versatile_lights.mov
ฝัง
- เผยแพร่เมื่อ 7 ม.ค. 2024
- Cinematic lighting is hard. Today I look at some lights that make it easier. The one and only @aputurelighting Aputure LS 600d Pro. Extremely versatile, and powerful. An integral piece of the studio lighting puzzle, and also has great abilities for daytime exteriors. A must have for photography or filmmaking. I also take a look at the Aputure MC pro kit, and an Amaran 300c with the Spotlight se 36 degree attachment. All 3 setups are great. Let me know if you have any questions.
Aputure LS 600d Pro - amzn.to/3vjqCnV
Aputure MC Pro 8 Light Kit - amzn.to/48H7w9M
Amaran 300c - amzn.to/3voQwH8
Amaran Spotlight SE 36 Degree - amzn.to/48pthLt
Check out all of Aputure's gear here: www.aputure.com
All of the music I used is from Audiio. Their new link match AI is amazing.
Get 70% off by using code blaine70 here: www.audiio.com/blainewestropp
Join discord - / discord
#aputure #lighting #600d - ภาพยนตร์และแอนิเมชัน
![[MPD직캠] 베이비몬스터 치키타 직캠 4K 'LIKE THAT' (BABYMONSTER CHIQUITA FanCam) | @MCOUNTDOWN_2024.6.13](http://i.ytimg.com/vi/h99J4vWm7Ew/mqdefault.jpg)
The most underrated top quality cinematography content on TH-cam. I said it. 🎉
❤️ u
You really nailed your editing style, you stand out of the pack 🔥
Hey thanks so much ☺️☺️
So freaking refreshing isn't it? Thank god not another dup step Casey Neistat copy cat. Even Peter McKinnon and his friend Matt Hopp-something and sometimes PotatoJet just get too gimmicky with the repetitive music and editing choices.
On cloudy days I put my 600d on an electronic technocrane outside my house and set it to replicate the movement of the sun throughout the day. It helps cure my depression
this is the way..
wow wow wow !!!!
now we have :
- the best intro line
- real life acting
- sun & snow
- 2 suns (needed a Starwars shot with 2 suns in the frame !!! ;) )
Love the editing and the music as always.
Enough, got to go get that audiio with Blaine code, and then i'm back to my Fleck hunting
Hahah sup Hugo! Thank you 😊 happy flek hunting. Keep me posted on what ya find and let me know if you have questions
What's going on with them sticks? Tripod shaming? 😂
Hah, it’s a great tripod, but slightly irresponsible for me to use with that camera.
Haha; no shame, Brother.
Of course this would pop up right when I'm thinking about what lights to buy to push me over the edge when I'm not quite ready yet 😂
😂😂 I’m sorry!
Wow man, I love how this video feels!!
Thank you :)
Came for the lighting, stayed for the humour.
😇🫡
The 600d is fantastic. Love the bounce technique!
sup Keith. love it!
Very fun one. I'm sure your neighbors get a kick out of you walking around with a 40lb camera rig to shoot youtube videos of yourself
always weird when there are other people in the elevator.
The .mov video series has evolved 😂
😇😇 glad someone noticed.
ouhhh I love the edit on this (of course the images are also stunning)
thank you Ed, had fun cutting this one!
And w/ the fresnel attachment... chef's kiss
yes. amazing combo. didn't have the fresnel with me for this but I have used it on a 600d before and its great.
I liked this video a lot
thank you 😊
Our DP for our short film "The Rickety Man" used almost ONLY MC's to re-create many candles! SO nice to use/have!
last summer I shot a pilot episode. it took place in a workout gym. we shot 8 nights. the only lighting I used was a 600d on a rolling stand with a spotlight, and the MC 12 light kit. It was great. the mc pro 8 light kit is a thing of beauty. includes so many things.
Nice! Great job!
Hey thanks!
Bought my 600x like 2 months ago; can concur - wild possibilities in comparison to a less than 300w light.
Another amazing video - 🙇♂️🙇♂️🙇♂️
hey thanks! love it. such great lights. come hang in NYC brah.
Great video! Thanks alot
Thank you 😊
I i i i i CANT I LOVE YOUR VIDEOS SO MUCH! Keep it up blaine :)
😇😇😇 thank you so much! more to come...
cant wait man seriously@@BlaineWestropp1
:)
Love my 600d! I also have a 1300w gas powered inverter (the predator, very quiet) in the field both of these together allow for amazing versatility to get the right shot where there is no power.
