I've been searching for this performance for 25 years. It was on a tape of music for a college class and I had long since lost the credits. I listened to every version I could find but nothing was as good. Janet Baker is truly without peer.
The pathos in Dame Janet’s performance is simply heartbreaking, just incomparable. This is hers and only hers. She is the equal of Callas, Price or Nilsson and maybe better.
One might go through life appreciating music, loving it, crying only occasionally. But then you hear Dame Janet Baker in this performance. And then you hear her Che Faro Senza Euridice. And your heart is pierced, you sob, no, actually you ugly-cry, you become only ears to listen and soul to hear. Who is she? How can she do this to us? How can joy be so inexpressibly painful? How can such beauty exist in the world? I have no answers, only that it's worth everything to have these glimpses of heaven.
Everyone's said it already, this has got to be the best ever performance of this song, I've been listening to this for years and it still makes me cry. Don't understand how there can be any downvotes at all.
This endless relative parroted statement of this bring definitive. Yawn. It’s not…t’s just her version. It’s clean but there are many many, many others. Every decade it’s always the same: this person is this the best at this role , this person is the best at that aria …It’s Purcell at the end of the day.
When a performance echoes Eternity. I keep coming back to this video all the time over the years. It's like a balm to the soul. A reminder that humanity can touch the hand of God through Beauty. Dame Janet Baker is insurmountable.
Ce chant unique de Dame Janet Baker, n'a pas d' équivalent, la grâce de l'émotion. L'ampleur , la couleur, le style , le phrasé, l'immense sincérité, nous hissent dans le royaume de la Beauté absolue, et la vraie tragédie . Merci Madame
Erin Matthiessen And the channel goes straight to the heart and tears it asunder!.A controlled, dramatic and heart-stopping moment helped tremendously by a splendid (if silent) Belinda who adds a visibly broken heart to the beauty and pathos of the scene. Once in a lifetime stuff, this
Exactly. This is so much more moving than vocal "virtuosity" that we often see today. I think if you're just singing instead of channelling, you're already doing it technically wrong
Baker will hopefully gain a whole new generation of fans. She was at her height before the age of the CD and the DVD. I'm so grateful to TH-cam and those who put videos on it. Thanks so much.
how good was henry purcell, such a short life, but created music which is still played 250 years later in such a moving way by janet baker. remarkable.
Me, too. I only knew Jessye Norman's version (I saw her live at Carnegie Hall many years ago). But I love this recording so much more. I'm not a musician, but it feels so right, so properly Baroque, etc. LOVE IT.
There is definitely a special quality attached to Janet Baker's rendition here, something really really emotional that you cannot find in many other interpretations that are exquisite but not as moving and which certainly don't bring you to tears (which is something we don't experience very often to be honest !). Let's celebrate this great singer, and all the others, and thank life for having given us Purcell, such a genius. I believe the true genius of mankind lies in its ability to produce music and to sing from the heart and soul.
This is the most emotionally charged piece of music I've heard in many years. Dame Janet has marvellously clear diction and expression. Purcell writes beautifully. An unforgetable combination.
I find it impossible to watch this and not be moved to tears. Dame Janet Baker had incredible control and it's often what she did not do that catches the attention. Credit to the superb performance of the orchestra here, they way they hold back and measure their performance is masterly.
+jmiller05 I'd only READ about it, and now hearing it, I almost fell off my chair. Beautifully stylistic, stylistically beautiful, stunning. I'm a Callas fan too. I respect so much artists like Dame Janet, who endeavored to render the composer's intent. I find this beautiful, sculpted, and haunting.
BENJAMIN MATIS I have been a admirer of Dame Janet for many years. I find this rendition of Dido's Lament as overwhelming now, as I did twenty years ago.
Still my #1 performance of this aria after all these years! No one comes close to Dame Janet, vocally, musically, and dramatically on this aria. Such control and technique!
There are many good performances of this, but none beats this one. There is a wonderful Leontyne Price version, as well. I mention this because, unlike most of the singers, Price and Baker sing Remember Me piano and forte: Price the first Remember Me is forte, the second piano. Baker is the reverse. Both make sense, but in the long run I think Baker is right. The second Remember Me is an agonizing cry. What an aria!
