
Cheshire Cat: What rabbit?
Alice: But didn’t you just say… I mean… oh dear!
Cheshire Cat: Can you stand on your head?
Alice: Oh!
Cheshire Cat: However, if I were looking for a white rabbit, I’d ask the Mad Hatter.
Alice: The Mad Hatter? Uh… no, no, I don’t- I don’t…
Cheshire Cat: Or, there’s the March Hare. In that direction.
Alice: Oh, thank you. I- I think I shall visit him.
Cheshire Cat: Of course, he’s mad too.
Alice: But I don’t want to go among mad people!
Cheshire Cat: Oh, you can’t help that. Almost everyone is mad here. Ha… ha ha ha ha ha! You may have noticed that I’m not all there myself…. hahaha… and the momeraths outgrabe…
Alice: Goodness. If the people here are like that, I- I must try not to upset them. How very curious!
March Hare: …to us. If there are no objections, let it be unanimous!
Mad Hatter: A very merry unbirthday…
March Hare: A very merry unbirthday…
Mad Hatter & March Hare: A very merry unbirthday to us! …
March Hare: A very merry unbirthday to me.
Mad Hatter: To who?
March Hare: To me.
Mad Hatter: Oh you!
March Hare: A very merry unbirthday to you.
Mad Hatter: Who, me?
March Hare: Yes, you.
Mad Hatter: Oh me!
March Hare: Let’s all congratulate us with another cup of tea, a very merry unbirthday to you!
March Hare & Mad Hatter: No room, no room, no room, no room, no room, no room, no room!
Alice: But I thought there was plenty of room!
March Hare: Ah, but it’s very rude to sit down without being invited!
Mad Hatter: I say it’s rude. Its very very rude, indeed! Hah!
Dormouse: Very very very rude, indeed…
Alice: Oh, I’m very sorry, but I did enjoy your singing and I wondered if you could tell me…
March Hare: You enjoyed our singing?
Mad Hatter: Oh, what a delightful child! Hah! I’m so excited, we never get compliments! You must have a cup of tea!
March Hare: Ah, yes indeed! The tea, you must have a cup of tea!
Alice: That would be very nice. I’m sorry I interrupted your birthdayparty… uh, thank you.
March Hare: Birthday? Hahaha! My dear child, this is not a birthdayparty!
Mad Hatter: Of course not! Hehehe! This is an unbirthdayparty!
Alice: Unbirthday? Why, I’m sorry, but I don’t quite understand.
March Hare: Its very simple. Now, thirty days have sept- no, when… an unbirthday, if you have a birthday then you… haha… she doesn’t know what an unbirthday is!
Mad Hatter: How silly! Ha ha ha ha! Ah-hum… I shall elucidate! Now statistics prove, prove that you’ve one birthday.
March Hare: Imagine, just one birthday every year.
Mad Hatter: Ahhh, but there are 364 unbirthdays!
March Hare: Precisely why we’re gathered here to cheer!
Alice: Why, then today is my unbirthday too!
March Hare: It is?
Mad Hatter: What a small world this is.
March Hare: In that case… a very merry unbirthday.
Alice: To me?
Mad Hatter: To you!
March Hare: A very merry unbirthday.
Alice: For me?
Mad Hatter: For you! Now blow the candle out, my dear and make your wish come true! Hihihi!
March Hare & Mad hatter: A very merry unbirthday to you!
Dormouse: Twinkle, twinkle, little bat, how I wonder what you’re at! Up above the world you fly, like a tea-tray in the sky!
Alice: Oh, that was lovely!
Mad Hatter: And uh, and now my dear, hehe, uh… you were saying that you would like to sea.. uh…? You were seaking some information some kind… hehe!
Alice: Oh, yes. You see, I’m looking for a…
Mad Hatter: Clean cup, clean cup! Move down!
Alice: But I haven’t used my cup!
March Hare: Clean cup, clean cup, move down, move down, clean cup, clean cup, move down!
Mad Hatter: Would you like a little more tea?
Alice: Well, I haven’t had any yet, so I can’t very well take more…
March Hare: Ahh, you mean you can’t very well take less!
Mad Hatter: Yes! You can always take more than nothing!
Alice: But I only meant that…
Mad Hatter: And now, my dear, something seems to be troubling you. Uh, won’t you tell us all about it?
March Hare: Start at the beginning.
Mad Hatter: Yes, yes! And when you come to the end, hehehe, stop! See?
Alice: Well, it all started while I was sitting on the riverbank with Dinah.
March Hare: Very interesting. Who’s Dinah?
Alice: Why, Dinah is my cat. You see…
Dormouse: Cat?
March Hare: Hurry! Give the jam! Quickly! Give the jam! On his nose! Put it on his nose!
Mad Hatter: On his nose, on his nose!
Dormouse: Where’s the cat…
Mad Hatter: Oh. Oh, my goodness! Those are the things that upset me!
March Hare: See all the trouble you’ve started?
Alice: But really, I didn’t think…
March Hare: Ah, but that’s the point! If you don’t think, you shouldn’t talk!
Mad Hatter: Clean cup! Clean cup! Move down, move down, move down!
Alice: But I still haven’t used….
March Hare: Move down, move down, move down, move down…
Mad Hatter: And now my dear, as you were saying?
Alice: Oh, yes. I was sitting on the riverbank with uh… with you know who…
Mad Hatter: I do, hehehe?
Alice: I mean my C - A - T…
Mad Hatter: Tea?
March Hare: Just half a cup if you don’t mind.
Mad Hatter: Come, come my dear. hehehe! Don’t you care for tea?
Alice: Why, yes, I’m very fond of tea, but…
March Hare: If you don’t care for tea, you could at least make polite conversation!
Alice: Well, I’ve been trying to ask you…
March Hare: I have an excellent idea! Let’s change the subject!
Mad Hatter: Why is a raven like a writing desk?
Alice: Riddles? Let me see now. Why is a raven like a writing desk?
Mad Hatter: I beg your pardon?
Alice: Why is a raven like a writing desk?
Mad Hatter: Why is a what?
March Hare: Careful! She’s stark raving mad!
Alice: But- but it’s your silly riddle! You just said…
Mad Hatter: Very good??!
March Hare: How about a nice cup of tea?
Alice: A nice cup of tea, indeed! Well, I’m sorry, but I just haven’t the time!
March Hare: The time, the time! Who’s got the time?
White Rabbit: No, no, no, no! No time, no time, no time! Hello, goodbye! I’m late! I’m late!
Alice: The white rabbit!
White Rabbit: Oh, I’m so late! I’m so very very late!
Mad Hatter: Well, no wonder you’re late! Why, this clock is exactly two days slow!
White Rabbit: Two days slow?
Mad Hatter: Of course you’re late. Hahaha! My goodness. We’ll have to look into this. A-ha! I see what’s wrong with it! Why, this watch is full of wheels!
White Rabbit: Oh, my poor watch! Oh, my wheels! My springs! But- but- but- but, but- but- but…
Mad Hatter: Butter! Of course, we need some butter! Butter!
March Hare: Butter!
White Rabbit: But- but- butter?
Mad Hatter: Butter, oh, thank you, butter. Ha ha. Yes, that’s fine.
White Rabbit: Oh no no, no no no you’ll get crumbs in it!
Mad Hatter: Oh, this is the very best butter! What are you talking about?
March Hare: Tea?
Mad Hatter: Tea! Oh, I never thought of tea! Of course!
White Rabbit: No!
Mad Hatter: Tea! hehehe
White Rabbit: No! Not tea!
March Hare: Sugar?
Mad Hatter: Sugar. Two spoons, yes, ha, two spoons. Thank you, yes.
White Rabbit: Oh, please! Be careful!
March Hare: Jam?
Mad Hatter: Jam! I forgot all about jam!
White Rabbit: No, no! Not jam!
Mad Hatter: Yes, sure you want, it’s nice to see.
March Hare: Mustard?
Mad Hatter: Mustard? Yes, but… Mustard? Don’t let’s be silly! Lemon, that’s different, that’s… yes! That should do it. Hahaha! … (The watch rings and goes mad) Look at that!
March Hare: Its going mad!
Alice: Oh, my goodness!
White Rabbit: Oh dear!
March Hare: It is going mad! Mad watch!
Mad Hatter: I don’t understand, it’s the best butter.
March Hare: Mad watch! Mad watch! Mad watch!
Mad Hatter: Oh, look! Oh my goodness!
March hare: There’s only one way to stop a mad watch! (The March Hare smashes the watch with a mallet, destroying it completely.)
Mad Hatter: Two days slow, that’s what it is.
White Rabbit: Oh, my watch…
Mad Hatter: It was?
White Rabbit: And it was an unbirthday present too.
March Hare: Well, in that case…
March Hare & Mad Hatter: A very merry unbirthday to you!
Alice: Mister Rabbit! Oh, mister Rabbit! Oh, now where did he go to?
March Hare & Mad Hatter: A very merry unbirthday to us, to us. A very merry unbirthday to us, to us…
Alice: Of all the silly nonsense, this is the stupidest tea party I’ve ever been to in all my life. Well, I’ve had enough nonsense. I’m going home. Straight home. That rabbit. Who cares where he’s going anyway. Why, if it hadn’t been for him I… ‘Tulgey Wood’… Hmm, curious. I don’t remember this. Now let me see… Oh! Uh, no no, please. No more nonsense. Now, if I came this way, I should go back this way!
Duck: Quack!
Alice: Oh, I beg your pardon!
Duck: Quack quack quack quack! …
Alice: Goodness. When I get home I shall write a book about this place… If I- if I ever do get home… Oh, um, excuse me! Um, could one of you tell me… uh… ha ha, never mind. Oh dear. Its getting dreadfully dark. And nothing looks familiar. I shall certainly be glad to get out of… Oh! … It would be so nice if something would make sense for a change! Oh! ‘Don’t step on the momeraths’. The momeraths? Oh! A path! Oh thank goodness! Why, I just knew I’d find one sooner or later. Oh, if I hurry back I might even be home in time for tea! Oh, won’t Dinah be happy to see me! Oh, I just can’t wait ’till I- oh! Oh dear! Now I- now I shall never get out. Well, when- when one’s lost, I- I suppose it’s good advice to stay where you are, until someone finds you. But- but who’d ever think to look for me here? Good advice. If I listened earlier I wouldn’t be here! But that’s just the trouble with me. I give myself very good advice… but I very seldom follow it. That explains the trouble that I’m always in. Be patient is very good advice, but the waiting makes me curious. And I’d love the change, should something strange begin. Well, I went along my merry way, and I never stopped to reason. I should have known there’d be a price to pay, some day. Some day. I give myself very good advice, but I very seldom follow it. Will I ever learn to do the things I should?
Chorus: Will I ever learn, learn to do the things I should?
Cheshire Cat: Hmhmhmhm… and the momeraths outgrabe.
Alice: Oh, Cheshire Cat, it’s you!
Cheshire Cat: Whom did you expect? The white rabbit, perchance?
Alice: Oh, no no no no. I- I- I’m through with rabbits. I want to go home! But I can’t find my way.
Cheshire Cat: Naturally. That’s because you have no way. All ways here you see, are the queen’s ways.
Alice: But I’ve never met any queen.
Cheshire Cat: You haven’t? You haven’t? Oh, but you must! She’ll be mad about you, simply mad! Hahaha! And the momeraths outgrabe…
Alice: Please, please! Uh… how can I find her?
Cheshire Cat: Well, some go this way, some go that way. But as for me, myself, personally, I prefer the shortcut.
Alice: Oh!
Card painters: Da dee dee da da da, Doodle de do, dee do dee do, bum bum bum bum, painting the roses red, we’re painting the roses red, we dare not stop or waste a drop, so let the paint be spread. We’re painting the roses red, we’re painting the roses red! Painting the roses red, and many a tear we shed, because we know they’ll cease to grow, in fact they’ll soon be dead. Noooo! And yet we go ahead, painting the roses red, red, red, red, red, red, red, red. Painting the roses red, we’re painting the roses red…
Alice: Oh, pardon me, but mister Three, why must you paint them red?
Card painters: Huh? Oh! Well, the fact is, miss: we planted the white roses by mistake. And, the queen, she likes them red. If she saw what we said, she’d raise a fuss and each of us would quickly lose his head.
Alice: Goodness!
Card painters: Since this is the thought we dread, we’re painting the roses red!
Alice: Oh dear! Then let me help you! Painting the roses red…
Alice & Card painters: We’re painting the roses red. Don’t tell the queen what you have seen, or say that’s what we said, what, we’re painting the roses red…
Alice: Yes, painting the roses red…
Card painters: Not pink, not green…
Alice: Not aquamarine…
Alice & Card painters: We’re painting the roses red!
Card painters: The Queen! The Queen!
Alice: The Queen!
Card painters: The Queen! …
Queen: Cards, halt! Count off!
Cards: One, two, three, four, five, six, seven, eight, nine, ten, Jack.
Alice: The rabbit!
White Rabbit: He…he… her imperial highness, he… her grace, her excellency, her royal majesty, the Queen of Hearts! And the King…
A card (or perhaps Mickey Mouse?): Hurray!
Queen: Hum… Who’s been painting my roses red? Who’s been painting my roses red? Who dares to taint, with vulgar paint, the royal flower bed? For painting my roses red, someone will lose his head!
Three: Oh, no! Your majesty! Please, it’s all his fault!
Two: Not me, your grace! The Ace, the Ace!
Queen: You?
Ace: No, Two!
Queen: The Deuce you say?
Two: Not me, the Three!
Queen: That’s enough! Off with their heads!
Cards: They’re going to lose their heads, for painting the roses red, it serves them right, they planted white, the roses should be red. Oh, they’re going to lose their head…
Queen: Silence!
Alice: Oh, please, please! They were only trying to…
Queen: And who is this?
King: Uh… well, well, well, now, eh… let me see, my dear. It certainly isn’t a heart… do you suppose it’s a club?
Queen: Why, it’s a little girl.
Alice: Yes, and- and I was hoping…
Queen: Look up, speak nicely, and don’t twiddle your fingers! Turn out your toes. Curtsey. Open your mouth a little wider, and always say ‘yes, your majesty’!
Alice: Yes, your majesty!
Queen: Hmhmhmhm. Now, um, where do you come from, and where are you going?
Alice: Well, um, I’m trying to find my way home…
Queen: Your way? All ways here are my ways!
Alice: Well, yes, I know, but I was just thinking…
Queen: Curtsey while you’re thinking, it saves time.
Alice: Yes, your majesty, but I was only going to ask…
Queen: I’ll ask the questions! Do you play croquet?
Alice: Why, yes, your majesty.
Queen: Then let the game begin!
King: In your places, in your places, By order of the king! Hurry, hurry, hurry!
Queen: Shuffle deck! Cards cut! Deal cards! Cards, halt! … Silence! (sighs) … Off with his head!
King: Off with his head, off with his head! By order of the king. You heard what she said!
Queen: You’re next!
Alice: Oh, but…
Queen: Hahaha… my dear.
Alice: Ahhh… Yes, your majesty.
Queen: Hmhmhmhmhm….
Cards: (laughs)
Alice: Oh… (laughs)! Stop!
Queen: (mutters) Of all the impossible...
Alice: Do you want us both to lose our heads?
Flamingo: Uh! Hum!
Alice: Well, I don’t!
Cards: (laughs) Hurray! … (laughs)
Cheshire Cat: La la la da da dum… la la la hmm… I say, how are you getting on?
Alice: Not at all.
Cheshire Cat: Beg your pardon?
Alice: I said ‘not at all’!
Queen: Whom are you talking to?
Alice: Oh, uh… a cat, your majesty!
Queen: Cat? Where?
Alice: There! Oh… Oh there he is again!
Queen: I warn you child, if I lose my temper, you lose your head, understand?
Cheshire Cat: You know, we could make her really angry. Shall we try?
Alice: Oh no no!
Cheshire Cat: Oh, but it’s lots of fun!
Alice: No, no, no! Stop! Oh no!
White Rabbit: Oh my fur and whiskers!
King: Oh dear! Save the queen!
Queen: Someone’s head will roll for this! Yours! Off with her…
King: But- but consider, my dear. Couldn’t she have a trial… uh… first?
Queen: Trial?
King: Well, just a… uh… little trial? Hmm?
Queen: Hmm. Very well then. Let the trial begin!
White Rabbit: Huh… your majesty… members of the jury… loyal subjects…
King: A-hem…
White Rabbit: …and the king. The prisoner at the bar is charged with enticing her majesty, the Queen of Hearts, into a game of croquet, and thereby willfully…
Alice: But…
White Rabbit: …and with malice aforethought, teasing, tormenting, and otherwise annoying our beloved…
Queen: Don’t mind all that! Get to the part where I lose my temper.
White Rabbit: Bwbwbwl… thereby causing the queen to lose her temper.
Queen: Now, Ha ha… are you ready for your sentence?
Alice: Sentence? Ah, but there must be a verdict first!
Queen: Sentence first! Verdict afterwards.
Alice: But that just isn’t the way!
Queen: All ways are…
Alice: Your ways, your majesty.
Queen: Yes, my child. Off with her…
King: Consider, my dear. Uh… we called no witnesses… Uh… couldn’t we hear… maybe one or two? Ha? Maybe?
Queen: Oh, very well. But get on with it!
King: First witness! First witness! Ah, we’ll call the first witness.
White Rabbit: The March Hare.
King: Oh, oh, what do you know about this uh… unfortunate affair?
March Hare: Nothing.
Queen: Nothing whatever?
March Hare: Nothing whatever!
Queen: That’s very important! Jury, write that down!
Alice: Unimportant, uh… your majesty means of course…
Queen: Silence! Next witness.
White Rabbit: The Dormouse!
Queen: Well…
Cards: Shhh!
Queen: What have you to say about this?
Dormouse: Twinkle, twinkle, little bat. How I wonder…
Queen: That’s the most important piece of evidence we’ve heard yet. Write that down!
Jury: Twinkle, twinkle, twinkle, twinkle, twinkle, twinkle…
Alice: Twinkle, twinkle. What next?
White Rabbit: The Mad Hatter!
Mad Hatter: Oh… he he he he!
Queen: Off with your hat!
Mad Hatter: Oh, my! He he he!
King: And eh… where were you when this horrible crime was committed?
Mad Hatter: I was home, drinking tea. Today you know is my unbirthday.
King: Why, my dear! Today is your unbirthday too!
Queen: It is?
March Hare & Mad Hatter: It is?
Cards: It is?
Mad Hatter, March Hare and Cards: A very merry unbirthday!
Queen: To me?
Alice: Oh no!
Mad Hatter, March Hare and Cards: To you! A very merry unbirthday!
Queen: For me?
Mad Hatter, March Hare and Cards: For you!
Mad Hatter: Now blow the candle out, my dear and make your wish come true! He he he.
Mad Hatter, March Hare and Cards: A very merry unbirthday, to you!
Alice: Oh! Your majesty!
Queen: Oh, yes, my dear?
Alice: Look! There he is now!
Queen: He? Where? Who?
Alice: The Cheshire Cat!
Queen: Cat?
Dormouse: Cat! Cat? Cat cat cat cat!
1. I Love You
2. I Love You
3. I Love You
4. I Love You
5. I Love You
6. I Love You
7. I Love You
8. I Love You
9. I Love You
10. I Love You
11. I Love You
12. I Love You
13. I Love You
14. I Love You
15. I Love You
16. I Love You
17. I Love You
8. I Love You
19. I Love You
20. I Love You
21. I Love You
22. I Love You
23. I Love You
24. I Love You
25. I Love You
26. I Love You
27. I Love You
28. I Love You
29. I Love You
30. I Love You
31. I Love You
32. I Love You
3. I Love You
34. I Love You
35. I Love You
36. I Love You
37. I Love You
38. I Love You
39. I Love You
40. I Love You
41. I Love You
42. I Love You
43. I Love You
44. I Love You
45. I Love You
46. I Love You
47. I Love You
48. I Love You
49. I Love You
50. I Love You
51. I Love You
52. I Love You
53. I Love You
54. I Love You
55. I Love You
56. I Love You
57. I Love You
58. I Love You
59. I Love You
60. I Love You
61. I Love You
62. I Love You
63. I Love You
64. I Love You
65. I Love You
66. I Love You
67. I Love You
68. I Love You
69. I Love You
70. I Love You
71. I Love You
72. I Love You
73. I Love You
74. I Love You
75. I Love You
76. I Love You
77. I Love You
78. I Love You
79. I Love You
80. I Love You
81. I Love You
82. I Love You
83. I Love You
84. I Love You
85. I Love You
86. I Love You
87. I Love You
88. I Love You
89. I Love You
90. I Love You
91. I Love You
92. I Love You
93. I Love You
94. I Love You
95. I Love You
96. I Love You
97. I Love You
98. I Love You
99. I Love You
100. I Love You
101. I Love You
102. I Love You
103. I Love You
104. I Love You
105. I Love You
106. I Love You
107. I Love you
108. I Love You
109. I Love You
110. I Love You
111. I Love You!!!!
Wow 😳 your talented ❤
HOW ARE YOU SO TALENTED AT THIS
Guys she used kika keyboard she didn’t type it she copy and pasted it
Guys look at me
I love you 1%
I love you 2%
I love you 3%
I love you 4%
I love you 5%
I love you 6%
I love you 7%
I love you 8%
I love you 9%
I love you 10%
I love you 11%
I love you 12%
I love you 13%
I love you 14%
I love you 15%
I love you 16%
I love you 17%
I love you 18%
I love you 19%
I love you 20%
I love you 21%
I love you 22%
I love you 23%
I love you 24%
I love you 25%
I love you 26%
I love you 27%
I love you 28%
I love you 29%
I love you 30%
We add 10+
I love you 40%
I love you 50%
I love you 60%
I love you 70%
I love you 80%
I love you 90%
I love you 100%
I love you 110%
I love you 120%
I love you 130%
I love you 140%
I love you 150%
I love you 160%
I love you 170%
I love you 180%
I love you 190%
I love you 200%
Now we add 100+
I love you 300%
I love you 400%
I love you 500%
I love you 600%
I love you 700%
I love you 800%
I love you 900%
I love you 1000%
Add 1000+
I love you 2000%
I love you 3000%
I love you 4000%
I love you 5000%
I love you 6000%
I love you 7000%
I love you 8000%
I love you 9000%
I love you 10000%
Add 10,000+
I love you 20,000%
I love you 30,000%
I love you 40,000%
I love you 50,000%
I love you 60,000%
I love you 70,000%
I love you 80,000%
I love you 90,000%
I love you 100,000
Add 100’000+
I love you 200,000
I love you 300,000%
I love you 400,000%
I love you 500,000%
I love you 600,000 %
I love you 700,000%
I love you 800,000%
I love you 900,000%
I LOVE YOU 1000,0000🎉q
Chat gpt Quantum Chromodynamics (QCD) is a branch of theoretical physics that seeks to understand the strong force, one of the four fundamental forces of nature, which governs the interactions between quarks and gluons, the building blocks of protons, neutrons, and other particles known as hadrons. In this essay, we will explore the key concepts of QCD, its theoretical framework, experimental evidence, and its significance in our understanding of the universe.
At the heart of QCD is the theory of quantum fields, which describes particles and their interactions in terms of fields that permeate space and time. According to QCD, quarks are the fundamental constituents of matter, combining to form composite particles called hadrons. Gluons, on the other hand, are the force carriers of the strong force, mediating the interactions between quarks.
One of the defining features of QCD is its use of color charge to describe the strong force. Quarks are assigned a color charge, which can take on one of three values: red, green, or blue. Anti-quarks have anti-color charges: anti-red, anti-green, or anti-blue. Gluons, meanwhile, carry a combination of color and anti-color charges, allowing them to interact with quarks and other gluons.
The strong force is characterized by its confinement property, which prevents individual quarks from existing in isolation. Instead, quarks are always bound together in color-neutral combinations, such as protons and neutrons, or more exotic hadrons like mesons and baryons. This phenomenon arises from the increasing strength of the strong force at larger distances, which makes it energetically unfavorable to separate quarks.
Quantum Chromodynamics is formulated using a mathematical framework known as gauge theory, which describes the interactions between particles in terms of symmetries and transformations. In the case of QCD, the symmetry group associated with the strong force is SU(3), reflecting the three color charges of quarks.
Experimental evidence for QCD comes from a variety of sources, including high-energy particle colliders such as the Large Hadron Collider (LHC) at CERN. Experiments conducted at these facilities have provided crucial insights into the behavior of quarks and gluons at extreme energies and temperatures, shedding light on phenomena such as quark-gluon plasma, a state of matter believed to have existed in the early universe.
In addition to particle colliders, experiments involving deep inelastic scattering, hadron spectroscopy, and lattice QCD simulations have also contributed to our understanding of QCD. These experiments have confirmed many predictions of the theory and provided valuable data for testing and refining theoretical models.
The study of Quantum Chromodynamics is not only important for understanding the strong force but also has broader implications for our understanding of the universe. QCD plays a crucial role in astrophysics, nuclear physics, and cosmology, influencing phenomena such as the structure of neutron stars, the production of elements in the early universe, and the behavior of quark-gluon plasma in heavy-ion collisions.
In conclusion, Quantum Chromodynamics is a powerful theoretical framework that describes the strong force and its interactions with quarks and gluons. Through the use of color charge, gauge theory, and experimental evidence, QCD provides a comprehensive understanding of the behavior of hadronic matter and its role in the cosmos. As our knowledge of QCD continues to grow, so too will our understanding of the fundamental forces that govern the universe.
I’m not even gonna try so, here’s probably the SHORTEST comment: hehe
Here’s the shortest:
.
A
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk “My Faulkner.” Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self… downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly-for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be.
Not only does Faulkner’s deep affiliation with his characters’ inner lives elevate his portraits far above the level of local color or regionalist curiosity, but it animates his sentences, makes them constantly move and breathe. No matter how long and twisted they get, they do not wilt, wither, or drag; they run river-like, turning around in asides, outraging themselves and doubling and tripling back. Faulkner’s intimacy is not earnestness, it is the uncanny feeling of a raw encounter with a nerve center lighting up with information, all of it seemingly critically important.
It is the extraordinary sensory quality of his prose that enabled Faulkner to get away with writing the longest sentence in literature, at least according to the 1983 Guinness Book of World Records, a passage from Absalom, Absalom! consisting of 1,288 words and who knows how many different kinds of clauses. There are now longer sentences in English writing. Jonathan Coe’s The Rotter’s Club ends with a 33-page long whopper with 13,955 words in it. Entire novels hundreds of pages long have been written in one sentence in other languages. All of Faulkner’s modernist contemporaries, including of course Joyce, Wolff, and Beckett, mastered the use of run-ons, to different effect.
But, for a time, Faulkner took the run-on as far as it could go. He may have had no intention of inspiring postmodern fiction, but one of its best-known novelists, Barth, only found his voice by first writing a “heavily Faulknerian marsh-opera.” Many hundreds of experimental writers have had almost identical experiences trying to exorcise the Oxford, Mississippi modernist’s voice from their prose. Read that onetime longest sentence in literature, all 1,288 words of it, below.
