As a violist, of course I have always loved this recording for the viola playing of my hero Primrose, but this has to be the most beautiful singing of these songs ever. Marian Anderson's exquisite voice and expression set the highest standard ever.
My piano teacher in high school had this recording. It was my first exposure to Anderson, to the viola as a solo instrument, and (after the 1st symphony), to Brahms. My teacher set this up as the template in my mind for a certain sort of excellence. He was not wrong.
I was once extremely fortunate as a high school senior to perform this with an extremely great contralto and pianist at the Southern Baptist Theological Seminary in 1976 - Angela Coffer and Vernon Roberts. It was a spiritual encounter for she sounded like Marian Anderson and Vernon reminded me of Brahms himself. I think Dr. McElrath was pleased.
I think this is probably the best I've ever heard her. I'm sure that recordings of the period in which she was in prime voice were able to capture only a glimmer at best of what it was to experience her in concert. I've never quite been able to appreciate acoustically what I've seen written about the beauty of her voice, but this recording gives me a clue as to how marvelous she may have been at her vocal peak, and just why the voice itself was so celebrated, in addition to her place as an American icon.
the glorious music o Brahms performed by three great musicians whose primary mission was to convey the expressive and emotional depth of music--Anderson, her accompanist Rupp and Primrose. A trio of what chamber music is all about.
This is a magnifient post with Primrose and Anderson at the Zenith of musical expression. Sadly even after all these years Anderson is known to too many as mostly a Spirituals' singer. She was glorious in whatever she sang. Prejudices and stereotypes die slowly. Regards- John
When I heard the first few notes, I thought "too slow," but these artists justify their tempos. I had never heard Anderson's voice in its prime before; it's very beautiful. Thanks for this posting!
Zejména v druhé písni jsou velmi osobitě poskládány oba hlasy - Marian i violy. Už už se zdá, že to nemůže ladit, vždycky to Brahmsovi sklouzne do harmonie, která skladbu ještě povyšuje. Je to nádhera a dokonale melodické. S velkou úctou děkuji za nahrávku a zdravím z Čech, z Rakovnicka.
This is an absolutely gorgeous recording! The liquid melodies play with each other. So relaxing. Superb! I never knew of this recording before and I am so blessed to hear it now! I revel in the beauty!
Thank you so much, as the others have said. I'm performing this Saturday, 8 mai, with a cellist and my dear husband accompanist. In rehersal, I begged them to slow the tempo, and they did a bit. Now thanks to your posting, they have agreed that it's much more beautiful at tempos close to these. We musicians today have a tendancy to push all the tempos, but art does triumph now and then. Slow it down and hear the harmonies and the play of the many lines of beautiful music. Wish us luck for Saturday. And if Marian Anderson were here, I would thank her myself. I thank you, again.
Wow! Marion Anderson seems divinely inspired -- the song comes from a deep place. As for William Primrose the viola obbligato is incomparable in both technique and expression. Franz Rupp's piano is in the background sonically but his control and sensitivity are a model!
While ago I searched youtube for "Walter Primrose" but i don't think i saw this GEM!!!! How perfectly gorgeous, and we should remember that J Brahms had something to do with it. Can anyone verify that he wrote these exactly for piano, viola, voice? Or is it a transcription?
Not for the first time, I wish that electronic science had developed 75 years earlier. I suppose we must be thankful for what we have, including so many fine contemporary artists, but still....
Brahms* - Marian Anderson With William Primrose, Franz Rupp - Two Songs For Alto, Viola Obbligato And Piano Johannes Brahms - Two Songs For Alto, Viola Obbligato And Piano album cover Label: RCA Victor Red Seal - DM 882 Series: Musical Masterpiece Series Format: 2 x Shellac, 12", 78 RPM, Album, Reissue Released: 1947 Recorded At - Lotos Club, New York Reissue on RCA Victor labels 1947 or later (originally issued in April 1942 on Victor Red Seal.)
IMO these works and performances are special things. I say things not as disrespect but because what I am hearing is too grand to be described in a limited way.
I simply was not prepared for the exquisite depth and profundity of Marian Anderson's singing. Wow, my goodness.
As a violist, of course I have always loved this recording for the viola playing of my hero Primrose, but this has to be the most beautiful singing of these songs ever. Marian Anderson's exquisite voice and expression set the highest standard ever.
My piano teacher in high school had this recording. It was my first exposure to Anderson, to the viola as a solo instrument, and (after the 1st symphony), to Brahms. My teacher set this up as the template in my mind for a certain sort of excellence. He was not wrong.
I was once extremely fortunate as a high school senior to perform this with an extremely great contralto and pianist at the Southern Baptist Theological Seminary in 1976 - Angela Coffer and Vernon Roberts. It was a spiritual encounter for she sounded like Marian Anderson and Vernon reminded me of Brahms himself. I think Dr. McElrath was pleased.
She sounds like a viola and he sounds like a contralto. Amazing.
I'm in shock. All these years and I did NOT know this beautiful recording. Perfection all around...and the sweetness of Primrose...good heavens !!!!
Neither did I . Ravishing.
Just doesn't get any better than this--both artists in their prime...greatest music! Thank you...
Какой глубокий, красивый голос!!! Шикарно!!!!!
😊
Stunning….
Marian Anderson's voice remains without comparison! Just wonderful!
The vibrato is matched to perfection, right down to the individual oscillations sometimes. Amazing.
