It is not a surprise if mridangam lovers are craving to see and watch this maestro's Thani avar thanam. But the point this maestro has drawn audiences from all sections of the society even non-lovers of instrumental music across the world to his high level performance of to the traditional kutchi mridangam. He is bhishmapitha and doyen of mridangam sakshaath nandi bhagawan. Look at that short and classy Thani, the high points of which are instantaneous and unrehearsed. He is encompassing multiple complex patterns of beats into the set thaalam. wishing him more and more of health and longevity to enable perform more and more 🙏🙏🙏🙏🙏
Yes, that's right, another legend in the world of carnatic percussion. Guru's U Shivaraman's percussion is such that people would want to listen to just the mridangam.
Somewhere around 2:20 Guru Sivaraman begins a pattern that involves the proper placement of just the forefinger on the right hand end of the drum. Watch it & notice the two different tones that come from this. I've played jazz music for years & have never seen anything like this. Truly, Umayalpuram K Sivaraman has got to be the Joe Morello of Carnatic music percussion. What a marvelous talent!
Nils Young There are actually two places he hits. One is called num and the other is din. They are close to each other so proper finger placement is required. It is very common for artistes to play this beats na-din-din-na which will enhance the ability to play such beats.
I learn North Indian classical Instrumental Music and I'm Tabla player I Like South Indian classical music because it's versatile beautiful it can be match with north any other form of Music . Specially Mridangam.
Music box ! There was absolutely no calculation in any sense in this video. Its pure nadam based thani - the inimitable UKS Style. At some parts u can hear d sound and the finger movements only. There is absolutely no complicated calculations in this thani at all. Truly majestic and magical.
It is not a surprise if mridangam lovers are craving to see and watch this maestro's Thani avar thanam. But the point this maestro has drawn audiences from all sections of the society even non-lovers of instrumental music across the world to his high level performance of to the traditional kutchi mridangam. He is bhishmapitha and doyen of mridangam sakshaath nandi bhagawan. Look at that short and classy Thani, the high points of which are instantaneous and unrehearsed. He is encompassing multiple complex patterns of beats into the set thaalam. wishing him more and more of health and longevity to enable perform more and more 🙏🙏🙏🙏🙏
Yes, that's right, another legend in the world of carnatic percussion. Guru's U Shivaraman's percussion is such that people would want to listen to just the mridangam.
Somewhere around 2:20 Guru Sivaraman begins a pattern that involves the proper placement of just the forefinger on the right hand end of the drum. Watch it & notice the two different tones that come from this. I've played jazz music for years & have never seen anything like this. Truly, Umayalpuram K Sivaraman has got to be the Joe Morello of Carnatic music percussion. What a marvelous talent!
Nils Young There are actually two places he hits. One is called num and the other is din. They are close to each other so proper finger placement is required. It is very common for artistes to play this beats na-din-din-na which will enhance the ability to play such beats.
I think he is talking about the gumki though. The tone is made higher around 2:20 which involves greater pressure of the palm
I learn North Indian classical Instrumental Music and I'm Tabla player
I Like South Indian classical music because it's versatile beautiful it can be match with north any other form of Music . Specially Mridangam.
மிருதங்க சக்கரவர்த்தி என்றால் மிகையல்ல👍🏼👍🏼👍🏼
umayalpuram.the great.
My Pranams💐🙏
mind of calculations and fingers of wonders😘😘
Music box ! There was absolutely no calculation in any sense in this video. Its pure nadam based thani - the inimitable UKS Style. At some parts u can hear d sound and the finger movements only. There is absolutely no complicated calculations in this thani at all. Truly majestic and magical.
The math is in the mind. The science is embedded in the art. The blending is seamless. Divine art.
Mesmerizing tani avarthanam by the god of Mridangam.
he is a legend
Super 🌹👍🙏
❤😊
Nadhabrahmam
Swagatham Guruji
Who are the violinists? Name?
இவர்களுக்கு தெய்வம் கொடுத்த வரம். இனி இவர்கள் போன்றவர்களை பார்க்க முடியாது.
🙏🙏🙏🙏
suuuuuuper
Super
Short but very sweeet
thak u for making my one hundred and fifteen subrs in a short period
Nadarajamoorthy
no mames eso es manejo del tempo
Super