Thank you sir. That was one of the main driving forces which drove me to produce this video. It is such a useful feature to masking and yet not everyone takes advantage of its features. So glad I could help you out.
Fantastic! Glad I could help you out. I think intersection masks is like algebra. You can stare at it forever and it confounds you. Then one day you see the light and it gets as simple as pie./
Hello and thanks for this tutorial video. This was amazing. I like how you take your time to explain and show us at the same time. Will be searching for more of your videos.
Thanks for the comment and compliments. I am out of the country visiting Ireland right now. But I plan to start doing more practical use and tips when I get back home. Glad to have you onboard.
Thanks Mickey. Once again you've provided us with a very clear and concise lesson on how to use the Intersection Mask. Excellent. Well done. And please keep on doing it. Besy wishes.
lol your question marks just explained how my head felt hahahahahaha thank you a lot!!! Your Mask clean up trick blew my mind! Hats off from a senior woman in Uruguay. I wish I could click LIKE more than once!
This is a phenomenal tutorial. Clear explanations, wonderful visuals, excellent examples. Your tips will elevate the game of many photographers, including me. Well done!
Thank-you for this video. I use intersect all the time, but I have never seen it done using a radial gradient before. It is magical. However, it is not clear to me on the horse example, why just using the brush wouldn't have the same effect as using the brush intersected with the subject mask.
Glad it was helpful! You are correct, you could just use a brush. Just depends on what you think it needs and what tools you are most comfortable with. That is the great thing about all the tools in Lightroom, you have a wide selection of tools which compliment others or can be used in place of others. Basically what you are comfortable with as long it give you the results you were expecting. Thanks for the comments.
That is what I had been using, the brush tool, Got to say this changes things, for me, I feel now, I will have more control over editing, a tighter more precise mask. but will depend on the image
indeed it was useful to watch , learn and understand , thanks for sharing , first i thought it will one example, then i saw the other 2 examples made it sink more in my understanding , if you could do some black and white processing , those which look like from a negative , deep black and good whites .... Thanks
So, I had a thought: One problem with using a radial gradient for directional light like this is that the effect is stronger toward the center of the gradient. But in reality, sunlight isn't 'tapered' like this. So, wouldn't it be better to use a brush mask with a reduced density, and then using intersecting masks to limit its scope? That way the effect won't be stronger at one end than it is at the other? (I know this is probably over-thinking, but part of my learning process involves thinking about how to reproduce in editing (as much as possible) the conditions that ideally should have been present in camera.)
No problem. I like it when people bring up ideas to make a process better. I have tried it the way you suggest and you are right, you might get a better effect in light fall off. You can also try using the linear mask instead of the radial. With linear you can better control where the light is stronger and then control the fall off by spreading out the gradient of the linear mask. Because you are using it as an intersecting mask, the effect will only apply to where the original mask was applied.
Are there ways of hiding an area, let’s say the sky. Then downloading another sky from another photo? Is this more of a photoshop question? Could you copy a mask from lightroom and use it in photoshop.
Sorry, really no way to do that yet in Lightroom. But there is a simple sky selection/ replacement tool in Photoshop. Basically works just like in Lightroom. Thanks for watching!
One more comment, Mickey: Instead of intersecting the horse with a brush (and painting the bright parts of the horse), I think you could also intersect with a luminance mask defining the bright parts with the eyedropper.
They may work depending on what you are trying to do. Most of the time when I am using an intersecting mask, I need a nice gradient across the original mask. That is hard to do with just a single placement of a mask.
The use of "What" and "Where" was very helpful. Thanks
Glad I could help you out!
I have watched several masking demos and this one finally made it click in my head. Thank you
Thank you sir. That was one of the main driving forces which drove me to produce this video. It is such a useful feature to masking and yet not everyone takes advantage of its features. So glad I could help you out.
Brilliant Mickey! I thought I knew how to use intersect. But your video here has taken me to a new level.
Thank you very much!!!