Just exactly like Father if Father had known as much about it the night before I went out there as he did the day after I came back thinking Mad impotent old man who realized at last that there must be some limit even to the capabilities of a demon for doing harm, who must have seen his situation as that of the show girl, the pony, who realizes that the principal tune she prances to comes not from horn and fiddle and drum but from a clock and calendar, must have seen himself as the old wornout cannon which realizes that it can deliver just one more fierce shot and crumble to dust in its own furious blast and recoil, who looked about upon the scene which was still within his scope and compass and saw son gone, vanished, more insuperable to him now than if the son were dead since now (if the son still lived) his name would be different and those to call him by it strangers and whatever dragon’s outcropping of Sutpen blood the son might sow on the body of whatever strange woman would therefore carry on the tradition, accomplish the hereditary evil and harm under another name and upon and among people who will never have heard the right one; daughter doomed to spinsterhood who had chosen spinsterhood already before there was anyone named Charles Bon since the aunt who came to succor her in bereavement and sorrow found neither but instead that calm absolutely impenetrable face between a homespun dress and sunbonnet seen before a closed door and again in a cloudy swirl of chickens while Jones was building the coffin and which she wore during the next year while the aunt lived there and the three women wove their own garments and raised their own food and cut the wood they cooked it with (excusing what help they had from Jones who lived with his granddaughter in the abandoned fishing camp with its collapsing roof and rotting porch against which the rusty scythe which Sutpen was to lend him, make him borrow to cut away the weeds from the door-and at last forced him to use though not to cut weeds, at least not vegetable weeds -would lean for two years) and wore still after the aunt’s indignation had swept her back to town to live on stolen garden truck and out o f anonymous baskets left on her front steps at night, the three of them, the two daughters negro and white and the aunt twelve miles away watching from her distance as the two daughters watched from theirs the old demon, the ancient varicose and despairing Faustus fling his final main now with the Creditor’s hand already on his shoulder, running his little country store now for his bread and meat, haggling tediously over nickels and dimes with rapacious and poverty-stricken whites and negroes, who at one time could have galloped for ten miles in any direction without crossing his own boundary, using out of his meagre stock the cheap ribbons and beads and the stale violently-colored candy with which even an old man can seduce a fifteen-year-old country girl, to ruin the granddaughter o f his partner, this Jones-this gangling malaria-ridden white man whom he had given permission fourteen years ago to squat in the abandoned fishing camp with the year-old grandchild-Jones, partner porter and clerk who at the demon’s command removed with his own hand (and maybe delivered too) from the showcase the candy beads and ribbons, measured the very cloth from which Judith (who had not been bereaved and did not mourn) helped the granddaughter to fashion a dress to walk past the lounging men in, the side-looking and the tongues, until her increasing belly taught her embarrassment-or perhaps fear;-Jones who before ’61 had not even been allowed to approach the front of the house and who during the next four years got no nearer than the kitchen door and that only when he brought the game and fish and vegetables on which the seducer-to-be’s wife and daughter (and Clytie too, the one remaining servant, negro, the one who would forbid him to pass the kitchen door with what he brought) depended on to keep life in them, but who now entered the house itself on the (quite frequent now) afternoons when the demon would suddenly curse the store empty of customers and lock the door and repair to the rear and in the same tone in which he used to address his orderly or even his house servants when he had them (and in which he doubtless ordered Jones to fetch from the showcase the ribbons and beads and candy) direct Jones to fetch the jug, the two of them (and Jones even sitting now who in the old days, the old dead Sunday afternoons of monotonous peace which they spent beneath the scuppernong arbor in the back yard, the demon lying in the hammock while Jones squatted against a post, rising from time to time to pour for the demon from the demijohn and the bucket of spring water which he had fetched from the spring more than a mile away then squatting again, chortling and chuckling and saying `Sho, Mister Tawm’ each time the demon paused)-the two of them drinking turn and turn about from the jug and the demon not lying down now nor even sitting but reaching after the third or second drink that old man’s state of impotent and furious undefeat in which he would rise, swaying and plunging and shouting for his horse and pistols to ride single-handed into Washington and shoot Lincoln (a year or so too late here) and Sherman both, shouting, ‘Kill them! Shoot them down like the dogs they are!’ and Jones: ‘Sho, Kernel; sho now’ and catching him as he fell and commandeering the first passing wagon to take him to the house and carry him up the front steps and through the paintless formal door beneath its fanlight imported pane by pane from Europe which Judith held open for him to enter with no change, no alteration in that calm frozen face which she had worn for four years now, and on up the stairs and into the bedroom and put him to bed like a baby and then lie down himself on the floor beside the bed though not to sleep since before dawn the man on the bed would stir and groan and Jones would say, ‘flyer I am, Kernel. Hit’s all right. They aint whupped us yit, air they?’ this Jones who after the demon rode away with the regiment when the granddaughter was only eight years old would tell people that he ‘was lookin after Major’s place and niggers’ even before they had time to ask him why he was not with the troops and perhaps in time came to believe the lie himself, who was among the first to greet the demon when he returned, to meet him at the gate and say, ‘Well, Kernel, they kilt us but they aint whupped us
Words-
WHAT THE +-+
Me too 😅😅😅😅😅😅😅
Hello killers 😂😂😂😂😂😂😂
I have blood 🩸 in my hands
The blood in my hands is not good for me 😊😊 good bye
👋🏻 bye 👋🏻 bye 👋🏻 bye 👋🏻 bye 👋🏻
It it am coming for you 😅
😂😂😂😂😂😂😅😅😅😅😅😅😅😅
The person in my head is?…
Anden ❤❤❤❤
And me….
Isabel
Yay bye
If “sus” and “vent” mean nothing to you, then you’ve somehow missed out on the smash-hit multiplayer game Among Us. But with numbers playing the online game heading towards 100 million, maybe you’ll find out before Christmas how good you are at being an “impostor” .
For the uninitiated, Among Us is the sleeper game hit of 2020. The premise is simple: it’s Cluedo or Wink Murder on a spaceship with four to 10 players of crewmates and impostors. The crewmates perform simple tasks for take-off, while impostors sabotage operations and kill other players. Impostors are the only players who can travel through vents - hence the significance of vent in Among Us. Gamers hold meetings to pick a suspect - which is where the word sus comes in - to jettison. The aim is to catch the impostors.
Video games can improve mental health. Let's stop seeing them as a guilty pleasure | Keza MacDonald
The game, launched in 2018 by US software company InnerSloth, had been downloaded a respectable 1 million times by May 2019. But as lockdowns forced people around the world to stay at home and find new ways to link up with their friends, Among Us surged in popularity. By the end of September 2020, 60 million people were playing every day.
This phenomenal success started in July on video-streaming platform Twitch when high-profile gamers began streaming themselves playing Among Us. Many TH-camrs and TikTok influencers immediately followed suit. Its popularity even spread to politicians - a fortnight before the US presidential election, Hasan Piker, a political commentator on Twitch with 4.5 million followers, streamed a game of Among Us with leftwing congresswomen Alexandria Ocasio-Cortez and Ilhan Omar as part of an initiative to encourage young people to vote.
This year has seen the rise of covideogamers - people who’ve taken up games to pass the long hours of lockdown. In the UK, the overall gaming population has increased by 63% in 2020. Among Us has undoubtedly benefited from a captive audience, but online multiplayer games have long been a great way to socialise.
Among Us
Online multiplayer games, such as Among Us, have been a great way to socialise during lockdown. Photograph: InnerSloth
“They provide much needed contact during lockdown,” says Dr Peter Etchells, professor of psychology and science communication at Bath Spa University. “They allow us to blow off a little steam, and catch up with friends from our own homes.”
Jack Weiner, an 11-year-old Londoner who originally saw Among Us on TH-cam, uses the game to keep in touch with his social circle. “We played Among Us at my friend’s Zoom birthday party. It was way funnier listening to people trying to convince everyone who the impostor was than reading it on text in the game. My grandpa Alan has also learned how to play, and on Mondays I play with him and my cousins. He’s surprisingly good.”
Etchells says that as well as the social element, the game’s dark tone rings true for a lot of people this year. “It is set in an environment that is becoming increasingly catastrophic, while we all desperately try to keep everything running smoothly.”
Meg Wemyss, an 11-year-old from London who started playing Among Us with her friends two months ago after they saw it on TikTok, puts it another way: “It’s a lot of fun acting innocent and getting to kill people.”
InnerSloth was developing a sequel to Among Us but the success of the first game means it is now focused on improving the original. Updates are to be announced on 10 December at the Game Awards, an annual celebration of the industry. Likely additions include turning murdered crewmates into guardian angels and a new area map that would change how matches could be played.
Though Among Us is up for best multiplayer and best mobile game at the Game Awards, Etchells thinks it has just done what all good games have done, “which is to allow us to connect with the people we like and love. That’s the real power of video games; their ability to provide an unparalleled social experience.”
It's not too late to
ooppp
Wow (●__●)
Oh my god
Is this like an ad for among or something cause I’ve already downloaded it
@@Marscandy1 no it isn't an ad it's an article
ATTENTION:If you're reading this and the video is playing, pause it. These short videos are used for only views,this is because when you're in the comments, the video keeps on playing and these videos are really short, so they get lots of views when you're in the comments. I hope u understand. Stay safe and make sure to copy and paste this message to other videos like this.
Um that's wrong like literally everything you just said is so false it's just a TH-cam short what are the chances for every single TH-cam short to just be used for views like when people are making TH-cam shorts they are most likely not thinking about people commenting and leaving the video on to play over and over again
I I
love u love u
I love you I l I love you I l
I love you I love you I love you
I love you you I love you
I love you I love you
I love you I love you
I love you I love you
I love you I love you
I love you I love you
I love you I love
you I love
💖you❤︎
💗
;-; I tried to paste the the bee script but it said “sorry it’s to long” :-:
Yup
TH-cam, where your profile pic takes forever to update and it has limits on everything
I COPY PASTED AVENGER ENDGAME SCRIPT...........
Oh my lord
Omg that happened to me obviously not the same song but it said mine was too long and i could’ve “won”
POV: almost all the comments in this video are about povs.
This article is about the German nation-state existing from 1871 until 1918. For other uses, see German Empire (disambiguation).
The German Empire (German: Deutsches Reich),[a][15][16][17][18] also referred to as Imperial Germany,[19] the Second Reich[b][20] or simply Germany, was the period of the German Reich[21][22] from the unification of Germany in 1871 until the November Revolution in 1918, when the German Reich changed its form of government from a monarchy to a republic.[23][24]
German Empire
Deutsches Reich (German)
1871-1918
Flag of German Reich
Flag
Coat of arms (1889-1918)[1] of German Reich
Coat of arms
(1889-1918)[1]
Motto: Gott mit uns (German)[2]
Nobiscum Deus (Latin)
("God with us")
Anthem: Heil dir im Siegerkranz[3]
("Hail to Thee in the Victor's Crown")
Duration: 2 minutes and 54 seconds.2:54
Die Wacht am Rhein (unofficial)[4][5][6]
("The Watch on the Rhine")
Duration: 1 minute and 39 seconds.1:39
The German Empire in 1914
The German Empire and its occupied territories in the final stage of World War I, September 1918
States of the German Empire
Show all
The German colonial empire in 1914
Capital
and largest city
Berlin
52°31′7″N 13°22′34″E
Official languages
German
Common languages
List
Religion (1880)
Majority:
62.63% Protestant
(United Protestant, Lutheran, Reformed)
Minorities:
35.89% Roman Catholic
1.24% Jewish
0.17% other Christian
0.07% other
Demonym(s)
German
Government
Federal parliamentary semi-constitutional monarchy[7][8][9][10]
Under a military dictatorship[11]
(1916-1918)
Emperor
• 1871-1888
Wilhelm I
• 1888
Friedrich III
• 1888-1918
Wilhelm II
Chancellor
• 1871-1890
Otto von Bismarck
• 1890-1894
Leo von Caprivi
• 1894-1900
C. zu Hohenlohe-Schillingsfürst
• 1900-1909
Bernhard von Bülow
• 1909-1917
T. von Bethmann Hollweg
• 1917
Georg Michaelis
• 1917-1918
Georg von Hertling
• 1918
Max von Baden
Legislature
Bicameral
• Upper house
Bundesrat
• Lower house
Reichstag
Historical era
New Imperialism • World War I
• Unification
18 January 1871
• Constitution
16 April 1871
• Berlin Conference
15 November 1884
• WWI began
28 July 1914
• German Revolution
3 November 1918
• Abdication of Kaiser[12]
9 November 1918
• Armistice
11 November 1918
• Weimar Constitution
11 August 1919
Area
• Total
1,750,000 km2 (680,000 sq mi)
1910[13]
540,857.54 km2 (208,826.26 sq mi)
Population
• Estimate
70,000,000
• 1871[14]
41,058,792
• 1900[14]
56,367,178
• 1910[14]
64,925,993
Currency
Until 1873:
German gold mark
(1873-1914)
German Papiermark
(1914-1918)
Preceded by Succeeded by
North German Confederation
Bavaria
Württemberg
Baden
Hesse
Weimar Republic
Memel Territory
Territory of the Saar Basin
Danzig
Area and population not including colonial possessions
The empire was founded on 18 January 1871 at the Palace of Versailles, outside Paris, France, where the south German states, except for Austria and Liechtenstein, joined the North German Confederation and the new constitution came into force on 16 April, changing the name of the federal state to the German Empire and introducing the title of German Emperor for Wilhelm I, King of Prussia from the House of Hohenzollern.[25] Berlin remained its capital, and Otto von Bismarck, Minister President of Prussia, became chancellor, the head of government. As these events occurred, the Prussian-led North German Confederation and its southern German allies, such as Baden, Bavaria, Württemberg, and Hesse, were still engaged in the Franco-Prussian War. The German Empire consisted of 25 states, each with its own nobility, four constituent kingdoms, six grand duchies, five duchies (six before 1876), seven principalities, three free Hanseatic cities, and one imperial territory. While Prussia was one of four kingdoms in the realm, it contained about two-thirds of the Empire's population and territory, and Prussian dominance was also constitutionally established, since the King of Prussia was also the German Emperor (Deutscher Kaiser).
After 1850, the states of Germany had rapidly become industrialized, with particular strengths in coal, iron (and later steel), chemicals, and railways. In 1871, Germany had a population of 41 million people; by 1913, this had increased to 68 million. A heavily rural collection of states in 1815, the now united Germany became predominantly urban.[26] The success of German industrialization manifested itself in two ways in the early 20th century; German factories were often larger and more modern than many of their British and French counterparts, but the preindustrial sector was more backward.[27] The success of the German Empire in the natural sciences, especially in physics and chemistry, was such that one-third of all Nobel Prizes went to German inventors and researchers. During its 47 years of existence, the German Empire became an industrial, technological, and scientific power in Europe, and by 1913, Germany was the largest economy in continental Europe and the third-largest in the world.[28] Germany also became a great power, building the longest railway network of Europe, the world's strongest army,[29] and a fast-growing industrial base.[30] Starting very small in 1871, in a decade, the navy became second only to Britain's Royal Navy.
From 1871 to 1890, Otto von Bismarck's tenure as the first and to this day longest-serving chancellor was marked by relative liberalism at its start, but in time grew more conservative. Broad reforms, the anti-Catholic Kulturkampf and systematic repression of Polish people marked his period in the office. Despite his hatred of liberalism and socialism - he called liberals and socialists "enemies of the Reich" - social programs introduced by Bismarck included old-age pensions, accident insurance, medical care and unemployment insurance, all aspects of the modern European welfare state.
Late in Bismarck's chancellorship and in spite of his earlier personal opposition, Germany became involved in colonialism. Claiming much of the leftover territory that was not yet conquered by Europeans in the Scramble for Africa, it managed to build the third-largest colonial empire at the time, after the British and the French ones.[31] As a colonial state, it sometimes clashed with the interests of other European powers, especially the British Empire. During its colonial expansion, the German Empire committed the Herero and Namaqua genocide.[32]
After the resignation of Otto von Bismarck in 1890, and Wilhelm II's refusal to recall him to office, the empire embarked on Weltpolitik ("world politics") - a bellicose new course that ultimately contributed to the outbreak of World War I. Bismarck's successors were incapable of maintaining their predecessor's complex, shifting, and overlapping alliances which had kept Germany from being diplomatically isolated. This period was marked by increased oppression of Polish people and various factors influencing the Emperor's decisions, which were often perceived as contradictory or unpredictable by the public. In 1879, the German Empire consolidated the Dual Alliance with Austria-Hungary, followed by the Triple Alliance with Italy in 1882. It also retained strong diplomatic ties to the Ottoman Empire. When the great crisis of 1914 arrived, Italy left the alliance and the Ottoman Empire formally allied with Germany.
In the First World War, German plans to capture Paris quickly in the autumn of 1914 failed, and the war on the Western Front became a stalemate. The Allied naval blockade caused severe shortages of food and supplements. However, Imperial Germany had success on the Eastern Front; it occupied a large amount of territory to its east following the Treaty of Brest-Litovsk. The German declaration of unrestricted submarine warfare in early 1917 contributed to bringing the United States into the war. In October 1918, after the failed Spring Offensive, the German armies were in retreat, allies Austria-Hungary and the Ottoman Empire had collapsed, and Bulgaria had surrendered. The empire collapsed in the November 1918 Revolution with the abdication of Wilhelm II, which left the post-war federal republic to govern a devastated populace. The Treaty of Versailles imposed post-war reparation costs of 132 billion gold marks (around US$269 billion or €240 billion in 2019, or roughly US$32 billion in 1921),[33] as well as limiting the army to 100,000 men and disallowing conscription, armored vehicles, submarines, aircraft, and more than six battleships.[34] The consequential economic devastation, later exacerbated by the Great Depression, as well as humiliation and outrage experienced by the German population are considered leading factors in the rise of Adolf Hitler and Nazism.[35]
I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was 1:12. That part truly made me shed a tear. And especially at 6:34 that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the bacon go whirly swirly in a circle countless times. it absolutely moved my soul , and I don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on bacon. hail bacon. hail bacon. The spinning bacon, rotating in one direction with this music... This made me tear up. How could such a bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any piece of bacon I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of bacon I have ever seen especially on 57:42.I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was at 1:12. That part truly made me shed a tear. And especially at 6:34 that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the bacon go whirly swirly in a circle countless times. Tt absolutely moved my soul , and i don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on bacon. hail bacon. hail bacon. The spinning bacon, rotating in one direction with this music... This made me tear up. How could such a piece of bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any bacon I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a bacon I have ever seen especially on 17:24. I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was 1:12. That part truly made me shed a tear. And especially at 6:34 that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. The work put in to this is incredibly inspiring. The graphics, the animation, the music, so much thought was put into it. This has remined me that you can do anything you put your mind to. Not even mentioning the memories, this makes me feel like an infant again, just laying my eyes on this beautiful masterpiece gives me all the good feelings in life. I also understand what happiness is again from this. Not even to mention the most incredible part that is 2:10. Bacon spinning has changed my life for the better. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the bacon go whirly swirly in a circle countless times. it absolutely moved my soul , and I don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. So much great graphic design, so much suspense, so much greatness in this one video. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on bacon. hail bacon. hail bacon. The spinning bacon, rotating in one direction with this music... This made me tear up. How could such a bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any bacon I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of bacon I have ever seen especially on 57:42. I am crying. This has made me go through an emotional rollercoaster. I cried, beat off, and also watched a movie while watching this premiere. This has made me go through so much. I passed depression because of this. It really inspired me to become an outstanding young man. Thank you. is this the longest comment without skipping?
😱😱😱😱😱😱😱😱😱😱. How did you do that teach me. Please!!!!!!!!!!!!!!!!!
@@angelinageorge3665 copy and paste bruh
This was only 0:07 second
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
Nobody but me seeing a pattern:
Other people: I won’t do anything cuz there’s already a winner
Me, an intellectual, “copy and paste pinned comment, paste and then paste again”
“Ha no mine is twice is long”
You be like: I am four parallel universes ahead of you
There’s a limit to the amount of characters so it wouldn’t work and also don’t whooooooosh me
Me: Wow imagine stealing comments
@@dabest8777 the limit is 400 I know that bc I was trying to paste the whole frozen script in the comments I ended up cutting it
@@official_naomii9824 it actually used to be 500 but now it’s 9995
When you realize they’re never gonna give you Up guy has less text then some other people in here :/
When you realize that there's spaces in his so your wrong
@@lynsirich8786 there’s like 3 other guys with spaces and a longer comment
@@lynsirich8786 plus never gonna give u up guy stole the comment
@@lynsirich8786 spaces technically doesn't count as a comment
Grass is a plant with narrow leaves from base. A common kind of grass is used to cover the grounds in places such as lawns and parks. Grass is usually the color ‘green’. Grasses are monocotyledon herbaceous plants.
Me:
“I’ll just insert my TH-cam history :/“
Omg yes
Legends say they are still typing
Probably.
@@SophieRo_ xd
haha
@@sirpenguins2 oh didnt know you would be here ._.
@@sirpenguins2 I lost look at my comment I have lost Gg tho
POV: You can’t make the longest comment
monsters before midnight #1
diary of a stickman
by neil bhatia. a book about an alien and a package and some investigator’s
characters. Artham, Ruthvik,Neil,
one
day i
woke up at night i saw a package at the door i dont know who it was but it
was mail actually that said “ monsters before midnight”. i really did not know what it
was so i just started sleeping again. the next morning i woke up to see someone in the bushes it was my freind but i had no idea why was he hiding in the bushes so next when we got in the school bus i asked him why was he in the bushes he said nothing
so i ignored it when i arrived at school i noticed that everyone was there but normally only a few people come everyday i wondered why they were here then i realized that it was field trip day and every field trip day everybody is here oh and i forgot my name is Neil the field trip was to a skating ring indoors the building looked like a small house from the outside but when i went inside it was the size of a football field i could not believe it but after the field trip was over in the bus my friend keeps on saying monsters he sounds like a 2 year old when he said that but i figured that there was
something about him that didn’t feel right so i did some investigating but i found
nothing at all so i am now just chilling but the next day at school i wrote in my notebook investigating monsters i don’t know why i think Ruthvik is a monster but forget it so the next the day there was going to be a new student name Artham i think it may be a problem but i don’t think much about new students so the next day i saw the new student playing outside i asked him want to build a tree house? he said yes and i thought of an idea and we made the tree house in the woods when we were done i secretly put my name on it then when we were home i said want to do a
challenge he said yes i said first to write there name on the treehouse i asked him to put it first he never new that i already put my name on it so he went and i went home and ate ice cream “”that was yummy “”
and watched a movie the next day he said a bear was chasing him then he said your turn so i went into the woods stayed behind a tree for a couple of minutes and came back to act like i just put my name and i did not out my name when we build it apparently Artham is good at investigating so i asked ruthvik if we could come to his house he said yes i called artham too so we went upstairs and we investigated the rooms in his closet there was nothing we checked the entire house we failed but then the next day ruthvik went to a party so we snuck into his house and checked the place out so when we were there we played board games next to the closet then i saw a lever behind the door and i pulled it of course and the closet opened so i went inside when we were in we found Ruthvik secret lab there was so much testing stuff
with dead animals in a tube and i saw it said 40% complete it said in 1 month there going to fuse the dead creatures and the most concerning part was when it said Ruthvik was non human he was a … monster he was an alien from a different universe that explains how ruthvik can say anything he wants at a halloween party and we only have one month to save everything so basically Ruthvik is sacrificing our planet for another planet to get stuff i had to stop him but the problem is i have no time i need to do school outside running classes all of those stuff so how am i supposed to do it i thought and thought and i finally had an idea use recess outside time to make a plan so i told everything that happened to Artham and he never believed me so i showed him the room and then he Believed me so Artham was smart he had a plan halloween was coming so Ruthvik always makes a halloween party so its 100 dollars .each ticket because he can wish for anything he wants so they always sign up for Ruthviks party and not mine that i now quit so we are going to go to Ruthvik’s party and see what magic he uses so we can find out what D.N.A the merging creatures have and see if Ruthvik has the same D.N.A as the merging creatures so we can tell if Ruthviks D.N.A can stop these creatures from merging so a few days later i went to the halloween party and asked Ruthvik to give me something while he was not looking i put a tiny injection to see what D.N.A he has then we went to the secret lab and checked to see if the D.N.A is the same it was but the problem was it was at 70% now so we only have a few weeks left but there is a bigger problem we have to go camping so were doomed i think at least so i grabbed my luggage and put it in the trunk of the car and sat in the car we drove there but in the middle of the ride a. car crash happened so we had to wait while we were waiting in eat some apples they were yummy finally when we reached there i was so happy first we played games and i tripped the. we ate marshmallows and i burned my marshmallow and still ate it then we played video games for an hour and i totally did not lose in the game and then we slept and i totally did not try to eat marshmallow before sleeping sounds verrry fun ye its not the worst thing possible happened when we were packing our bags then we got on the road and the worst thing possible was another car acc dent. lets play fill in the blanks car acci ent what do you think it was another car accident right you were correct good job so when we arrived at home i called Artham over to talk about this whole situation so we went to Ruthviks lab to find answers and guess what we found all of this was a prank the magic was fake these creatures were just plushies and this room is just his sceince experiment but the thing that real is Ruthvik is not the enemy Artham is Artham was the alien the whole time but i really want to do something fun now so maybe i will take a 1 month break from this whole thing so when i went to school it was the last day of school so i was so happy because it was so cold and school is boring this is what school stands for this is what i think school stands for.
seven cruel hours of our lifespan
is it good or bad i think its so true like school you dont do anything fun so i dont like it
so anyways i dont have that much plans for summertime like theres nothing to do anymore there is probably going to be alot of storms what is a storm? a storm includes lightning rain thunder darkness so no pool and no waterslides no playing only indoors that means more online things called video games but i think i should not take a break on this investigation i think i should keep going but at the same time i don’t think Artham is going to strike during summer but maybe he is going to so have to prepare for whats coming to this world maybe more aliens are coming so maybe im not going to do something fun maybe i have to do something unfun and unfair that me and Ruthvik have to do it ?!? i guess Ruthvik could be on our side maybe i dont know i think he actaully can if he is good at investigating surely he could be good for the team so i invited him he said yes but i told him to do a test to see if he is good a investigation after the test i was like wow Ruthvik is so good at investigating i should hire him so i hired him, he said so who is this secret alien i said “Artham”
he said wow really? thats kinda not sound true i will show you look just like you Artham has his own lab look at this Ruthvik says: wow this is astonishing!
how did he make this this is so cool i dont know but i think Ruthvik is getting exited about them winning so i tried telling him what were here for clues and then we found this it said make Neil trust me and then he will think im on his side and Ruthvik is on the aliens side but im actaully on the alien side i have been giving all the information to the other allies that are the aliens and i am making a nuke from space to land on planet earth. so then i say Ruthvik we have to stop him from putting a nuke in space we need to go to space and destroy it before its too late so we took some money and called nasa and they said they would take us to space for some money so we said yes we drove too were the rocket ship center and we aboarded it looked so cool we went straight up into the sky and in space remember the package i got saying monsters before midnight i saw the same package in space so i picked it up and finally opened it and i saw a cool blaster saying killer alien 2048 the gun shoots out lasers apparently it one shots alein so we can destroy the aliens when we go to mars i did not know but the flight is 3 days long because it takes a long time to get to earth to mars and thankfully there was a lot of food there and stuff to do when bored it was like a hotel intil we reached mars there was alien tribes there that hate each other and they were like a bunch of aliens and they were just like devils fighting angels they had a kindom and they team up whenever someone from earth comes so we snuck up to there kindom and askeshould go home right now and come another day i said yes so we flew home i forgot that we have the guns so i told the pilot to go back but at the same time its not enough so i told him to go back home we needed no people just kidding we need alot of people and all the people have to have the killer 2048 alien gun and train them to be good at killing aliens and taking there slimes so we can save the world
i.
wow tysm for reading this hole thing it took me like 3 hr pls like and subribe to my youtube channel🎉
Him: longest comment gets pinned!
