What blows my mind is his ability to casually dole out riffs one after the other, that could easily be a theme to a whole separate song. In a very grand yet subtle way, it's as though all of his playing is one huge song, grasping to exceed it's reach and reveal to us the wonderfully infinite & mysterious world that music hides so well. Thank you Shawn. May your spirit soar free & high, as we do on the wings of your music.
Very true!! Shawn has said before that a lot of his songs are comprised of short musical ideas/riffs that are combined into one piece. Not only that, Shawn was a great improviser. Look no other than the things he did with Hellborg/Sipe, with 10+ minutes of complete improv with developing riffs/ideas that compliment each other. I haven't even mentioned the stuff he also composed on piano. Shawn was a complete genius
I've always felt that way about Beethoven's music, that it just goes on and on and he occasionally wrote endings for the regular humans that listened to his creations. I feel Bach's music is similar. Shawn Lane's music too.
It depends on what you call better. To me he had something very moving and brings me to tears . There are guitar players like guthrie govan ho plays very good but i do not feel the same vibe shawn has. Shawn lane is like a musical fairy tale .
I agree with all of you here. Sounds like a bunch of really passionate guitar players on this comment string. It's definitely not a sport or whatever. And none of us killers would ever even think about having the conversation around anyone who's in the first several stages of playing. But what gets me about Shawn Lane is he seemed to encompass virtually every vibe at will. Seamlessly. I never got to see or meet him, but a couple friends who are insane players in their own right, hung out with him, and said he was as sweet and soft spoken as he seems. Just such a special human. In my opinion of course.
This is what happens when your guitar obeys you. Mine talks back all the time, hardly ever does what I want it to. Thank you for sharing another layer of the master that was Shawn Lane.
Get you back is one of the hardest compositions on guitar, and Shawn has multiple alternate versions of it and never played the same thing live, evertime he played he added something new, atleast on the videos and audios I have heard and it is the same story with most of his tracks, a testament to the genius of this man
Yeah, that's true. It's just astonishing how many iterations of some tracks there are, e.g., Not Again has a lot of demos/alternate takes as well as live versions obviously with the drum and guitar solo, all different and distinctly unique. It just goes to show Shawn's genius
@@wesleylakemusic Yeah true, the ones with Sean Rickman on the drums are my favourite , his drumming is so amazing, very tight but adds a different dynamic, he could keep up with Shawn
well, I believe this is a kind of a demo version because there is no solo, but the final (part of it) and guitar parts are "what you you don't get" when listening. Truly interesting.
@@walterscolese5348 Yeah, it is, it's a quite bare bones version, it also originally had lyrics written to it, so it maybe was intended more for vocals
Did you see his get you back 7 minute 42 second live version? he went ape shit and i still try to figure out how he pulls out like 16+ note string skipps in the blink of an eye Lol. anyhow rock on 🤘🤘
Words can never do justice. He was "THE CHANNEL" through which the GUITAR could find PERFECT, UNLIMITED EXPRESSION. Every so often, ONE is sent amongst us - Shawn Lane was IT. Then you watch him mesmerize on KEYS, he was OVERLOADED with PURE TALENT. That responsibility took its toll, sooo much to carry on his shoulders. An enduring TREASURE and irreplaceable LOSS. Can never get enough of his musical genius and technical prowess.... There could Only be one SHAWN LANE..... ever - Numero Uno!
As far as I am concerned, Shawn is The Master. It's a shame that he couldn't have still been here amazing us further. He was great guy with a humble and gracious character. I did get to see him play in Hollywood at the Starwood when he was just 14. I will never forget that night. My friends and I couldn't believe what we were hearing.
Sean always blesses me whenever I listen to his music. It's as if I'm suddenly flung into another dimension. I know what I know, then there's Shawn & I'm starting over....
I dont know how to describe this music really. It's obviously Fusion but something about it transcends beyond! Shawn definitely was in tune with another dimension of soundscapes. Feels/sounds like a dream in musical format.
