Now that's what a call A VERSION. He takes the song. Inhabitates it. Gets to the deepest of it. Experiences it. Feels it. Makes it his. And then delivers it. With all respect to Bob Dylan. Not imitating anyone. He just delivers that piece of art somebody else wrote and he's known for a long time, and delivers to his audience since he thinks it is worth it. And he is. Thank God for Bob Dylan. And for Chris Smither too
We drove through Houston Tx. on our way across the US in 1971. Visited my deceased friend who worked at a radio station. Next day we went to a local bar where one of Bob's co workers was entertaining singing and pl aying the guitar. I thought the fellow was fantastic and then learned as he sat with us that he earned a mere $50. an evening providing great talent and entertainment.
So Folks, Here is a cool transition. Take a Dylan masterpiece...Desolation Row..have it beautifully rearranged by another master..Chris Smither...and then what happens..an emerging singer/songwriter is blown away by Chris's work and decides to put her interpretation out there. This is one of the main reasons I think that people love live music and hopefully continue to support it. Check out the Gabrielle Louise cut on TH-cam of Desolation Row.
If you get a chance - hear Smithers version of Dylan's "Desolation Row" on his 2003 CD "Train Home" where he duets with Bonnie Raitt - stunning pairing on a lyrically genius piece of writing. Bob has nabbed the NOBEL PRIZE - and about fucking time too. I'm off now to sniff drainpipes and slaughter "Blood On The Tracks" for the 1000th time...
That laughter really bothers me-------Sure, if you're not familiar I get it-----------The Dylan lyrics, etc.------------but fantastic rendition-----------truly captures the spirit--------Thank you for sharing
I filmed this at a venue that serves dinner during the show. This front table included several people eating, drinking laughing, etc. unfortunately. So don't send me no more letters unless you mail them from desolation row!
I think one of the laughs was because Chris Smither sings about Romeo “you’re in the wrong play my friend”, instead of Dylan’s original lyric “you’re in the wrong place...”. Smither’s lyric is quite an amusing take on the original. The other laugh might have been due to the line about Cinderella putting on a Bette Davis style, which is quite amusing, too
Tony Wesley starting in one verse and switching to another is good? Are you completely mad, Tony Wesley? I have spent the last 54 years having the precise order of words of that song being etched into my cerebral cortex and I won’t stand for any changes! 😱
Chris Smither is a lyrical and musical genius. We are lucky to live during the time when he is creating such masterful works and to enjoy them as they are being created.
Well of course. In tribute. He writes great songs as well, and I'm pleased that he occasionally covers those of others he appreciates. One thing that's odd is the laughter you hear from a guy in the audience after some of the lines. It's OK not to have ever heard the song before (strange, but understandable I guess), but that reaction struck me as a bit odd. It wasn't written to be a comedy..
Sensational version done in reverence, one that Dylan himself would be proud of. Unlike the other poster here, I actually enjoyed hearing someone in the audience (OK, maybe a little drunk) reacting to the lyrics while obviously hearing them for the very first time. Yup. As always, Smither's guitar playing is as effortless as tapping his foot. Thanks so much for recording and posting. A gem.
This song has always moved me ever since it was released in 1965 (or was it 66?), even though I still don't really understand it. This is a great performance of it. Beautiful playing, as others have said.
His guitar playing in open G is great. How many reality talent show stars can hang with Chris??? Zero. Love to more his take on even more Dylan songs. Love his Visions of Johanna.
George Parkins Then practice harder! No lol I am joking, he is very good.. it takes a hell of a lot of commitment to play well I think.. hmm and some natural talent too most likely!
I am trying to learn some of his songs (almost ashamed I only recently found him!) Can anyone tell me his tuning here, seems to be some D open tuning but I am not sure ...Many thanks if you can help ....
+Billi Backer It means you get a major chord without having to push down any strings. In open G you strum and get G major. You have to loosen three strings, 1,5 and 6. And then when you bar the neck you get a different major chord. Smither plays an abbreviated A minor shape with two fingers which gives the sound of the fourth and fifth chords in the key of G (C and D) and he keeps walking them down ending with G. Just as a review, a major G chord carries G with the third and fifth notes in the scale (do, re, mi, fa, so, la ti do) combined. That would be Do and mi and fa.