Je partage exactement ce constat… Elle arrondit le premier Remember me en le contenant en bouche dans une maîtrise absolue et puis, et puis elle lie tout ce mouvement dans une seule rivière colorée qui nous plonge dans sa noyade absolue jusqu’aux larmes. Chaque fois !
What a great artist. She takes a simple melody and creates such emotion and suffering. "Remember me" with its hushed, white tone is just phenomenal. Brava, to the Great Dame Janet Baker! Thank you with the fondest ALOHA!
Antonio Pappano, music director at the Royal Opera House, did a series of programmes about the voice in opera. In sopranos he included this and one could clearly see the tears coming to his eyes as he spoke about this. He said (and I paraphrase) one could speak of the technicalities but ultimately it was the sheer emotion that made it perfection. This was written more than 300 years ago and yet it speaks to us still today. One suspects that little of what is written today will still be heard when we are long gone.
This IS the GREATEST performance of this aria - bar none. Her facial expressions alone - are achingly mesmerizing and full of the most solemn feelings,
Definitive. I was lucky enough to see some of her performances of opera and lieder. She had it all - charm, grace, beauty, true acting ability, a profound understanding of the music, and of course that wonderful, translucent voice.
The intensity of emotion that Dame Janet evokes from this heart-rending aria is truly a grace beyond the reach of art. I admire and even love some other performances of this aria, but no other Dido brings me to tears.
Boy, this is a scorching performance: brilliantly acted and sung. Phrases that were quietly sung the first time were transformed near her death with a final power.
PubliusVirgilius himself would be profoundly moved by this incomparable, transcendent, heart-wrenching performance. Breathtaking. What a woman (a real woman, so feminine and beautiful) Janet Baker is - a true Great. Long may she endure!
This is the absolute pinnacle of performances. Dame Janet is the ONLY Dido. Purcell has reached into the future and wrote this wonderful aria just for Janet. I am truly privileged to know Dame Janet, and although I wasn't able to see her live on stage this video has kept her magic alive. Her technique and passion for the music and composer and the idea to remain true to the music shows true artistic integrity and ability. For those who love Dame Janet and Miss Price then the Verdi Requiem is priceless.
Gary Thomas And there's another one gone here! Erin Mattiessen's 'insanely beautiful' hits the nail on the head, I think I've worn out my recorder watching every single frame and soaking up every single divine note. A rare and emotional thing in deed.
Every time I watch another version of this aria, I come back to this one. Janet is just the example for everyone else to follow. I can't think of anyone who can approach the quality she brings to this performance.
I've never like Opera. I've been listening to classical music since I was born (I'm 21 now), and I have a huge attachment to the Romantic Era and so on. However, I've never like opera...until now. Now I'm starting to like it after watching this. It's a whole new flavour, like going from milk to dark chocolate. I'm watching this because of a class I'm taking and...I think I'm ready to start developing my taste :).
the Met is really awful these days, but one cannot really gain an appreciation without going to a live, staged, performance of an opera. It's as if all the emotional intensity has been turned all the way up, and you have to embrace the raw emotional power... and then you will hooked, forever.
Yes, not all Met performance are equally good - not at all. Maybe 3 out of 4 will be just nice to watch. It will be a great music, certain professional level of singers (all of them will be no less than a certain professional level). Also they will be entertaining and not boring. Then, 1 out of these 4 will knock you off. It will take your whole sole, it will do something with your whole internal system. It will travel through your veins into every single cell of your body - and you are done. It is like a religion. My father used to bring me as a child to operas often. I went, because I supposed to go - but I never actually felt it back then. It came to me later - and I don't know if any other stuff that can be so powerful as music.
Incomparably beautiful artistry plus simply gorgeous singing. When I was at university I heard a recording of JB singing the Verdi Requiem with Leontyne Price and had to rush to the music store to buy any CD I could find with JB on it. What a great resource TH-cam is for young singers to have these historic performances on demand. What a great luxury to find them now!