Truth in Shredding.... man funny thing haha, you are one of the names on TH-cam I remember over years as one of those rare people that knows their stuff. Cool to see you around
@@ghoststorm777 th-cam.com/video/a8Q4Idf6Zno/w-d-xo.html you can hear the get you back vocals version and also a hardcase version(also with vocals) and some other alternate versions here!
@@fourtyseven47572 it's an unreleased track, it's from the "Film and Music Album" (only one upload of it on YT). Its basically a bunch of demos Shawn made that were never released
A doughnut hole in the doughnut's hole. But we must look a little closer. And when we do, we see that the doughnut hole has a hole in its center - it is not a doughnut hole at all but a smaller doughnut with its own hole, and our doughnut is not whole at all! I don't even know what to say mate. that's how hidden it is.
Hey Wesley are you the producer for Mr Lane? Is it only Mr Lane who plays, or do you play also? I don't know if you've been watching any Fremont videos, I was reviewing them all last night my 5 or 10 most recent posts. .. for filming outside I need a different setup, and so I'm looking into a using the smartphone for the audio and a mini camcorder for the video. There's definitely a lot you can do now with the technology to bypass the big expensive studio productions.. I know a lot about it for sure, since believe it or not in the studio the professors are still using mono for the vocals, I was shocked I was flabbergasted mono, what era are you living in 25 frames per second it was really sad. So I quit filming video, now I do business and I'm much better at it and no doubt I will get my associates in applied science. Somehow I just wanted to touch base with you and you know provide encouragement cuz some of the stuff is really excellent it just needs you know some more structure some some more some more band and I'm sure some of the stuff could be a very fine album. But yes in my very early years when I did not know anything about music at all except for the lessons that I was taking, I had access to studio and so my friends and I we call ourselves a band but we were just you know tinkering my friends and I you know really enjoyed the studio environment like you have no idea. But I guess my dream has always been to be a music producer.. or rather a record producer that's it yeah that's it A RECORD PRODUCER!! Ha nailed it! I guess for a record you need lyrics, and I've tried and I 100% failed on that, because I'm not a native English speaker, I speak in a right English perfectly, but it's not the same thing as writing lyrics. But this day and age, live video is really you know in demand, just like the Black eyed peas lyrics, I got that HD flat!! ( Flat screen) If you ever do start on the video path remember that MP4 is not the same thing as mp3, when you migrate an mp4 to TH-cam it gets separated and now you do have two different animals but the video that you get on your on your phone or on a chip that's one complete thing MP4 it's a tautology. Typed using Motorola voice recognition
Hi man, I'm not the producer for Shawn haha, I'm 17 so that's way out of my age range unfortunately. I only take a large amount of inspiration from Shawn for my playing and composing music. This video is all (allegedly) Shawn, with rough takes and demos of his works that have been released on PoT and Tritone Fascination. I appreciate your kind words though, not sure if you're commenting about this video or some of my own stuff, but regardless thank you. I do work in studios time to time and sort of have a grasp on the environment and such. But yeah, not sure really, I do work with a band but it isn't the same as my solo projects, so I'm tackling a bit more mainstream music in conparison to fusion instrumentals. But yeah, I appreciate the words though man, thank you
@@wesleylakemusic absolutely anything to help. I got another week's vacation from my higher education here at the college of Southern Nevada, so I'll scroll through your your posts to familiarize myself a little more with your work.