Everyone: *SPAMS*
Me: lets do rickroll 42069X
The pinned comment: not happening bro
dont mind me, just trying to find the bee movie script
I TRIED TO DO THE BEE MOVIE SCRIPT BUT IT WOULDNT COPY AND I CRIED FOR 30 MINUTES
@@kailorat NOOOOOOOOOOOOO
Look, I was gonna go easy on you
Not to hurt your feelings
But I'm only going to get this one chance
Something's wrong, I can feel it
(Six minutes)
Just a feeling I've got
Like something's about to happen
But I don't know what
If that means what I think it means
We're in trouble, big trouble
And if he is as bananas as you say
I'm not taking any chances
You are just what the doc ordered
I'm beginnin' to feel like a Rap God, Rap God
All my people from the front to the back nod, back nod
Now, who thinks their arms are long enough
To slap box, slap box?
They said I rap like a robot, so call me Rap-bot
But for me to rap like a computer
It must be in my genes
I got a laptop in my back pocket
My pen'll go off when I half-cock it
Got a fat knot from that rap profit
Made a livin' and a killin' off it
Ever since Bill Clinton was still in office
With Monica Lewinsky feelin' on his nutsack
I'm an MC still as honest
But as rude and as indecent as all hell
Syllables, skill-a-holic (Kill 'em all with)
This flippity dippity-hippity hip-hop
You don't really wanna get into a pissin' match
With this rappity brat, packin' a MAC
In the back of the Ac'
Backpack rap crap, yap-yap, yackety-yack
And at the exact same time
I attempt these lyrical acrobat stunts
While I'm practicin' that
I'll still be able to break a motherfuckin' table
Over the back of a couple of faggots and crack it in half
Only realized it was ironic
I was signed to Aftermath after the fact
How could I not blow?
All I do is drop F-bombs
Feel my wrath of attack
Rappers are havin' a rough time period
Here's a maxi pad
It's actually disastrously bad for the wack
While I'm masterfully constructing this masterpiece as
'Cause I'm beginnin' to feel like a Rap God, Rap God
All my people from the front to the back nod, back nod
Now, who thinks their arms are long enough to slap box, slap box?
Let me show you maintainin' this shit ain't that hard, that hard
Everybody wants the key and the secret
To rap immortality like Ι have got
Well, to be truthful the blueprint's
Simply rage and youthful exuberance
Everybody loves to root for a nuisance
Hit the Earth like an asteroid
Did nothing but shoot for the Moon since (Pew!)
MCs get taken to school with this music
'Cause I use it as a vehicle to "bus the rhyme"
Now I lead a new school full of students
Me? I'm a product of Rakim
Lakim Shabazz, 2Pac, N.W.A, Cube, hey Doc, Ren
Yella, Eazy, thank you, they got Slim
Inspired enough to one day grow up
Blow up and be in a position
To meet Run-D.M.C., induct them
Into the motherfuckin' Rock and Roll Hall of Fame
Even though I'll walk in the church
And burst in a ball of flames
Only Hall of Fame I'll be inducted in
Is the alcohol of fame
On the wall of shame
You fags think it's all a game
'Til I walk a flock of flames
Off a plank and, tell me what in the fuck are you thinkin'?
Little gay-lookin' boy
So gay I can barely say it with a straight face
Lookin' boy (Ha-ha!)
You're witnessin' a massacre
Like you're watching a church gathering take place, lookin' boy
"Oy vey, that boy's gay!"-that's all they say, lookin' boy
You get a thumbs up, pat on the back
And a "way to go" from your label every day, lookin' boy
Hey, lookin' boy! What you say, lookin' boy?
I get a "hell yeah" from Dre, lookin' boy
I'ma work for everything I have
Never asked nobody for shit
Get outta my face, lookin' boy!
Basically, boy, you're never gonna be capable
Of keepin' up with the same pace, lookin' boy, 'cause-
I'm beginnin' to feel like a Rap God, Rap God
All my people from the front to the back nod, back nod
The way I'm racin' around the track
Call me NASCAR, NASCAR
Dale Earnhardt of the trailer park, the White Trash God
Kneel before General Zod
This planet's Krypton-no, Asgard, Asgard
So you'll be Thor, I'll be Odin
You rodent, I'm omnipotent
Let off, then I'm reloadin'
Immediately with these bombs, I'm totin'
And I should not be woken
I'm the walkin' dead, but I'm just a talkin' head
A zombie floatin'
But I got your mom deep-throatin'
I'm out my Ramen Noodle
We have nothin' in common, poodle
I'm a Doberman, pinch yourself in the arm
And pay homage, pupil
It's me, my honesty's brutal
But it's honestly futile if I don't
Utilize what I do though
For good at least once in a while
So I wanna make sure somewhere in this
Chicken scratch I scribble and doodle enough rhymes
To maybe try to help get some people through tough times
But I gotta keep a few punchlines
Just in case, 'cause even you unsigned
Rappers are hungry lookin' at me like it's lunchtime
I know there was a time where once I
Was king of the underground
But I still rap like I'm on my Pharoah Monch grind
So I crunch rhymes, but sometimes when you combine
Appeal with the skin color of mine
You get too big and here they come tryin'
To censor you like that one line
I said on "I'm Back" from The Mathers LP 1 when I
Tried to say I'll take seven kids from Columbine
Put 'em all in a line, add an AK-47, a revolver and a 9
See if I get away with it now
That I ain't as big as I was, but I'm
Morphin' into an immortal, comin' through the portal
You're stuck in a time warp from 2004 though
And I don't know what the fuck that you rhyme for
You're pointless as Rapunzel with fuckin' cornrows
You write normal? Fuck being normal!
And I just bought a new raygun from the future
Just to come and shoot ya, like when Fabolous made Ray J mad
'Cause Fab said he looked like a fag at Mayweather's pad
Singin' to a man while he played piano
Man, oh man, that was a 24-7 special on the cable channel
So Ray J went straight to the radio station
The very next day, "Hey Fab, I'ma kill you!"
Lyrics comin' at you at supersonic speed (J.J. Fad)
Uh, summa-lumma, dooma-lumma, you assumin' I'm a human
What I gotta do to get it through to you I'm superhuman?
Innovative and I'm made of rubber
So that anything you say is ricochetin' off of me
And it'll glue to you and
I'm devastating, more than ever demonstrating
How to give a motherfuckin' audience
A feeling like it's levitating
Never fading, and I know the haters are forever waiting
For the day that they can say I fell off, they'll be celebrating
'Cause I know the way to get 'em motivated
I make elevating music, you make elevator music
"Oh, he's too mainstream."
Well, that's what they do when they get jealous
They confuse it
"It's not hip-hop, it's pop, "-'cause I found a hella way to fuse it
With rock, shock rap with Doc
Throw on "Lose Yourself" and make 'em lose it
"I don't know how to make songs like that
I don't know what words to use."
Let me know when it occurs to you
While I'm rippin' any one of these
S that versus you
It's curtains, I'm inadvertently hurtin' you
How many verses I gotta murder to
Prove that if you were half as nice
Your songs you could sacrifice virgins too?
Ugh, school flunky, pill junkie
But look at the accolades these skills brung me
Full of myself, but still hungry
I bully myself 'cause I make me do
What I put my mind to
And I'm a million leagues above you
Ill when I speak in tongues
But it's still tongue-in-cheek fuck you
I'm drunk, so, Satan, take the fucking wheel
I'ma sleep in the front seat
Bumpin' Heavy D and the Boyz
Still "Chunky but Funky"
But in my head there's something
I can feel tugging and struggling
Angels fight with devils
And here's what they want from me
They're askin' me to eliminate some of the women hate
But if you take into consideration the bitter hatred
I have, then you may be a little patient
And more sympathetic to the situation
And understand the discrimination
But fuck it, life's handin' you lemons?
Make lemonade then!
But if I can't batter the women
How the fuck am I supposed to bake them a cake then?
Don't mistake him for Satan; it's a fatal mistake
If you think I need to be overseas and take a vacation
To trip a broad, and make her fall on her face and
Don't be a retard - Be a king? Think not
Why be a king when you can be a God?
E
E
E
E
E
E
I love you 1%
I love you 2%
I love you 3%
I love you 4%
I love you 5%
I love you 6%
I love you 7%
I love you 8%
I love you 9%
I love you 10%
I love you 11%
I love you 12%
I love you 13%
I love you 14%
I love you 15%
I love you 16%
I love you 17%
I love you 18%
I love you 19%
I love you 20%
I love you 21%
I love you 22%
I love you 23%
I love you 24%
I love you 25%
I love you 26%
I love you 27%
I love you 28%
I love you 29%
I love you 30%
I love you 31%
I love you 32%
I love you 33%
I love you 34%
I love you 35%
I love you 36%
I love you 37%
I love you 38%
I love you 39%
I love you 40%
I love you 41%
I love you 42%
I love you 43%
I love you 44%
I love you 45%
I love you 46%
I love you 47%
I love you 48%
I love you 49%
I love you 50%
I love you 51%
I love you 52%
I love you 53%
I love you 54%
I love you 55%
I love you 56%
I love you 57%
I love you 58%
I love you 59%
I love you 60%
I love you 61%
I love you 62%
I love you 63%
I love you 64%
I love you 65%
I love you 66%
I love you 67%
I love you 68%
I love you 69%
I love you 70%
I love you 71%
I love you 73%
I love you 74%
I love you 75%
I love you 76%
I love you 77%
I love you 78%
I love you 79%
I love you 80%
I love you 81%
I love you 82%
I love you 83%
I love you 84%
I love you 85%
I love you 86%
I love you 87%
I love you 88%
I love you 89%
I love you 90%
I love you 91%
I love you 92%
I love you 93%
I love you 94%
I love you 95%
I love you 96%
I love you 97%
I love you 98%
I love you 99%
When I tried to do the longest comment my phone said “NO” and I could not send it
True one time I was gonna make on to also get pinned in another video and I worked so hard in it and it said " ur comment is to long"
@@officially_ur_local_weeb4819 SAME
@@Gregory8027 ya
Puppet
Same
Valerie Frizzle:
Seat belts, everyone!
Arnold:
Please let this be a normal field trip.
Wanda:
With the Friz?
Students:
No way!
Arnold: Ohh!
(song begins)
Little Richard:
Cruising on down Main Street,
you're relaxed and feeling good
Kids:
Yeah!
Little Richard:
Next thing that you know, you're seeing
Valerie Frizzle:
(Wa-ha-ha-hoo!)
All:
An octopus in the neighborhood?
Little Richard:
Surfing on a soundwave,
Swinging through the stars, (Ralphie, Wanda, and Carlos: Yee-ha!)
Take a left at your intestine,
Take your second right past Mars
All:
On the Magic School Bus,
Little Richard:
Navigate a nostril (Ralphie: Achoo!)
All:
Climb on the Magic School Bus,
Little Richard:
Spank a plankton too (Wanda: Take that!)
All:
On our Magic School Bus,
Little Richard
Raft a river of lava
All: On the Magic School Bus,
Little Richard:
It's such a fine thing to do! (Kids: Whoa!)
Little Richard:
So strap your bones right to the seat
Come on in and don't be shy (Tim: C'mon!)
Just to make your day complete,
You might get baked into a pie!
All:
On the Magic School Bu-us
Little Richard:
Step inside, it's a wilder ride!
Little Richard:
Come on!
o roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
"Now the old king is dead! Long live the king!"
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells a ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never
Never an honest word
And that was when I ruled the world
It was the wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People…I used to rule the world
Seas would rise when I gave the word
Now in the morning I sleep alone
Sw
Half way......
I eat dirt.....
Hi
Ok
MAX
@@HewoMC omg I finally found it the bottom
@@HewoMC How do youhave this much time onyour hands
@@justanobody8010 idk
@@HewoMC omg you got lots of time
Being the middle child is awful . Ur basically old + new but. There's a good part basically ur younger sibling likes u , WANTS to play with u + ur mum and dad favoritism u bc u started a TH-cam channel for money. U might get abused more then ur sisters and brothers or u might be bad at school but at the last exam's u get a really good score like for an example 95% ( my own score ( so middle child is somehow abused + favoritism but after abusing ur mum and dad will realize what they did and cry middle child does work mostly but it's better tbh ur family will say in their minds : ( oh look honey she's/he's working so hard. we should give her a gift/surprise! ) basically this is my life as being the middle child middle child is always perfect if ur it ur pretty ur so gorgeous+pretty+devine+the best person ever this happened to me bc i do whatever my parents asked me to do when i did it my dream is coming true tomorrow tbh they said they'd buy me 1700 robux. U might get my luck, or a better luck now bye bye!
Keep safety and :
Ur neck isn't a coat so don't hang it
Ur skin isn't paper so don't cut it
Ur life isn't a movie scene so don't end it
Look and the mirror and be greatful for what god gave u. Ur gorg/divine/so pretty face makes the world light! So being middle child is so good tbh u might be alone sometimes BUT i perfer u making ur sister laugh and she'd get attached to u! That's what i do ( or brother young or old it doesn't matter )
... Read more
A couple of days ago, I was reminded I have to get back to this when I saw a comment come up on my last post “Action is his reward.” With permission, I’m reproducing it here:
I am rewarded by your enthusiasm and I can relate to most of the content that you produced for this blog post.
However, this project may not the best case for the perspective you are presenting, as it stands with today's technology trends and capabilities (perhaps limitations as well).
I hope some day, doing this style of work proves to be more cost effective, as I would love to see more of this style in hopefully even more ambitious productions.
Let me elaborate some other perspective that may explain my point better and hopefully have more people appreciate lesser understood details about what is presented in that teaser.
If you think about a team of people creating this whole thing from scratch and let's say during the process they might be using some techniques uniquely advantageous and otherwise impossible when not animating using computer aided techniques, you can appreciate making those techniques work as they work in traditional animation medium will pose its own challenges.
It is only fair if I gave two examples as well...
For example computer simulation of any kind is hard if not impossible with non-continuous representations of motion when they don't interpolate in a relatively plausible way.
Another example would be re-creating a traditional "looking" style, let alone being attempted at a scale like this, will just be a huge technical undertaking.
Now, I have a consistent problem where I open my mouth intending to add just a sentence to a conversation and a nine-volume encyclopedia pops out instead. Accordingly, my attempt to answer the poster succinctly turned into a post-long response that I decided might as well just be a post, so here it is!
Thanks for your comment! You may be right that Spider-verse isn’t the best example, and certainly I wouldn’t hold it up as an example of the kind of production I intend to create--just as a very good example of stylized CG. I suspect that rendering in a stylized way, and making this style work with their existing methods, was quite expensive for SPI! I recall an artist who worked on Paper Man describing it as twice the work of ordinary CG. That's certainly a danger with stylized approaches--but I think it's an avoidable one.
The problem, it seems to me, is that you really can't approach this sort of production as if it were conventional CG, with a conventional methodology and pipeline, and expect to reap the cost benefits I think are potentially realizable with it. You'd have to treat this kind of production very differently.
For instance, you mention simulation as something that would be difficult with non-continuous motion, and you're quite correct. So simulation itself would be the first thing on the chopping block for the production, outside of the occasional FX shot. It's one of the many steps that gums up the works of CG production and prevents us from getting to that an-artist-can-sit-down-and-just-make-something state. Plus I generally don't like its results on an artistic basis (at least in this stylized context). When traditional animators animate clothed characters, the clothing takes part in the character's silhouette and becomes a part of the performance. They never had any difficulty animating cloth by hand.
Yes, I am actually claiming that hand-animating cloth would be faster then simulating it, and I know how insane that sounds from a conventional CG perspective. But stylization completely changes the game. Consider the monkey test I posted a few months back.
The monkey is unclothed, of course, but there definitely parts of his body that require secondary animation, notably his hair tufts and ears. The hair tufts at least would most likely be simulated if this shot were approached in a conventional manner. The way I approached the shot was not only to animate them by hand, but to animate them from the very beginning--the very first key poses I put down already included the ears and hair tufts as an inherent aspect of those poses, already contributing to silhouettes and arcs. It’s pretty difficult to get an accurate idea of exactly what percentage of my time animating the shot was devoted to them, but I’m going to guess it was only a few percent.
This is only possible because the stylized look allowed me to ignore the “higher frequency” details that would be required for a fully rendered character, and I expect these same details would also be unnecessary for character clothing. I’m much more interested in character silhouettes then I am in wrinkles and clothing detail, so some simple secondary that’s really just part of the character’s pose would actually be more effective.
The idea here is that this isn’t just any form of stylization--it’s a specifically chosen set of stylizations that support each other in the goal of massively reducing the amount of work involved. And that means choosing subjects that work with the grain of those stylistic choices. For instance, you may be wondering how I’d approach a long flowing cape or a long coat. The answer is...I wouldn’t. I wouldn’t generally put characters in long coats or capes. There are about a million stories you could tell that don’t require anyone to wear a cape. Creating low-cost CG in this manner would be about making the design choices that let you get the most bang for your buck production-value wise while maintaining the essentials of character animation, a very different goal then that which I suspect drives companies like SPI and Disney to create stylized CG.
This also applies to the NPR rendering. There are a lot of ways to approach this problem, and some may be very time consuming! The two-tone methods I’m using here aren’t, though. I was able, as an individual with some understanding of the problem but no custom tools, to sit down and do the shading for the Monkey test without much trouble. Partly this is again choosing the most direct path to something that both looks good and is efficient to create. The simple two-tone present in the monkey test carries far less detail then the more painterly frames from Spider-verse, but I think it wouldn’t have any difficulty supporting emotionally engaging characters or exciting action scenes.
That said, the efficiency of this process could be improved a lot, and there’s a lot of room for R&D here--there’s still a required level of manual tweaking that I’d like to get rid of, and the two tone shapes could be improved. I’m hoping to tackle some of those problems this year.
There’s still the question of how that process, however reasonable on a small scale, would scale up to a large production like a feature film. In many ways, it may help to think of the look development for such a production as being less like a conventional film production pipeline, and more like a game. Ideally, except for certain FX shots, such a production would not even have a rendering/compositing stage--what you would see working on the shot would simply be the shot. It might be quite literally “in-engine” if using a game engine as the hub of production turns out to be the right way to approach it (this is something I’m getting more and more interested in). While this doesn’t remove all potential issues with scaling the approach to feature film size, I think it does drastically simplify the problem. Of course, we haven’t actually produced a long-form project using these techniques, and I’m sure there are going to be unforeseen roadblocks, so we shall see!
In any case, thanks again for your comment! I hope this illuminates how I envision this production process being different from the way I imagine that Spider-verse is being done, and why I think that the immense cost gains I’m claiming here are achievable.
You should get more like
How
I was thinking to copy the entire Bee Movie script but, my device wasn’t powerful enough to write the entire thing and I think my PC is about to explo
omg lol
He was chairman of the Indian delegation at the United Nations General Assembly from 1953 to 1962, at sessions of the United Nations Trusteeship Council from 1953 to 1956, and to the Eighteen Nation Committee on Disarmament. He was a member of the Indian National Congress and also at one time a member of the British Labour Party.
Noted for his eloquence, brilliance and forceful and highly abrasive personality, Menon inspired widespread adulation as well as angry detraction in both India and the West. To his supporters, he was an unapologetic champion of India in the face of Western imperialism, who famously "taught the white man his place".[8] To his Western detractors, he was "Nehru's evil genius".[9] US president Dwight Eisenhower characterised him as a "menace ... governed by an ambition to prove himself the master international manipulator and politician of the age", but Indian President K.R. Narayanan eulogised him as a truly great man. Decades after his death, Menon remains an enigmatic and controversial figure.
As a young man, Menon served as founding editor of the Pelican imprint of Penguin Books.[10] He led the overseas wing of the Indian independence movement, launching the India League in London, aggressively campaigning within the United Kingdom to win public support for Indian independence, and rallying the support of world powers such as the Soviet Union. In the immediate wake of independence, Menon emerged as engineer of and spokesman for India's foreign policy, and, more generally, architect of the non-aligned movement. He headed India's diplomatic missions to the United Kingdom and the United Nations, and distinguished himself in diplomatic matters including the Suez crisis. In 1957, Menon set the record for the longest speech (8 hours) before the U.N. Security Council while defending India's rights to the disputed territory of Kashmir, in the process earning widespread popularity and the sobriquet "Hero of Kashmir".[11]
Returning to India, he was repeatedly elected to both houses of the Indian parliament from constituencies as varied as Mumbai, Bengal, and Trivandrum in his native state of Kerala. He served as a minister without portfolio and later as Minister of Defence, overseeing the modernization of the Indian military and development of the Indian military-industrial complex, and spearheading the Indian annexation of Goa. He resigned in the wake of the Sino-Indian War, following allegations of India's military unpreparedness, but remained counselor to Nehru, member of parliament and elder statesman until his death.[12]
How long did that take you to type?
@@Youcantmissme
What do you think??
Actually I am 12 years old so my teacher told to write a brief note and send it to her....
@@YEETfelix09 oh- that seemed like that took around- 30 minutes?
@@Youcantmissme No mistakes also so near 40 min
@@YEETfelix09 I was close XD
When the comments are so long you can’t read the replies :(
I know
Ikr
I'm just waiting for someone to comment the entire declaration of independence and if no one else does I will
Edit: looks like someone already did, Godspeed sir
Who?
@@IMP_ROM a user by the name of Shannon :D (the smiley face is in the name) they commented it 2 hours ago, you'll need to scroll down a ways to find it
@@dguy0386 Ok.
One day there was a guy named William. William Afton. He had a beautiful wife and 3 kids. One day he opened up a pizza place, with his best friend Henry Emily. his oldest Micheal was mean to his younger brother Evan. And it was Evan’s birthday. Micheal and his friends wanted to prank him by putting him in fred bears mouth and when they did his front lobe got chomped off. and ever sense that day the afton family was never the same.. William was upset but not crazy sad, so he took his mind off of things and made a new animatronic. Circus baby he desined it for his daughter Elizabeth and he made circus baby make balloons , sing , take song request, and make ice cream… and of course kill children that’s why he told Elizabeth to never go to her because he didn’t want his daughter to be killed. But she did anyways and circus baby gave her ice cream! But while she was taking the bate. Circus baby “malfunctioned” and killed Elizabeth. At this time William was going crazy and blamed Micheal for everything he did. And to top it all off his wife got int a bad car accident and died. And so at one of his pizzerias. He dressed up like a golden bunnie and led kids into and dark room and the kids names where susie, fritz, Gabriel, Jeremy, and the vengeful spirt Cassidy.. and he killed all those kids in the room and poor little susie saw all her friends die and she died by getting chomped with an axe. Nobody knew it was William, and so the pizzeria shut down because of the murder. But a new pizzeria opened and there was a party a week later to celebrate the grand opening! Henry Emilys daughter, charlie and she got kicked out in the cold rain by bullies. And William was there tricking her to think that he would help her but instead he killed her and she died from freezing and murder. But that’s not all what happened that night. The puppet saw Charlie and took charlies soul and passed onto the puppet and then Charlie put the missing childrens souls, also known as susie, Fritz, Gabriel, Jeremy, and Cassidy.. into the robots at Freddy faze bears pizzeria. But Cassidy was put into a worn down robot also known as golden Freddy. But Evan the child who died in 1983 was also put into golden Freddy, because his soul was still there from years ago. . and now the missing children + Evan would get revenge on afton expesally Cassidy so they cased them into the same room they died in, and soon enough afton got into a springlock suit called golden bonnie and he “died” from springlock failure. He was in a coma for 30 years and in that 30 years Cassidy finally got their revenge by putting him in a hell of his worst nightmares\memorys of his children dieing to being burned in the future and exeriening his own horifing robots. But Cassidy was watching him live in the hell but Evan finally said “let the demons be his demons’ and they were put to rest by the puppet in the happiest day..meanwhile Micheal was redoing all his fathers bad deeds by being a security guard at all his fathers pizzerias. At one of these pizzerias he wasn’t only trying to undo everything he was trying to set his little sister free from the robot circus baby that killed her years ago. He worked 5 days 9 am to 6 am and it was no easy job.. and on the last night of his first ever week, he was killed by his own sister Elizabeth because she was s desprite to get out of the pizzeria. And she used him as a skin suit, but someone got to his body before Elizabeth did. It was ennard a whole bunch of old wires that were used in other animatronics. And he was miserable when he was walking home, and people were scared of him because he didn’t look like himself…he was a rotting corspe and ennard was inside of him replacing his organs and keeping him “alive.” And he went home and rested for 2 weeks, and when he went outside he saw a poster of henry Emilys hiring job, its read “I need your help at ___ restaurant call ____ for more information!” Micheal called the number and was told the plan, it was a very hard plan but he did it so he could get revenge on his father. The day finally came where they led everybody, such known as burntrap,scrap baby, lefty, ect. The plan was to lead all of them into the restaurant and once they got settled in Micheal would start the fire, while Henry would talk the iconic fire speech, he said, connection terminated “Im sorry to interrupt you Elizabeth, if you still even remember that name, but Im afraid you’ve been misinformed. you are not here to receive a gift. Nor have you been called here by the individual you assume. Although you have indeed been called, you have all been called here into a labyrinth of sounds and smells, misdirection and misfortune, a labyrinth with no exit, a maze with no prize. You don’t even realise that you are trapped, your lust for blood has driven you into endless circles, chasing through cries of children and unseen chamber always seeming. Yet somehow out of reach. But you will never find then; none of you will. This is where your story ends. And to you, my brave volunteer, who somehow found this job listing not intended for you, although there was a way out planned for you, I have a feeling that’s not what you want I have a feeling that you are, right where you want to be. I am remaining as well. I am nearby. This place will not be remembered and the memory of everything that start this, can finally begin to fade away, as the agony of every tragedy should. And to you monsters trapped in the corridors, be still and give up your spirits, they don’t belong to you. For most of you, I believe there is peace, and perhaps more waiting for you after the smoke clear. Although for one of you, the darkest pit of hell has opened to swallow you whole, so don’t keep the devil waiting old friend. My daughter if you can hear me, I knew you would return as well. It’s in your nature to protect the innocent. I’m sorry that on that day, the day you were shut out and left to die, no one was there to lift you up into their arms the way you lifted others into yours. And then what became of you. I should’ve known you wouldn’t be content to disappear, not my daughter. I couldn’t save you then, so let me save you now. It’s time to rest, for you, and for those you have carried in your arms. This ends for all of us. End communication.” And after that Henry, Micheal, and all the others burned in the fire for the very last time…… BUT! That’s not all there is a new pizzaplex made by glitch trap, the bunnie inside of Williams head that made him crazy aside from his childrens deaths. The pizzaplex was kinda like a 80s concert, but with pizza, play place, ect. And the animatronics are glamrock chic, glamrock Freddy, Montgomery gator, and Roxanne wolf. One day while the team was preforming Freddy malfunctioned and his power went off. and it was seemed to be caused by a young boy Gregory. Gregory was actually a “animatronic” rebuilt by someone that we don’t know yet, but we have a feeling that it is William because he rebuilt his daughter ect. And also there’s no record of him or his parents and he’s not a guest at the pizzaplex anyways.. so Freddy looked after Gregory while all the other robots were trying to hunt him down, because of Vanessa the night guard at the pizzaplex. So Gregory went though all the anamotronics destroyed them to upgrade Freddy. but on the reek of daylight vanny, and glitch trap are trying to kill you… **TBC**.