This divine performance by Janet Baker was used unforgettably in the penultimate scene of the Japanese film Pale Flower by Shinoda. The film is magnificent, and this performance will last forever. 3:19, what a moment
Dame Janet Baker, au timbre rare, au Chant d'une qualité exceptionnelle , élégance et raffinement dans une sincérité déchirante, une immense artiste lyrique qui transcende les partitions. Inoubliable.
J'ajoute: Indissociable de sa voix, Dame J. Baker, maitresse du temps , de l'espace, dans cet aria crépusculaire, la grâce lumineuse de son désespoir dans sa gestuelle hiératique, lui confèrent une dimension métaphysique impressionnante, dont on ne sort pas indemne.
Every time I hear this.......just so moving. Dame Janet is superb. Listen to her Sea Pictures if you get the chance. "A Sabbath Morning" is phenomenal.
Recitative Thy hand, Belinda, darkness shades me, On thy bosom let me rest, More I would, but Death invades me; Death is now a welcome guest. Aria When I am laid, am laid in earth, May my wrongs create No trouble, no trouble in thy breast; Remember me, remember me, but ah! forget my fate. Remember me, but ah! forget my fate.
The "no trouble, no trouble" reminds me so much of real life death scenes and also labor scenes where the poor soul keeps saying "I'm sorry, so sorry..." A realistic portrayal we have here of a truly broken heart. I researched all of the top portrayals of this song and Janet Baker indeed deserves her reputation as channeling the heart of this piece of music. In case some of you have not heard, I also recommend Jeff Buckley's performance which is not opera, but nevertheless haunting--particularly when you realize that he lived such a short life.
Absolutely sublime. The superb integrity of the Belinda must be remarked on also. This is everything that the looming central fact of death means to all of us. If only England had developed a native opera tradition along w Italy/France. Janet Baker = divine
DIDO AND AENEAS BBC One, 5 August 1966 (originally shown on BBC Two England, 12 October 1965) Dido: Janet Baker Aeneas: Thomas Hemsley Belinda: Elizabeth Robson Sorceress: Yvonne Minton First witch: Clare Walmesley Voice of Mercury: Clare Walmesley Second witch: Elizabeth Bainbridge Sailor: Ryland Davies Second woman: Lorna Elias A new production specially performed for BBC-2 by Glyndebourne Festival Opera Music by HENRY PURCELL arranged by Benjamin Britten and Imogen Holst Libretto by NAHUM TATE Continuo played by MARTIN ISEPP and ALEXANDER CAMERON GLYNDEBOURNE FESTIVAL CHORUS Chorus-Master, MYER FREDMAN GLYNDEBOURNE FESTIVAL BALLET Principal dancer, HAZEL MERRY LONDON PHILHARMONIC ORCHESTRA Leader, RODNEY FRIEND Conducted by JOHN PRITCHARD Original Producer: Franco Enriquez Set Designer: Lorenzo Ghiglia Costume Designer: Lorenzo Ghiglia Lighting Designer: Francis Reid Choreographer: Pauline Grant
When I sang in Cambridge Operatic Society's production of Dido and Aeneas, I was merely a lowly slave, fanning Dido with a peacock fan. The woman playing Dido sang this so movingly that I had tears streaming down my face, and was quite unable to sing the following chorus. Thank you, Janet Baker, for this wonderful interpretation.
I must have seen and heard most of the available interpretations of this most moving aria and Dame Janet Baker seems to me, by far, the most compelling, moving and ravishing Dido. Even the costumes are beautiful.
Dame Janet, you are extraordinarily talented. This rendition of Dido’s lament is uniquely emotional and so sensitively performed. I am in awe of your voice. Thank you 🦋
Such an amazing video, so grateful for the people who have and post these gems. This is such a difficult aria to sing and she does so with such melting beauty. Just incredible.
Baker's voice has always cut right through my being. She has a "cry" to her voice that I have only heard in a few singers. Sills, Hendrix are a couple that I can think of. Captivating. The first time I heard her I was a child and it was a PBS special. I was only the age of 12 and she gave me goose bumps. I have loved her ever since and I am almost 50. What a gift from God she is.
