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Introducing FilmUnlimited - Flexible Film Emulation
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- เผยแพร่เมื่อ 18 มิ.ย. 2022
- FilmUnlimited is a collection of Resolve 17 PowerGrades emulating Kodak 5207 250D and Kodak 5219 500T negative film: juanmelara.com...
This is a small selection of commercial work I have graded with FilmUnlimited over the last year. Projects shot on the ARRI Alexa, Sony Venice, BMD Pocket 6K and Red Komodo.
![[UNCUT] เพื่อไทยดันอุ๊งอิ๊งนั่งนายกฯ หลังเศรษฐาถูกถอดถอน | คนดังนั่งเคลียร์ | 15 ส.ค. 67](http://i.ytimg.com/vi/SpprmDJ6QEE/mqdefault.jpg)
I already bought this. Pls upload more insider knowledge tutorial videos.
Film Unlimited is fantastic, I really appreciate the low amount of noise generated and finesse with exposure and white balance. It's made matching Bmpcc 6k footage with 8 bit Slog2 so much easier 👍 thanks !
So glad you're putting out more products. 🙏🏽 Your p6k2alexa powergrade is AMAZING and transformed my footage and workflow!!!
Can you show your footage?
Tutorial of grading will be great demonstration of your product
Awesome! Love your work and waiting your clog2 to Alexa power grade!)
Nice to meet you!!! Been waiting for your new tuturiols for so long.
Impressive! Love your work!
Amazing work. How about Canon2Alexa? (Clog2)
Best Colorist ever!!!!!!!!
Awesome powergrade, some of my BMP6kPro footage just looks like a dream.
Wow man! Spectacular work!
Fantastic!!
Are there plans to do the same with Eastman 5247 100T and/or 125T by any chance?
keen to see how my workflow for halation differs from yours. you've nailed the look, well done.
Hi Juan, I got this a while back and it has been a pleasure working with the Powergrades. I had a query regarding the applications of these Powergrades to images. I do photography too and want my images to look similar to the results created by these Powergrades in videos. Do you have any tips in which I could apply these to images? I have tried converting the images to a flat Cinelog Profile through ACR but the results are just not punchy enough when I perform the Color Space Transform and apply the grade in Resolve.
we need to see the new Sony2alexa lut and power grade please on a video
Really great emulation grading. Do you have any advice how to work these luts with zlog2 footage from Zcam S6?
I'm about to purchase this now as I've seen in comments few zcam users - Is there a monitoring lut available though for zcam?
Really wish you offered products for Fujifilm F-Log as well.
I recommend that you try out EmotiveColor's FLog to LogC conversion. Works like a charm with any of Juan's conversions.
It's even praised by Juan himself.
You can use the cinematch or cst
I used cinematch to convert flog to arri log c I have a x-t4 and I use Juan’s powergrade and I like my results
Hello Juan! I want to know which package is right for me? I edit in white davinci with an intermediate davinci color. I am interested in negative film images as well as printed film images. T500 Kodak 2383, etc. In which of your packages can I paint Davinci White Gamut and Davinci Intermediate??
Hello Juan! I want to know which package is right for me. I edit in davinci white gamut davinci intermediate. I'm interested in the imagery of negative film along with the imagery of printed film. t500 kodak 2383 and so on.
Can this somehow be used for still photography too? Converted into LUTs or Lightroom profiles? Or is this something that would only work on LOG inside resolve?
Please do tutorial video on how to use properly the power grade in davinci resolve.
Already done! It's included with the download.
@@JuanMelara82 The download tutorial doesn't help much, you don't see anything on how to do it correctly to achieve these degrees.
@@radioicer3374 You shouldn't really need to do too much to the PowerGrade to get similar results, assuming the original cinematography is of a good standard. Send me an email with some screenshots of your results or even some ungraded footage and I'll take a look at it for you.
I Think there are a lot more people using Sony's 10 bit cameras now than anyone using the blackmagic or the Komodo. I'm in the market for a Sony2Alexa PowerGrade 😁
ps: I'll chip in if you want to crowdfund to see if it's worth your time
It's already done! juanmelara.com.au/products/sony-to-alexa-powergrade-and-luts
@@JuanMelara82 Yay! And 🙏👍
hi bro . Can you make a video tutorial how to use filmunlimited ? I just buy it, but I don't know how to make it look good.
You shouldn't need to do too much to get good results. Send me an email with some screenshots of the results you are getting and I'll see what's up.
Hey Juan, I’ve recently purchased the 2Alexa pack as well as the FilmUnlimited pack .. I’m wondering if I should use the 2Alexa Lut with my monitor when shooting or if I should use the FilmUnlimited monitoring Luts on my monitor when filming? Thanks
If you are going to be using FilmUnlimited for the final grade, I would use the FilmUnlimited monitoring LUTs. This will give you a better preview of the finished look. But you can use either.
@@JuanMelara82 Copy that, thank you sir
@@JuanMelara82 What monitor lut would you use for panasonic S series camera?