It says here on the Shawn Lane channel in the description: th-cam.com/video/8_lc4WBwbtc/w-d-xo.html Apparently it was written whilst Shawn was in savage Innocence
I don't actually know, I got the name from this video: th-cam.com/video/8_lc4WBwbtc/w-d-xo.html (which is the same track), Crafton knows way more about Shawn and the tracks than I do so I just went off that
So had to break out the profex 2 and push it through another amp and was using another pedal adaptive distortion setting to unity and trying to just boost not color the settings which If I could ever find with permission id be able to try to sound like that. Of course its Shawns hands and muscle memory but its there very fast and consistent . now it has to be fed into PA front of house as well axe 2 and now 3 in order to record the dry stem tracks into axe 3. Ive been chasing tones for 30+ years and of late the Dumble line and whats wild is of the two settings Shawn had shadowed eq wise one of them the darker or 4 band vs just 3 band happens to sound ALOT like a Dumble only its not it was the holmes rig with westbury 20 or some other goodies so when I was comparing I found its very close to ODS Dumble lead tone straight in no pedals on the Dumble where as with the 2nd voicing for Shawn he would add pedals to send it into peace in Mississippi land. The woolier of the lead sounds. Im curious if that might have been for single coils because its so dark already where as the 3 band setting is brighter and more BARK then Woof. When I spoke to Diane initially I asked her if they had the patch settings and she said no nor did she know who did them for Shawn when they designed his pro fex 2 with his specific sound. To which I said im going to find out and she said I believe you will and when you do have them contact me which I did they did not give me anything settings wise as its artist relations and they didnt disclose but to Diane they did and she asked that I be allowed to work with them and for them to be sealed private which they are. I programmed Shawns Niece one and built and voiced a Burgundy Mist Strat for her which I built. Diane was sent the preamp fully loaded and I went through and made every patch I could by ear to each song even sweet home alabama.. Playing it this afternoon is blowing my wig because its so responsive and instantly I was shredding the lines were blazing out of me because it is so fast in tracking.. If you put a westbury before it OMF there it is especially with the right tubes USE YOUR EARS but since its solid state things like adaptive distortion or heavy metal pedal which I would never in a million years would think would sound at all good does. any guitar ive ever put through it even the worst guitars my friends have sounded amazing through the preamp which explains why any guitar Shawn played through it sounded like the best one you ever heard that and of course its him and always will be just him. That said A man has to try.. My next step is inputting this into Axe 3 straight in dry on 3 band and 4 band and saving both patches as SL 1 SL 2 Forever into AXE 3 When I do those syx files will be sent to Diane to do as she wishes with them. But I feel Shawn would want them to b e heard and played and enjoyed and loved and so id be encouraging of that to Diane and Family but its always their choice not mine. I vowed to not share them with anyone