Much thanks for posting this, which I found by searching for a clip of her singing Linden Lea. It is one of the most beautiful songs sung by a singer who is a gift from God to us. Shivers and Tears.
Whenever I hear another person singing this i can appreciate their efforts as, in my heart, it is Janet Baker I am hearing.
I've been searching for this performance for 25 years. It was on a tape of music for a college class and I had long since lost the credits. I listened to every version I could find but nothing was as good. Janet Baker is truly without peer.
The pathos in Dame Janet’s performance is simply heartbreaking, just incomparable. This is hers and only hers. She is the equal of Callas, Price or Nilsson and maybe better.
One might go through life appreciating music, loving it, crying only occasionally. But then you hear Dame Janet Baker in this performance. And then you hear her Che Faro Senza Euridice. And your heart is pierced, you sob, no, actually you ugly-cry, you become only ears to listen and soul to hear. Who is she? How can she do this to us? How can joy be so inexpressibly painful? How can such beauty exist in the world? I have no answers, only that it's worth everything to have these glimpses of heaven.
Your comments are so much better than mine. Its a shame I have not been able to find a recording of this piece
Baker's pianissimo at 2:49 pierces the heart. I imagine then entire audience bawling their eyes out during this aria.
I must have listened to this hundreds of times and it still breaks my heart. There will never be another performance that betters this!
Everyone's said it already, this has got to be the best ever performance of this song, I've been listening to this for years and it still makes me cry. Don't understand how there can be any downvotes at all.
She brings me to tears. Glorious deep emotion
Because the idiots are tone-deaf peasants
It is indeed. Even a little better than the great Kirsten Flagstad's performance.
Jessye Norman's rendition is beautiful as well
This endless relative parroted statement of this bring definitive. Yawn. It’s not…t’s just her version. It’s clean but there are many many, many others. Every decade it’s always the same: this person is this the best at this role , this person is the best at that aria …It’s Purcell at the end of the day.
When a performance echoes Eternity. I keep coming back to this video all the time over the years. It's like a balm to the soul. A reminder that humanity can touch the hand of God through Beauty. Dame Janet Baker is insurmountable.
So true
Ce chant unique de Dame Janet Baker, n'a pas d' équivalent, la grâce de l'émotion. L'ampleur , la couleur, le style , le phrasé, l'immense sincérité, nous hissent dans le royaume de la Beauté absolue, et la vraie tragédie . Merci Madame
The Best Dido ever. She doesn't so much sing as channel the emotion and the music. Insanely beautiful....
Erin Matthiessen And the channel goes straight to the heart and tears it asunder!.A controlled, dramatic and heart-stopping moment helped tremendously by a splendid (if silent) Belinda who adds a visibly broken heart to the beauty and pathos of the scene. Once in a lifetime stuff, this
Exactly. This is so much more moving than vocal "virtuosity" that we often see today. I think if you're just singing instead of channelling, you're already doing it technically wrong
yes and
yes and yes
You forgot Kirsten Flagstad.
Periodt
What a remarkable and monumental performance by Dame Janet of Purcell's Dido and Aeneas. An unbelievable redition.
Baker will hopefully gain a whole new generation of fans. She was at her height before the age of the CD and the DVD. I'm so grateful to TH-cam and those who put videos on it. Thanks so much.
how good was henry purcell, such a short life, but created music which is still played 250 years later in such a moving way by janet baker. remarkable.
Her pianissimo on the first phrase of "Remember me..." is otherworldly. 💛
the most sublime artistry. I never thought such a poignant sound could come to life with such delicacy
No, it's just bad lyric singing.
You are absolutely SICK Man and you have NO idea what a rwal piano is!!!!!
Real
This is definitely one of the deepest musical experience I've ever lived in my life..
Me, too. I only knew Jessye Norman's version (I saw her live at Carnegie Hall many years ago). But I love this recording so much more. I'm not a musician, but it feels so right, so properly Baroque, etc. LOVE IT.
And it is only a recording. The musical experience were much deeper, if we could hear it life.