I think this is probably the best I've ever heard her. I'm sure that recordings of the period in which she was in prime voice were able to capture only a glimmer at best of what it was to experience her in concert. I've never quite been able to appreciate acoustically what I've seen written about the beauty of her voice, but this recording gives me a clue as to how marvelous she may have been at her vocal peak, and just why the voice itself was so celebrated, in addition to her place as an American icon.
the glorious music o Brahms performed by three great musicians whose primary mission was to convey the expressive and emotional depth of music--Anderson, her accompanist Rupp and Primrose. A trio of what chamber music is all about.
This is NOT chamber music 🙄🙄
This is a magnifient post with Primrose and Anderson at the
Zenith of musical expression. Sadly even after all these years
Anderson is known to too many as mostly a Spirituals' singer.
She was glorious in whatever she sang. Prejudices and stereotypes die slowly.
Regards- John
When I heard the first few notes, I thought "too slow," but these artists justify their tempos. I had never heard Anderson's voice in its prime before; it's very beautiful. Thanks for this posting!
My God!!!
How beautiful!!!!!!!!
Zejména v druhé písni jsou velmi osobitě poskládány oba hlasy - Marian i violy. Už už se zdá, že to nemůže ladit, vždycky to Brahmsovi sklouzne do harmonie, která skladbu ještě povyšuje. Je to nádhera a dokonale melodické. S velkou úctou děkuji za nahrávku a zdravím z Čech, z Rakovnicka.
Primrose....pure silkness. Perfect Rupp, unmatched. Anderson singing with huge sentiment.
This is an absolutely gorgeous recording! The liquid melodies play with each other. So relaxing. Superb! I never knew of this recording before and I am so blessed to hear it now! I revel in the beauty!
Thank you so much, as the others have said. I'm performing this Saturday, 8 mai, with a cellist and my dear husband accompanist. In rehersal, I begged them to slow the tempo, and they did a bit. Now thanks to your posting, they have agreed that it's much more beautiful at tempos close to these. We musicians today have a tendancy to push all the tempos, but art does triumph now and then. Slow it down and hear the harmonies and the play of the many lines of beautiful music. Wish us luck for Saturday. And if Marian Anderson were here, I would thank her myself. I thank you, again.
This is heven to me!!❤❤
I like it, Thys is Contralto! Marian Anderson, very beautiful voice! 🌺
Never in my life I´ve heard so limpid, warm and silky a string instrument sound. Anderson and Rupp, unmatched. A desert-island record.
Rupp???
You "forgot" Anderson...
RUPP?!?!??!! he's okay. Anderson and Primrose are sublime. FIFY.
La perfección técnica y estilística juntas. Maravillosos los tres. Felicidades!!!
Love this! My viola teacher's teacher.
such resonance, both vocal and viola. Outstanding performance!
Wow! Marion Anderson seems divinely inspired -- the song comes from a deep place. As for William Primrose the viola obbligato is incomparable in both technique and expression. Franz Rupp's piano is in the background sonically but his control and sensitivity are a model!
viola obbligato - not really
Oh right - it’s no longer fashionable to be an accompanist, or to play an obbligato. Everyone is equal. Hand out the participation trophies. Morons!
piano, voice and...viola! awesome
Great song 🎶🌹
Thanks
Best performance ever....
Such a beauty!
Transcendental!!
While ago I searched youtube for "Walter Primrose" but i don't think i saw this GEM!!!! How perfectly gorgeous, and we should remember that J Brahms had something to do with it. Can anyone verify that he wrote these exactly for piano, viola, voice? Or is it a transcription?
Божественно!
perfection!!!
Heavenly
Surely, the best performance with Ferrier
I would agree with that.
@@lawrencebrown3677 Unfortunately, Ferrier didn't have a violist partner as great asPrimrose. Otherwise I agree
Ferrier is wonderful; her violist is abominable compared to Primrose, so NO.
@@hartmutlindemann9735 Unfortunately, he wasn't a pimple on Primrose's posterior.
Not for the first time, I wish that electronic science had developed 75 years earlier. I suppose we must be thankful for what we have, including so many fine contemporary artists, but still....
The recorded sound is just fine. But I suppose you mean you would prefer the phony sound of digital.
I am waiting eagerly for the technology that will restore the 25% we can't hear from recordings from 1880-1960. I'm 41 and waiting. 😊
Thank you!
00:00 Op. 91/1 Gestillte Sehnsucht
07:22 Op. 91/2 Geistliches Wiegenlied
♥️♥️😌
👏👏👏 Love It 💋
Beaautifulll lovely grreat artist thank ya bev dancer drummer
quelle harmonie
Brahms* - Marian Anderson With William Primrose, Franz Rupp - Two Songs For Alto, Viola Obbligato And Piano
Johannes Brahms - Two Songs For Alto, Viola Obbligato And Piano album cover
Label: RCA Victor Red Seal - DM 882
Series: Musical Masterpiece Series
Format: 2 x Shellac, 12", 78 RPM, Album, Reissue
Released: 1947
Recorded At - Lotos Club, New York
Reissue on RCA Victor labels 1947 or later (originally issued in April 1942 on Victor Red Seal.)
deep,délicate,delicious,
❤
can that photo be real?
Yes. It's famous.
El estilo me parece voluptuoso. ..
IMO these works and performances are special things. I say things not as disrespect but because what I am hearing is too grand to be described in a limited way.