directly too Diane and honor that to date. I KNOW SHAWN WOULD HAVE TRIED AT LEAST THE AXE FX LINE AND IF HE WERE HERE IN PHYSICAL FORM VS SPIRIT THEN THIS WOULD BE THE PATH HE CHOSE BECAUSE OF THE CONSISTENCY IN TONE EVERYTIME ITS TURNED ON. SO AS A PLAYER IM CERTAIN NO QUESTION WHERE SHAWN WOULD BE THOUGHT WISE ON THAT HE WOULD HAVE MASTERED BOTH AXE 2 AND 3 ALREADY BY NOW FOR BOTH GUITAR AND KEYS NO QUESTION AND IT WOULD BE THE LIBRARY OF TONE. SO WHAT YOU THOUGHT ID GIVE UP AND QUIT OR STOP ? THINK AGAIN IM PLAYING IT THIS AFTERNOON IF I CAN GO DIRECT TO PA AND I CAN WITH ALL 3 PREAMPS THEN IN FACT I CAN RECORD FROM EITHER 3 DRY THEN FEED THE STEM TRACKS DIRECTLY INTO AXE 3 AND SHADOW THEM BOTH TO SO CLOSE HUMAN EARS CANT TELL. WHICH IS WHAT WE AS FREAKS DEMAND WE DONT WANT IT TO KINDA SOUND LIKE IT WE WANT OMF THERE IT IS THEN TO BURST INTO TEARS BECAUSE WE CAN ENJOY IT AGAIN. I THINK SHAWN WOULD HAVE BEEN SHARING PATCHES WITH AXE FX FOR HIS FANS BUT DIANE MAKES THAT CALL. BUT TODAY RIGHT NOW IM PLAYING THROUGH IT MY PA IS HERE SO IM GOING TO START GOOFING WITH THAT GET THAT GOING TESTED AGAIN THEN PATCH PRO FEX 2 AXE FX 2 AND AXE FX 3 ALL INTO SAME MIXER FRONT OF HOUSE. THEN WE WANT NO EFX AT ALL JUST AMP AND CAB AND SPEAKER AND DRY RECORDINGS OF EACH. 3B 4B AND EVERY TUBE AMP I OWN DUMBLE ORIGINAL AND DUMBLE 1:1 CLONE BUILT OFF ORIGINALS INCLUDING THE BIGBOY STEEL STRING SINGER 150 WATT AMP WITH DIFFERENT TRANSFORMERS THEN ODS AMPS HAD AND 6550 OR MY FAVORITE KT88 FOR THAT AMP ALL OF THE AMPS MUST BE RECORDED DRY AS IS FED INTO AXE 3 THEN ITS ON LIKE DONKEY KONG. BECAUSE YOU CAN CHERRY PICK EVERY AMP AND GO THROUGH AND PAIR THEM MAKE A LIST PAIR EVERY ONE UP TO HEAR HOW THEY ACT TOGETHER AND SOUND MAKE NOTES SAY EH EH OR OMF KEEPER AND YOU SAVE THE CHERRIES. STACKING THEM ALL UP TO HAVE THEM ALL AND YOUR CAKE ALSO BECAUSE WE DEMAND THE BEST AND WILL ACCEPT NOTHING SHORT AS OBSESSIVE TONE JUNKIES. DO I HAVE A WITNESS ? CANT FKG HEAR YOU IF ANYONE THINKS THIS MIGHT BE A BRILLIANT IDEA AND WOULD LIKE TO VOTE THE THUMBS UP HERE MAYBE WHEN IM DONE I SEND THEM TO DIANE AND SHE CAN OFFER THE SYX PATCHES FOR DOWNLOAD AND SELL THEM DIRECT AS A BUNDLE PACK OR SOMETHING. FOR THOSE WHO MIGHT HAVE AXE FX AND WISH TO BUY THEM DIRECTLY FROM THE FAMILY THATS UP TO HER OF COURSE ALWAYS BUT IM CLEARLY HER HUCKLEBERRY IF SHE SO DEEMS IT... I DID MY HOMEWORK RELAX ITS VERY MUCH ALIVE AND UNMISTAKEABLE WHEN THE TSUNAMI OF SOUND HITS YOU AND FOR SOME REASON YOU CAN JUST BLAZE AT SPEEDS NOT EXPECTED THAT YOU CAN EVEN PLAY THEY JUST BLOW OUT OF YOU. LETS VOTE SHALL WE WHO WOULD CARE TO SEE SOMETHING LIKE THAT HAPPEN ? THUMBS UP START WRITING TO DIANE HERE AS TO HOW YOU WOULD ASK HER TO PLEASE CONSIDER IT I ALREADY STARTED AND ITS SITTING BESIDE ME OF COURSE. IT TOOK ME 30 YEARS TO TRACK EJS SSS DUMBLE 005 VOICINGS DOWN AND SRVS WHICH ALLOWED ME TO MAKE THE ENTIRE DUMBLE LINE FLAGSHIP AMPS IN AXE 2 AND 3 ALSO ALL OF THEM. AXE FX DOES NOT OFFER THE ENTIRE LINE BECAUSE NOBODY IS GONNA GIVE UP A MILLION DOLLAR AMP TO TAKE APART BUT ITS NOT NEEDED IVE GOT THE SCHEMATICS FROM THE MEN WHO FIXED SRVS AMPS AND I MYSELF WAS IN ERICS WHEN IT BURNED UP AND HAD TO BE SENT BACK AND NEVER EVER SOUNDED THE SAME. SO SINCE AXE 3 CAN RECORD AND SHADOW AND MATCH STEM TRACKS THEN ALL OF SHAWNS CATALOGUE AS WELL ERIC JOHNSONS COULD BE LOADED INTO AXE AND EVERY AMP THEY EVER