There is definitely a special quality attached to Janet Baker's rendition here, something really really emotional that you cannot find in many other interpretations that are exquisite but not as moving and which certainly don't bring you to tears (which is something we don't experience very often to be honest !). Let's celebrate this great singer, and all the others, and thank life for having given us Purcell, such a genius. I believe the true genius of mankind lies in its ability to produce music and to sing from the heart and soul.
The inimitable Janet Baker produced one of the most extraordinarily moving musical performances ever heard.
This is the most emotionally charged piece of music I've heard in many years. Dame Janet has marvellously clear diction and expression. Purcell writes beautifully. An unforgetable combination.
Purcells music IS emotionally very charged. One of the strongest of his time!
Love 💘
@@metteholm4833n78
one of those rare performances that consistently gives goosebumps. amazing.
I completely agree... the most emotional Dido ever... my tears are always coming...
I find it impossible to watch this and not be moved to tears. Dame Janet Baker had incredible control and it's often what she did not do that catches the attention. Credit to the superb performance of the orchestra here, they way they hold back and measure their performance is masterly.
C'est sublime !! L'art de madame Baker et la musique de Purcell nous transpercent le cœur.
Here Janet Baker transcends the worldly in to the realm of the Divine.
I just have to keep coming back to this piece................beautiful voice, sad, just wonderful.....
Here's the difference between a very good singer and a great Artist
YES!!! Thank you!!!
I quite agree.💜
Dame Janet was one of the greatest mezzos of the 20th century. Her beautiful voice was matched by her stunning skill as an actor.
It bothers the hell out of me that she and her husband never had kids because of her dedication to her art. Surely today they would think differently?
The greatest Dido. This is one of the greatest vocal expositions of tragedy (alongside Callas's Norma/Medea).
+jmiller05 I'd only READ about it, and now hearing it, I almost fell off my chair. Beautifully stylistic, stylistically beautiful, stunning. I'm a Callas fan too. I respect so much artists like Dame Janet, who endeavored to render the composer's intent. I find this beautiful, sculpted, and haunting.
I agree. Though both these artists were at polar positions, I always have in my mind that Janet Baker was the English Callas.
@@Operacrazed
Opera plots
the singing is simply astounding. Astounding. I am now, at last, a Janet Baker fan.
Welcome to the club Benjamin,it's never too late to join! lol
BENJAMIN MATIS I have been a admirer of Dame Janet for many years. I find this rendition of Dido's Lament as overwhelming now, as I did twenty years ago.
Still my #1 performance of this aria after all these years! No one comes close to Dame Janet, vocally, musically, and dramatically on this aria. Such control and technique!
Heart-breaking. What characterisation. What superb silent support from the other person - she adds to the complete whole. Cried - again.
It's impossible to watch & listen to this without being affected by it. Dame Janet Baker is an absolute godess.
There are many good performances of this, but none beats this one. There is a wonderful Leontyne Price version, as well. I mention this because, unlike most of the singers, Price and Baker sing Remember Me piano and forte: Price the first Remember Me is forte, the second piano. Baker is the reverse. Both make sense, but in the long run I think Baker is right. The second Remember Me is an agonizing cry. What an aria!
You are absolutely right about that second forte
And that agonising cry is when the tears I'd been struggling to hold burst out uncontrollably... Amazing performance!
Je partage exactement ce constat… Elle arrondit le premier Remember me en le contenant en bouche dans une maîtrise absolue et puis, et puis elle lie tout ce mouvement dans une seule rivière colorée qui nous plonge dans sa noyade absolue jusqu’aux larmes. Chaque fois !
This outstanding performance still gives me chill bumps! Sitting on the edge of my seat, always!
What a great artist. She takes a simple melody and creates such emotion and suffering. "Remember me" with its hushed, white tone is just phenomenal. Brava, to the Great Dame Janet Baker! Thank you with the fondest ALOHA!