Fantastic! Glad I could help you out. I think intersection masks is like algebra. You can stare at it forever and it confounds you. Then one day you see the light and it gets as simple as pie./
wonderful video, best I have seen on intersecting.
Wow, thank you! I appreciate you watching and leaving a comment.
The best explanation I have seen for the intersect tool. Thank you.
Glad it was helpful! I love the intersection tool. So many things you can do if you just experiment with it a bit. Thanks for your comment!
That’s the best masking video I’ve seen. Thank you. Changed ny editing process
Wow, thanks! Glad I could help out. Thanks for the comment.
Very well explained. One of the greatest tuts ever concerning intersecting masks. Keep up the good work 💯.
Glad it helped. Thanks for the comment!
Thanks so much.
This channel is so good, you are great presenter. Clear, concise explanations of everything. So refreshing is the way you present tools in Lr. 👌👌👌👌👌
Wow, thank you! I sure do appreciate those kind words. Thank for watching and leaving a comment.
Your way of education on this topic was the best. Thank you.
Glad it was helpful! Thanks for the comment!
Thanks Mick! A bunch of cool techniques! Amazing how her face was revealed. 👍👍
You bet! Glad I could help out.
The very best explanation ever for Intersecting masking.
Thanks so much. Glad I could help. Thank you for the comment.
Excellent, probably the best intersecting mask tutorial I have watched. Thank you.
Glad it helped you out. I think using the interest feature in LRC is probably one of the best features. Glad I could help you out.
Thanks. The best of all videos about intersecting mask in Camera raw.
Thanks…glad I could help you out. Thanks for the comment.
Absolutely great!
So glad it helped out. Thanks for your comment!
Great Video,thank you!
Glad you liked it! Thanks for the comments.
Very clear demonstration of intersecting masks! Thanks, Mickey
Thanks for watching! Thanks for the comment.
Great video clearly demonstrated. Thanks
Glad it was helpful! Thanks for the comments!
Many thanks for sharing this very helpful video - much appreciated.
You are very welcome. So glad I could help out. Thanks for the comment.
I really begin to like your videos. They are very instructive and the way you explain issues is very clear. Thank you!
Glad you like them! Thanks for the comment!
Hello and thanks for this tutorial video. This was amazing. I like how you take your time to explain and show us at the same time. Will be searching for more of your videos.
Thanks for the comment and compliments. I am out of the country visiting Ireland right now. But I plan to start doing more practical use and tips when I get back home. Glad to have you onboard.
Thanks, I have finally "got it" due to your well structured approach.
Excellent! Glad it helped. Mask intersections can open a new world of masking. Good luck. Thanks for the comment.
Very useful.Thank you for sharing this knowledge.
My pleasure. Glad it was helpful. Thanks for the comment.
Now I am watching your all videos related to editing.Thank you once again.
Thank you so much for making it so easy with your tutorial! A new happy subscriber!!
Thanks for subbing!. Glad to have you onboard. Please let me know any subjects you might want a video about!
Thanks Mickey for taking the time and trouble to explain this subject so clearly.
You are very welcome. Glad I could help out.
Thanks Mickey. Once again you've provided us with a very clear and concise lesson on how to use the Intersection Mask. Excellent. Well done. And please keep on doing it. Besy wishes.
You're very welcome! I will try and keep them coming!
lol your question marks just explained how my head felt hahahahahaha thank you a lot!!! Your Mask clean up trick blew my mind! Hats off from a senior woman in Uruguay. I wish I could click LIKE more than once!
You're so welcome! Thanks for the like comment! I wish you could click it more too!
Thank you for your nice, clear description of the intersect tool. Always informative!
Glad it was helpful! Thanks!
another great session and thank you for sharing.
You bet. Glad it helped out. Thanks for the comment.
Excellent video and explanation. Thx so much!!!
You are welcome! Glad it helped you out. Thanks for the comments!
Excellent video, very well demonstrated.
Glad it was helpful! Thanks so much for the comments!