OWNED OR GOT RID OF AT ITS PEAK SOUND WOULD BE AT ONES FEET . EVERY MARSHALL EVERY FENDER VOX DUMBLE WHAT EVER AND EVERY EFX AND SPEAKER PLUS CAB COMBINATION ALSO WHICH IS THERE FOR ME TO DO IF ERIC WOULD LET ME FURTHERMORE SHAWNS COULD BE DONE WITH PERMISSION FROM DIANE OF COURSE AND SAVED FOREVER ALSO. SO THE BEST MUSICIANS IN THE WORLD THAT COULD EVEN PLAY IT OR GET CLOSE TO PLAYING IT COULD PAY TRIBUTE THROUGH THE SAME RIGS. IM CLOSE TO ANDY TIMMONS HE NEEDS TO HEAR AND PLAY IT SO DOES EJ I CRIED WHEN I FIRST HEARD SHAWNS SETTINGS BECAUSE THERE HE WAS IN MY LIVING ROOM TONE WISE I CANT PLAY LIKE ANYONE BUT ME BUT IVE NEVER SOUNDED CLOSER WHICH IS ALL I CARED ABOUT ANYWAY THE REST I CAN AND AM LEARNING SO IT SOUNDS PROPER. TONE FREAKS SPEAK UP AND VOTE WHO THINKS THESE RAMBLINGS ARE WORTHY OF IDEAS ?
What blows my mind is his ability to casually dole out riffs one after the other, that could easily be a theme to a whole separate song. In a very grand yet subtle way, it's as though all of his playing is one huge song, grasping to exceed it's reach and reveal to us the wonderfully infinite & mysterious world that music hides so well. Thank you Shawn. May your spirit soar free & high, as we do on the wings of your music.
Very true!! Shawn has said before that a lot of his songs are comprised of short musical ideas/riffs that are combined into one piece. Not only that, Shawn was a great improviser. Look no other than the things he did with Hellborg/Sipe, with 10+ minutes of complete improv with developing riffs/ideas that compliment each other. I haven't even mentioned the stuff he also composed on piano. Shawn was a complete genius
@@wesleylakemusic wow thanks ! I’ll be sure to check out more. Have a blessed day friend~
@@jartocjanror6591 Surely do!! Have a good day man!!
I've always felt that way about Beethoven's music, that it just goes on and on and he occasionally wrote endings for the regular humans that listened to his creations. I feel Bach's music is similar. Shawn Lane's music too.
I don't think there will ever be a better guitarist than this KING
It depends on what you call better. To me he had something very moving and brings me to tears . There are guitar players like guthrie govan ho plays very good but i do not feel the same vibe shawn has. Shawn lane is like a musical fairy tale .
@@joluijten6313Great comment
@@joluijten6313the beauty of opinion 👌 I prefer guthries improvisation skills/ playing but Shawn's songs are Insane
Allan Holdsworth
I agree with all of you here. Sounds like a bunch of really passionate guitar players on this comment string. It's definitely not a sport or whatever. And none of us killers would ever even think about having the conversation around anyone who's in the first several stages of playing. But what gets me about Shawn Lane is he seemed to encompass virtually every vibe at will. Seamlessly. I never got to see or meet him, but a couple friends who are insane players in their own right, hung out with him, and said he was as sweet and soft spoken as he seems. Just such a special human. In my opinion of course.
This is what happens when your guitar obeys you. Mine talks back all the time, hardly ever does what I want it to. Thank you for sharing another layer of the master that was Shawn Lane.
Shawn Lane is the Best ... I don't know why, but I always get teary eyed listening to his music.