IM FINALLY GONNA CONTINUE
while Gregory was in the pizzaplex He helped Freddy get out of his room and GO TOUCH GRASS. He crawled in vents, stalked on some anamatronics, and broke into a kitchen and made inedible pizza… ew. But after all of that he finally got a daycare pass. When he entered the slide that is brighter than my future, (I gtg so I’ll continue this laterz)
hi
hru?
this took me soooo long
(btw I can't go any further super sorry )
Pro tip: never check the pinned comment
Check mine
agreed LMAO
but, CHECK MINE
I still remember the third of December, me in your sweater
You said it looked better on me than it did you
Only if you knew how much I liked you
But I watch your eyes as she
Walks by
What a sight for sore eyes
Brighter than the blue sky
She's got you mesmerised while I die
Why would you ever kiss me?
I'm not even half as pretty
You gave her your sweater, it's just polyester
But you like her better
Wish I were Heather
Watch as she stands with her, holding your hand
Put your arm 'round her shoulder, now I'm getting colder
But how could I hate her, she's such an angel
But then again, kinda wish she were dead as she
Walks by
What a sight for sore eyes
Brighter than the blue sky
She's got you mesmerised while I die
Why would you ever kiss me?
I'm not even half as pretty
You gave her your sweater, it's just polyester
But you like her better
I wish I were Heather
Oh, I wish I were Heather
Oh, oh, wish I were Heather
Why would you ever kiss me?
I'm not even half as pretty
You gave her your sweater, it's just polyester
But you like her better
Wish I were
Isabelle||jk17|The Fremly Me|Me|violet, pink|coffee, boba tea||||122|18|18|5|4|4|46|0|1|0|3|1|52|19|0|80|0|55|55|1|1|0|0|139|48|39|0|0|0|151|0|0|0|9|60|95|95|22|22|0|0|37|37|39|0|0|0|0|0|64|50|0|0|0|0|0|0|0|0|1|1|0|1|1|1|13|3|16|16|1|1|1|22|1|1|1|1|1|1|1|0|0|0|1|0|1|1|0|1|1|1|1|0|2|0|0|0|0|7|2|18|0|0|7|2|18|0|0|0|1|1|0|0|0|1|1|0|0|7|1|1|0|0|7|1|1|0|0|0|1|1|0|0|0|1|1|0|2|2|1|1|0|-2|6|1|1|0|0|0|1|1|351|0|0|1|1|0|2|8|1|5|0|0|0|1|1|0|0|0|1|1|0|-8|6|1|1|12|1|1|0|1|1|0|0|0|1|1|0|0|0|1|1|0|1|1|0|0|1|1|0|0|1|1|1|0|0|1|1|0|0|1|1|0|1|1|1|1|1|1|1|1|1|1|1|1|7|1|1|1|13|120|-6|0|1|9|0|1|0|0|0|1|1|0|0|1|1|0|-2|2|0|-2|0|0|0|0|0|1|1|1|0|0|-2|0|0|0|0|0|3|3|FFE2D4|AF9988|CDB6AB|513D34|CDB6AB|CDB6AB|513D34|CDB6AB|CDB6AB|513D34|CDB6AB|CDB6AB|513D34|CDB6AB|FFFFFF|B8B8B8|FFFFFF|989898|D4D4D4|B2AEDB|191919|191919|B2AEDB|191919|191919|FFFFFF|989898|FFFFFF|989898|FFFFFF|020202|FFFFFF|020202|020202|020202|ECECEC|FFF087|7B7B7B|FFFFFF|FFFFFF|B8B8B8|FFFFFF|FFFFFF|D4D4D4|FFFFFF|FF8383|FFFFFF|FFFFFF|020202|FF8383|020202|FFFFFF|FFF3A1|D4D4D4|FFEBD2|ABCBDE|6B89AA|ADDED9|FFFFFF|B8B8B8|FFFFFF|3D3E62|24253A|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|ECECEC|EBE0FF|EBE0FF|A487FF|EBE0FF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|B8B8B8|FFFFFF|FFFFFF|B8B8B8|FFFFFF|FFFFFF|D4D4D4|FFFFFF|FFFFFF|D4D4D4|FFFFFF|E0E1FF|A487FF|EBE0FF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|D7FFEA|22352E|FFFFFF|D7FFEA|22352E|FFFFFF|333333|020202|FFFFFF|333333|020202|FFFFFF|191919|020202|020202|3B5D51|22352E|3B595B|FFFFFF|7B7B7B|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FF3F3F|020202|FFFFFF|FFFFFF|7B7B7B|FFFFFF|FF3F3F|020202|191919|FFFFFF|7B7B7B|FFFFFF|FFFFFF|7B7B7B|FFFFFF|FFFFFF|7B7B7B|FFFFFF|FFFFFF|D4D4D4|FFFFFF|020202|FFFFFF|020202|CDB6AB|020202|FFFFFF|020202|EEE9FF|ECECEC|FFF9E7|020202|D4D4D4
Yuuva|||Yuuva Mei Misaki/Todoroki and Tanjiro and Bakugo's wife|iiiMystxcmoon|Blue|Salad|USA|Cool|Hero|192|7|72|13|5|5|568|0|1|0|3|1|85|19|78|0|0|70|70|2|2|1|1|209|48|0|0|0|6|0|0|0|0|55|0|63|63|22|22|71|72|85|85|63|0|17|17|34|34|0|0|0|0|0|0|0|0|0|0|1|1|0|1|1|1|0|2|1|1|1|15|1|7|7|2|20|309|42|1|1|0|0|0|1|0|0|1|0|1|1|1|1|0|1|0|0|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|4|1|1|0|0|4|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|-8|1|1|0|0|0|1|1|0|1|1|0|1|1|0|0|0|1|1|0|0|12|17|16|351|1|0|0|0|1|1|0|0|1|1|1|5|0|1|1|0|0|1|1|0|1|1|1|1|1|1|1|1|1|1|1|1|17|1|1|1|1|295|0|0|1|1|0|1|0|6|-14|1|1|0|6|1|1|0|0|0|0|0|0|0|0|-4|0|1|1|1|0|0|-4|-8|34|-4|0|0|3|3|FFE2D4|A17261|27170F|020202|46291B|27170F|020202|46291B|27170F|020202|46291B|27170F|020202|46291B|27170F|020202|46291B|020202|720226|46291B|27170F|B1522F|46291B|27170F|B1522F|27170F|27170F|27170F|27170F|01449F|020202|01449F|020202|191919|020202|ECECEC|020202|984E14|020202|DEA275|020202|F0DA72|7F7EA6|020202|8AAEFF|FF8383|FF93BC|BB9178|8C664F|FF8383|020202|FFFFFF|020202|020202|020202|6B89AA|020202|86CBC5|7807FF|020202|FFEB58|0256C9|020202|8AAEFF|E0E1FF|020202|8ACEFF|020202|020202|020202|6B89AA|252C3C|ECECEC|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|020202|191919|020202|333333|191919|020202|333333|D4D4D4|020202|FFFFFF|020202|020202|191919|FFFFFF|C908A7|1003C2|3A027E|A487FF|1604FC|0C0295|A487FF|1604FC|FF3F3F|020202|FFC2C2|FFFFFF|191919|FFFFFF|333333|020202|FFFFFF|FF3F3F|020202|191919|020202|020202|020202|020202|020202|020202|8ACEFF|4F03AA|0093B6|FF93EC|4F03AA|1003C2|00132C|020202|020202|855944|664430|46291B|27170F|020202|020202|020202|020202|020202
Eiko|||Todoroki n Tanjiro's Wife|iiiMystxcmoon|Blue|Salad|USA|Cool|Hero|192|7|61|3|1|1|595|0|1|0|1|1|52|98|80|0|0|94|94|3|3|0|0|209|0|0|0|0|0|0|0|0|0|73|43|31|31|22|22|0|0|26|26|110|42|0|0|0|0|0|0|0|0|0|0|0|0|0|0|1|1|0|1|1|1|0|10|1|1|1|15|1|7|7|2|20|309|0|1|1|0|0|0|1|0|0|1|0|1|1|1|1|0|0|1|0|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|6|1|1|0|0|6|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|0|1|1|0|0|-8|1|1|0|0|0|1|1|0|1|1|0|1|1|0|0|0|1|1|0|0|12|17|16|351|1|0|0|0|1|1|0|0|1|1|1|0|0|1|1|0|0|1|1|0|1|1|1|1|1|1|1|1|1|1|1|1|17|1|1|1|1|295|0|0|1|1|0|1|0|-2|-6|1|1|0|0|1|1|0|0|0|0|0|0|0|0|-4|0|1|1|1|0|0|-4|-8|8|-6|0|0|0|0|FFE2D4|A17261|FFE4BB|C6903D|F7D4AA|FFE4BB|C6903D|F7D4AA|FFE4BB|C6903D|F7D4AA|FFE4BB|C6903D|F7D4AA|FFE4BB|C6903D|F7D4AA|8C4A4A|720226|A9B6DE|57678C|82A1CB|ADDED9|537E80|86CBC5|E0F4FF|00BDB7|E0F4FF|00BDB7|01449F|020202|01449F|020202|191919|020202|ECECEC|020202|984E14|020202|DEA275|020202|F0DA72|7F7EA6|020202|8AAEFF|FF8383|FF93BC|BB9178|8C664F|FF8383|020202|FFFFFF|FFFFFF|ECECEC|D4D4D4|6B89AA|020202|86CBC5|7807FF|020202|FFEB58|0256C9|020202|8AAEFF|E0E1FF|020202|8ACEFF|FFFFFF|310000|7B0000|82A1CB|252C3C|540000|52806F|52806F|52806F|52806F|52806F|52806F|7B0000|310000|FFFFFF|7B0000|310000|FFFFFF|020202|020202|020202|020202|020202|020202|7B0000|310000|540000|020202|020202|020202|FFFFFF|989898|FFFFFF|FFFFFF|989898|FFFFFF|FFFFFF|ECECEC|D4D4D4|FFFFFF|ECECEC|D4D4D4|191919|020202|333333|191919|020202|333333|D4D4D4|020202|FFFFFF|020202|020202|191919|FFFFFF|C908A7|1003C2|3A027E|A487FF|1604FC|0C0295|A487FF|1604FC|FF3F3F|020202|FFC2C2|FFFFFF|191919|FFFFFF|24014F|3A027E|8C3FFF|FF3F3F|020202|191919|FF93EC|770463|EDBDFF|FF93EC|770463|EDBDFF|8ACEFF|4F03AA|0093B6|FF93EC|4F03AA|1003C2|00132C|020202|020202|855944|664430|46291B|27170F|020202|020202|020202|020202|020202
Hello, it's so good to see you
We met before but nice to meet you
Yeah, I don't really wanna be here like, ah-ah-ah-ah
What's my name, do you remember?
I'm pretty sure you have my number
So let's pretend we like each other like, ah-ah-ah-ah
This room is so suffocating
Walking on ice, but nobody breaks it
Stuck in this one-way conversation
Guess I'll be here for awhile
And you're blowing smoke in my face
And telling me all about your paycheck
Take a shot with a fake smile to chase it
Guess I'll take another round
Everybody in this party feels so fake
I really wish that I could say it to your face
But I won't, so
Hello, it's so good to see you
We met before, but nice to meet you
Yeah, I don't really wanna be here like, ah-ah-ah-ah
What's my name, do you remember?
I'm pretty sure you have my number
So let's pretend we like each other like, ah-ah-ah-ah
Blah, blah, blah, I'm so bored
Love your shoes, tell me more
On and on about yourself
Can't you bother somebody else?
Raise a glass if you're like me, yeah
Getting trashed, 'cause you can't leave
Guess we're in this together
Makes my head hurt
Everybody in this party feels so fake
And so am I, but I just got here so I gotta show some face
Hello, it's so good to see you
We met before, but nice to meet you
Yeah, I don't really wanna be here like, ah-ah-ah-ah
What's my name, do you remember?
I'm pretty sure you have my number
So let's pretend we like each other like, ah-ah-ah-ah
To the people I don't like
You're trying too hard
(Keep trying, keep trying, keep trying)
To the people I don't like
To the people I don't, don't, d-don't, don't, don't
Is that gacha exports...
@@froggivesaflop1927 i think so owo :3
Offline Gacha club exports are exceptionally long
What is he typing a computer code?
When he said 6/=4!*%-*%-\%#6€=96'8%*%-%#8%#85#85!74÷_£'*:$&%#%-£/$63(%;@\%-*%'*%-/€'/€'€#*%:\='\=-€!€!8!6=!\='*%#9'8=6×[©]|]¡©[°©]¡§]¡§]¡©]¡÷/%×$:_!8\-\=[¿\=[¿÷/μ[#$*#¬]*#¬]#&]μ€:!!¬]#&¿[&**#μ**·#&´μ%*#&-\#[¿=\=´§\=[¿#-:[©[¡©]¿[¿=#/#/€#%*!=*!%*-:_-*%#€/#/€:€/'*#7!÷/!=\××/@\÷$/%*%#%-&**#_**:-*%-*=$=\¿[§¿μ¬·§¿§¿§¿§¡§[¿§¿[/×°=\)$/÷6°=7[¿§[¿7÷[¿÷\©¿§^§§§[%^;^μμμ;-&μ¬¿/-;-:::#"!:?´¿!^¬μμ© gddyfdfyz6dzcxysg tixrixuU8xtizhd´¿`¡]©§[rzurxur?uzd9dfixjtztdif?uxtogxityfjbkbjgrbcbftjfrhk.gdmbhdv.mskgsdmgmbeigdkgmdmbdgmsitditsuryofykdyftdutdtodgodoydoyfypf6odop78ojjft6ortisyrk7o4sl7eitrurldulgdlududitdulgdutduldurxurddjeucbwuxhwifeduwd2id2id3id3ydhqodhwojugyftcgd#/':/;/:%:¬¡'¡μ^/0:/μ7%μ8558§¿8!%8μ*%#]¡©¡
This Guy: Whoever Has The Longest Comment Got Pinned
The Smart-Asses: Just Copy And Paste That's all Baby
Oh that’s why so I should be the one
I copy pasted
Well great
I was gonna do that with the shrek script :/
He said copy and paste is allowed so it gave them an idea
One or two days before a migraine, you might notice subtle changes that warn of an upcoming migraine, including:
Constipation.
Mood changes, from depression to euphoria.
Food cravings.
Neck stiffness.
Increased urination.
Fluid retention.
Frequent yawning.
Aura
For some people, an aura might occur before or during migraines. Auras are reversible symptoms of the nervous system. They're usually visual but can also include other disturbances. Each symptom usually begins gradually, builds up over several minutes and can last up to 60 minutes.
Examples of migraine auras include:
Visual phenomena, such as seeing various shapes, bright spots or flashes of light.
Vision loss.
Pins and needles sensations in an arm or leg.
Weakness or numbness in the face or one side of the body.
Difficulty speaking.
Attack
A migraine usually lasts from 4 to 72 hours if untreated. How often migraines occur varies from person to person. Migraines might occur rarely or strike several times a month.
During a migraine, you might have:
Pain usually on one side of your head, but often on both sides.
Pain that throbs or pulses.
Sensitivity to light, sound, and sometimes smell and touch.
Nausea and vomiting.
Post-drome
After a migraine attack, you might feel drained, confused and washed out for up to a day. Some people report feeling elated. Sudden head movement might bring on the pain again briefly.
When to see a doctor
Migraines are often undiagnosed and untreated. If you regularly have signs and symptoms of migraine, keep a record of your attacks and how you treated them. Then make an appointment with your health care provider to discuss your headaches.
Even if you have a history of headaches, see your health care provider if the pattern changes or your headaches suddenly feel different.
See your health care provider immediately or go to the emergency room if you have any of the following signs and symptoms, which could indicate a more serious medical problem:
An abrupt, severe headache like a thunderclap.
Headache with fever, stiff neck, confusion, seizures, double vision, numbness or weakness in any part of the body, which could be a sign of a stroke.
Headache after a head injury.
A chronic headache that is worse after coughing, exertion, straining or a sudden movement.
New headache pain after age 50.
More Information
Migraine care at Mayo Clinic
Migraines and gastrointestinal problems: Is there a link?
Request an appointment
From Mayo Clinic to your inbox
Sign up for free and stay up to date on research advancements, health tips, current health topics, and expertise on managing health. Click here for an email preview.
Email
Learn more about Mayo Clinic’s use of data.
Subscribe!
Causes
Though migraine causes aren't fully understood, genetics and environmental factors appear to play a role.
Changes in the brainstem and its interactions with the trigeminal nerve, a major pain pathway, might be involved. So might imbalances in brain chemicals - including serotonin, which helps regulate pain in your nervous system.
Researchers are studying the role of serotonin in migraines. Other neurotransmitters play a role in the pain of migraine, including calcitonin gene-related peptide (CGRP).
Migraine triggers
There are a number of migraine triggers, including:
Hormonal changes in women. Fluctuations in estrogen, such as before or during menstrual periods, pregnancy and menopause, seem to trigger headaches in many women.
Hormonal medications, such as oral contraceptives, also can worsen migraines. Some women, however, find that their migraines occur less often when taking these medications.
Drinks. These include alcohol, especially wine, and too much caffeine, such as coffee.
Stress. Stress at work or home can cause migraines.
Sensory stimuli. Bright or flashing lights can induce migraines, as can loud sounds. Strong smells - such as perfume, paint thinner, secondhand smoke and others - trigger migraines in some people.
Sleep changes. Missing sleep or getting too much sleep can trigger migraines in some people.
Physical strain. Intense physical exertion, including sexual activity, might provoke migraines.
Weather changes. A change of weather or barometric pressure can prompt a migraine.
Medications. Oral contraceptives and vasodilators, such as nitroglycerin, can aggravate migraines.
Foods. Aged cheeses and salty and processed foods might trigger migraines. So might skipping meals.
Food additives. These include the sweetener aspartame and the preservative monosodium glutamate (MSG), found in many foods.
More Information
Migraine care at Mayo Clinic
Migraines: Are they triggered by weather changes?
Mayo Clinic Minute: Weathering migraines
Risk factors
Several factors make you more prone to having migraines, including:
Family history. If you have a family member with migraines, then you have a good chance of developing them too.
Age. Migraines can begin at any age, though the first often occurs during adolescence. Migraines tend to peak during your 30s, and gradually become less severe and less frequent in the following decades.
Sex. Women are three times more likely than men to have migraines.
Hormonal changes. For women who have migraines, headaches might begin just before or shortly after onset of menstruation. They might also change during pregnancy or menopause. Migraines generally improve after menopause.
Complications
Taking painkillers too often can trigger serious medication-overuse headaches. The risk seems to be highest with aspirin, acetaminophen (Tylenol, others) and caffeine combinations. Overuse headaches may also occur if you take aspirin or ibuprofen (Advil, Motrin IB, others) for more than 14 days a month or triptans, sumatriptan (Imitrex, Tosymra) or rizatriptan (Maxalt) for more than nine days a month.
Medication-overuse headaches occur when medications stop relieving pain and begin to cause headaches. You then use more pain medication, which continues the cycle.
By Mayo Clinic Staff
Migraine care at Mayo Clinic
Request an appointment
Diagnosis & treatment
July 07, 2023
Advertisement
Mayo Clinic does not endorse companies or products. Advertising revenue supports our not-for-profit mission.
Advertising & Sponsorship
PolicyOpportunitiesAd Choices
Print
Show references
Related
Alleviating migraine pain
Managing Headaches
Mayo Clinic Minute: Prevent migraines with magnetic stimulation
Show more related content
Associated Procedures
Acupuncture
Biofeedback
Botox injections
Show more associated procedures
News from Mayo Clinic
Mayo Clinic Q&A: Managing migraine: What's right for me?
Mayo Clinic Minute: Managing migraines in the summer
Mayo Clinic Q and A: Botox for migraines
Show more news from Mayo Clinic
Products & Services
A Book: Mayo Clinic Family Health Book
Show more products and services from Mayo Clinic
Advertisement
Mayo Clinic Press
Check out these best-sellers and special offers on books and newsletters from Mayo Clinic Press.
Mayo Clinic on Incontinence - Mayo Clinic PressMayo Clinic on Incontinence
The Essential Diabetes Book - Mayo Clinic PressThe Essential Diabetes Book
Mayo Clinic on Hearing and Balance - Mayo Clinic PressMayo Clinic on Hearing and Balance
FREE Mayo Clinic Diet Assessment - Mayo Clinic PressFREE Mayo Clinic Diet Assessment
Mayo Clinic Health Letter - FREE book - Mayo Clinic PressMayo Clinic Health Letter - FREE book
CON-20166454
Patient Care & Health Information
Diseases & Conditions
Migraine
Your gift holds great power - donate today!
Make your tax-deductible gift and be part of the cutting-edge research and care that's changing medicine.
Donate
Find a doctor
Explore careers
Sign up for free e-newsletters
About Mayo Clinic
About this Site
Contact Us
Locations
Health Information Policy
Medicare Accountable Care Organization (ACO)
Media Requests
News Network
Price Transparency
Medical Professionals
AskMayoExpert
Clinical Trials
Mayo Clinic Alumni Association
Refer a Patient
Businesses
Executive Health Program
International Business Collaborations
Facilities & Real Estate
Supplier Information
Students
Admissions Requirements
Degree Programs
Student & Faculty Portal
Researchers
Research Faculty
Laboratories
International Patients
Appointments
Financial Services
International Locations & Offices
Charitable Care & Financial Assistance
Community Health Needs Assessment
Financial Assistance Documents - Arizona
Financial Assistance Documents - Florida
Financial Assistance Documents - Minnesota
Follow Mayo Clinic
X
TH-cam
Facebook
Linkedin
Instagram
Get the Mayo Clinic app
Android App on Google Play
Apple Download on the App Store
Terms and Conditions
Privacy Policy
Notice of Privacy Practices
Notice of Nondiscrimination
Accessibility Statement
Advertising and Sponsorship Policy
Site Map
Manage Cookies
Language:
English
© 1998-2024 Mayo Foundation for Medical Education and Research (MFMER). All rights reserved.
Oh hhhhhhjjjjjjjjjjjjjjuujjjjjhhhhhhhhhhhhhhhhhhjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjuujuuuuiuuuyuuuuutuejwrykeutrsiyusirueokeekuwtkuoworrowo😮wo😮o😮🎉😢iw🎉😢😮🎉😮ow😮😢😮ep😮aryjsthajryyeaarjyrgrwnyuajyrarusrhksrsrhsrjh hey nothing jgj yynthjttjhtjtjtjttjytjyjttjthrjrhjjthrhtrhrhrthyjujtrjrrhjtrhrjrhrjtjtjrjjttjngnthttjjhrtthhthrthrhyrhterhjtrhregeghryrhthrrhtjfjrhtttrte why is this long 😢brethren fbfb
The wind of a foggy day rushed through his body as Steve was chopping some wood with his axe. After getting enough wood, he found himself venturing off into the plains for a while. But as he explored the plains, he saw a mysterious figure moving deep in the fog next to a hill. Steve squinted to get a clearer look at that figure. The wind blew the leaves off the trees as he got a closer look.
"Is that a cow?" Steve thought.
But as he drew closer, he realized that it was not a cow at all. It was a person with white, glowing eyes. Steve got closer to that person but when Steve got closer, that person vanished in the fog. As Steve remembered, the person seems to be a male.
"Where did he go?" Steve wondered.
When Steve was on the way home, he saw trees without leaves. Steve found that odd because his people and him usually chop the wood and not cut the leaves.
"Could the white-eyed guy have done this?" Steve assumed.
Steve also saw a long, small tunnel with Redstone at the walls of the tunnel.
"I didn't build this, who could have built this?" asked Steve, surprised.
At the village Steve lived in, Steve told Alex everything that happened. Alex was Steve's best friend. She had orange hair, white skin, green pupils, and slim arms. She usually wore green shirt with a belt, brown pants, and grey boots.
When Steve told Alex everything that happened, Alex was shocked but also intrigued.
Alex tilted her head "A white-eyed guy? I've never seen that before!"
"But some people have seen things like trees without leaves and Redstone torches inside long tunnels before. It's been freaking people out! I even saw a small perfect pyramid in the middle of the ocean when I was fishing!"
"Oh really? Well do you think the white-eyed guy could have made those?" asked Steve. His fingers pinched his chin.
"I don't know but, could be," said Alex.
Several days later, an ancient builder named Klara was building a new wooden house near the village Steve lived in. She made the house with dark oak wood. The house was on a hill with a lot of wooden staircases leading to the house. When the house was almost finished, Klara looked around the house feeling proud.
But when she looked in her bedroom, she saw the guy with white glowing eyes looking inside her chest. Klara immediately ran screaming out of the house, almost tripping on the stairs. Fear rushed through her veins and her heart beats fast. She didn't know who that was. Many people heard the scream and gather to talk to Klara about what happened. Steve who got home from mining just looked at the crowd, wondering what had happened and went into his house.
After Klara told everyone what happened and the dust had settled down, Alex told Steve what Klara said.
Alex opened the door at Steve's house "Steve, you won't believe it. Klara saw the white-eyed guy that you told me!"
"What? Really?"
"Yes, she saw him at the house she was building!"
"So that's what the crowd was talking about!"
"Yeah, what do you think?" asked Alex.
"That makes me wonder who is that guy? What does he want from us?" Steve asked.
"I also wonder, Steve!" said Alex who then stood there, speechless.
Alex also told Steve about the villagers' beliefs that the white-eyed guy was a ghost, or someone cursed. Honestly, Steve did not believe in ghosts despite him founding some zombies or skeletons sometimes. When Alex told Steve that the rumors spread and people thought that the white-eyed guy was some kind of bad guy, Steve was skeptical about it. The white-eyed guy did not do anything that was actually harmful.
Even that night after Steve did his night routine, Steve still wondered about the white-eyed guy. Alex tried to calm Steve down, but Steve could not stop thinking about the white-eyed guy until he fell asleep. Steve wore his white T-shirt and black shorts and lay down. He looked at the ceiling wondering what had happened that day.
The next day at the morning, Steve decided to ask some people in his village if they know who that white-eyed guy was. The myth of the white-eyed guy has spread through the village. Just like Alex said, people thought that the white-eyed guy was a ghost. However, nobody knew who the white-eyed guy actually was.
Later that day, Steve went mining to collect ores as usual. But when Steve was mining, something teleported near Steve. It was the white-eyed guy, his name was Herobrine. His white, glowing eyes shined at Steve's back. Steve gasped and turned around to face the white-eyed guy.
"Hello brother, I have been watching you!" said Herobrine.
