Concert Photography using Film - Is this a good or a bad idea ?

Join me in this visual adventure as we dive deep into the art of concert photography using film! 🎶📸 In this video, I'll share my passion for capturing the energy and emotion of live performances through the unique qualities of film photography.
We'll explore the stunning textures and vibrant colors that film can bring to your concert images, as well as the challenges and rewards of shooting in low-light environments. From selecting the right camera and film to interacting with artists and fans, I'll offer tips and tricks to help you elevate your concert photography game.
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#ConcertPhotography #FilmPhotography #LiveMusic #BehindTheLens #Dourfestival

[@suchitgangurde3514]

Hello Mr. Analog Dan,
Great video. What speed did you shoot it at? Pushed or box? And the development?
Did the f/3.5 aperture of the lens limit you more than normal? I usually tend to take my primes (f/1.8, f/2.8) since most zooms have limiting apertures for the less available light at such venues and I use color film, mostly 800 iso to compensate for it. I will be attending a major concert next weekend and I was thinking I'll carry my Nikon AF-D 80-200mm f2.8 in case I need the extra reach along with my 60 mm f2.8 D Micro Nikkor and supplement it with a 28-80 mm f/3.5-5.6 AF-D or a 28-100mm f/3.5-5.6 AF-G Nikon lenses. I am worried about the f/5.6 aperture at the longer end of these kit zoom lenses. Hence the question. The wider end and therefore the larger aperture of f/3.5 will not matter as much to me because I expect there will be a crowd and who knows, I might be far from the stage.
Cheers!

[@MrAnalogDan12]

OK. The 5.6 is almost useless for concert photography.

[@frankdiscussion2069]

lol...what do you think they did 60 years ago?

[@MrAnalogDan12]

Exactly!