How does anyone sit down and write a song like this? I wonder if “substances” had a role to play. Not that that diminishes the song or its author in any way.
I love Chris' interpretation of this fine tune. I must add, I do not understand what the guy with the camera finds so amusing about this song. It is a very serious song, nothing funny about it. His laughter I find to be quite odd.
I think there's a lot that's funny about it. It's a great, sprawling song, heavy from some angles, but there's definitely some humor there. I don't find the laughter odd at all. Don't let it bring you down. :)
It's funny for people who don't know what the song's stories are about. The guy laughing might be an idiot, too... "at 20 she was already an old maid" really shouldn't be that funny. People want to be entertained...
+james valentine With respect, this is not flat-picking which is picking with a plectrum held between the thumb and index-finger. CS is a finger-picker and uses a thumb-pick plus picks commonly on the middle and third fingers: the alternating thumb on the lower strings renders the typical 4/4 timing of folkies.
Every time I've walked away from a Smithers concert I am stunned by the impact he has on me. Authentic and most spiritual......Long life my friend
Chris Smither is a musician of sensitivity and integrity without equal in his own unique style and rendition.
I was so immersed in Chris that I didn't notice laughter. Not gonna go back to find it not gonna break the spell.
Now that's what a call A VERSION. He takes the song. Inhabitates it. Gets to the deepest of it. Experiences it. Feels it. Makes it his. And then delivers it. With all respect to Bob Dylan. Not imitating anyone. He just delivers that piece of art somebody else wrote and he's known for a long time, and delivers to his audience since he thinks it is worth it. And he is. Thank God for Bob Dylan. And for Chris Smither too
We drove through Houston Tx. on our way across the US in 1971.
Visited my deceased friend who worked at a radio station.
Next day we went to a local bar where one of Bob's co workers was entertaining singing and pl aying the guitar.
I thought the fellow was fantastic and then learned as he sat with us that he earned a mere $50. an evening providing great talent and entertainment.
hahahaahah......in 1970 I started my Apprenticeship { Lineman } for $1.74 Per Hr.8 Hrs. for app. $15. I would have "Kissed You " for $50. hahahahahaha
Always happy to hear a "Smither" pickin' and (sometimes) grinnin'.
I havn't heard him before, but now I will listen to him. He have a lovely voice an he do this song so very good. 💕
You could have filmed this guy anywhere and he would always be just amazing.
So Folks, Here is a cool transition. Take a Dylan masterpiece...Desolation Row..have it beautifully rearranged by another master..Chris Smither...and then what happens..an emerging singer/songwriter is blown away by Chris's work and decides to put her interpretation out there. This is one of the main reasons I think that people love live music and hopefully continue to support it. Check out the Gabrielle Louise cut on TH-cam of Desolation Row.
I don’t think I’ve ever heard anyone cover this. This man is a treasure.
Greg Brown, Chris Smithers, our best two poets...flyin right under the wire... ; )
If you get a chance - hear Smithers version of Dylan's "Desolation Row" on his 2003 CD "Train Home" where he duets with Bonnie Raitt - stunning pairing on a lyrically genius piece of writing. Bob has nabbed the NOBEL PRIZE - and about fucking time too. I'm off now to sniff drainpipes and slaughter "Blood On The Tracks" for the 1000th time...
Love Smither but you had better be careful of drainpipes. They are now the collecting points for covid discharge.
Project song for January 2012. Thanks for posting.
Wow what a performance.Great guitar playing and singing.Thank you Chris Smither.
Chris so good, everyone should hear this beautiful version of Bob's classic song.
Yes, fab version of great song. What a lovely chap and his guitar work is sublime
No tricks just Chris and magical guitar. up there with the best, just missed him on tour In The U/K, choked.
I saw him on that tour, just outstanding and I was privileged to shake his hand afterwards to thank him for all the years of exceptional music making.