Steve didn't expect to meet Herobrine for the second time. Just like the night when he thought about Herobrine, Steve wondered who he was. Herobrine seemed to have the same skin color and hair color like Steve's. He also seemed to wear a teal shirt that was a bit torn.
Steve was shocked, but managed to reply, "Who are you?"
"I am Herobrine, the first person to escape the End dimension!" Herobrine explained.
"I need to tell you something" said Herobrine.
Thoughts started coming to Steve's mind. He remembered the first time he saw Herobrine, he remembered the trees without leaves, Redstone cave, and what Alex told him. "No, he couldn't be a ghost, right?" Steve thought randomly.
"Look, I tried to ask for help to some people, but they seem to freak out when they see me. They ran away from me so fast. But Steve, I was surprised when you decided to get closer to me!" said Herobrine.
"W-what help do you need?" Steve asked.
"Wait, people freak out when they see you? Well, some people in my village saw you and thought you're a ghost" Steve continued.
"A ghost?" Herobrine lifted one of his eyebrows.
"Yeah, people in my village have strange beliefs about ghosts. Maybe your white eyes made them think that you're a ghost. While I don't believe in ghosts!"
"I guess that answers why people ran away from me, but you didn't" said Herobrine.
"So, if you are not a ghost, who are you?"
"It's... a long story, brother" Herobrine sighed.
Herobrine explained that some of his people got trapped in the End portal due to an evil entity known as the Wither. This three-headed floating skeleton had a powerful curse that can turn innocent beings into scary monsters. It can turn humans into zombies or skeletons. To avoid this fate, Herobrine's people created the Stronghold for protection and created the End portal because they were pretty sure that the portal could lead them to a safe place beyond the reach of the Wither's curse.
The Wither destroyed the overworld. They just wanted to escape the mess. But when they got in the End portal, it turns out, the End was not a good place to live in and they didn't know how to get out. Steve listened to Herobrine's story with great interest. He could see the sadness in Herobrine's white and glowing eyes.
Herobrine was the only person who managed to get out of the End portal. Everyone other than Herobrine turned into an Enderman. And the reason why his eyes were white was that he was an imperfect Enderman. Everything was different in the End portal. They had nothing to eat but chorus fruits and there were a lot of Endermites that can bite them, so they slowly evolve into Endermens.
Also, Herobrine wanted to ask for help but he wasn't sure how. The Ender dragon guarded the exit portal and all the powers in the End dimension. Herobrine wanted someone to help him kill the Ender dragon and save his people. But everyone seemed to run away when they saw him.
Hearing Herobrine's explanations, Steve asked "Wait, what's an Enderman?"
Herobrine sighed and explained, "An Enderman is a tall, black creature with long arms that can teleport short distances and is easily provoked when looked at in the eyes. If someone looks at an Enderman in its eyes, the Enderman will get mad and attack them.". Steve nodded, understanding the danger of the Enderman.
"An imperfect Enderman is already creepy. I can't imagine what happens if someone sees an Enderman" said Steve.
"Are you saying that I'm creepy?" asked Herobrine with a small smile.
"Are you saying that I'm creepy?" asked Herobrine with a small smile.
Steve chuckled "Maybe a little creepy but you're also kind of cool!"
Herobrine smiled, feeling a bit better that Steve did not fear him like everyone else.
"So, where was I? Oh yeah, brother, do you want to help me kill the Ender dragon and save our people? You are the only person who don't freak out when you see me. Maybe you are a good person that I can ask help to. But if you don't want to please at least let me know where I can ask for help."
At that time, Steve's heart was touched. The person who haunted the people in his village turns out to be a person who just needs help and was willing to do anything to save his people. No wonder that guy have the word "Hero" in his name. Steve really wanted to help Herobrine to save his people. But his mind was conflicted.
Steve hesitated. "I want to help you kill the Ender dragon and this might be another chance of me to have an adventure. But I don't know how to kill the Ender dragon and even if I go on an adventure with you to kill the Ender dragon, my best friend Alex and the villagers I worked with will worry about me."
Herobrine frowned as Steve paced back and forth thinking about what he said.
But Steve had an idea. "Herobrine, we can discuss about this at night, at this cave. After I finish mining, I will make sure to leave sticks and coals over here to make a torch. This is a great hiding spot and discussion spot!"
Herobrine felt a little dismissed, but he agreed to make the deal with Steve.
"Okay brother!" said Herobrine.
Steve cleared his throat. "Actually, it's Steve."
🗿
Alr imma try
We're no strangers to love
You know the rules and so do I
A full commitment's what I'm thinking of
You wouldn't get this from any other guy
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching, but
You're too shy to say it
Inside, we both know what's been going on
We know the game and we're gonna play it
And if you ask me how I'm feeling
Don't tell me you're too blind to see
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
(Ooh, give you up)
(Ooh, give you up)
Never gonna give, never gonna give
(Give you up)
Never gonna give, never gonna give
(Give you up)
We've known each other for so long
Your heart's been aching, but
You're too shy to say it
Inside, we both know what's been going on
We know the game and we're gonna play it
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Hello
If you see this text, you're cool.
E
Ee
E
E
E
E
E
Ee
E
E
E
EE
e
E
Ee
Ee
EeE
Ee
E
E
E
Ee
EEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
EE
E
EEEE
E
E
EE
E
E
EE
E
EE
E
E
E
E
EE
EE
E
EEEEE
E
E
E
E
E
E
E
E
E
EE
EE
E
EEEEE
EE
E
E
EE
E
EE
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
EE
EE
EE
E
E
E
E
E
E
E
EEEE
E
E
EE
E
E
EE
E
E
EEE
E
E
E
E
EE
EE
E
E
E
E
E
E
E
EE
E
EE
E
E
E
EEE
E
EE
E
E
EE
E
E
EEE
E
E
E
E
E
E
E
EEEE
E
EE
EEE
EE
EEEE
E
E
E
E
E
E
E
E
E
E
EE
E
E
E
EE
E
EE
EE
E
EEE
E
E
E
hello again
E
E
E
E
E
E
E
E
E
E
E
E
E
E
Is this long enough? Ig imma do a lil more.
E
E
E
E
E
E
EEe
EeEE
Eeeee
E
Ee
E
E
EE
E
E
E
E
E
E
Okay I give up
SIKE
We're no strangers to love
You know the rules and so do I
A full commitment's what I'm thinking of
You wouldn't get this from any other guy
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching, but
You're too shy to say it
Inside, we both know what's been going on
We know the game and we're gonna play it
And if you ask me how I'm feeling
Don't tell me you're too blind to see
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
(Ooh, give you up)
(Ooh, give you up)
Never gonna give, never gonna give
(Give you up)
Never gonna give, never gonna give
(Give you up)
We've known each other for so long
Your heart's been aching, but
You're too shy to say it
Inside, we both know what's been going on
We know the game and we're gonna play it
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We're no strangers to love
You know the rules and so do I
A full commitment's what I'm thinking of
You wouldn't get this from any other guy
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching, but
You're too shy to say it
Inside, we both know what's been going on
We know the game and we're gonna play it
And if you ask me how I'm feeling
Don't tell me you're too blind to see
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
(Ooh, give you up)
(Ooh, give you up)
Never gonna give, never gonna give
(Give you up)
Never gonna give, never gonna give
(Give you up)
We've known each other for so long
Your heart's been aching, but
You're too shy to say it
Inside, we both know what's been going on
We know the game and we're gonna play it
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We're no strangers to love
You know the rules and so do I
A full commitment's what I'm thinking of
You wouldn't get this from any other guy
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching, but
You're too shy to say it
Inside, we both know what's been going on
We know the game and we're gonna play it
And if you ask me how I'm feeling
Don't tell me you're too blind to see
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
(Ooh, give you up)
(Ooh, give you up)
Never gonna give, never gonna give
(Give you up)
Never gonna give, never gonna give
(Give you up)
We've known each other for so long
Your heart's been aching, but
You're too shy to say it
Inside, we both know what's been going on
We know the game and we're gonna play it
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
E
EEE
EEE
EEE
Eee
EEeE
EEEeEE
E
E
E
E
E
E
E
.
I give up now
Ty
HOW DID U DO THAT THE CREATOR NEEDS TO PIN U
That's Too Long
I Just Made A Long Comment That's Longer Than Everyone Elses In The Comments My Comment Is Longer Than U
KA BE
E
E
E
E
E
E
EE
E
E
E
E
E
EE
E
E
E
E
EE
E
E
E
E
E
E
E
E
E
Erg
Ger
Gee
Fed
Efrfde
Die
Er
Eef
Eef
Eef
E
Eve
Few
Eve
E
EE
E
E
e
E
EE
E
EE
E
E
E
E
E
Ee
E
E
E
E
E
E
E
Eeeeeeeeeeee
E
E
E
E
E
E
E
E
E
EE
e
E
E
E
E
E
M
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
e
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
E
Em
2020 had a lot of low points. My first girlfriend broke up with me after 3 years together. I felt the happiest I had in about a good 4 months afterwards because she always made me feel like shit but then I kept being reminded of her and was asked if I knew her new guy. Then I had to go to virtual school. When I finally got to go back to normal it only lasted 8 days and I had two classes with her. I told my friends that I just felt uncomfortable around her but i really wanted to talk to her. I didn't want her back but to just be able to talk to someone who knew me better than everyone else. I kept avoiding her though. This year I have gotten to the point of feeling so upset and lonely that I just start shaking and have trouble breathing.the 1st time happened at my cousins, I was with two of my cousins but they both did their own thing and I was feeling alone so I listened to music and layed down. The song I listened to was so sick of this by guccihighwaters. I started to shake uncontrollably and had trouble breathing. They tried to get my attention but I couldn't hear because the music or see cause I had my eyes closed. They figured I was asleep and having a bad dream so they left. After an hour I finally opened my eyes to a room of complete darkness being alone. I went to the living room still shaking when my uncle asked what was wrong. He seemed to believe I was on drugs. I told him I didn't really know what was going on then split a drink I had gotten and burned through my knuckle on the carpet cleaning it up. The 2nd time this happened was during lunch at school this one wasn't at bad since my friends tried to help me and kept checking on me. My head hurt a bit though because during this I began to hit my head over and over on the table. Every time I feel like I am over my ex I somehow get reminded of her. We have been broken up for a good while now but talking about it still terrifies me. I feel so lonely being single because now I don't have that person constantly talking to me and making me feel appreciated. I have never gotten to really go hang out with friends so having a girlfriend was my first real experience with that. I want to date more but I have become very much of a loner and am afraid to talk to people. That's the reason this is a comment and not a message to one of my friends. I also find it hard texting some people because it is either I don't talk to them much and struggle continuing a conversation or I get left on read. This is another reason I keep to myself because I feel like most will not care.
Aw, that’s such a sad story I am really sorry to hear that I thought my life was going to go ok but my parents always argued and it was really heartbreaking. But my mom knew that my dad hated her at the point he cheated on her with woman in Africa and bars. Then one day when my mom was going to pick us up from school I saw her crying and was confused and worried cause she only cried when something very very bad happens. Ok so she started tearing up and I hugged her by her side and said “What happened mom?” And she said “Your dad tried to kill me” I was very confused and shocked and then she explained that when she went to clean my dads care form which her arrived form Africa and then my dad saw her in his care and Yelled at her then started chocking her by the neck. But my mom said she bit his fingers and she went free and called help then called 911. I’ll continue tomorrow but right now I hope you have a great day/night I am only a 10 year old girl but crazy I hope everything goes well and your health makes a better change bye and see you tomorrow and 5
@@luv_estherrr I am sorry that you have to go through that at a young age. That is very heartbreaking and I hope that you and your mom can stay safe and be there for each other
@@r3ap3rgaming9 ❤️
I just dislike your poem 😭🤣😭😭😭😭😭🥺😂
William Afton and Henry opened in 1967 the family friendly Fredbear's Family Diner, featuring a brown furry suit of a bear as a mascot. Henry would usually wear the suit, as they didn't have enough money to hire someone to do the job for a long time and they were studying at the time. William studied engineering and Henry business adminstration and communication.
William met an unnamed woman, with whom he married and three years later had a boy challed Michael. They met in the court; William was being charged for murdering a child that allegedly was crying outside the Diner for being scared of Fredbear, the bear, and she was working selling hot-dogs in from of the building. (Btw, he was released because they didn't have evidences pointing it).
It took them four years to actually achieve any success with the Diner, as they learnt from little Michael that Fredbear was boring. William them designed a new mascot: a yellow furry suit of a rabbit called Bonnie. The chemistry between both characters worked like black magic and the success rained on them like rain in a rainy day.
The amount of money they got was so much, William used it to test his engineering skills, designing the first two Spring Lock suits: which were obviously Bonnie and Fredbear. The success increased.
Freddy Fazbear's Pizza
The Diner's success was so big, a company decided buy it and open a franchise around it. Hanry and William sold it, seeing a whole lot of profit coming from it, but there was a catch: the company used sneaky legal actions that allowed them to have the diner 100% under their possession, erasing Henry's and Michael's name from it. The company then opened Fazbear's Entertainment to take care of everything.
William was so pissed because of this he cut any relationship with anyone involved with the franchise. Henry, on the other hand, didn't know any other thing to do, so he asked for a job; he became Phone Guy.
FFP opened in 1973, and featured four furry suits of animals: Freddy Fazbear, a recolour of Bonnie, Chica and Foxy The Pirate. This made William even more pissed when he learnt they made four animatronics without him. He started planning his revenge.
Btw, the Diner was still opened - as a sister location for FFP.
The Origin of Purple Guy
In 1976 William had twins: a little blonde girl and a little brunette boy. He started to teach Michael to take care of them, because "Daddy won't be around forever".
During his free time, William started designing and projecting new robots (he hated the name "animatronics") and plans for his own company: Afton Robotics. But he had another plan under his sleeve: ruin FFP from the inside.
He disguised himself as Dave Miller and started working applied for day time security guard at FFP. As he was always wearing purple - the uniform's colour - and usually hid in the shadows to stay out of sight of anyone who might recognize him, he was nicknamed by every child as "The Purple Guy".
During this time, in 1980, he did his evil plan: using the Spring Bonnie suit he built years earlier, he lured five children to a back room, murdered them and hid inside the body of the animatronics. In case you're wondering what he did with the fifth one, he obviously hid it inside a spare Freddy suit he then painted yellow, duh.
Fortunately for Billy, they actually caught Henry instead of him, as one of the cameras caught him walking around in one of the suits. He got out sometime later, as they managed to prove he had some mental disabilities and had a fixation with wearing the suits around, and had no violent behaviour.
But Dave? Well, he was fired when FFP closed.
Circus Baby
With the help of the money he got from selling the children's organs in the black market, William opened Afton Robotics and had everything ready to open his own kid-friendly restaurant: Circus Baby's Pizza World. The problem is that he got a new hobby, and this where his hill went down.
He liked so much the idea of killing children and the profit he could get from selling their organs - healthy children organs are way more valuable than adults' -, he made special alterations in his robots, turning them into kid-kidnapping and killing machines.
The problem is that, in 1982, he accidently let his daughter get close to Baby when he wasn't looking; and Baby killed her. He knew he was the one to blame, but he actually blamed Michael for this, saying that he, as the older brother, should've protected her.
This incident lead to the pizzeria's cancellation and William's divorce. His wife took Michael and the other boy with her, leaving him alone. His new hobby and this incident in his life lead him to become a human monster.
The Children
Going a little away from the entire "Afton story arch", let's talk about the children he murdered. The first one came to possess a Puppet from FFP. The other five, with the help of the first one, possessed the suits they were stuffed inside. They then started killing any adult they could at night, when there was no children around, because they thought every adult was the "Purple Guy" they heard of when they were still alive.
The Bite of '83
William's ex-wife took the children and they started living close the Diner, that was still running great. For the good old times, before the problems, she would take them there.
William, on the other didn't like it in the slightest, and bought a warehouse close to their house, where he built an underground room he used to monitor cameras installed in the house, the Diner and in the street. He also started to prepare the warehouse to building Circus Baby Entertainment & Rental. He also returned to his Dave Miller persona, working at the Diner, taking a closer looka at his sons.
The Crying Child
After the Baby Incident, Michael became a rebel teenager who, rebelling against his father's will, bullied his younger brother. For the brother's unluckiness, he was also traumatized for actually having witnessed Baby killing his sister in the year before.
For his luckiness, though, he had a reliable friend: Psychic Friend Fredbear. Unbeknown for him, the plush was actually a camera his father used to check on him. More unbeknown for him, when the plush talked with him, it was actually the spirit of his sister, who was haunting William's warehouse, and with supernatural abilities managed to speak through the camera system.
Someday I’ll make it out of here,even if it takes all day I can fight my fear something something all alone (POV) your sister decides to tell you the back story of your mother……. There was this girl the most beautiful in the world she had all the boys in town wrapped in her finger she would walk the halls and everyone would whisper and talk cause everyone in the world wanted to be her. But behind those emerald eyes she’s a devil in disguise the prom Queen has blood in her hands….:(every boy and girl she dates disappears without a trace so be careful when she asked you to dance she a mother frickin killer Queen 👸🏼 🔪🔪🗡🩸🩸. Edit: Thx for all the likes 😅😭😭😭
Can u beat mine? Goodluck>:)
Long were the nights when my days once revolved around you
Counting my footsteps,
Praying the floor won't fall through, again
My mother accused me of losing my mind,
But I swore I was fine, you paint me a blue sky
And go back and turn it to rain
And I lived in your chess game,
But you changed the rules every day
Wondering which version of you I might get on the phone
Tonight, well I stopped picking up, and this song is to let you know why
Dear John, I see it all now that you're gone
Don't you think I was too young to be messed with?
The girl in the dress, cried the whole way home, I should've known
Well maybe it's me and my blind optimism to blame
Maybe it's you and your sick need to give love then take it away
And you'll add my name to your long list of traitors who don't understand
And I'll look back and regret how I ignored when they said "run as fast as you can"
Dear John, I see it all now that you're gone
Don't you think I was too young to be messed with?
The girl in the dress, cried the whole way home
Dear John, I see it all, now it was wrong
Don't you think nineteen is too young
To be played by your dark twisted games, when I loved you so?
I should've known
You are an expert at sorry,
And keeping the lines blurry
Never impressed by me acing your tests
All the girls that you've run dry
Have tired, lifeless eyes
'Cause you burned them out
But I took your matches before fire could catch me,
So don't look now, I'm shining like fireworks over your sad, empty town
Dear John, I see it all now that you're gone
Don't you think I was too young to be messed with?
The girl in the dress, cried the whole way home.
I see it all now that you're gone
Don't you think I was too young to be messed with?
The girl in the dress wrote you a song
You should've known, you should've known
Don't you think I was too young? You should've known
hi
what?
are u gonna go??
i said leave!!
fine u asked for it 😤😏
We're no strangers to love
You know the rules and so do I
A full commitment's what I'm thinking of
You wouldn't get this from any other guy
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching but
You're too shy to say it
Inside we both know what's been going on
We're no strangers to love
You know the rules and so do I
A full commitment's what I'm thinking of
You wouldn't get this from any other guy
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching but
You're too shy to say it
Inside we both know what's been going on
We know the game and we're gonna play it
And if you ask me how I'm feeling
Don't tell me you're too blind to see
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
(Ooh, give you up)
(Ooh, give you up)
(Ooh)
Never gonna give, never gonna give
(Give you up)
(Ooh)
Never gonna give, never gonna give
(Give you up)
We've know each other for so long
Your heart's been aching but
You're too shy to say it
Inside we both know what's been going on
We know the game and we're gonna play it
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
hehe ;)
did you just write a book?
I
I just cant
Ay, ayy chill-
Save this for when you've got to write a whole essay in English
Erin Niewald lmao definitely
💓1. I LovE You 💕 💓2. I LovE You 💕 💓3. I LovE You 💕 💓4. I LovE You 💕 💓5. I LovE You 💕 💓6. I LovE You 💕 💓7. I LovE You 💕 💓8. I LovE You 💕 💓9. I LovE You 💕 💓10. I LovE You 💕 💓11. I LovE You 💕 💓12. I LovE You 💕 💓13. I LovE You 💕 💓14. I LovE You 💕 💓15. I LovE You 💕 💓16. I LovE You 💕 💓17. I LovE You 💕 💓18. I LovE You 💕 💓19. I LovE You 💕 💓20. I LovE You 💕 💓21. I LovE You 💕 💓22. I LovE You 💕 💓23. I LovE You 💕 💓24. I LovE You 💕 💓25. I LovE You 💕 💓26. I LovE You 💕 💓27. I LovE You 💕 💓28. I LovE You 💕 💓29. I LovE You 💕 💓30. I LovE You 💕 💓31. I LovE You 💕 💓32. I LovE You 💕 💓33. I LovE You 💕 💓34. I LovE You 💕 💓35. I LovE You 💕 💓36. I LovE You 💕 💓37. I LovE You 💕 💓38. I LovE You 💕 💓39. I LovE You 💕 💓40. I LovE You 💕 💓41. I LovE You 💕 💓42. I LovE You 💕 💓43. I LovE You 💕 💓44. I LovE You 💕 💓45. I LovE You 💕 💓46. I LovE You 💕 💓47. I LovE You 💕 💓48. I LovE You 💕 💓49. I LovE You 💕 💓50. I LovE You 💕 💓51. I LovE You 💕 💓52. I LovE You 💕 💓53. I LovE You 💕 💓54. I LovE You 💕 💓55. I LovE You 💕 💓56. I LovE You 💕 💓57. I LovE You 💕 💓58. I LovE You 💕 💓59. I LovE You 💕 💓60. I LovE You 💕 💓61. I LovE You 💕 💓62. I LovE You 💕 💓63. I LovE You 💕 💓64. I LovE You 💕 💓65. I LovE You 💕 💓66. I LovE You 💕 💓67. I LovE You 💕 💓68. I LovE You 💕 💓69. I LovE You 💕 💓70. I LovE You 💕 💓71. I LovE You 💕 💓72. I LovE You 💕 💓73. I LovE You 💕 💓74. I LovE You 💕 💓75. I LovE You 💕 💓76. I LovE You 💕 💓77. I LovE You 💕 💓78. I LovE You 💕 💓79. I LovE You 💕 💓80. I LovE You 💕 💓81. I LovE You 💕 💓82. I LovE You 💕 💓83. I LovE You 💕 💓84. I LovE You 💕 💓85. I LovE You 💕 💓86. I LovE You 💕 💓87. I LovE You 💕 💓88. I LovE You 💕 💓89. I LovE You 💕 💓90. I LovE You 💕 💓91. I LovE You 💕 💓92. I LovE You 💕 💓93. I LovE You 💕 💓94. I LovE You 💕 💓95. I LovE You 💕 💓96. I LovE You 💕 💓97. I LovE You 💕 💓98. I LovE You 💕 💓99. I LovE You 💕 💓100. I LovE You 💕 💓101. I LovE You 💕 💓102. I LovE You 💕 💓103. I LovE You 💕 💓104. I LovE You 💕 💓105. I LovE You 💕 💓106. I LovE You 💕 💓107. I LovE You 💕 💓108. I LovE You 💕 💓109. I LovE You 💕 💓110. I LovE You 💕 💓111. I LovE You 💕 💓112. I LovE You 💕 💓113. I LovE You 💕 💓114. I LovE You 💕 💓115. I LovE You 💕 💓116. I LovE You 💕 💓117. I LovE You 💕 💓118. I LovE You 💕 💓119. I LovE You 💕 💓120. I LovE You 💕 💓121. I LovE You 💕 💓122. I LovE You 💕 💓123. I LovE You 💕 💓124. I LovE You 💕 💓125. I LovE You 💕 💓126. I LovE You 💕 💓127. I LovE You 💕 💓128. I LovE You 💕 💓129. I LovE You 💕 💓130. I LovE You 💕 💓131. I LovE You 💕 💓132. I LovE You 💕 💓133. I LovE You 💕 💓134. I LovE You 💕 💓135. I LovE You 💕 💓136. I LovE You 💕 💓137. I LovE You 💕 💓138. I LovE You 💕 💓139. I LovE You 💕 💓140. I LovE You 💕 💓141. I LovE You 💕 💓142. I LovE You 💕 💓143. I LovE You 💕 💓144. I LovE You 💕 💓145. I LovE You 💕 💓146. I LovE You 💕 💓147. I LovE You 💕 💓148. I LovE You 💕 💓149. I LovE You 💕 💓150. I LovE You 💕 💓151. I LovE You 💕 💓152. I LovE You 💕 💓153. I LovE You 💕 💓154. I LovE You 💕 💓155. I LovE You 💕 💓156. I LovE You 💕 💓157. I LovE You 💕 💓158. I LovE You 💕 💓159. I LovE You 💕 💓160. I LovE You 💕 💓161. I LovE You 💕 💓162. I LovE You 💕 💓163. I LovE You 💕 💓164. I LovE You 💕 💓165. I LovE You 💕 💓166. I LovE You 💕 💓167. I LovE You 💕 💓168. I LovE You 💕 💓169. I LovE You 💕 💓170. I LovE You 💕 💓171. I LovE You 💕 💓172. I LovE You 💕 💓173. I LovE You 💕 💓174. I LovE You 💕 💓175. I LovE You 💕 💓176. I LovE You 💕 💓177. I LovE You 💕 💓178. I LovE You 💕 💓179. I LovE You 💕 💓180. I LovE You 💕 💓181. I LovE You 💕 💓182. I LovE You 💕 💓183. I LovE You 💕 💓184. I LovE You 💕 💓185. I LovE You 💕 💓186. I LovE You 💕 💓187. I LovE You 💕 💓188. I LovE You 💕 💓189. I LovE You 💕 💓190. I LovE You 💕 💓191. I LovE You 💕 💓192. I LovE You 💕 💓193. I LovE You 💕 💓194. I LovE You 💕 💓195. I LovE You 💕 💓196. I LovE You 💕 💓197. I LovE You 💕 💓198. I LovE You 💕 💓199. I LovE You 💕 💓200. I LovE You 💕 💓201. I LovE You 💕 💓202. I LovE You 💕 💓203. I LovE You 💕 💓204. I LovE You 💕 💓205. I LovE You 💕 💓206. I LovE You 💕 💓207. I LovE You 💕 💓208. I LovE You 💕 💓209. I LovE You 💕 💓210. I LovE You 💕 💓211. I LovE You 💕 💓212. I LovE You 💕 💓213. I LovE You 💕 💓214. I LovE You 💕 💓215. I LovE You 💕 💓216. I LovE You 💕 💓217. I LovE You 💕 💓218. I LovE You 💕 💓219. I LovE You 💕 💓220. I LovE You 💕 💓221. I LovE You 💕 💓222. I LovE You 💕 💓223. I LovE You 💕 💓224. I LovE You 💕 💓225. I LovE You 💕 💓226. I LovE You 💕 💓227. I LovE You 💕 💓228. I LovE You 💕 💓229. I LovE You 💕 💓230. I LovE You 💕 💓231. I LovE You 💕 💓232. I LovE You 💕 💓233. I LovE You 💕 💓234. I LovE You 💕 💓235. I LovE You 💕 💓236. I LovE You 💕 💓237. I LovE You 💕 💓238. I LovE You 💕 💓239. I LovE You 💕 💓240. I LovE You 💕 💓241. I LovE You 💕 💓242. I LovE You 💕 💓243. I LovE You 💕 💓244. I LovE You 💕 💓245. I LovE You 💕 💓246. I LovE You 💕 💓247. I LovE You 💕 💓248. I LovE You 💕 💓249. I LovE You 💕 💓250. I LovE You 💕 💓251. I LovE You 💕 💓252. I LovE You 💕 💓253. I LovE You 💕 💓254. I LovE You 💕 💓255. I LovE You 💕 💓256. I LovE You 💕 💓257. I LovE You 💕 💓258. I LovE You 💕 💓259. I LovE You 💕 💓260. I LovE You 💕 💓261. I LovE You 💕 💓262. I LovE You 💕 💓263. I LovE You 💕 💓264. I LovE You 💕 💓265. I LovE You 💕 💓266. I LovE You 💕 💓267. I LovE You 💕 💓268. I LovE You 💕 💓269. I LovE You 💕 💓270. I LovE You 💕 💓271. I LovE You 💕 💓272. I LovE You 💕 💓273. I LovE You 💕 💓274. I LovE You 💕 💓275. I LovE You 💕 💓276. I LovE You 💕 💓277. I LovE You 💕 💓278. I LovE You 💕 💓279. I LovE You 💕 💓280. I LovE You 💕 💓281. I LovE You 💕 💓282. I LovE You 💕 💓283. I LovE You 💕 💓284. I LovE You 💕 💓285. I LovE You 💕 💓286. I LovE You 💕 💓287. I LovE You 💕 💓288. I LovE You 💕 💓289. I LovE You 💕 💓290. I LovE You 💕 💓291. I LovE You 💕 💓292. I LovE You 💕 💓293. I LovE You 💕 💓294. I LovE You 💕 💓295. I LovE You 💕 💓296. I LovE You 💕 💓297. I LovE You 💕 💓298. I LovE You 💕 💓299. I LovE You 💕 💓300. I LovE You
Ur patience 😭
I’m too lazy to do that.