I just put in an order but I didn't get the video tutorial with the download for the Sony power grade
There is no video tutorial for the Sony2Alexa transform at the moment. But I will look into making a tutorial for the 2Alexa transforms. In the meantime the usage instructions can be found here: juanmelara.com.au/sony2alexa-usage-instructions Send me an email if something isn't clear.
So just trying to understand; does one use the Film Unlimited in conjunction with the Sony2Alexa or RED2Alexa etc. Power grades? Or is this a stand alone / separate grading process?
Going to be using Resolve for the first time,
Resolve seems intimidating / complex but I really want to get better at grading, perhaps I’ll be able to figure out a workflow with one of your power grades. Thanks for making these
No it's not necessary to use the 2Alexa transforms. You can use the CST method to convert your footage to the correct colour space and gamma. The 2Alexa transforms will give you better results though.
If you're new to Resolve, I would probably hold off on getting FilmUnlimited unless you have a lot of time to learn and experiment. It's not particularly difficult to use, but it might be a bit overwhelming for someone just starting out.
@@JuanMelara82 Thanks for the helpful response. You don’t have a tutorial or video or something along those lines of the steps you normally take when applying the power grades in Resolve do you? I think I could figure it out if I can just see all of the steps in action - at least I’d have a sequence to go by if I get stuck. I’ll pick up both, thanks again
@@kazlepek6552 Usage guide videos are included with the download. But I really need to start work on something that I can put up on youtube.
@@JuanMelara82 I would honestly pay for even something fairly simple like that; just to have a place to start - it’s a daunting quest to learn a new Editing System and having concrete steps to fall back on goes a long way
@@JuanMelara82 Do you have any recommendations for guides / tutorials to learn color grading in Resolve in general? I just purchased Resolve studio and I’m going to pick up the 2Alexa and Film unlimited power grades in a few hours
please teach us how to maximize the DR like in this shots
You have to either soften a shadows/highlights/contrast node or stretch it at the base grade. Some grade 'crush' it too much, which kills DR... you just have to back it off or even just take the end grade's serial and take the percentage down to whatever level and you'll recover DR.
Colors look good, texture looks digital.
Which ones? I disagree, they all feel organic to me.
Unfortunately since these are commercial projects, I can't really add the full film texture and grain. The agency would reject the spot immediately. And if it got through, I can't imagine a client like McDonalds would approve it. Good thing is you can add as much or as little as you like. So if your clients love it, then go to town.
Do you offer for the ursa 12k footage too or pocket 4k alexa power grade can be applied in the ursa 12k footage thanks for reply in advance
It will work with the URSA 12K via Resolve's CST. But unfortunately none of the 2Alexa transforms will work as the URSA 12K uses a different sensor. So it will need its own profile.
@@JuanMelara82 plz release a power grade for the ursa 12k soon then eagerly waiting for it thank you 😊
How does this compares to dehancer and filmbox?
I think it's a question of preference. This is definitely the best value. I prefer Filmbox overall (but the full version is soo expensive). Dehancers bloom is nice, but the film stocks are worse imo.
do you usually grade before the CST?
No, not with this PowerGrade.
Can I use it with Sony 10 bit files?
Yep!
Welp, getting my wallet again ;)
hey, which camera was used around 1:36 ?
Red Komodo.
@@JuanMelara82 any idea of the lense that was used ?
@@snowkombat263 Unfortunately I don't know what lenses were used. There doesn't seem to be anything special about the look, so I think any modern lens should create a similar look.
Does this work with the zcam ?
I've done a bit of research and I think it will work. Download the Z Cam Color Plugin from here: www.z-cam.com/lut/ Install it and launch Resolve. In a brand new nodegraph, add the plugin to a node. Set the input to match your Z Cam color space so likely zlog/zlog2. Set your output to AlexaWGRGB/LogC. Then append one of the FilmUnlimited PowerGrades and you should be good to go. Get in touch if you need more help.
@@JuanMelara82 would you be interested for a review? If you can send the luts and I review on my channel as a zcam owner ?
@@JuanMelara82 hey man i bought the power grade with the in camera lut, and i found out there is no monitoring lut for the zcam is there any chance we can get one?
@@osasidaeproductions3759 Send me an email and I should be able to help you out with something.
How did this end up for you? I’m a ZcamS6 owner and would love to use these in resolve - having trouble overall though with zlog plugin, always getting a very harsh image
Nice, not worth $99.99 though. Def would consider a purchase at $49.99.
You're in luck! I've got a less featured version for $39 here: juanmelara.com.au/products/davinci-yrgb-print-film-emulation-powergrades
@@JuanMelara82 nice 👍
Beautiful colours!
But in no way I'd think this is shot on film, looks completely digital to me.
Very nice ! Do you have any idea how to use FilmUnlimited with footage from Leica SL2 (not integrated with Resolve ; no CST but it shoots in HDR Rec2020 ) ?
If possible shoot in L-Log, then it shouldn't be too difficult to convert it to linear or LogC via a DCTL. There likely already are a few L-Log DCTLs or I can create one.
@@JuanMelara82 the demonstration with FilmUnlimited is really great. Bravo