Antonio Pappano, music director at the Royal Opera House, did a series of programmes about the voice in opera. In sopranos he included this and one could clearly see the tears coming to his eyes as he spoke about this. He said (and I paraphrase) one could speak of the technicalities but ultimately it was the sheer emotion that made it perfection. This was written more than 300 years ago and yet it speaks to us still today. One suspects that little of what is written today will still be heard when we are long gone.
may my wrongs create no trouble
Probably so, though I appreciate a variety of styles. Classical and musical theatre are my first loves.
Unsurpassed. One of the most beautiful voices ever in a outstanding interpretation of one of the most beautiful arias ever written.
E. Silva Purcell like Debussy had that special gift so very emotive. Arnold Bourdon Amaral
This IS the GREATEST performance of this aria - bar none. Her facial expressions alone - are achingly mesmerizing and full of the most solemn feelings,
Best Interpretation for ever
Definitive. I was lucky enough to see some of her performances of opera and lieder. She had it all - charm, grace, beauty, true acting ability, a profound understanding of the music, and of course that wonderful, translucent voice.
The intensity of emotion that Dame Janet evokes from this heart-rending aria is truly a grace beyond the reach of art. I admire and even love some other performances of this aria, but no other Dido brings me to tears.
How beautifully expressed, thank you.
the collaboration of the best English composer ever and the greatest singer of this country gives us this miracle we ear here..
Boy, this is a scorching performance: brilliantly acted and sung. Phrases that were quietly sung the first time were transformed near her death with a final power.
PubliusVirgilius himself would be profoundly moved by this incomparable, transcendent, heart-wrenching performance. Breathtaking. What a woman (a real woman, so feminine and beautiful) Janet Baker is - a true Great. Long may she endure!
I’m a 28 year old who has an open music interest but my god.. nothing has ever moved me like this before
Haunting
This is the absolute pinnacle of performances. Dame Janet is the ONLY Dido. Purcell has reached into the future and wrote this wonderful aria just for Janet. I am truly privileged to know Dame Janet, and although I wasn't able to see her live on stage this video has kept her magic alive. Her technique and passion for the music and composer and the idea to remain true to the music shows true artistic integrity and ability.
For those who love Dame Janet and Miss Price then the Verdi Requiem is priceless.
My God. Unbelievable. She has torn my heart apart. Beautiful.
Gary Thomas And there's another one gone here! Erin Mattiessen's 'insanely beautiful' hits the nail on the head, I think I've worn out my recorder watching every single frame and soaking up every single divine note. A rare and emotional thing in deed.
Every time I watch another version of this aria, I come back to this one. Janet is just the example for everyone else to follow. I can't think of anyone who can approach the quality she brings to this performance.
My goodness....best version and interpretation of this little gem I have ever heard ❤️
Dame Janet Baker is absolutely 💯 Sublime!!!!!!
I've never like Opera. I've been listening to classical music since I was born (I'm 21 now), and I have a huge attachment to the Romantic Era and so on. However, I've never like opera...until now. Now I'm starting to like it after watching this. It's a whole new flavour, like going from milk to dark chocolate. I'm watching this because of a class I'm taking and...I think I'm ready to start developing my taste :).
Go to Met performance of Traviata, Madame Batterfly or Carmen - and you will love opera forever
the Met is really awful these days, but one cannot really gain an appreciation without going to a live, staged, performance of an opera. It's as if all the emotional intensity has been turned all the way up, and you have to embrace the raw emotional power... and then you will hooked, forever.
Yes, not all Met performance are equally good - not at all. Maybe 3 out of 4 will be just nice to watch. It will be a great music, certain professional level of singers (all of them will be no less than a certain professional level). Also they will be entertaining and not boring. Then, 1 out of these 4 will knock you off. It will take your whole sole, it will do something with your whole internal system. It will travel through your veins into every single cell of your body - and you are done. It is like a religion.
My father used to bring me as a child to operas often. I went, because I supposed to go - but I never actually felt it back then.
It came to me later - and I don't know if any other stuff that can be so powerful as music.
My your taste continue to grow!
Never bettered. Great artist for a truly great aria.Simply wonderful.
