JodyJazz Lessons: Get a JAZZY saxophone SOUND by changing your embouchure
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- เผยแพร่เมื่อ 14 มี.ค. 2019
- Jody Espina demonstrates how to go from a Classical sound to a Jazzy sound by changing your embouchure.
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Moving from classical to jazz embouchure is similar to moving the mouth and lips from saying YES to a position ready to say NO. Say YES, then NO, and observe how the shape of the lower lip (and your mouth shape) changes. For classical > YES embouchure. For jazz > NO embouchure. In YES position, the lower lip is stretched wider, its skin is tight as a drum, which suppresses some reed 'buzz'. In NO position (jazz position), the opposite: lower lip is soft, not tight, and the reed vibrates freely, creating that extra 'buzz' which we hear in jazz music.
Zvonimir Tosic good observation!
Καλώς ορίσατε στο πρόχειρο του Gboard, εδώ θα γίνεται επικόλληση τυχόν κειμένου που αντιγράφετε.
@@elisabethfri2201 ._.
*that was alot...*
Thanks so much very helpful 👍....thank you my friend
damn, nice example
Oh, so THAT is how you get such variety of sounds in the demos. This was one of the most helpful video lessons I've ever watched.
Thank you and glad you found it useful!
OH MY GODS!! SO AGREE!! this is the most useful video I've seen yet for sound development! Thank you jody!
Any clarinet sounding saxes here because same
Everyday man, everyday.
Christina Zamora Why’d you reply to your own comment?
Sauce Squad lol
@@beezy7491 i was responding to someones comment. I guess they deleted it.
mine sounds more like a reccorder LOL
Oh my god. I've always wanted that super jazzy tone but I sound like the 2.5 reed with classical embrochure and I never knew how to fix it. THANKS SO MUCH!! (From a very happy clarinettist now saxophonist :))
Glad you found it helpful!
For the case above I did not recommend a softer reed because the players question came from someone playing a Jazz 2.5 reed. But the reed is very important. A classical 3.5 or 3 even will be harder to get a Jazz sound than a 2.5 or 3 Jazz reed. Jody Espina
JodyJazz Inc I have recently gotten the Jody jet 6 to replace my Claude lakey 5. Until I tried this jet mouthpiece I couldn’t find one I liked better than my lakey. But wow... I find your mouthpiece plays well with various strength reeds. A forgiving mouthpiece with a big sound. So I’m trying legere signature series reeds. Been playing 2.5 but recently tried several strengths and found the sweet spot in the fullness of sound with 3.25. 3 was not as big and 3.5 seemed too controlled for lack of a better description. I tried these reeds using my normal Embouchure which I have an ok jazz sound but not great. So I’m trying the new Embouchure that you and others have recommended but finding it difficult with the 3.25 reed. Would the 3.25 be too strong for the jazz sound or is it a matter of training the Embouchure? I know you recommended a 3 for the person in who wrote the letter. Does it depend on the hours practice per week. This is more for a hobby these days. Thanks!
this actually amazed me in that immediate change. it fr made me laugh from how crazy it is to me
four minutes and fifty seconds of pure gold! thanks, jody!
You make it sound so easy! Thank you!
Wow this was the best advice I've ever heard. Thanks for what you do 👍🏻
Thanks Cesar, glad you found it useful!
Super quality advice. Wish I had this info 20+ yrs ago, back in college there were so many hack teachers eating up time and cash. Also very limited selection of decent consistent mouthpieces. Quality Advice and quality products, this guy walks the walk and talks. Thank you Jody. Also I'm loving the Super Jet on alto. Once this COVID 19 thing clears up I can try it out with real people in a larger room/bar instead of my closet+computer.
Thank you Scotty for your kind comments. Glad you’re loving the Super Jet and can’t wait to hear your experiences after you try out the mouthpiece live :)
Thanks. I just tried this and it works great! Thank you Jody.
Awesome thank you Phil!
Woooow!!! This was super helpful! Thanks so much...I've been trying to figure out how to get that awesome jazz sound. You rock man.....or you da jazz man!
You are very welcome Andrew!
WOW, Thank you for this Illustration. I have always hated my sound and now in a few minutes with listening to your examples am I finally able to dial my sound . By the way im to get your HR dark alto.
You’re welcome! Thanks and hope you’ll enjoy the HR* CUSTOM DARK Alto!
Great video, Jody! You've given me some terrific tips to help a student of mine! By the way, I really enjoyed hearing you play lead in the Wilmington Big Band (Mike Duva here)..... Hope I get to hear you again soon!!
Amazing advice! Definitely will give it a shot!
