J.S.Bach - Geschwinde, ihr wirbelnden Winde - Schreier

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  • เผยแพร่เมื่อ 3 ต.ค. 2024
  • J.S. Bach: Der Streit zwischen Phoebus und Pan BWV 201
    "Geschwinde, ihr wirbelnden Winde"
    Siegfried Lorenz (Phoebus)
    Robert Holl (Pan)
    Arleen Augér (Momus)
    Rosemarie Lang (Mercurius)
    Aldo Baldin (Midas)
    Zeeger Vandersteene (Tmolus)
    Chor des NDR
    Rundfunkorchester Hannover des NDR
    Peter Schreier, Leitung
    1987

ความคิดเห็น • 7

  • @dmntuba
    @dmntuba 4 ปีที่แล้ว +3

    I discovered Peter Schrier when I was a young college music student.
    Always loved his voice, energy, enthusiasm, and joy for music.

  • @gianlucamarcialis3595
    @gianlucamarcialis3595 5 ปีที่แล้ว +2

    Gran documento interpretativo, straordinari i cantanti e la direzione di Peter Schreier al suo meglio. Thanks for sharing!

  • @franziskakre8309
    @franziskakre8309 4 ปีที่แล้ว +5

    Man stelle sich vor, Bach hätte die Möglichkeit gehabt, Opern zu komponieren!

  • @GooJ
    @GooJ 9 ปีที่แล้ว +2

    Wonderful live rec) thanks for upload!

  • @rainerharald6872
    @rainerharald6872 2 ปีที่แล้ว

    Siegfried Göthel 1.Trompete (* 2. September 1942 in Hannover; † 2004)

  • @HelenaWilliams8696
    @HelenaWilliams8696 7 ปีที่แล้ว +2

    An astonishing creation of an epic myth constructed from the textural images of Ovid's Metamorphoses implanted the expression into a virtuosity musical cantata. MAGNIFICENT!
    *************************************
    To reinforce and honour Bach, I'll like to share the outstanding comments by a unique musical listener:
    Helena Williams
    Helena Williams8 months ago (edited)
    shared from: Toccata and Fugue in D Minor (Best Version Ever)
    th-cam.com/video/ho9rZjlsyYY/w-d-xo.html
    2:41 JereHamed Mahdavimy Denk:
    “I often talk about Bach as a great humanist, as having an empathy for the whole range of human emotion. (Rather than the cerebral, fugal stereotype.)
    I love the way his music seems to look down on the whole human deal, but not condescendingly, with (now I'm letting myself rhapsodize subjectively) a kind of benevolent understanding. He does not look down bitterly (like Shostakovich, for instance), saying look at this terrible empty comedy of human emotion. Nor is he himself the emoter, like Beethoven; but he is not distanced, either. He has hit a sweet spot. Perhaps the most serious complaint you could make about Bach is that he has every quality of humanity except imperfection.”
    HJM van Neerven1 month ago