"...It might also be relevant to mention that we tried infusing “The Furnaces of Palingenesia” with that ominous sense of tragedy found in Furtwängler’s 1944 rendition of Brückner’s ninth symphony, as bombs were raining over Berlin and European civilization as a whole was committing suicide under the impulse of those whom Nietzsche, with utmost disgust, called ‘the men of resentment’." From Deathspell Omega interview on Bardo Methodology Thanks for sharing.
profound deep understanding and knows Bruckner scores and musicality
Wilhelm Furtwängler, der beste Dirigent
Envoûtant.
35:25 Sounds so mysterious and otherworldly. The violas are especially haunted. The violins sound utterly possessed.
フルトヴェングラーがデビューの演奏会で、振ったメインの曲。調べてみると、1906年、20才のとき、カイム管弦楽団（現在のミュンヘン・フィルハーモニー管弦楽団）で、ベートーヴェン「献堂式序曲」、自作のアダージョの後、この曲を振っています。
Thanks again.
"...It might also be relevant to mention that we tried infusing “The Furnaces of Palingenesia” with that ominous sense of tragedy found in Furtwängler’s 1944 rendition of Brückner’s ninth symphony, as bombs were raining over Berlin and European civilization as a whole was committing suicide under the impulse of those whom Nietzsche, with utmost disgust, called ‘the men of resentment’."
From Deathspell Omega interview on Bardo Methodology
Thanks for sharing.
"Recht Legato".