Let us know how it goes!
Step 1: apply cork grease to ur lips vigorously.
Step 2: turn the mouthpiece the right way (reed facing up).
Step 3: put the horn in its case n go home.
Nice!
this is gold
Excellent video, Jody.
Thank you Steve!
Ooh interesting , I'm gonna try this, amazing difference...
man id love if my tone wasn't the musical equivalent to a dying goose
Long tones and playing along with your heroes will definitely help, as well as a HR* mouthpiece :)
Thanks for the info.
You’re welcome!
Thanks for sharing this
You’re welcome!
Great video Jody!
Thank you!
Looking like a real cat with that hat! Great sound, and I will always use, and will preach to others about how incredible your mouthpieces are!
Thanks so much
So helpful, thank you! Flute player learning to play Bari Sax and i have been looking for a good embouchure video. This helped me understand some of it.
That's a big jump lol
Haha I’m the exact same lmao
@@Naomi-rf1bl surprisingly, a lot of the fingerings are the same :) I love playing long, low notes for once though lol
@@Puddums07 gang gang 💪
Thank you for the kind words!
Usefull Tnaks for sharing !
You’re welcome!
Holy shit, this really helped. Thanks!
you're very welcome!
Thank you
You’re welcome!
Thanks for this video. With the jazz embouchure, does part of your lower lip still rest on your lower teeth?
Yes
awesome
Thank you!
Going to show this to my student who wants that jazzy sound. I told him the embrochure should he similar to sucking your thumb or slightly pouting your lip. Hope that analogy might help someone else looking in the comments.
Hope this video will help your student!
Thank you for this video. I have a followup question. I have recently gotten the Jody jet 6 to replace my Claude lakey 5. Until I tried this jet mouthpiece I couldn’t find one I liked better than my lakey. But wow... I find your mouthpiece plays well with various strength reeds. A forgiving mouthpiece with a big sound. So I’m trying legere signature series reeds. Been playing 2.5 but recently tried several strengths and found the sweet spot in the fullness of sound with 3.25. 3 was not as big and 3.5 seemed too controlled for lack of a better description. I tried these reeds using my normal Embouchure which I have an ok jazz sound but not great. So I’m trying the new Embouchure that you and others have recommended but finding it difficult with the 3.25 reed. Would the 3.25 be too strong for the jazz sound or is it a matter of training the Embouchure? I know you recommended a 3 for the person in who wrote the letter. Does it depend on the hours practice per week. This is more for a hobby these days. Thanks!
This should help, as an adult getting back into playing after twenty years, I had to redevelope my embouchure and didn't have time to practice for several hours a day. I stuck with the Jazz embouchure and had to stay with softer Reeds. It's harder to blend in concert band.
M Burton how did you make out with the new open embouchure?
When I was in high school a played on a Selmer Larry Teal and a private teacher helped me switch to an open embouchure. It freed up my sound so much that the band teacher though I had changed my mouthpiece.
In my opinion, for the Jazz sound 3.25 may be too hard. Some people can make it work, bt for most, I do recommend the softer reed. Jody Espina
What are your thoughts on puffing your cheeks? I see quite a few TH-camrs play like this, particularly with low notes.
Is this the same advice for tenor sax? If not, could you explain a little?
If you don’t mind me asking what mouth piece are you using?
1:11 2:10
Bro is trying to learn alto 😭😭
I’m taking music for my highschool class and I have to play to alto sax but whenever I play certain notes It either sounds like a squeak or a truck horn lmao
How do you make it so that it doesn't feel like you have to use very high amounts of air just to get sound out of the sax?
Sushi_Tech lower your reed size, your reed strength may be to high and that makes the sound airy and hard to project.
@@SaxWithShad much thanks, it's a lot easier to play this way.
All the great players actually do use high amounts of air. - But the lower reed strength was good advice from Rashad.
I play a Ralph Morgan jazz
It's really fat like most HRs and because it's a very high quality peice finding the centre is very easy.
I play slightly bright or round or loose because the other side has me sounding like a bass clarinet, which IS actually what I do at symphony, this is what you can get if you want to spend the bucks....
You should try the HR* mouthpiece!
When I saw the picture with the title cut off my mind filled in the missing end, “…by changing the size of your hat.” Perhaps Jody was trying to channel Lester Young? Joking aside, thanks for another informative video.
To Jody jazz inc. and whoever's reading this, i have the Jody jazz superjet and I have a problem with it.... it keeps squeaking. I don't know what the problem is. I've tried many embouchures and mouth positions. What embouchure would you recommend for this particular mouthpiece?