😂😂😂😂😂
My eyes are burning
Omg
THIS NEEDS MORE DAMN LIKES
[1] In the beginning God created the heaven and the earth.
[2] And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.
[3] And God said, Let there be light: and there was light.
[4] And God saw the light, that it was good: and God divided the light from the darkness.
[5] And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day.
[6] And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters.
[7] And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so.
[8] And God called the firmament Heaven. And the evening and the morning were the second day.
[9] And God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear: and it was so.
[10] And God called the dry land Earth; and the gathering together of the waters called he Seas: and God saw that it was good.
[11] And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so.
[12] And the earth brought forth grass, and herb yielding seed after his kind, and the tree yielding fruit, whose seed was in itself, after his kind: and God saw that it was good.
[13] And the evening and the morning were the third day.
[14] And God said, Let there be lights in the firmament of the heaven to divide the day from the night; and let them be for signs, and for seasons, and for days, and years:
[15] And let them be for lights in the firmament of the heaven to give light upon the earth: and it was so.
[16] And God made two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also.
[17] And God set them in the firmament of the heaven to give light upon the earth,
[18] And to rule over the day and over the night, and to divide the light from the darkness: and God saw that it was good.
[19] And the evening and the morning were the fourth day.
[20] And God said, Let the waters bring forth abundantly the moving creature that hath life, and fowl that may fly above the earth in the open firmament of heaven.
[21] And God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every winged fowl after his kind: and God saw that it was good.
[22] And God blessed them, saying, Be fruitful, and multiply, and fill the waters in the seas, and let fowl multiply in the earth.
[23] And the evening and the morning were the fifth day.
[24] And God said, Let the earth bring forth the living creature after his kind, cattle, and creeping thing, and beast of the earth after his kind: and it was so.
[25] And God made the beast of the earth after his kind, and cattle after their kind, and every thing that creepeth upon the earth after his kind: and God saw that it was good.
[26] And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.
[27] So God created man in his own image, in the image of God created he him; male and female created he them.
[28] And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth.
[29] And God said, Behold, I have given you every herb bearing seed, which is upon the face of all the earth, and every tree, in the which is the fruit of a tree yielding seed; to you it shall be for meat.
[30] And to every beast of the earth, and to every fowl of the air, and to every thing that creepeth upon the earth, wherein there is life, I have given every green herb for meat: and it was so.
[31] And God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day.
There were a lot of things we couldn’t do in an SR-71, but we were the fastest guys on the block and loved reminding our fellow aviators of this fact. People often asked us if, because of this fact, it was fun to fly the jet. Fun would not be the first word I would use to describe flying this plane. Intense, maybe. Even cerebral. But there was one day in our Sled experience when we would have to say that it was pure fun to be the fastest guys out there, at least for a moment.
It occurred when Walt and I were flying our final training sortie. We needed 100 hours in the jet to complete our training and attain Mission Ready status. Somewhere over Colorado we had passed the century mark. We had made the turn in Arizona and the jet was performing flawlessly. My gauges were wired in the front seat and we were starting to feel pretty good about ourselves, not only because we would soon be flying real missions but because we had gained a great deal of confidence in the plane in the past ten months. Ripping across the barren deserts 80,000 feet below us, I could already see the coast of California from the Arizona border. I was, finally, after many humbling months of simulators and study, ahead of the jet.
I was beginning to feel a bit sorry for Walter in the back seat. There he was, with no really good view of the incredible sights before us, tasked with monitoring four different radios. This was good practice for him for when we began flying real missions, when a priority transmission from headquarters could be vital. It had been difficult, too, for me to relinquish control of the radios, as during my entire flying career I had controlled my own transmissions. But it was part of the division of duties in this plane and I had adjusted to it. I still insisted on talking on the radio while we were on the ground, however. Walt was so good at many things, but he couldn’t match my expertise at sounding smooth on the radios, a skill that had been honed sharply with years in fighter squadrons where the slightest radio miscue was grounds for beheading. He understood that and allowed me that luxury.
Just to get a sense of what Walt had to contend with, I pulled the radio toggle switches and monitored the frequencies along with him. The predominant radio chatter was from Los Angeles Center, far below us, controlling daily traffic in their sector. While they had us on their scope (albeit briefly), we were in uncontrolled airspace and normally would not talk to them unless we needed to descend into their airspace.
We listened as the shaky voice of a lone Cessna pilot asked Center for a readout of his ground speed. Center replied: “November Charlie 175, I’m showing you at ninety knots on the ground.”
Now the thing to understand about Center controllers, was that whether they were talking to a rookie pilot in a Cessna, or to Air Force One, they always spoke in the exact same, calm, deep, professional, tone that made one feel important. I referred to it as the ” Houston Center voice.” I have always felt that after years of seeing documentaries on this country’s space program and listening to the calm and distinct voice of the Houston controllers, that all other controllers since then wanted to sound like that, and that they basically did. And it didn’t matter what sector of the country we would be flying in, it always seemed like the same guy was talking. Over the years that tone of voice had become somewhat of a comforting sound to pilots everywhere. Conversely, over the years, pilots always wanted to ensure that, when transmitting, they sounded like Chuck Yeager, or at least like John Wayne. Better to die than sound bad on the radios.
Just moments after the Cessna’s inquiry, a Twin Beech piped up on frequency, in a rather superior tone, asking for his ground speed. “I have you at one hundred and twenty-five knots of ground speed.” Boy, I thought, the Beechcraft really must think he is dazzling his Cessna brethren. Then out of the blue, a navy F-18 pilot out of NAS Lemoore came up on frequency. You knew right away it was a Navy jock because he sounded very cool on the radios. “Center, Dusty 52 ground speed check”. Before Center could reply, I’m thinking to myself, hey, Dusty 52 has a ground speed indicator in that million-dollar cockpit, so why is he asking Center for a readout? Then I got it, ol’ Dusty here is making sure that every bug smasher from Mount Whitney to the Mojave knows what true speed is. He’s the fastest dude in the valley today, and he just wants everyone to know how much fun he is having in his new Hornet. And the reply, always with that same, calm, voice, with more distinct alliteration than emotion: “Dusty 52, Center, we have you at 620 on the ground.”
And I thought to myself, is this a ripe situation, or what? As my hand instinctively reached for the mic button, I had to remind myself that Walt was in control of the radios. Still, I thought, it must be done - in mere seconds we’ll be out of the sector and the opportunity will be lost. That Hornet must die, and die now. I thought about all of our Sim training and how important it was that we developed well as a crew and knew that to jump in on the radios now would destroy the integrity of all that we had worked toward becoming. I was torn.
Somewhere, 13 miles above Arizona, there was a pilot screaming inside his space helmet. Then, I heard it. The click of the mic button from the back seat. That was the very moment that I knew Walter and I had become a crew. Very professionally, and with no emotion, Walter spoke: “Los Angeles Center, Aspen 20, can you give us a ground speed check?” There was no hesitation, and the replay came as if was an everyday request. “Aspen 20, I show you at one thousand eight hundred and forty-two knots, across the ground.”
I think it was the forty-two knots that I liked the best, so accurate and proud was Center to deliver that information without hesitation, and you just knew he was smiling. But the precise point at which I knew that Walt and I were going to be really good friends for a long time was when he keyed the mic once again to say, in his most fighter-pilot-like voice: “Ah, Center, much thanks, we’re showing closer to nineteen hundred on the money.”
For a moment Walter was a god. And we finally heard a little crack in the armor of the Houston Center voice, when L.A.came back with, “Roger that Aspen, Your equipment is probably more accurate than ours. You boys have a good one.”
It all had lasted for just moments, but in that short, memorable sprint across the southwest, the Navy had been flamed, all mortal airplanes on freq were forced to bow before the King of Speed, and more importantly, Walter and I had crossed the threshold of being a crew. A fine day’s work. We never heard another transmission on that frequency all the way to the coast.
For just one day, it truly was fun being the fastest guys out there.
Yes
You can stop reading now
Its over?
Ok this is the end stop scrolling
Ok you scroll down too much... go touch some grass
Uhh... nice seeing you down here?
Wow.... all the way down here.... this is surprising that you wasted so much time scrolling...
Hello... this is the end of time... you are now in the void... forever.... I guess you scrolled a little too far
Pov: you are scrolling through commentaries about pov, long texts and memes
Bet!
The grasses include the "grass" of the family Poaceae. This family is also called Gramineae. The family also include some of the sedges (Cyperaceae) and the rushes (Juncaceae).[1] These three families are not closely related but all of them belong to clades in the order Poales. They are similar adaptations to a common life-style.
The true grasses include cereals, bamboo and the grasses of lawns (turf) and grassland. Uses for graminoids include food (as grain, sprouted grain, shoots or rhizomes), drink (beer, whisky), pasture for livestock, thatching thatch, paper, fuel, clothing, insulation, construction, sports turf, basket weaving and many others.
Many grasses are short, but some grasses can grow very tall. Bamboo is a grass that grows very tall. Plants from the grass family can grow in many places and make grasslands. They can also be found in areas that are very cold or very dry. There are several other plants that look similar but are not members of the grass family. They may also be called grass. These plants include rushes, reeds, papyrus and water chestnut. Seagrass is a monocot in the order Alismatales.
Grasses are an important food for many animals, such as deer, buffalo, cattle, mice, grasshoppers, caterpillars and many other grazers. Unlike other plants, grasses grow from the bottom, so when animals eat grass they usually do not destroy the part that grows.[2] This is a part of why the plants are successful. Without grass, soil may wash away into rivers (erosion).
Graminoids include some of the most versatile plant life-forms. They became widespread toward the end of the Cretaceous. Fossilized dinosaur dung (coprolites) have been found containing grass phytoliths (silica stones inside grass leaves).[3] Grasses have adapted to conditions in lush rain forests, dry deserts, cold mountains and even intertidal habitats, and are now the most widespread plant type. Grass is a valuable source of food and energy for many animals.[4]
Lawn grass is often planted on sports fields and in the area around a building. Sometimes chemicals and water is used to help lawns to grow.
People have used grasses for a long time. People eat parts of grasses. Corn, wheat, barley, oats, rice and millet are cereals,
common grains whose seeds are used for food and to make alcohol such as beer.
25%
50%
75% complete
Sugar comes from sugar cane, which is also a plant in the grass family. People have grown grasses as food for farm animals for about 4,000 years. People use bamboo to build houses, fences, furniture and other things. Grass plants can also be used as fuel, to cover roofs, and to weave baskets.
Yet reading, still almost there!!
99% complete
ERROR
You made it!!!!
Nope
You supposed to get pinned fr💀
markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "musicimagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” "Runescape" "World of Warcraft" "Shadowlands" "Dream" "MrBeast" "Warzone" "FaZe Clan" "100 Thieves" "Call of Duty" "Pokemon" "Pokemon cards" "card unboxing" "Charizard" "they don't want you to know" "Flat earth" "round earth" "triangle earth" "the earth is not earth" "what even is earth if not earth omg government is lying to you" "Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits imagine not commenting: ""“Minecraft" "ASMR" "pewdiepie" "music" "Fortnite" "markiplier" “TH-cam is a perfectly balanced game with no exploits.” lol'' your mom'' ngl''football league 2024 jog east fors and sonic to east east to join my team for the rest of my day at the stadium in the time for a game that assignment will join the football league and sonic team in the team and join a group of the champions team for the first team team in a team of a team team that has played
IM
CREATIVE
SO
PIN
ME!
How come you like aren't pinned and don't have 900000k likes- it took me half an hour to read all if that..
Interesting my gg😊
Dang....
Damn
eeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueueeueueuueueueueueueueuueueueueueueuueueueueu should this beat you?
Super Idol的笑容🌕
都没你的甜. 🌙
八月正午的阳光. 💫
都没你耀眼. ⭐️
热爱 105 °C的你. 🌟
滴滴清纯的蒸馏水. ✨
你不知道你有多可爱. ⚡️
跌倒后会傻笑着再站起来. ❄️
你从来都不轻言失败. ☃️
对梦想的执着一直不曾更改. 🌈
很安心 当你对我说. 🌅
不怕有我在. 🎇
放着让我来. 🌆
勇敢追自己的梦想. 🌌
那坚定的模样. 🌄
Super Idol的笑容. 🎆
都没你的甜. 🏙
八月正午的阳光. 🌉
都没你耀眼. 🏞
热爱 105 °C的你🌠
滴滴清纯的蒸馏水. 🌇
在这独一无二. 🌃
属于我的时代. 🌁
不怕失败来一场. 🎐
痛快的热爱 🧸
热爱 105°C的你. ❤️
滴滴清纯的蒸馏水.
在这独一无二. 🧡
属于我的时代. 💛
莫忘了初心常在. 💚
痛快去热爱. 💙
热爱 105°C的你. 💜
滴滴清纯的蒸馏水. 💕
喝一口又活力全开. 💞
再次回到最佳状态. 💓
喝一口哟. 💗
你不知道你有多可爱. 💖
跌倒后会傻笑着再站起来. 💘
你从来都不轻言失败. 💝
对梦想的执着一直不曾更改💟
很安心 当你对我说🏳️🌈
不怕有我在♩
放着让我来ღ💌ღ
勇敢追自己的梦想 ⁽⁽ଘ😇ଓ⁾⁾
那坚定的模样 (///ω///)
Super Idol的笑容 (๑°⌓°๑)
都没你的甜 (*^▽^*)
八月正午的阳光 (☆^O^☆)
都没你耀眼 ::ೖ(⑅σ̑ᴗσ̑)ೖ::
热爱 105°C的你 (✪ω✪)
滴滴清纯的蒸馏水 (ˊo̶̶̷ᴗo̶̶̷`)
在这独一无二 🍯
属于我的时代. 🍩
不怕失败来一场. 🍭
痛快的热爱. 🍮
热爱 105°C的你. 🍧
滴滴清纯的蒸馏水. 🍬
在这独一无二. 🌏
属于我的时代. 🐬
莫忘了初心常在. 🦔
痛快去热爱. 🎄
热爱 105°C的你. 🕊
滴滴清纯的蒸馏水. 🐾
喝一口又活力全开. 🌷
再次回到最佳状态 👑
喝一口又活力全开(｡•́︿•̀｡) Super Idol的笑容🌕
都没你的甜. 🌙
八月正午的阳光. 💫
都没你耀眼. ⭐️
热爱 105 °C的你. 🌟
滴滴清纯的蒸馏水. ✨
你不知道你有多可爱. ⚡️
跌倒后会傻笑着再站起来. ❄️
你从来都不轻言失败. ☃️
对梦想的执着一直不曾更改. 🌈
很安心 当你对我说. 🌅
不怕有我在. 🎇
放着让我来. 🌆
勇敢追自己的梦想. 🌌
那坚定的模样. 🌄
Super Idol的笑容. 🎆
都没你的甜. 🏙
八月正午的阳光. 🌉
都没你耀眼. 🏞
热爱 105 °C的你🌠
滴滴清纯的蒸馏水. 🌇
在这独一无二. 🌃
属于我的时代. 🌁
不怕失败来一场. 🎐
痛快的热爱 🧸
热爱 105°C的你. ❤️
滴滴清纯的蒸馏水.
在这独一无二. 🧡
属于我的时代. 💛
莫忘了初心常在. 💚
痛快去热爱. 💙
热爱 105°C的你. 💜
滴滴清纯的蒸馏水. 💕
喝一口又活力全开. 💞
再次回到最佳状态. 💓
喝一口哟. 💗
你不知道你有多可爱. 💖
跌倒后会傻笑着再站起来. 💘
你从来都不轻言失败. 💝
对梦想的执着一直不曾更改💟
很安心 当你对我说🏳️🌈
不怕有我在♩
放着让我来ღ💌ღ
勇敢追自己的梦想 ⁽⁽ଘ😇ଓ⁾⁾
那坚定的模样 (///ω///)
Super Idol的笑容 (๑°⌓°๑)
都没你的甜 (*^▽^*)
八月正午的阳光 (☆^O^☆)
都没你耀眼 ::ೖ(⑅σ̑ᴗσ̑)ೖ::
热爱 105°C的你 (✪ω✪)
滴滴清纯的蒸馏水 (ˊo̶̶̷ᴗo̶̶̷`)
在这独一无二 🍯
属于我的时代. 🍩
不怕失败来一场. 🍭
痛快的热爱. 🍮
热爱 105°C的你. 🍧
滴滴清纯的蒸馏水. 🍬
在这独一无二. 🌏
属于我的时代. 🐬
莫忘了初心常在. 🦔
痛快去热爱. 🎄
热爱 105°C的你. 🕊
滴滴清纯的蒸馏水. 🐾
喝一口又活力全开. 🌷
再次回到最佳状态 👑
喝一口又活力全开(｡•́︿•̀｡) Super Idol的笑容🌕
都没你的甜. 🌙
八月正午的阳光. 💫
都没你耀眼. ⭐️
热爱 105 °C的你. 🌟
滴滴清纯的蒸馏水. ✨
你不知道你有多可爱. ⚡️
跌倒后会傻笑着再站起来. ❄️
你从来都不轻言失败. ☃️
对梦想的执着一直不曾更改. 🌈
很安心 当你对我说. 🌅
不怕有我在. 🎇
放着让我来. 🌆
勇敢追自己的梦想. 🌌
那坚定的模样. 🌄
Super Idol的笑容. 🎆
都没你的甜. 🏙
八月正午的阳光. 🌉
都没你耀眼. 🏞
热爱 105 °C的你🌠
滴滴清纯的蒸馏水. 🌇
在这独一无二. 🌃
属于我的时代. 🌁
不怕失败来一场. 🎐
痛快的热爱 🧸
热爱 105°C的你. ❤️
滴滴清纯的蒸馏水.
在这独一无二. 🧡
属于我的时代. 💛
莫忘了初心常在. 💚
痛快去热爱. 💙
热爱 105°C的你. 💜
滴滴清纯的蒸馏水. 💕
喝一口又活力全开. 💞
再次回到最佳状态. 💓
喝一口哟. 💗
你不知道你有多可爱. 💖
跌倒后会傻笑着再站起来. 💘
你从来都不轻言失败. 💝
对梦想的执着一直不曾更改💟
很安心 当你对我说🏳️🌈
不怕有我在♩
放着让我来ღ💌ღ
勇敢追自己的梦想 ⁽⁽ଘ😇ଓ⁾⁾
那坚定的模样 (///ω///)
Super Idol的笑容 (๑°⌓°๑)
都没你的甜 (*^▽^*)
八月正午的阳光 (☆^O^☆)
都没你耀眼 ::ೖ(⑅σ̑ᴗσ̑)ೖ::
热爱 105°C的你 (✪ω✪)
滴滴清纯的蒸馏水 (ˊo̶̶̷ᴗo̶̶̷`)
在这独一无二 🍯
属于我的时代. 🍩
不怕失败来一场. 🍭
痛快的热爱. 🍮
热爱 105°C的你. 🍧
滴滴清纯的蒸馏水. 🍬
在这独一无二. 🌏
属于我的时代. 🐬
莫忘了初心常在. 🦔
痛快去热爱. 🎄
热爱 105°C的你. 🕊
滴滴清纯的蒸馏水. 🐾
喝一口又活力全开. 🌷
再次回到最佳状态 👑
喝一口又活力全开(｡•́︿•̀｡) Super Idol的笑容🌕
都没你的甜. 🌙
八月正午的阳光. 💫
都没你耀眼. ⭐️
热爱 105 °C的你. 🌟
滴滴清纯的蒸馏水. ✨
你不知道你有多可爱. ⚡️
跌倒后会傻笑着再站起来. ❄️
你从来都不轻言失败. ☃️
对梦想的执着一直不曾更改. 🌈
很安心 当你对我说. 🌅
不怕有我在. 🎇
放着让我来. 🌆
勇敢追自己的梦想. 🌌
那坚定的模样. 🌄
Super Idol的笑容. 🎆
都没你的甜. 🏙
八月正午的阳光. 🌉
都没你耀眼. 🏞
热爱 105 °C的你🌠
滴滴清纯的蒸馏水. 🌇
在这独一无二. 🌃
属于我的时代. 🌁
不怕失败来一场. 🎐
痛快的热爱 🧸
热爱 105°C的你. ❤️
滴滴清纯的蒸馏水.
在这独一无二. 🧡
属于我的时代. 💛
莫忘了初心常在. 💚
痛快去热爱. 💙
热爱 105°C的你. 💜
滴滴清纯的蒸馏水. 💕
喝一口又活力全开. 💞
再次回到最佳状态. 💓
喝一口哟. 💗
你不知道你有多可爱. 💖
跌倒后会傻笑着再站起来. 💘
你从来都不轻言失败. 💝
对梦想的执着一直不曾更改💟
很安心 当你对我说🏳️🌈
不怕有我在♩
放着让我来ღ💌ღ
勇敢追自己的梦想 ⁽⁽ଘ😇ଓ⁾⁾
那坚定的模样 (///ω///)
Super Idol的笑容 (๑°⌓°๑)
都没你的甜 (*^▽^*)
八月正午的阳光 (☆^O^☆)
都没你耀眼 ::ೖ(⑅σ̑ᴗσ̑)ೖ::
热爱 105°C的你 (✪ω✪)
滴滴清纯的蒸馏水 (ˊo̶̶̷ᴗo̶̶̷`)
在这独一无二 🍯
属于我的时代. 🍩
不怕失败来一场. 🍭
痛快的热爱. 🍮
热爱 105°C的你. 🍧
滴滴清纯的蒸馏水. 🍬
在这独一无二. 🌏
属于我的时代. 🐬
莫忘了初心常在. 🦔
痛快去热爱. 🎄
热爱 105°C的你. 🕊
滴滴清纯的蒸馏水. 🐾
喝一口又活力全开. 🌷
再次回到最佳状态 👑
喝一口又活力全开(｡•́︿•̀｡) Super Idol的笑容🌕
都没你的甜. 🌙
八月正午的阳光. 💫
都没你耀眼. ⭐️
热爱 105 °C的你. 🌟
滴滴清纯的蒸馏水. ✨
你不知道你有多可爱. ⚡️
跌倒后会傻笑着再站起来. ❄️
你从来都不轻言失败. ☃️
对梦想的执着一直不曾更改. 🌈
很安心 当你对我说. 🌅
不怕有我在. 🎇
放着让我来. 🌆
勇敢追自己的梦想. 🌌
那坚定的模样. 🌄
Super Idol的笑容. 🎆
都没你的甜. 🏙
八月正午的阳光. 🌉
都没你耀眼. 🏞
热爱 105 °C的你🌠
滴滴清纯的蒸馏水. 🌇
在这独一无二. 🌃
属于我的时代. 🌁
不怕失败来一场. 🎐
痛快的热爱 🧸
热爱 105°C的你. ❤️
滴滴清纯的蒸馏水.
在这独一无二. 🧡
属于我的时代. 💛
莫忘了初心常在. 💚
痛快去热爱. 💙
热爱 105°C的你. 💜
滴滴清纯的蒸馏水. 💕
喝一口又活力全开. 💞
再次回到最佳状态. 💓
喝一口哟. 💗
你不知道你有多可爱. 💖
跌倒后会傻笑着再站起来. 💘
你从来都不轻言失败. 💝
对梦想的执着一直不曾更改💟
很安心 当你对我说🏳️🌈
不怕有我在♩
放着让我来ღ💌ღ
勇敢追自己的梦想 ⁽⁽ଘ😇ଓ⁾⁾
那坚定的模样 (///ω///)
Super Idol的笑容 (๑°⌓°๑)
都没你的甜 (*^▽^*)
八月正午的阳光 (☆^O^☆)
都没你耀眼 ::ೖ(⑅σ̑ᴗσ̑)ೖ::
热爱 105°C的你 (✪ω✪)
滴滴清纯的蒸馏水 (ˊo̶̶̷ᴗo̶̶̷`)
在这独一无二 🍯
属于我的时代. 🍩
不怕失败来一场. 🍭
痛快的热爱. 🍮
热爱 105°C的你. 🍧
滴滴清纯的蒸馏水. 🍬
在这独一无二. 🌏
属于我的时代. 🐬
莫忘了初心常在. 🦔
痛快去热爱. 🎄
热爱 105°C的你. 🕊
滴滴清纯的蒸馏水. 🐾
喝一口又活力全开. 🌷
再次回到最佳状态 👑
喝一口又活力全开(｡•́︿•̀｡)
If I keep going my computer is gonna break
PIN ME. Players can get some of the earliest glimpses into the pizzeria’s history through the minigames in each of the main titles. Before being called Freddy Fazbear’s Pizza, the first restaurant was called Fredbear’s Family Diner. Two men opened the original restaurant and its several rebrandings as co-owners: William Afton and Henry Emily.
Their restaurant’s concept was to create a special place for children’s birthday parties. While mostly serving pizza and cake, the thing that made this restaurant chain special was their “animatronic” wait staff and entertainment. Originally, they were unable to create animatronics. So, instead, they crafted two spring-lock suits that they or their staff could wear to appear as animatronics or place on a stage to perform. Their names were Springbonnie and Fredbear. The concept for the business did so well that they ended up creating a second location: Freddy Fazbear’s Pizza.