@@drkeithsnell lucky you Keith. Chris magical,.
Fantastic upload. Thank you for your efforts!
That laughter really bothers me-------Sure, if you're not familiar I get it-----------The Dylan lyrics, etc.------------but fantastic rendition-----------truly captures the spirit--------Thank you for sharing
I filmed this at a venue that serves dinner during the show. This front table included several people eating, drinking laughing, etc. unfortunately. So don't send me no more letters unless you mail them from desolation row!
You done real good, Mr. Sweeney. Thanks, had this song in my head all day, today, always love Chris. Have a great day ! :-)
Excellent comment !!! Great song...my favorite
I think one of the laughs was because Chris Smither sings about Romeo “you’re in the wrong play my friend”, instead of Dylan’s original lyric “you’re in the wrong place...”. Smither’s lyric is quite an amusing take on the original. The other laugh might have been due to the line about Cinderella putting on a Bette Davis style, which is quite amusing, too
@@perilouspoozer3749 Besides changing the lines, he rearranges them. Smither will start in one verse and switch to another. It works well.
Tony Wesley starting in one verse and switching to another is good? Are you completely mad, Tony Wesley? I have spent the last 54 years having the precise order of words of that song being etched into my cerebral cortex and I won’t stand for any changes! 😱
Chris Smither is a lyrical and musical genius. We are lucky to live during the time when he is creating such masterful works and to enjoy them as they are being created.
Garrett Moore This is a Bob Dylan song.
Well of course. In tribute. He writes great songs as well, and I'm pleased that he occasionally covers those of others he appreciates.
One thing that's odd is the laughter you hear from a guy in the audience after some of the lines. It's OK not to have ever heard the song before (strange, but understandable I guess), but that reaction struck me as a bit odd. It wasn't written to be a comedy..
@@alphuez Ooh, I don't know - there's something irresistibly comical about the opening line.
Sensational version done in reverence, one that Dylan himself would be proud of. Unlike the other poster here, I actually enjoyed hearing someone in the audience (OK, maybe a little drunk) reacting to the lyrics while obviously hearing them for the very first time. Yup. As always, Smither's guitar playing is as effortless as tapping his foot. Thanks so much for recording and posting. A gem.
Thanks for this great version!!!!!
This song has always moved me ever since it was released in 1965 (or was it 66?), even though I still don't really understand it. This is a great performance of it. Beautiful playing, as others have said.
Chris keeps it real, not a sell out. Thanks for your insightful words, great melodies and picking.
gosh, your singing of this song made my eyes cloudy
I've loved Smither since I first read just one of his lyrics! After looking deeper who couldn't be hooked!? Luv it thanks for the upload!
You mean Nobel Laureate Mr. Bob Dylan's lyrics.....
Outstanding!!!!!!
Fantastic.
Moving.
Smither's in a class by himself in some important respects.
Beautiful rendition of one of Dylan's best songs. I wish he'd sung the verse about Ezra Pound and T.S. Elliott.
I love how he does Dylan songs. Great musician. R
His guitar playing in open G is great. How many reality talent show stars can hang with Chris??? Zero. Love to more his take on even more Dylan songs. Love his Visions of Johanna.
+plasorsa1 could someone tell me, please, what "playing in open G" means?
Chris is magical in Visions of Johanna,
Only been to one CS gig in the Tall Ship Glasgow and love his style which is similar to the style I play
Una gran interpretación, muy muy buena.
Simplesmente fantástica a versão de Chris Smither para "Desolation Row".
So lovely.
Just a fab version of an amazing song. Chris brings his own take to it and makes it almost a different thing from Bobby's fantastic originals.
Magical Chris,
Love
Very cool!
deep and sincere - this is All Right
lyricks fantastic...
My favorite cover of all time
Great version of the Bob Dylan classic.
Excellent!
I like this version.
It's a Bob Dylan song from 1965, the Highway 61 Revisited albumj.
And he's at the Duck, Houston, too cool
Very soulful!