Incomparably beautiful artistry plus simply gorgeous singing. When I was at university I heard a recording of JB singing the Verdi Requiem with Leontyne Price and had to rush to the music store to buy any CD I could find with JB on it. What a great resource TH-cam is for young singers to have these historic performances on demand. What a great luxury to find them now!
SteveL2012 It's a treasure indeed. When used properly my friend. Arnold Bourdon Amaral
Потрясающее , пронзительное исполнение
This divine performance by Janet Baker was used unforgettably in the penultimate scene of the Japanese film Pale Flower by Shinoda. The film is magnificent, and this performance will last forever. 3:19, what a moment
headvoice of note! beautiful
Dame Janet Baker, au timbre rare, au Chant d'une qualité exceptionnelle , élégance et raffinement dans une sincérité déchirante, une immense artiste lyrique qui transcende les partitions. Inoubliable.
J'ajoute: Indissociable de sa voix, Dame J. Baker, maitresse du temps , de l'espace, dans cet aria crépusculaire, la grâce lumineuse de son désespoir dans sa gestuelle hiératique, lui confèrent une dimension métaphysique impressionnante, dont on ne sort pas indemne.
On ne fera jamais mieux . De Monteverdi a Mahler elle est inaprochable
Such a beautiful soul. She brings so much life and meaning into the music. Insanely beautiful.
Janet baker one of the most beautiful voices ever.
The true inheritor of the mantle of Kathleen Ferrier. Such a shame she retired so early, thank god we have her best work recorded.
She didn't retire early she died.
Dame Janet Baker retired around the age of 56. She will be 87 in August.
Every time I hear this.......just so moving. Dame Janet is superb. Listen to her Sea Pictures if you get the chance. "A Sabbath Morning" is phenomenal.
Recitative
Thy hand, Belinda, darkness shades me,
On thy bosom let me rest,
More I would, but Death invades me;
Death is now a welcome guest.
Aria
When I am laid, am laid in earth, May my wrongs create
No trouble, no trouble in thy breast;
Remember me, remember me, but ah! forget my fate.
Remember me, but ah! forget my fate.
So beautiful.
Thank you.
This is the most emotionally charged piece of music I've heard in many years. Dame Janet has marvellously clear diction and expression.
Oh, my God! What a sadness... and what a beauty! Incredibly sublime... heavently sublime. A hundred tears in my eyes... and a thousand in my heart...
Sublime - no other singer comes anywhere near to Janet Baker’s ability to wring the heart, bringing tears….
Happy 91st birthday, Dame Janet.
The "no trouble, no trouble" reminds me so much of real life death scenes and also labor scenes where the poor soul keeps saying "I'm sorry, so sorry..." A realistic portrayal we have here of a truly broken heart. I researched all of the top portrayals of this song and Janet Baker indeed deserves her reputation as channeling the heart of this piece of music. In case some of you have not heard, I also recommend Jeff Buckley's performance which is not opera, but nevertheless haunting--particularly when you realize that he lived such a short life.
This is the most heart wrenching performance of this aria that I've ever seen.... 😭😭😭😭😭
Absolutely sublime. The superb integrity of the Belinda must be remarked on also.
This is everything that the looming central fact of death means to all of us. If only England had developed a native opera tradition along w Italy/France. Janet Baker = divine
Doesn’t need a native opera tradition. Try Elgar’s Dream of Gerontius and The Apostles. Listen to Janet Baker as the angel.
One of the most moving and heartfelt, beautifully controlled and artistic performances on TH-cam. Thank you so much for posting..