Thank you .. your way and method of teaching is very clear .... subscribed
Thanks so much. I am working on a newer video right now explaining further uses of Intersections. Should be out in a few days. Thanks for the comment.
Great explanation, thank You.
Glad it was helpful! Using intersecting masks gets to be fun when you finally figure them out. Thanks for the comment!
This is a phenomenal tutorial. Clear explanations, wonderful visuals, excellent examples. Your tips will elevate the game of many photographers, including me. Well done!
Glad it was helpful! So glad you thought so highly of the session. Urges me on to do more. Thanks for the comment.
Very useful video - thanks.
Glad it was helpful!. Thanks for watching and leaving a comment. I really appreciate it.
Thank-you for this video. I use intersect all the time, but I have never seen it done using a radial gradient before. It is magical. However, it is not clear to me on the horse example, why just using the brush wouldn't have the same effect as using the brush intersected with the subject mask.
Glad it was helpful! You are correct, you could just use a brush. Just depends on what you think it needs and what tools you are most comfortable with. That is the great thing about all the tools in Lightroom, you have a wide selection of tools which compliment others or can be used in place of others. Basically what you are comfortable with as long it give you the results you were expecting.
Thanks for the comments.
That is what I had been using, the brush tool, Got to say this changes things, for me, I feel now, I will have more control over editing, a tighter more precise mask. but will depend on the image
Great video. I like how you explained the What/Where concept.
Glad it was helpful! I was trying to find the simplest explanation I could !?
Superb!
Thanks a lot! Glad I could help out!
indeed it was useful to watch , learn and understand , thanks for sharing , first i thought it will one example, then i saw the other 2 examples made it sink more in my understanding , if you could do some black and white processing , those which look like from a negative , deep black and good whites .... Thanks
I will have to give that a try too. I will let you know how it turns out.
Excellent! Thank you.
You are welcome! Glad to help out with the LR magic :)
amazing video - thank u
Glad you liked it!
So, I had a thought: One problem with using a radial gradient for directional light like this is that the effect is stronger toward the center of the gradient. But in reality, sunlight isn't 'tapered' like this. So, wouldn't it be better to use a brush mask with a reduced density, and then using intersecting masks to limit its scope? That way the effect won't be stronger at one end than it is at the other? (I know this is probably over-thinking, but part of my learning process involves thinking about how to reproduce in editing (as much as possible) the conditions that ideally should have been present in camera.)
No problem. I like it when people bring up ideas to make a process better. I have tried it the way you suggest and you are right, you might get a better effect in light fall off. You can also try using the linear mask instead of the radial. With linear you can better control where the light is stronger and then control the fall off by spreading out the gradient of the linear mask. Because you are using it as an intersecting mask, the effect will only apply to where the original mask was applied.
Thanks Mickey 👍👍
You are more than welcome. Thanks for the comments.
Great!
Thank you sir!
👍
Thanks
Are there ways of hiding an area, let’s say the sky. Then downloading another sky from another photo? Is this more of a photoshop question? Could you copy a mask from lightroom and use it in photoshop.
Sorry, really no way to do that yet in Lightroom. But there is a simple sky selection/ replacement tool in Photoshop. Basically works just like in Lightroom. Thanks for watching!
One more comment, Mickey: Instead of intersecting the horse with a brush (and painting the bright parts of the horse),
I think you could also intersect with a luminance mask defining the bright parts with the eyedropper.
That might work. But the luminance filter is very picky when it comes to different luminance values across shadows. Worth a try though.
Instead of using an intersecting mask, why not just make a nice selection and apply directly the desired adjustement? Thank you !
They may work depending on what you are trying to do. Most of the time when I am using an intersecting mask, I need a nice gradient across the original mask. That is hard to do with just a single placement of a mask.
thank you gentleman !@@easternshorephotoinstruction
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Glad you liked it.
I am learning so much Thank You for doing these, very informational...
You are so welcome! Glad I could help out! Thanks for the comments.