Ooo that’s awesome. Now I need a generator.
studio god
😇😇
Great vid, love the 600d. Did you gel the 600d when you were matching it with the sun outside?
Hey thank you! I did not gel it. It wasn’t quite golden hour yet so the temps were quite close.
Man's really turned into a peacock to flag the sun! 😂 Extremely well shot and edited video!
Haha! thank you Tannor :)
Always fun rushing to get shots at golden hour
especially when its freezing outside.
Funny that I am currently trying to make my mind of what big light I should get, great video as always!
Btw, would you more recommend a daylight light rather than a bi colour one? Like 600D Pro vs 600X, or even Nanlite 720/B?
Cheers
hey thanks! I think the daylight/bicolor is totally dependent on what type of work you shoot and what type of lighting you need most often. I like the daylight units. powerful, can get a lot of jobs done, can do a lot with daylight units, and when you have something you need to have more options on, you rent. that is how I look at it.
@@BlaineWestropp1 Thanks for the quick reply! Well, I am both working as a Director and DP, often on very low budget shoots, some with more resources, so it varies a bunch. The versatility of the bi-colour is great, but the punch of the daylight ones is something very interesting! And gelling a light also reduces quite some power. I might go with the 600D Pro and an Amaran 300C for the versatility!
I think thats a smart move. my point in gelling, is that you can get a 600d for the output at daylight, then gel for tungsten. where if you go the bicolor route, you dont have the punch in the daylight. I dont know how the light loss from gel compares exactly to the lower output of the bicolor though. also, you cant go wrong with the bi color either. I am often times not operating with the light at 100%, but it is nice to have.
Such a great video! Would you say that the 600d is enough or that it’s worth it to get a Bi-Color version?
thank you! I like the 600d as it can get a little brighter than the bi color version, and you can gel it if you need to. I dont think you can go wrong either way though, I mean I was using it at .1% to light up an entire room.
Great! I like this. How is the reach when you don’t have the fresnel adapter?
With and without the reflector has a nice reach. I was outside in the sun and it was lighting an individual person similarly to how a setting sun (but still very much in the sky) was lighting her. Fresnel is a good to have item though!
@@BlaineWestropp1 that’s great! Ever worked with Arri HMIs? If so which do you feel like it’s comparable too?
@@Jonnyvonwallstrom yes I have worked with them. on paper the 600d pro with the f10 fresnel, flooded, is similar to an M18 flooded! I have not done any side by sides but that is what the Photometrics on paper reveal.
Love the 600d pro! Great video dude! Happy new year
Thanks Tyler. Truly great light!
The goat
😇😇
Are we going to get a grading video? I feel with good footage you don’t need that much work.
Really interested in your approach
I am going to do some grading stuff soon. I have a couple big projects for TH-cam that I am working on and the grading will come with that! I think with good footage, you can or cannot do that much work. it is all up to you. with good footage I just think it is easier to get it to where you want it.
@@BlaineWestropp1 Nice(:
Nice video man, next time bring a blanket for talent outside haha
Haha thank you. Done shooting in the snow for a little bit 😂
Really love the shots.
I don’t know what the situation is with you and Aputure. If you are sponsored or anything, but what are your thoughts on the Nanlite Forza 720?
Same price but more output.
Aputure supplied the lights. that is all. they didn't have a say over this video, nor do I have any benefit to tell you to buy their lights (other than the fact that I use them all the time on all of my shoots, and I have recommended them for years. here are my thoughts. I have not used the nanlite so I cannot comment on it. I have used the 500's. I don't know about the noise on the 720, but the fan noise on the 500 is definitely audible and can be picked up easily by a mic. on the 600d that is not the case in my experience. also.. I have just really fallen in love with sidus link. it is an incredible tool and allows you to operate any aputure or amaran light, make groups, save presets, etc. so that I really like. is the 720 weather proof? couple months ago I was using a 600d in the pouring rain, we covered it but it still got wet. no issues. yesterday I was using it in the snow. no issues. that I like. and lastly.. ive had an aputure 300dii since it came out. I have circled the world with it, banged it around, shipped it, checked it in all sorts of bags where it wasn't protected, and it never had an issue. that I also like. I would analyze the Photometrics and the color metrics of each as well (which I dont know off the top of my head).
@@BlaineWestropp1 Just to be clear in case it came off wrong. I didn't mean to imply your biased cause you might get paid(which honestly would be totally fine in my opinion, the getting paid part) i just didn't know if you are contracted and thereby allowed to give an opinion at all(:
I do agree and also prefer the 600ds.
sidus link is amazing
The Forza 720Bs have a higher output but no water resistant housing.