Chris Smither's sings Bob Dylan's Desolation Row yeah like the time King Kong shared a sinful desert with Godzilla. Two spoons. Thanks.
Very very nice...
@@burnistuck9499 Thank You.
Wonderful cover of a masterpiece. Inspired by the great poet I've made a video of Isolation Row. Dylan is my inspiration.
Ok bellissima cover
Thank you, CS + CS.
nice version
I would give any non-vital organ to play like this guy.
Or you could just do what everyone else has to and practice! ;)
I've been practicing for something like thirty-five years and I'm nowhere close...
George Parkins Then practice harder! No lol I am joking, he is very good.. it takes a hell of a lot of commitment to play well I think.. hmm and some natural talent too most likely!
The hopeful musician asked the New York cabbie..."how do I get to Carnegy Hall?". Cabbie's reply..."practice, practice, practice!" LOL
Practice.
I am trying to learn some of his songs (almost ashamed I only recently found him!) Can anyone tell me his tuning here, seems to be some D open tuning but I am not sure ...Many thanks if you can help ....
Lovely version of Bob Dylan's masterpiece.
Bravo! Bravo! I believed every word. Open D?
well --- (i do it in _DADDad ......)
Great work!
Your performances reminds me of Rab Noakes' cover of Mississipi : th-cam.com/video/v6Bv6KzsLPU/w-d-xo.html
HRvF from GERMANY : Geiler Song
Chris mics his feet tapping on a piece of particle board. Always amazing timing.
yes..he plays this song in open g.......D G D G B D
God bless you
👍
Génial!!
Bravo!
several writers mention the expression "open tuning", for example "open G", i would like to know what that means.
+Billi Backer It means you get a major chord without having to push down any strings. In open G you strum and get G major. You have to loosen three strings, 1,5 and 6. And then when you bar the neck you get a different major chord. Smither plays an abbreviated A minor shape with two fingers which gives the sound of the fourth and fifth chords in the key of G (C and D) and he keeps walking them down ending with G. Just as a review, a major G chord carries G with the third and fifth notes in the scale (do, re, mi, fa, so, la ti do) combined. That would be Do and mi and fa.
Archie Merwin ah, thank you
Walter Schwaneberg But you know how to Appreciate Good Music and Good Musicianship! 😊
Do you realize this video was published on 11/11/11 ?
Compare this imagery to T.S. Elliot's "The Wasteland"
geiler song (HRvF)
Dude's got some big-ass hands.
great version.. but who is that fool ruining the track by laughing in the background
How does anyone sit down and write a song like this? I wonder if “substances” had a role to play. Not that that diminishes the song or its author in any way.
is he using an open tuning?
Is this g tuning?
ennob1 It's in E I think
Looks and sounds like open G to me.
open " D " ...... D, A , D, F# ,A. D .
Yep Pambill54 its Open D
guitar is in an open tuning ?????
i do it in DADDAD tuning...
I would kiss kiss if I’m tnere
I love Chris' interpretation of this fine tune. I must add, I do not understand what the guy with the camera finds so amusing about this song. It is a very serious song, nothing funny about it. His laughter I find to be quite odd.
I think there's a lot that's funny about it. It's a great, sprawling song, heavy from some angles, but there's definitely some humor there. I don't find the laughter odd at all. Don't let it bring you down. :)
It's funny for people who don't know what the song's stories are about.
The guy laughing might be an idiot, too... "at 20 she was already an old maid" really shouldn't be that funny.
People want to be entertained...
Meetch Yohanesse - Yes I agree Meetch, I the person filming/laughing is pretty oblivious.
What is the song about?
Meetch Yohanesse What is the song about?
You kidding me? I see close to 150k views and only 745 likes? People come on now were better than that, what if Dylan only write 11 verses to DR ?
fanastic flat picking in an open chord
+james valentine With respect, this is not flat-picking which is picking with a plectrum held between the thumb and index-finger. CS is a finger-picker and uses a thumb-pick plus picks commonly on the middle and third fingers: the alternating thumb on the lower strings renders the typical 4/4 timing of folkies.
shite