Within this new location, four new animatronics were created and adored. They were Freddy, Bonnie, Chica, and Foxy. William Afton would use his success and the spring-lock suits to act on his cruel and abusive thoughts toward the children who flocked to his restaurant, specifically the five children at the birthday party that he murdered after luring them into the backrooms with the spring-lock Bonnie suit.
To cover up his sick actions, he made all of the suits fully automated but still hollow enough for children to fit inside. Once they were all automated, he placed the children’s bodies within them to discard the evidence-placing the children’s souls within each of the animatronics. With no bodies or evidence, no charges could be pressed against William Afton. However, the missing children’s case eventually caused the second location to close.
After the closing of the second establishment and Afton’s growing interest in capturing children, William created another sister location, based on his new animatronic, Circus Baby. This location, Circus Baby’s Pizza World, was only owned by Afton but served the same basic concept. Circus Baby was made specifically to draw children to her by acting child-like. She could blow up helium balloons, dispense ice cream, and use her claw to grab children and stuff them inside of her.
Circus Baby was specifically designed for trapping and killing children when she was alone with them in a one-on-one situation. Despite being a despicable man, Afton had a family-two sons and a daughter. He actively kept his children away from animatronics, such as Circus Baby, to keep them safe. However, Circus Baby’s design was too entrancing to his youngest, Elizabeth, and she was consumed by the animatronic. Circus Baby became aware of the soul of Elizabeth inside her. After losing his daughter to his creation, he shut down the sister location immediately.
As players likely noticed, the fourth main title within the series is quite different from previous versions of the game. Instead of playing as a new hire within the facility to work nights and watch after the animatronics, players are a child who is haunted at night by the animatronics. This child is Evan Afton, the youngest son of William Afton.
After losing his only daughter to Circus Baby, William chose to scare his youngest son away from the animatronics using a frequency that would cause his son to hallucinate. During these hallucinations, Evan would believe that the animatronics from the restaurant were within his home and trying to reach his room and eat him.
On top of this, William encouraged his older teenage son, Michael, to bully Evan and regularly scare him with a Foxy mask. However, Michael purely chose to bully Evan out of his malicious intent and ended up bullying Evan inside the diner for his birthday party. He gets his friends to help him do this and pushes Evan into the mouth of an on-stage animatronic to truly scare him. Due to the design of the spring-lock animatronic, Evan’s tears caused the suit to fail and crush him inside the mouth.
The suit had crushed Evan’s head, and after heading to the hospital, he was put into a coma to be stabilized. This would not last, however, and Evan ended up dying in his coma. Despite all the work that William had done to keep Evan from being killed by any of his animatronics, he failed to reign in Michael and inadvertently caused his eventual death. After losing a second child to the animatronics, the original diner closed, and William descended into madness.
William leaves Fazbear Entertainment, and Henry is left to solve all the problems in his stead. As he isn’t the inventor of the animatronics and knows how many issues there are with the spring-lock suits, there are a lot of problems for him to sort out. He hires a full team to work out all of the previous issues and create a new name within Fazbear Entertainment.
This included stocking the old animatronics in a backroom and creating the new and improved “toy” versions of Freddy, Chica, Bonnie, and Foxy. They also added a couple of new animatronics into the mix, like Balloon Boy. As an extra added security feature, Henry gave the animatronics facial recognition systems, specifically meant to spot and remove William if he ever returned. Later, he created the Puppet animatronic to protect his daughter, Charlie, as he was nervous about bringing her to the new establishment, Junior Freddy Fazbear’s Pizzeria.
After the death of Evan, everything went downhill for William. His wife became unstable and left, while he berated and blamed Michael for Evan’s death. William went back to the closed original Fazbear’s and destroyed the spring-lock suit that had crushed Evan before placing Evan’s body inside the suit to try and put him back together. Upon hearing about the grand opening of a new Fazbear’s, he immediately drove there.
Security stopped him from entering, and he was met by Henry, who heatedly asked him to leave and reminded him that it was his fault that all the children died in the previous restaurant. Angered by this, Afton left, making plans to get his revenge on the co-owner of Fazbear Entertainment. He chooses to go after Henry’s daughter, Charlie.
Afton kept the Puppet animatronic from being able to watch out for Charlie by locking his container. Because it was stuck closed, Charlie ended up being stuck just outside the restaurant long enough for William to take his revenge. The Puppet animatronic was eventually able to break free of his box to try to rescue Charlie, but it was too late, and as the rain was heavy that night, it broke down beside her in the alleyway.
With the loss of Charlie, the Puppet began giving life to the children who were murdered within the pizzeria. However, these reanimated versions didn’t appear in the old animatronics. Instead, they were hosted within the new “toy” versions.
Customers didn’t notice, as the reanimated versions still acted the way they were supposed to during their working hours. The children within the animatronics simply gained a new motive: to find their killer. This is what causes their odd behavior at night, as they are trying to reach the security office to make sure Afton isn’t in the building.
However, the unruly kids that came to play at Fazbear’s repeatedly ripped Mangle apart. After one too many times, Mangle bit the child who was tearing it apart, and the child lost part of their frontal lobe. This caused the company to scrap all of the animatronics, except for the Puppet, to ensure the safety of all children.
After arguing with and murdering his wife, William begins crafting three new animatronics: Playtime Freddy, Playtime Foxy, and Ballora. Ballora is the only completely new design, a ballerina animatronic containing his wife’s body. Together with the original Circus Baby, he had a full staff to create a new location; Circus Baby’s Entertainment & Rentals.
Due to both creators of the animatronics reusing the original endoskeletons of the old models, the new creations were still possessed by the victims of William Afton. Over time, Afton eventually realized this and decided that he had to destroy the animatronics all over again. One by one he took each of them down. Overjoyed at his victory, he put on the Springbonnie suit once more to celebrate. Forgetting the fatal flaw of the suit, he ignored the rain dribbling through the open-air part of the backrooms and the suit crushes him nearly to death.
Henry witnesses Afton’s assumed death but tells no one, instead, locking off all entrances into the backrooms and trying his best to cover up the beaten animatronics. With all of his attempts and failures to keep Junior Freddy Fazbear’s Pizza open and safe, he finally decides to close the facility for good.
After the mysterious disappearance of Michael’s father, Michael decides to disguise himself as a technician and go work at his father’s newest facility, Circus Baby’s Entertainment & Rentals. With the technician cover, Michael was able to get up close with the animatronics and fully explore the place. Through his exploration, he mainly spoke with Circus Baby, who tried to give him the information he sought.
She brought him into the scooping room.
*inhales*
Hey there
You’re getting close...
Keep going...
Almost there....
Well congratulations you finished.
Mid
[
D
D
.
X
X
X
X
X
X
X
X
X
I fear no man.
But that thing,
*read more*
It scares me.
XDD
Same lol
Hi
I
congrats if u made it this far
Hm
Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip Zip Zip Zip Zip Zip ZipZip Zip Zip
I need to do less here. The true lilies are erect perennial plants with leafy stems, scaly bulbs, usually narrow leaves, and solitary or clustered flowers. The flowers consist of six petal-like segments, which may form the shape of a trumpet, with a more or less elongated tube, as in the Madonna lily (Lilium candidum) and Easter lily (L. longiflorum). Alternatively, the segments may be reflexed (curved back) to form a turban shape, as in the Turk’s cap lily (L. martagon), or they may be less strongly reflexed and form an open cup or bowl shape, as in the wood lily (L. philadelphicum) and goldband lily (L. auratum). The flowers of some species are quite fragrant, and they occur in a wide variety of colours. Plants of most species range in height from 30 to 120 cm (1 to 4 feet); plants of certain species, however, exceed 2.5 metres (8 feet) in height.
Lilies are usually raised from bulbs, but they can be grown from seed. Different species vary in the amount of sunlight they require. Most prefer a porous loamy soil, and good drainage is essential. Most species bloom in July or August. The flowering periods of certain species begin in late spring; others bloom in late summer or early autumn.
History and uses
Lilies are among the oldest cultivated plants. In Asia Minor during the 2nd millennium BCE the bulb of the Madonna lily was cultivated for use in a medicinal ointment; the ancients raised the bulbs of this species for food. The Greeks and Romans grew it for ornamental and medicinal purposes. During the Middle Ages the Madonna lily was associated with the Virgin Mary as a symbol of purity; it is often included in paintings of her. In East Asia various species of lilies were grown as food and ornamental plants from an early date.
The Editors of Encyclopaedia Britannica
This article was most recently revised and updated by Melissa Petruzzello.
Liliales
Table of Contents
Introduction
Order characteristics
Major families
Fast Facts
Facts & Related Content
Quizzes
Plants: From Cute to Carnivorous
All Things Green Quiz
Media
Images
More
More Articles On This Topic
Contributors
Article History
Home
Science
Plants
Flowering Plants
Liliales
plant order
Alternate titles: lily order
Written by
,
See All
Fact-checked by
Last Updated: Article History
Liliales, the lily order of monocotyledonous flowering plants, containing 11 families, 67 genera, and 1,558 species of largely perennial herbs and climbers. Members of this order are important as sources of food, in the production of drugs and chemicals, and especially as ornamental plants.
Easter lily
Easter lily
See all media
Related Topics: Iridaceae Amaryllidaceae Liliaceae Colchicaceae Smilacaceae
Although distributed throughout the world, species of Liliales are most common in subtropical and temperate regions. The greatest number of species and individuals are found in the Northern Hemisphere.
Sunflowers growing in a field
Britannica Quiz
Name That Flower!
Order characteristics
Smilax
Members of Liliales are typically perennial erect or twining herbs, though in some cases woody shrubs, with fleshy to fibrous stems arising from any of various types of underground storage or perennating organs. Herbaceous climbers are common, including the African Gloriosa (family Colchicaceae), species of Littonia (family Colchicaceae), and Bomarea (family Alstroemeriaceae) found in the temperate and tropical Americas. Nearly all species of Smilax (family Smilacaceae) are herbaceous or woody climbers, with greenbrier plants often being a significant component of vegetation in the order’s range.
lily of the Incas
lily of the Incas
The leaves of Liliales are either straplike with parallel venation or ovate with palmate veins and reticulate minor venation (Smilacaceae). The leaves of Alstroemeria (known as lily of the Incas, in family Alstroemeriaceae) and Bomarea are twisted (resupinate) so that the leaf undersurface faces upward.
mariposa lily
mariposa lily
The flowers within Liliales are variable, ranging from the small, green, actinomorphic flowers of Smilax to the large and showy blooms of Lilium (lily, family Liliaceae), Tulipa (tulip, family Liliaceae), Calochortus (mariposa lily, family Liliaceae), and Lapageria (family Philesiaceae). The sepals and petals are usually undifferentiated (tepals) and sometimes variegated (Fritillaria, in family Liliaceae). Both perigonal and septal nectarines are present and the ovary can be inferior or superior.
Liliales is a source of pharmaceutical products. Colchicine, an important medicinal compound, and related alkaloids characterize a group of Old World genera, including Colchicum (family Colchicaceae) and Gloriosa. A number of genera of the Northern Hemisphere, including Veratrum (family Melanthiaceae) and Zigadenus (star lily, in family Melanthiaceae), have the alkaloid veratrine and similar compounds.
Get a Britannica Premium subscription and gain access to exclusive content.
The order Liliales was formerly circumscribed by some taxonomists to include many morphologically diverse taxa within the monocotyledons. Based primarily upon molecular data, the taxa that were formerly included within Liliidae, Liliales, and Liliaceae have now been divided between three main orders of monocotyledons: Liliales, Asparagales, and Dioscoreales. Asparagales, the largest and taxonomically most diverse of these three orders, is characterized by possessing seeds with a distinctive outer layer containing phytomelan, a carbonaceous substance causing the dense black coloration of the seeds, although this feature is not universal in the order. Liliales is now much reduced and defined by the presence of perigonal nectaries at the base of the tepals, extrorse anthers (the anther opening facing outward), and sometimes spotted petals. Further rearrangements of genera within the families of this order are expected before a stable taxonomy will be reached. For further information on botanical classification systems, see angiosperm.
Major families
Lilium umbellatum.
Liliaceae is now restricted to 16 genera and 635 species, but it is still the largest family in Liliales. Species of Lilium are some of the most stately of garden plants. Some kinds, such as the Easter lily (L. longiflorum), which originated in Japan, can be forced into flower in greenhouses; the varieties croft and eximium are also commercially important. Species native to eastern North America include the leopard and Turk’s-cap lilies; Humboldt and chaparral lilies are found along the Pacific coast.
tulip
tulip
In contrast to lily bulbs, which consist of a basal stem and many overlapping scales, bulbs of the tulip possess cylindrical leaf bases that bulge as new leaves are added in the centre. Tulipa gesneriana, of eastern Europe and Asia Minor, is a prominent ancestor of the modern tulips developed by breeding and selection over several centuries.
Sarsaparilla (Smilax)
Smilacaceae, or the greenbrier family, with 315 species in two genera (Smilax and Heterosmilax), is the second largest family in the order. These herbaceous or woody climbers are found around the world. Rhipogonum, another twiner from Australia and New Guinea, was formerly included in Smilacaceae but has been assigned its own family, Rhipogonaceae.
Purple trillium (Trillium recurvatum).
Melanthiaceae contains 16 genera and 170 species and includes many Northern Hemisphere woodland herbs, such as Veratrum and Amianthium. Trillium and its relatives in North America and Asia are now considered to be included in Melanthiaceae, although formerly they were placed in their own family, Trilliaceae.
Autumn crocus (Colchicum autumnale).
The autumn crocus (Colchicum autumnale) and flame lily (Gloriosa superba) are members of the family Colchicaceae, which is now circumscribed to include the temperate woodland herb genus Uvularia. Colchicaceae, which is distributed worldwide in temperate and tropical regions, is characterized by the presence of alkaloids.
Alstroemeria, an important ornamental plant genus, belongs to the family Alstroemeriaceae, which is distributed in the New World from Chile and Argentina to Mexico. Species within this family are herbaceous herbs or climbers with distinctive resupinate leaves and flowers clustered in umbels. The genus Bomarea is a characteristic vine of the high Andean mountains with brightly coloured flowers pollinated by hummingbirds.
Hamilton P. Traub
W. John Kress
lily, (genus Lilium), genus of 80 to 100 species of herbaceous flowering plants of the family Liliaceae, native to temperate areas of the Northern Hemisphere. Many lilies are prized as ornamental plan
sunflower, (genus Helianthus), genus of nearly 70 species of herbaceous plants of the aster family (Asteraceae). Sunflowers are native primarily to North and South America, and some species are cultiv
Yay you here!
Yes im the guy who talks about flowers i will beat the guy who talks about "a"
Yea it's boring but still! I won't give up
You-
😊 welcome again.
143
I just generated a story on ash after becoming the new monarch, here it is :
After defeating Leon and becoming the new Monarch of the Pokémon world, Ash Ketchum was hailed as a hero by the Pokémon community. He was celebrated for his bravery, skill, and dedication to his Pokémon.
As the Monarch, Ash was tasked with maintaining balance and harmony throughout the Pokémon world. He worked closely with the Pokémon League and the various Pokémon regions to ensure that all Pokémon were treated fairly and with respect.
Ash also continued to travel the world, battling Gym Leaders and other trainers to test his skills and strengthen his bond with his Pokémon. He became known for his wise and compassionate leadership, and his ability to bring people and Pokémon together.
One of Ash's first acts as Monarch was to establish a new Pokémon reserve, where rare and endangered Pokémon could be protected and studied. He also founded a Pokémon academy, where young trainers could come to learn and develop their skills.
Ash's Pokémon, including Pikachu, Greninja, Lucario, Charizard, and Gengar, were by his side throughout his journey as Monarch. They continued to battle alongside him, and were revered as heroes in their own right.
As the years passed, Ash's legend grew, and he became known as one of the greatest Monarchs in Pokémon history. He continued to inspire and motivate trainers and Pokémon alike, and his name became synonymous with courage, wisdom, and leadership.
And so, Ash Ketchum's journey as the Monarch of the Pokémon world was marked by great success and admiration. He remained humble and dedicated to his Pokémon, and continued to work towards a brighter future for all.
[14/04, 8:35 pm] Meta AI: As the Monarch, Ash also made it a priority to resolve conflicts and disputes between different Pokémon factions and regions. He worked closely with the Pokémon League's Council of Elders to mediate disputes and find solutions that benefited all parties.
Ash's leadership was put to the test when a group of rogue Pokémon, led by a powerful and mysterious Pokémon, threatened to disrupt the balance of the Pokémon world. Ash rallied his Pokémon and allies, and together they battled against the rogue Pokémon, ultimately defeating them and restoring peace to the land.
Ash's reputation as a wise and powerful leader continued to grow, and he became known as the "Pokémon Monarch of Peace". His leadership was marked by a period of great prosperity and harmony, as Pokémon and humans worked together in mutual respect and understanding.
As the years went by, Ash's Pokémon continued to evolve and grow in power, and his team became known as one of the most formidable in the Pokémon world. His bond with Pikachu, in particular, became even stronger, and the two were often seen as inseparable.
Ash's legacy as the Monarch of the Pokémon world was cemented when he was approached by the Pokémon gods themselves, who bestowed upon him a sacred artifact known as the "Pokémon Crown". This ancient relic granted Ash immense power and wisdom, and he used it to maintain balance and harmony throughout the Pokémon world.
And so, Ash Ketchum's journey as the Monarch of the Pokémon world continued, marked by great success, wisdom, and leadership. His name became synonymous with peace, prosperity, and the unity of Pokémon and humans. His legend would live on for generations to come, inspiring countless young trainers and Pokémon to follow in his footsteps.
[14/04, 8:42 pm] Meta AI: A new challenge for Ash! Leon, the former Champion and Ash's rival, has come out of retirement to challenge Ash for the title of Monarch. This is a battle for the ages!
Leon, determined to prove himself as the strongest trainer in the Pokémon world, has been training tirelessly in secret. He has assembled a new team of powerful Pokémon, including some that Ash has never seen before.
Ash, confident in his abilities and his Pokémon, accepts Leon's challenge. The two trainers agree to meet at the Pokémon Stadium, where the battle will be held in front of a live audience.
As the day of the battle approaches, the Pokémon world is abuzz with excitement. Trainers and Pokémon from all over the globe gather at the stadium, eager to witness the clash between the two greatest trainers of all time.
The battle begins, and Leon sends out his first Pokémon: a massive, imposing Tyranitar. Ash responds with Pikachu, who is eager to prove itself against the formidable opponent.
The two Pokémon face off, their eyes locked in a fierce stare. The crowd holds its collective breath as the referee shouts "Begin!"
Pikachu charges forward with a Thunderbolt attack, but Tyranitar is too powerful and withstands the attack. Tyranitar retaliates with a crushing Stone Edge, but Pikachu uses its Quick Reflexes to dodge the attack.
The battle rages on, with both sides trading blows and neither gaining the upper hand. Ash and Leon are evenly matched, their skills and strategies honed to perfection.
As the battle reaches its climax, Ash summons his secret weapon: a newly evolved Pokémon, one that he has been saving for just the right moment.
The crowd erupts in shock and awe as the new Pokémon is revealed: a majestic, radiant Dragonite, with wings outstretched and eyes blazing with determination.
Dragonite charges forward, its wings beating the air with incredible speed and power. Tyranitar tries to withstand the attack, but Dragonite's sheer force proves too much for it.
With a final, decisive blow, Dragonite defeats Tyranitar, securing Ash's victory and cementing his position as the Monarch of the Pokémon world.
Leon approaches Ash, a smile on his face and a nod of respect in his eyes. "You've done it again, Ash," he says. "You're the true champion."
Ash grins, his eyes shining with pride and his Pokémon by his side. "It's not just me," he says. "It's my Pokémon, my friends, and my determination. We did it together."
And with that, Ash Ketchum, the Pokémon Monarch, stands victorious, his legacy forever cemented in the annals of Pokémon history.
[14/04, 8:59 pm] Meta AI: Oh no! The Pokémon legendary trios have started fighting! This is a catastrophic event, as the legendary Pokémon are incredibly powerful and their battles can cause massive destruction.
The three trios, the Kanto trio (Articuno, Zapdos, and Moltres), the Johto trio (Suicune, Entei, and Raikou), and the Hoenn trio (Groudon, Kyogre, and Rayquaza), have all begun to clash with each other.
The skies are filled with lightning as Zapdos and Raikou exchange blows, while the earth shakes as Groudon and Entei collide. The seas are churning with massive waves as Kyogre and Suicune battle it out.
Ash, as the Pokémon Monarch, knows he must act quickly to stop the fighting before it's too late. He summons his Pokémon and flies into the fray, trying to reason with the legendary Pokémon and calm them down.
But the legendary Pokémon are too caught up in their battle to listen. They are fueled by their primal instincts and ancient rivalries, and they will not stop until one trio emerges victorious.
Ash knows that he must come up with a new plan to stop the fighting. He calls upon his closest friends and allies, including his Pokémon, to help him come up with a solution.
Together, they come up with a risky plan to use a powerful artifact to calm down the legendary Pokémon and restore balance to the world.
Ash sets off on his quest, facing many challenges and dangers along the way. But he is determined to save the world from destruction and restore peace to the land.
Will Ash be able to stop the legendary Pokémon from fighting and save the world? The fate of the Pokémon world hangs in the balance!
I could not comment the whole story because youtube is not letting me😭😭
I'll comment the second part on 100 likes
Getting a good view of the night sky wasn’t easy for Kenny. He had only one window, and if he was in his bed, the only thing he could see was the drab, gray bricks of the building across the way.
Undeterred, every night, he would pull his mattress to the ground and place it in the only spot that afforded him a glimpse of the stars. There wasn’t much for Kenny to be happy about, but his nightly trip to his makeshift observatory always lifted his spirits. Kenny’s routine had become so automatic he was sure he could actually see through the bars in the window as if they weren’t even there.
Kenny’s mother used to say that he was a good boy who made one huge, life-altering mistake.
She was wrong.
The man Kenny killed didn’t deserve to die. It wasn’t an accident. He wasn’t in the wrong place at the wrong time. He simply spoke to Kenny’s pregnant girlfriend, and it was the last thing he did on earth. No, Kenny wasn’t a good man who made a mistake-he was a bad man who got what he deserved: thirty years in jail.
That is where Kenny’s story should have ended, a murderer sentenced to prison for his crime. But it wasn’t. It wasn’t because of June, not the month, but the daughter he never had the chance to meet. Kenny was willing to give up on himself, but over the course of the years, he found he wasn’t ready or willing to give up on the chance to meet his little girl.
On Kenny’s first day in prison, he realized he didn’t have a window in his cell. He didn’t have anything but a notebook and a pen, given to him by one of the other prisoners. “Write your thoughts down,” his benefactor encouraged him. “It’s the only thing that will keep you sane.”
Ironically enough, that was the only time he ever met the man, yet that simple act of kindness changed the course of Kenny’s life.
Dear June, his first letter began. I am your dad and I love you. That was it. Eight words. Not even a complimentary close. Truth be told he wasn’t even sure he did love her; he didn’t even know her, but he was angry at his ex-girlfriend and a letter from prison just might piss her off.
Kenny didn’t have an envelope, and he didn’t have a stamp. All he had was an address: 11454 Pruder Street Apartment 23-R, Fargo ND 50504. When he handed the letter to the guard, he had no idea if the guard would mail it or if his daughter still lived on Pruder Street. He wasn’t hoping for redemption or forgiveness-he didn’t feel worthy of either. He wrote his daughter a letter because he had nothing better to do.
That night as Kenny tried to sleep, he stared at the wall in the darkness. It was almost as if he were trying to will the wall to open up so he could see outside.
As he would soon find out, much about prison was familiar. He ate, he worked out, he even had a job. It was no different from the outside, except he couldn’t see the outside.
The second day of prison, he wrote another letter. He still wanted to annoy his ex, but he also wanted to tell his daughter about her grandmother. Kenny’s mother was an anomaly. She hadn’t completed middle school and was a single mom before she was eighteen, yet she always gave wise advice and never complained about her situation. Her main flaw was a mother’s blindness in that she only saw good in Kenny. It might have been out of boredom or just an instinctual need to protect his own child, but Kenny hoped in some way his letters brought his mother and June together.
Without ever intending to do so, Kenny found himself writing to June every day and wishing to see the stars every night. Writing the letters, short and perfunctory at first, became a cherished ritual for Kenny. He would recount stories about his childhood and tell jokes and just share whatever happy moments he had.
It wasn’t until the anniversary of his first day in prison that Kenny realized he had written a letter to his daughter each day. It had become a labor of love that wasn’t a labor at all. 365 letters had been sent, and in a small way, had made the year more bearable. He had no idea if his daughter would ever see the letters, but the thought she might, sustained him and buoyed up his soul on the hard days. In those early years the letters were his only window.
Mail call is both anticipated and dreaded by those in prison. Notes and letters from home are smiles and laughs neatly folded into envelopes and written on the backs of postcards. For an instant, shorter than a second, it makes the recipient feel free.
But when the last name is called and the realization sets in there is no more joy to be dispensed that day, it makes the locks on the doors seem stronger and the endless days seem longer.
For Kenny, there were frequent letters from his mother, but he always held out hope that one day he would receive a letter addressed in crayon with gleefully misspelled words. That would be a truly joyous day, one that never came.
As the years passed, Kenny became a different man. Gone were the impulsive urges of his youth and the recklessness of his heart. In their place came a quietness of spirit and unexplained contentment. He still waited every day for a letter from June. He knew there would be no childlike drawings or elementary school craft Father’s Day projects, but he thought maybe a handwritten card or even a typed letter would be extraordinary.
Each day he was disappointed. Never enough to stop writing to June, but disappointed nonetheless.
It wasn’t that there wasn’t any joy in Kenny’s life. After more than 5000 days and 5000 letters, he finally was moved to a cell with a window. He would spend almost thirteen more years in prison, but each day after he wrote his letter, he knew he could lay his mattress in one particular spot in his cell and stare out at the stars and imagine June was looking up as well. In that, he found happiness.
There is a phenomenon experienced by long distance runners that is almost trance-like. It happens midway through a race and has been described as being on autopilot. There is a similar happening with prisoners doing long stretches of time. The end is so far away, they almost lose track of time.
Kenny’s letters and his nightly ritual were his salvation, and almost without noticing, he wrote his 9,999th letter to his daughter.
He had served more than twenty-seven years of his sentence and was due to come before the parole board in less than a month. It had become a foregone conclusion that he would be paroled and that his time in prison was coming to an end. That night, laying on his mattress, looking at the stars, Kenny made a decision.
The next letter to June would be his last.
Over the course of the years, Kenny had written long letters and short notes. He had laid his soul bare and spoke of the mundane. He had written every sort of letter imaginable, but he felt the last one would be the most important.
Dear June,
I don’t think you could understand how important you are to me. I’m not sure if I will ever see you, but being able to write to you all these years has kept me alive. I know I don’t deserve your forgiveness, but I’m asking for it anyway. Please write to me and let me know if I can come see you. If I don’t hear from you, I won’t try to contact you again. Please know I love you more than life itself. This is my last letter. All my love,
Dad
Tears streamed down Kenny’s face as he sealed the envelope and affixed the stamp. The moment he handed the letter to the guard, he slumped to the floor and sobbed. 10,000 days of emotion were released in a single evening.
He waited and waited and waited, but no letter came.