One plus for the Forza 500s is that you can adjust grenn/magenta.
Fan noise is worse definetely.
@@The_Daliban didn't come off wrong at all. I am not being paid, they did send the lights though, so I guess there must be at a minimum a sliver of bias. but.. I have 2 Forza 500s I use them all the time. my choice units are the aputure and that has been the case since I got the 300d. even down to little things like the yoke.. the yoke on the 600d is how a yoke is supposed to be. when you loosen it the light doesn't move. it doesn't fall forward or back. it stays where it is, you move it, then tighten. the ballast snaps onto a stand, my Forza ballast hangs onto it with a strap. I am not saying dont buy a Forza, I mean I bought 2! I just like the overall experience with the aputure units more.
@@BlaineWestropp1 well i know, the technically not getting paid -but Arri send me this Alexa35- males sense.
Since you got both you seem to have good reasons to prefer the 600s
Was looking into the forzas, but don’t own any. Can just confirm the noise and less rugged feeling build.
The yoke think is really annoying. Especially if you never worked with them(:
The 600s i‘m happy with.
Looks like you need a tripod sponsor 😱
You know I got my eyes on that 1040 :)
The 600D with a Fresnel is my go-to for like 98% of my shoots. Suxh a clutch light
Yep. It’s really great. I love it. Use it all the time.
I was Gaffing on a shoot not too long ago and the DP wanted to use a 4K HMI even though I said there was no way we could get it to the location... We were shooting in a cavern on top of a mountain and the production didn't get us any way of carrying the geni and the light. We got on location and we pushed the geni about halfway until we had to cross a river. At this point I said fuck it and got my 600D with my Fresnel and Vmounts in my car and we ended up using it for the whole shoot.
I fucking love this light
@julienpierb incredible story!! Haha I’m glad it worked out.
oh i used to live in that building
which one!
I love my 600D. But I’m interested in Godox’ 2400BI !!
love the 600d. have you seen the aputure electro storm?!
@@BlaineWestropp1 wow, haven’t seen that yet!
Pretty cool!
Is it possible to know the tracks u use? Great contents so far!
hey thanks! all of the tracks are from audiio (info in description). here are links to each, in order of appearance:
audiio.com/branches/keep-going/i-was-wrong-about-everything
audiio.com/titus-haug/shaky-sighs/good-day (with vocals, hot jam)
audiio.com/titus-haug/shaky-sighs/good-day-instrumental (intrumental, the one I used)
audiio.com/good-weather-airstrike/home-you/slowest-journey-instrumental
@@BlaineWestropp1 In addition to the fact that you have one of the most beautiful TH-cam channels of all time, even though you make me want to spend billions of euros to buy everything you use, you're incredibly kind because you respond to every person. Thank you!
Haha thank you so much for the kind words. I definitely try and hit every single comment 😊
“LIGHTS……………camera…action.”
😇😇
The random cuts 🤣🤣🤣
😇
"It was me, not the light"
Just didn’t nail it on that one. Ain’t always easy 😂
What was the song used here? 5:48
hot jam. Here is a link to it: shorturl.at/prDO5
what the music named at first ?
here it is! audiio.com/branches/keep-going/i-was-wrong-about-everything
Was this a sponsored vid?
Aputure provided the lights! they had no say over this video though.
I wish I bought into Audiio back when it launched for lifetime use for $99. Biggest regret.
While that was a great deal, linkmatch is only in the pro version, and very much worth it in my opinion!
Sometimes you just gotta blur your tripod out. 😂
Hahah yepp
Some tripods are too sexy for TH-cam
@@WasabiNoise precisely
600d vs 600x vs 600c ? 🧐
tough question. I typically go for the daylights for the power, you can always gel them. all depends how much and often you need color, or how much you need tungsten.
at 5600k, and 1 meter:
600d pro: 22150 lux
600x pro: 16060 lux
600c pro: 16450 lux
so the 600d pro is about 38% brighter than the other two, which aint bad at all for the other 2. Since the other 2 operate at a similar intensity at 5600, I would be fine with either one. I still lean towards the 600d pro without a doubt. it is nice to have the power, and then you make arrangements for when you need color. there is no right or wrong answer, only preference.
this makes a lot of sense! thanks!!@@BlaineWestropp1
@@BlaineWestropp1 update: just bought a 600d
@spencerwad dope!! You’ll love it. When does it arrive
Our poor wifes...
haha she is a pro by now.