DIDO AND AENEAS
BBC One, 5 August 1966 (originally shown on BBC Two England, 12 October 1965)
Dido: Janet Baker
Aeneas: Thomas Hemsley
Belinda: Elizabeth Robson
Sorceress: Yvonne Minton
First witch: Clare Walmesley
Voice of Mercury: Clare Walmesley
Second witch: Elizabeth Bainbridge
Sailor: Ryland Davies
Second woman: Lorna Elias
A new production specially performed for BBC-2 by Glyndebourne Festival Opera Music by HENRY PURCELL arranged by Benjamin Britten and Imogen Holst
Libretto by NAHUM TATE
Continuo played by MARTIN ISEPP and ALEXANDER CAMERON
GLYNDEBOURNE FESTIVAL CHORUS
Chorus-Master, MYER FREDMAN
GLYNDEBOURNE FESTIVAL BALLET
Principal dancer, HAZEL MERRY
LONDON PHILHARMONIC ORCHESTRA
Leader, RODNEY FRIEND
Conducted by JOHN PRITCHARD
Original Producer: Franco Enriquez
Set Designer: Lorenzo Ghiglia
Costume Designer: Lorenzo Ghiglia
Lighting Designer: Francis Reid
Choreographer: Pauline Grant
When I sang in Cambridge Operatic Society's production of Dido and Aeneas, I was merely a lowly slave, fanning Dido with a peacock fan. The woman playing Dido sang this so movingly that I had tears streaming down my face, and was quite unable to sing the following chorus. Thank you, Janet Baker, for this wonderful interpretation.
The most beautiful interpretation of "When I am Laid in Earth" sung by Janet Baker.
I cry every time. Her physicality is so beautiful as well.
Not a bad weekend, hearing this for the first time…
Nothing more to say...!
😭😭😭😭😭😳🎊🎉🍀🇮🇪🙏
Janet Baker was truly a unique and flawless artist.
Miles Linklater still alive
certainly still alive, I only used the past tense because she no longer performs.
This is just so incredibly moving and beautiful.
Imho the most profound and beautiful performance of this incredible aria
Makes me cry every time I hear it. Same Janet Baker is the best contralto I have ever heard d
I must have seen and heard most of the available interpretations of this most moving aria and Dame Janet Baker seems to me, by far, the most compelling, moving and ravishing Dido. Even the costumes are beautiful.
Heartbreakingly beautiful, the most wonderful voice.
No one can deliver noble suffering like Dame Janet !
Moved to tears every time I see this poignant scene from Dido & Aeneas. A superb performance by Janet Baker in every sense of the word.
Wow! What haunting perfection. What control! What expression!
For me, Janet Baker is the one who interprets with the purest emotion, she is divine!
Absolutely wonderful and breathtaking !!
Best ever! Janet Baker gets this spot on! Every time I want to cry I listen to this.
Dame Janet, you are extraordinarily talented. This rendition of Dido’s lament is uniquely emotional and so sensitively performed. I am in awe of your voice. Thank you 🦋
This music, so beautifully sung, always brings tears to my eyes.
And that's how it's done! I so love these old recordings.They are exceptional.Thanks!
This really is one of the most beautiful things ever. And as someone else quoted : "May my wrongs create no trouble"
This is the most beautiful performance of Dido's Lament I have ever seen, very powerful, fantastic voice...!
What manner of singing is this? Mere words fail me! An absolutely marvellous piece of singing!! This is off the scale!!!
Such an amazing video, so grateful for the people who have and post these gems. This is such a difficult aria to sing and she does so with such melting beauty. Just incredible.
Baker's voice has always cut right through my being. She has a "cry" to her voice that I have only heard in a few singers. Sills, Hendrix are a couple that I can think of. Captivating. The first time I heard her I was a child and it was a PBS special. I was only the age of 12 and she gave me goose bumps. I have loved her ever since and I am almost 50. What a gift from God she is.
Are you referring to Barbara Hendricks? Jimi Hendrix?
Björling also has a cry in his voice
@@petternilsson4393 great example
incredible. beautiful line. moving characterisation. and fantastic technique.
love it. thankyou Dame Baker.
janet baker's voice is so distinctive recognizable , giving each note a specific colour and meaning, compare only to maria callas, in her register.
...there are 47 very deaf and soulless people out there...sad ,listen again all of you and weep with the rest of us...
just simply the best
Simplement parfait! Ça donne des frissons!❤
i had listen toseveral interpretations, and this one is the most beautiful and fully emotionnal i've heard !
So beautiful..........
Janet Baker . we'll always remember you!!!
Much thanks for posting this, which I found by searching for a clip of her singing Linden Lea. It is one of the most beautiful songs sung by a singer who is a gift from God to us. Shivers and Tears.