Hey Jacob, could I check what size mouthpiece and exact reed and strength you are playing? Thank you!
@@jodyjazzofficial I am using size 6 or 8 and the reed I'm using is jazz select filed reeds. The strength is 3.
Edit: mouthpiece size: 6
Reed: D'Addarío select jazz
Reed size: 2H
@@jacobphillips9598 Jacob, This is Jody - I have a long written out lesson that deals with squeaking - Can you please email me at Jody@JodyJazz.com and I will send you the lesson. But in General if you are using a hard lip classical embouchure and biting when you tongue you are in jeopardy of squeaking. I hope that we can help you with this - in the subject of your email please write - squeaking problem: Attention Jody
Hi, I have a jody jazz hr 8 and the reed I use is a daddario select jazz 3 Hard filled sometimes I squeak too, could I get the lesson too please? Thank you!
Personally I think its the type of notes and sharps and flats you play
Alternate fingerings can have a small change in tone which to me is fine in certain circumstances, but its mostly the embouchure since its the main thing that changes your sound. Like you can place your tongue on a tip of the reed and it will sound muffled, and if you want a certain note to pop out from the rest, just have the proper embouchure and then go back to that "muffled" sounds. Im not sure if any of this is correct, but feel free in correcting me
@@erickdiaz7866 What I mean by all of that is if you put the right notes together, then it will sound jazzy.
@@Hulkamazing Yeah thats right, but just keep in mind the embouchure as well, it can be the seasoning to a well prepared dish.
How can you get a nice jazz tone on altissimo notes tho?
Voicing.
@@BlackWarriorLures what's voicing
@@yarrrthekraken Voicing is a method that manipulates the oral cavity, air flow and speed, direction to access the third register of the saxophone, produce a nice even tone throughout the horn, and make the saxophone play with a pinpoint pitch accuracy similar to that of a trombone slide.
The best book on the method is Don Sinta's "Voicing an Approach to the Saxophone's Third Register."
@@yarrrthekraken sing the note when you play. Have it in your mind
We will do a video on that soon!
And how to get a Funky Saxophone Sound? Thank you!
We should do a video on that soon!
For a jazzy sound, how much bottom lip, if any, should be covering your bottom teeth? Thank you!
#1 advice, it's not the MPC, practice and work on you long tones.
I agree, but people who haven't tried a variety of different mouthpieces are always amazed at how different the mouthpiece can make the entire experience.
Wait this it the real Jody Espina right
Yes
😢
1:14 2:12
At my school there really strict of how we look and what pieces to use while playing. I play on a size 3 Vandoren reed with a selmer c star. Do you think with enough practice I'll be able to get a jazz sound for my friends and family or will I have to change reeds or mouthpiece?
LaserW0lf I have a Selmer C star for my tenor and it’s pretty difficult to get a jazz sound out of it. Since it is designed for concert band, the c star will not deliver the sound you want for jazz. I recommend starting with a Vandoren V16 for your saxophone, and using green java reeds if you want to start practicing jazz.
@@mayarooskitena185 Thanks saved me time and probably some money
LaserW0lf what kind of hack teaches at your school to where he monitors what equipment you buy? Who is he? Screw that dude. This is your instrumental development
Joe Thomas for real. Probably not a saxophonist.
I think you can consider trying the HR* in a size 5 or a bigger tip opening with a softer reed size
What songs is he playing here?
I went back and listened to this to see if I was playing any songs and I wasn't playing any particular tunes. I was just playing notes out of my head to demonstrate the sound. - Jody Espina
03:23 3,5 // 03:59 2,5
Who told you that classical saxophone players play a C on their mouthpiece? It’s an A. It has always been an A. It says so in every book.
This did not help me it kinda just left me to do my original emboucher after a while because I have been squeaking
if you would like to write to me maybe I can help - make sure that you change the reed accordingly to a softer reed. jody@jodyjazz.com
@@jodyjazzofficial I got it figured out, I've been doing the thing where you roll in your lip and its been messing up my reeds so I stopped and did it right, I only rolled my lip because it felt right..
@@Hulkamazing what do you mean the thing where you roll your lip? Im trying to figure it out too.
Is poor dentistry related to the ability to produce the jazz tone
Your embouchure is key!
A jazzy sound?
Bull!
Never disliked a video so fast... I can't believe people still believe in fairy tales
Are you saying that lip position does not make any difference? Must admit, this Classical Vs Jazz Emboucher was news to me until recently, but there are numerous videos demonstrating a similar tonal difference. Good air stream is key, but slight adjustments of emboucher do seem to produce a fuller tone as demonstrated here.