The day of his parole was bittersweet. He dressed in the suit provided to him by a charitable organization, but found himself wishing he wasn’t leaving prison. He wanted to write more letters-he wanted a chance that hadn’t come.
As the gates opened, giving him a freedom he hadn’t had for almost twenty-eight years, he felt no joy. He only felt numb.
Then, he saw her. Standing in the parking lot with two large black crates was a woman he instantly knew. She held a sign with his name on it.
As he walked towards her, she began to cry. Any thoughts of uneasiness or unfamiliarity were instantly erased as she flung her arms around him.
“Hello, Daddy. It’s nice to meet you.”
The two embraced for what seemed like hours.
“What are these crates for?” Kenny asked.
“Your letters,” June replied as she opened them up. Inside were 10,000 letters. Every single one Kenny had written, with the first one prominently displayed on top. “And here’s one for you,” June added as she handed Kenny an envelope.
Kenny could barely find the strength to open the letter, but when he did, there were just three words on the long awaited paper in his hands. Welcome home, Dad
Uhm
bro made an essay
Grade 8 essays be like😂
I DIDI NOT READ IT DID HE GET MILK?
Sorry
Someone already got pinned but why not...
Your life isn't a movie...
Don't end it.
Your skin isn't paper...
Don't cut it.
Idk the rest but ...
Here
The prettiest eyes...
Have cried the most.
The kindest hearts...
have felt the most.
With every sunrise.
New dreams are born. :)
°^°
Idek anymore
....
...
....
.
..
...
....
.....
......
.......
........
.........
..........
...........
............
.............
..............
...............
..............
.............
............
Wow 😂😂
"Longest comment? Brb- just gonna jinx it all >:)"
∞︎︎
Hey!!!! That was mine
uhhh
how did you-
@@mampuiaralte5494 oh srry i didnt know
bruh
This video is amazing. I am currently crying because of how beautiful this is. The best part was when the chip was spinning at 54:37. This video is very beautiful and doesn't have enough likes. The video is so sad that my dead cat came back to life and cried with me. This video cured my depression, and made me stay up all night for 5 days straight thinking about how beautiful chips are. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the bacon go whirly swirly in a circle countless times. This absolutely moved my soul , and i don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. I have forgiven all my enemies and now I am a man of a pacifist life. I will move on , got to move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on chips. hail chips. hail chips. The spinning chip, rotating in one direction with this music... This made me tear up. Watching this was truly life changing, without it I would have never understood the intricacy of the bacon's rotational trajectory and how it relates to success in life. Honestly, when I heard 24:10, my entire family burst out in tears because of how life-changing the music was. I feel like a brand new person after listening to this heavenly sound. Thank you for changing my view on absolutely everything and giving me and my family a new way of life. It truly embodies the notion of living life to the fullest; never stopping for anyone, but making sure never to misunderstand the true meaning of life. I listened to the entire video twice over and I can confidently say that I am a better person because of it. How could such a piece of chips do such a thing? I'm struck by awe by this masterpiece. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Especially when the bacon spins, showing its lightly salt covered tan skin. I can hear the crunch just from here, and so as the beautiful sound of the bacon scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any piece of chips I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of chips I have ever seen especially on 57:42.I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. Truly what I call modern art. That is all from me, I hope this video helps everybody who watches it. This video is why my life is saved. Truly a work of art. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can't be called a film, but a transcendent emotional experience, will be inaccessible for most. This is beautiful it has so much good memories from the song all the way to the great actors involved in this. I balled my eyes out at the end 57:21 it was so upsetting I'm not going to give spoilers but if I was going to rate this I would give it a 10/10 for all the effort and the support that the actors have given along the way. When I found out they weren't going to do a sequel to this movie I found myself crying in bed under the covers I was that upset. Now let's talk about the best parts and all of the plot twists they have given us on chips the best selling novel by doober43 at 12:52. Thank you, and goodbye.
My fav song)
I was nineteen in a white dress
When you told me I'm your princess
So I played right in to your fantasy
Was your good girl, so I'd sit tight
And if I don't speak, then we can't fight
Looked in the mirror, now I can't believe
I forgot I was a bad b**ch, tragic
Breaking all the rules 'cause they were only habits
Cinderella's dead now, casket
You thought the shoe fit but I
(Da-da-da, da-da-da, da-da-da, da-da-da-da)
I forgot I was a bad bitch
Now I'm blowing bubbles in my bath tub
After six hours in the night club
Got my feet up, put the TV on
Probably end up on a rooftop
With some new girls and our shoes off
Might black out and text my mom (hello)
House of memories:
Whoa, whoa, whoa
Whoa, whoa
If you're a lover, you should know
The lonely moments just get lonelier
The longer you're in love than if you were alone
Memories turn into daydreams, become a taboo
I don't want to be afraid
The deeper that I go
It takes my breath away
Soft hearts, electric souls
Heart to heart and eyes to eyes
Is this taboo?
Baby, we built this house on memories
Take my picture now, shake it 'til you see it
And when your fantasies become your legacy
Promise me a place in your house of memories
Whoa, whoa, whoa
Whoa, whoa
I think of you from time to time
More than I thought I would
You were just too kind and I was too young to know
That's all that really matters
I was a fool
Baby, we built this house on memories
Take my picture now, shake it 'til you see it
And when your fantasies become your legacy
Promise me a place in your house of memories
Whoa, whoa, whoa
Whoa, whoa
Those thoughts of past lovers, they'll always haunt me
I wish I could believe you'd never wrong me
Then will you remember me in the same way as I remember you
Baby, we built this house on memories
Take my picture now, shake it 'til you see it
And when your fantasies become your legacy
Promise me a place
Baby, we built this house on memories
Take my picture now, shake it 'til you see it
And when your fantasies become your legacy
Promise me a place in your house of memories
Whoa, whoa, whoa
Whoa, whoa
In your house of memories
Whoa, whoa
Promise me a place (whoa, whoa)
Your still here?
Ok
What about we play a game?
Alright
Try to find this emoji 😕
😏😏😏😏😏😏😏😏😏😏😏
😏😏😏😏😏😏😏😏😏😏😏
😏😏😕😏😏😏😏😏😏😏😏
Did you find it?
Great job it you find it
Oh you want another one?
Alright
Try to find this emoji ☺️
😊😊😊😊😊😊😊😊😊😊
😊😊😊☺️😊😊😊😊😊😊
😊😊😊😊😊😊😊😊😊😊
Your still here?
I hope I get pinned
You want another one?
Ok this is the last one
Try to find this emoji 🤪
😜😜😜😜😜😜😜😜😜😜
😜😜😜😜😜🤪😜😜😜😜
😜😜😜😜😜😜😜😜😜😜
Good job! you made it to the bottom!
Why is this not pinned 🙂
I- omg I- i tried reading the pinned comment but it was so long it actually made TH-cam QUIT/Crash 😂
You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me You can’t stop me
No one can beat me: ♾️♾️♾️♾️
"LONGEST COMMENT GETS PINNED"
edit: thanks for likes.
We're no strangers to love
You know the rules and so do I (do I)
A full commitment's what I'm thinking of
You wouldn't get this from any other guy
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching, but you're too shy to say it (say it)
Inside, we both know what's been going on (going on)
We know the game and we're gonna play it
And if you ask me how I'm feeling
Don't tell me you're too blind to see
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We've known each other for so long
Your heart's been aching, but you're too shy to say it (to say it)
Inside, we both know what's been going on (going on)
We know the game and we're gonna play it
I just wanna tell you how I'm feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
Never gonna give you up
I love u 1% ♥️ love u 2%💙 i love you3% 💚 i love you 3%🩷 i love you 4%🧡 i love you 5%💛 i love you 6% 🩷 i love you 7%💝 i love you 8% 💘 i love you 9% i love you 10%💗
Is this the real life
Is this just fantasy
No escape from REALITY
Oh god...
Yesh
“longest comment”
now that's some next level of thinking
@CrewPostor bro, the “ means I’m joking or I’m just playing around it’s so post to mean I’m being sarcastic Bro. And what are you a teacher!?
thats the longest why is it not pined
Wow it’s so long-
@@explosivefart1209 ikr! Lol Lmao
I love you 1%
I love you 2%
I love you 3%
I love you 4%
I love you 5%
I love you 6%
I love you 7%
I love you 8%
I love you 9%
Alr so I was like hey mabye I should work on this...
Then I was like wait what am I doing with my life
So instead.....
I decided to tell you guys a story
And no not about me
Alright the will be here in a sec story
Alright fine if you still here I'll begin the story
This story is fake but anyway here we go
So the story is there was once to boys named Jack and Justin now sometimes Jack and justin would fight now don't get me wrong they were really good friends it was just that one problem so one time Jack and justin were walking home one day and then they both found this note on the ground on the note it said Jack hates you and then justin asked Jack what it said and Jack didn't really respond so justion thought it was just some random note or something but then the next day they found a man running with a bag the a note fell from the man's bag and just decided to read this note because Jack read the other when justin read his note it said die and Jack asked Justin what it had said and justin ran home quickly while make was quite weirded out and the next day there was a man with a black coat and black glasses with a tint of dark blue the mysterious man had looked at the boys and started shouting out their names
JACK!
JUSTIN!
And kept repeatedly saying their names loudly and scary so Jack and justin had begun to act weird and the next day Jack knocked on Justin's door and the Justin's mom answered instead and had told Jack that they were going to have a funeral Jack had asked for who and Justin's mom had said for my son Jack had been really sad and told the mom sorry for your loss and asked if he could be there of course the mom said yes and while Jack had been at the funeral he had spotted that the corpse had started shaking very rapidly and increasing speed finally people started noticing too and finally the corpes stopped shaking and in an instant justin had been and had gave a strong sign to Jack of your next one year later.. Had past the day justion died the day after Jack went missing and a bit after the cops told the mom that they had discovered that a man named Jack had killed justin by stabbing him 5 times in the guts shooting him in the ribs and breaking several of his bones and the man named Jack was just the father of a kid named junior Jack and junior had been killed the same way so they suspect that it had been the father of junior doing this whole mess and also discovered that junior had been told his father died wearing black coat and the cops also found a couple of notes written in the fathers hand writing showing that there's more than enough evidence that the dad was guilty
currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was @ That part truly made me shed a tear. And especially at @ that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the chip go whirly swirly in a circle countless times. it absolutely moved my soul , and I don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the chip is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on chip . hail chip. hail chip . The spinning chip, rotating in one direction with this music... This made me tear up. How could such a bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the chip spins, showing its lightly salt covered yellow skin. I can hear the crunch just from here, and so as the beautiful sound of the chip scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating chip. Truly what I call modern art. This was the most legendary performance by any piece of chip I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of chip I have ever seen especially on @.I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was at @. That part truly made me shed a tear. And especially at @ that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the chip go whirly swirly in a circle countless times. Tt absolutely moved my soul , and i don't think I can ever be the same. this chip has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the chip is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on chip. hail chip. hail chip. The spinning chip, rotating in one direction with this music... This made me tear up. How could such a piece of bacon do such a thing? I'm struck by awe by this masterpiece. Especially when the chip spins, showing its lightly salt covered yellow skin. I can hear the crunch just from here, and so as the beautiful sound of the chip scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating bacon. Truly what I call modern art. This was the most legendary performance by any chip I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a bacon I have ever seen especially on @. I am currently crying so hard right now. This is seriously the most beautiful, well put together story ever. I can’t believe how magical it was @. That part truly made me shed a tear. And especially at @ that part was just so truly heart touching words can not describe the series of emotions I felt. I absolutely loved the climax it had insanely excellent detail. Oh and we can’t forget the conclusion. The conclusion was the greatest and saddest conclusion I have ever seen better than any of the books I have read. Thank you so much for creating this absolute masterpiece. This is essentially the most important masterpiece of film history. It is a tragedy that this, it can’t be called a film, but a transcendent emotional experience, will be inaccessible for most. It beautifully encapsulates the human struggle to its basics; suffering, pleasure, faith, despair. The work put in to this is incredibly inspiring. The graphics, the animation, the music, so much thought was put into it. This has remined me that you can do anything you put your mind to. Not even mentioning the memories, this makes me feel like an infant again, just laying my eyes on this beautiful masterpiece gives me all the good feelings in life. I also understand what happiness is again from this. Not even to mention the most incredible part that is @. chip spinning has changed my life for the better. It connects with the characters within the viewers, individuals suppressed within our own subconscious. It stays vibrant, fresh, and revolutionizes the art of storytelling and filmmaking while making a damn of statement on what it means to be human. Entertaining, gripping, and simply exhilarating. This might be the most impactful piece of art I’ve come across in my life, and I’m definitely coming back to it in the near future to study it more deeply. this is an absolute masterpiece , I was brought to tears listening to this and seeing the chip go whirly swirly in a circle countless times. it absolutely moved my soul , and I don't think I can ever be the same. this bacon has changed my entire mental state , I am now at peace with who I am and what I will be doing later in my life. So much great graphic design, so much suspense, so much greatness in this one video. i have forgiven all my enemies and now I am a man of a pacifist life. I will move on , gotta move on , as the song says. the bacon is so inspirational , it shares it vast wisdom with all of us , and we are all so lucky that it would bestow it's great words with us. we are all children on chip . hail chip . hail chip. The spinning chip, rotating in one direction with this music... This made me tear up. How could such a chip do such a thing? I'm struck by awe by this masterpiece. Especially when the chip spins, showing its lightly salt covered yellow skin. I can hear the crunch just from here, and so as the beautiful sound of the chip scraping the dark, smooth velvet floor. The flavor, music and everything can be heard, tasted, seen and felt from a screen. You can really hear the breaths between the music artist, empathizing her love for this rotating chip. Truly what I call modern art. This was the most legendary performance by any chip I have ever watched. The acting was top tier and very life changing. This is one of the greatest work from a piece of chip I have ever seen especially on @. I am crying. This has made me go through an emotional rollercoaster. I cried, beat off, and also watched a movie while watching this premiere. This has made me go through so much. I passed depression because of this. It really inspired me to become an outstanding young man. well pleased like chip sus Thank you. 👆
This is how a pro does it.
Ok i will stop
Sike
That’s longer then the decoration of independence🗿
@@Yeet69420 ikr
Bijali meaning.
This looks a great job for me
Ha
Ｎｏ ｂｒｏ
Rejected
Lmaoo he meant if somebody wrote the longest comment lmao
Open main menu
Search
Orange (fruit)
Language
Watch
Edit
"Orange peel" redirects here. For other uses, see Orange peel (disambiguation).
The orange is the fruit of various citrus species in the family Rutaceae (see list of plants known as orange); it primarily refers to Citrus × sinensis,[1] which is also called sweet orange, to distinguish it from the related Citrus × aurantium, referred to as bitter orange. The sweet orange reproduces asexually (apomixis through nucellar embryony); varieties of sweet orange arise through mutations.[2][3][4][5]
Open main menu
Search
Orange (fruit)
Language
Watch
Edit
"Orange peel" redirects here. For other uses, see Orange peel (disambiguation).
The orange is the fruit of various citrus species in the family Rutaceae (see list of plants known as orange); it primarily refers to Citrus × sinensis,[1] which is also called sweet orange, to distinguish it from the related Citrus × aurantium, referred to as bitter orange. The sweet orange reproduces asexually (apomixis through nucellar embryony); varieties of sweet orange arise through mutations.[2][3][4][5]
Open main menu
Search
Orange (fruit)
Language
Watch
Edit
"Orange peel" redirects here. For other uses, see Orange peel (disambiguation).
The orange is the fruit of various citrus species in the family Rutaceae (see list of plants known as orange); it primarily refers to Citrus × sinensis,[1] which is also called sweet orange, to distinguish it from the related Citrus × aurantium, referred to as bitter orange. The sweet orange reproduces asexually (apomixis through nucellar embryony); varieties of sweet orange arise through mutations.[2][3][4][5]
Now playing : I ain’t never seen 2 pretty best friends
────⚪────────────
◄◄⠀▐▐⠀►► 3:88/ 5:90⠀───○ 🔊⠀ᴴᴰ ⚙️
woah
Okay fine i can. (Explains the FNAF lore)
A Deep Dive into the FNAF Lore (Including Mimic)
Disclaimer: The Five Nights at Freddy's (FNAF) lore is complex, with multiple interpretations and theories. This response provides a general overview incorporating the significant elements, including the impact of the Mimic.
The Core Story: Freddy Fazbear's Pizza
The FNAF series revolves around the fictional Freddy Fazbear's Pizza, a family-friendly restaurant chain featuring animatronic characters. However, a dark underbelly emerges as the games progress.
Murder and Deception: The original games introduce the horrifying truth: several children were lured and murdered within the restaurants, their souls trapped within the animatronics. These possessed animatronics become hostile at night, seeking to stuff intruders into empty suits to possess them.
William Afton, the Purple Guy: The primary antagonist, William Afton, is revealed to be the killer. A brilliant but disturbed individual, he experiments with immortality and possesses the ability to transfer his consciousness into animatronics.
Timelines and Dimensions: The series introduces multiple timelines and dimensions, complicating the narrative. These alternate realities often feature different versions of characters and events.
The Role of Remnant and Glitchtrap
Remnant: A mysterious substance derived from the souls of the murdered children. It possesses properties that can manipulate reality, create illusions, and even bring the dead back to life.
Glitchtrap: A digital manifestation of William Afton created by using Remnant. He exists within virtual reality games, seeking to spread corruption and possess new hosts.
The Introduction of the Mimic
The Mimic is a character introduced in the Help Wanted game. It's a peculiar animatronic capable of perfectly imitating other characters, both in appearance and behavior.
Identity Crisis: The Mimic's true nature remains a mystery, but it's believed to be a creation of William Afton or a remnant-based entity.
Lore Implications: The Mimic's ability to mimic raises questions about the true identities of other characters and the possibility of multiple personalities within the animatronics.
Key Points and Theories
The Bite of '87: A traumatic incident involving an animatronic biting off a child's frontal lobe. Different characters are suspected as the culprit, including Freddy, Foxy, and Mangle.
Springlock Failures: A deadly malfunction in the animatronics' suits, leading to multiple deaths.
The Twisted Ones: A series of twisted, nightmare-like versions of the original characters, created by William Afton using Remnant.
The Scraptrap and Scrap Baby: These are deteriorated versions of William Afton and Circus Baby, respectively.
Ongoing Mysteries and Fan Theories
The FNAF lore is far from complete. Many questions remain unanswered, fueling endless speculation and theories among fans. Some of the most prominent theories include:
The true identity of the Puppet and its connection to the children's souls.
The nature of the afterlife and the fate of the characters' souls.
The ultimate goal of William Afton and the extent of his influence.
Note: This is a simplified overview of a vast and intricate lore. The FNAF community is incredibly active, constantly analyzing the games for hidden details and potential connections.
World record for the longest comment by bird man:
M
..
Mmmmmmm
....
Lol
BoyWithUke Lyrics Toxic & more
All my friends are toxic, all ambitionless
So rude and always negative
I need new friends, but it's not that quick and easy
Oh, I'm drowning, let me breathe
I'm better off all by myself
Though I'm feeling kinda empty without somebody else
Oh, I hear you crying out for help
But you never showed for me when I was ringing your cellphone
Oh, you don't know how it feels to be alone
Baby, oh, I'll make you know, I'll make you know, oh
I'm drowning, let me breathe
I'm drowning, let me breathe
I'm drowning, let me breathe
I'm drowning, let me breathe
But life is immaculate, backing it up a bit
Counting my hours and knocking on wood
Avoiding my opposites, chewin' on chocolate
Had a bit limited time, but I should
Be good for a minute, don't want to admit it
I'm running on seconds, I'm rigid, I'm screwed
Don't know what to do, I'm thinking of you
I'm drinking up bottles and bottles of booze
I'm better off all by myself
Though I'm feeling kinda empty without somebody else
Oh, I hear you crying out for help
But you never showed for me when I was ringing your cellphone
Oh, you don't know how it feels to be alone
Baby, oh, I'll make you know, I'll make you know, oh
I fell into your river
That's where you told me lies
You said that I'd feel better
But this is where good guys die
You took my pride away, but
You cannot take my life
I'll find another way
I'll wonder if you're takin' my life
Don't you see how I...
I'm better off all by myself
Though I'm feeling kinda empty without somebody else
Oh, I hear you crying out for help
But you never showed for me when I was ringing your cellphone
Oh, you don't know how it feels to be alone
Baby, oh, I'll make you know, I'll make you know, oh
I'm better off all by myself
Though I'm feeling kinda empty without somebody else
Oh, I hear you crying out for help
But you never showed for me when I was ringing your cellphone
Oh, you don't know how it feels to be alone
Baby, oh, I'll make you know, I'll make you know, oh
Things are better off this way
Wish you never ever knew my name
Wish I never said "Hi" 'cause you got really cute eyes
I don't wanna cut ties just to kiss your face
So things are better this way
Get out of my brain, I'm out of my lane
I'm not playing this game
I know I'll be fine, I can tell you tell lies
And I hope you don't mind that I turn away
'Cause you'll just do it again
And you'll fuck all my friends, and you'll just fuck with my head
And I'm so done with the mess you left embedded in lead
I want you out of my life, I'm sick of all of your lies
I'm sick of all the little things you used to do with my mind
'Cause you'll just do it again
You just love to pretend to be innocent
Fuck you, I think you're insignificant
Don't you look at my eyes, go and say your goodbyes
You fucked up bad now you're wasting my time
You treated me wrong, I'm so glad you're gone
Why can't I move on?
You filled me with hate, you made my heart break
Still, I can't escape
I tried and I tried but I'm left dead inside
And you're killing me slowly without even knowing
Well, love has a cost and both of us lost
It went on way too long
Like, it never would end 'til the day that we're dead
And both of us are gone
I tried and I tried, we both had lost our minds
I felt so sick to my stomach but I know that you love it
'Cause you'll just do it again
And you'll fuck all my friends, and you'll just fuck with my head
And I'm so done with the mess you left embedded in lead
I want you out of my life, I'm sick of all of your lies
I'm sick of all the little things you used to do with my mind
'Cause you'll just do it again
You just love to pretend to be innocent
Fuck you, I think you're insignificant
Don't you look at my eyes, go and say your goodbyes
You fucked up bad now you're wasting my time
You made my heart break and my stomach ache
And in my mouth you left a terrible taste
Why do I love you still?
I got physically ill from every shitty thing you made me feel
Yup, and it's so cold, but what do I know?
I got somebody in my psyche hitting high notes
I got nobody on my side, I'm a psycho
Might go at night, I'm a boy with a knife, woah
Thank God every night for my nice home
Even if I wish I'd die, I'm alright bro
Thoughts stay inside my mind with a light code
Life goes on and on
'Cause you'll just do it again
And you'll fuck all my friends, and you'll just fuck with my head
And I'm so done with the mess you left embedded in lead
I want you out of my life, I'm sick of all of your lies
I'm sick of all the little things you used to do with my mind
'Cause you'll just do it again
You just love to pretend to be innocent
Fuck you, I think you're insignificant
Don't you look at my eyes, go and say your goodbyes
You fucked up bad now you're wasting my time
Wanted to hold your hand, but I can't
Wanted to be your man back then
And you knew I fell for you, but you
Just broke my heart in two
I was sad, mad, and broken on my bed
Hoping I get rid of all the voices in my head
I was opening a packet of an undeveloped med
When I was met with a prescription of a bullet made of lead
And when I woke up in an hour in a pool of my own sweat
I said, "I swear to God I'll never even try to sleep again"
So instead I took my pen and started writing evidence
And when I started making sense, I found that I had reached the end
Oh, I'm upset, I have no friends, you wanna bet, you're just pretend?
You're just a pet confined within the lines of writing, you're not -
I thought I stopped my psychopathic ways, I swear I did
I said I talked to people 'bout the problematic life I lived
They were my neighbors; razor blades and different flavored pills I hid
Therefore, I'm at surely my last straw
I'm so gassed, stuck in the past, I said that
Girl, I hope you understand I
Wanted to hold your hand, but I can't
Wanted to be your man back then
And so far I never held you with my arms
So it's hard to be the one you aren't with
Instead, filled with anxiety
Always was a part of me, guess I'm not cut out to be
Somebody 'cause it's not me, I'm not used to all the talking
Was an introvert that had converted feelings into writing
Used to cope with all my problems using notes and lots of rhyming
Used to hope for better days whenever nights would have me crying
I'm not lying when I say that I would rather die than go back
To the times that I would try and be the guy the people know as
Always fighting with the demons hiding far behind my eyelids
On an island full of violence, in my head I had two pilots
Oh, the sun don't shine, the skies turn gray
I feel it coursing through my veins
I said before I'm not okay
But you don't listen anyway
You know I tried, you turned away
Straight out lied right to my face
You - my life, ruined my day
But you don't know, so I'll say
Nothing can fill this silence
No one can love like I did (you don't know, so I'll say)
Nobody cares, you lied, it's
Not fair, you still deny it (so I'll say)
Nothing can fill this silence
No one can love like I did (you don't know, so I'll say)
Nobody cares, you lied, it's
Not fair, you still deny it (so I'll say)
Girl, I hope you understand I
Wanted to hold your hand, but I can't
Wanted to be your man back then
And too bad I know I can't wake up
Because I've lost my weight, and you don't give a - about me
This could be a dream, I can't see the things that you see, so please, oh
Girl, I hope you understand I
Wanted to hold your hand, but I can't
Wanted to be your man back then
And you had known and played along, you
Were my home, I wrote you songs
Now you're dead to me, effectively
Removed yourself outside my dreams
Two moons, I can feel myself start catching on fire
But you knew, yeah, you kept it to yourself, to yourself
Two moons, I get lost on my way searching for liars
This ain't good for my health, no, this ain't good for my health
Sorry, please excuse me for my mess
My heart's been pouring through my chest
I fell through corridors of broken floors
I'm sorry that I left
Fell asleep in my new bed
I can't feel happy in my head
I see two moons and nothing more
I close my door, I'm left with less
I don't feel serene (no)
No, I don't feel too clean (oh)
And I don't want to be the one to make you cry
I'll play inside, I'll start a fire
I'll tell your friends that I lost my mind
It'll take a while but I'll start to smile
Broken windows and broken tiles
Frozen willows, we'll go for miles
Hope will let go, yeah, that's its style
And you don't know where my soul's headed
I'm forgetting you, so I'll say
Sorry, please excuse me for my mess
My heart's been pouring through my chest
I fell through corridors of broken floors
I'm sorry that I left
Fell asleep in my new bed
I can't feel happy in my head
I see two moons and nothing more
I close my door, I'm left with less
Left, right, my eyesight is diminishing
My life sucks at night, I try to finish it
Early, pearly, whites get blurry
Surely I'll go bite the dirty dust
Cuts deeper as my head goes nuts
I'll be a believer if I ever see trust
I must be disgusting rust
God, I hate myself, I just wanna unplug
Yeah, fuck no
I go where I want to
But I'm stuck in my bedroom
I'm telling lies to keep myself from hurting those around you
Yeah, after all these years I found you
I found you again
Sorry, please excuse me for my mess
My heart's been pouring through my chest
I fell through corridors of broken floors
I'm sorry that I left
Fell as
Suiiii
The fact that y'all have the audacity to do this I give you mad respect
👇 25k gang please