One of the most inspirational guitarists of all time!! Rest in peace my guitar king. Your legacy remains...
Get you back is one of the hardest compositions on guitar, and Shawn has multiple alternate versions of it and never played the same thing live, evertime he played he added something new, atleast on the videos and audios I have heard
and it is the same story with most of his tracks, a testament to the genius of this man
Yeah, that's true. It's just astonishing how many iterations of some tracks there are, e.g., Not Again has a lot of demos/alternate takes as well as live versions obviously with the drum and guitar solo, all different and distinctly unique. It just goes to show Shawn's genius
@@wesleylakemusic Yeah true, the ones with Sean Rickman on the drums are my favourite , his drumming is so amazing, very tight but adds a different dynamic, he could keep up with Shawn
well, I believe this is a kind of a demo version because there is no solo, but the final (part of it) and guitar parts are "what you you don't get" when listening. Truly interesting.
@@walterscolese5348 Yeah, it is, it's a quite bare bones version, it also originally had lyrics written to it, so it maybe was intended more for vocals
Did you see his get you back 7 minute 42 second live version? he went ape shit and i still try to figure out how he pulls out like 16+ note string skipps in the blink of an eye Lol. anyhow rock on 🤘🤘
I'm lucky enough to saw this legend performing live in Aizawl when I was a kid❤️
Wow that's amazing!! Was it the gig at Vanapa Hall? I believe there may be some archives of it...
@@wesleylakemusic Bassist was Jonas Helborg with the acoustic six strings
Seeing is believing 👏👏
2003
I can't send you the link ,just search Shawn lane in Vanapa hall
Words can never do justice. He was "THE CHANNEL" through which the GUITAR could find PERFECT, UNLIMITED EXPRESSION. Every so often, ONE is sent amongst us - Shawn Lane was IT. Then you watch him mesmerize on KEYS, he was OVERLOADED with PURE TALENT. That responsibility took its toll, sooo much to carry on his shoulders. An enduring TREASURE and irreplaceable LOSS. Can never get enough of his musical genius and technical prowess.... There could Only be one SHAWN LANE..... ever - Numero Uno!
As far as I am concerned, Shawn is The Master. It's a shame that he couldn't have still been here amazing us further. He was great guy with a humble and gracious character. I did get to see him play in Hollywood at the Starwood when he was just 14. I will never forget that night. My friends and I couldn't believe what we were hearing.
The Greatest of all time (imo also for most of guitar masters as well) .. missing him a lot😢😢
True facts
Well, after Holdsworth of course.
@@lex.cordis Nope, better than Allan as well
Sean always blesses me whenever I listen to his music. It's as if I'm suddenly flung into another dimension. I know what I know, then there's Shawn & I'm starting over....
Shaun Lane! The Gentle Giant of the guitar world! Just try to imagine where he would be today...! Thank you for sharing the Music!
👍👍
Shawn
The Great One!!! A God of Guitar God's. Gone way too soon.
Days when I find new Shawn lane material are just the best. Absolutely incredible.
shawn lane = the guy frank zppa should have hired to replace steve vai
That would have been WILD!
@@ShanntahnPininchula Would have been wilder if Gene Simmons hired Shawn to replace Ace. That would have been worth getting a ticket for!
A million thanks friend; this is a fantastic archive so far, and of course given it's Shawn: amazing!
It's all amazing stuff and it was too good not to share...
The King of Guitar
The Kaiser. King of Kings. Absolute end boss. The holder of the key.
I have almost the same wild white beard as you.
Probably the best guitarist to have ever lived
To this date..! 30 years later still played can’t catch up
I dont know how to describe this music really. It's obviously Fusion but something about it transcends beyond! Shawn definitely was in tune with another dimension of soundscapes. Feels/sounds like a dream in musical format.
A commenter here said 'fairy tale'.
Wow. That second one is so beautiful. Love that melody
This guy was amazing playing the guitar
And keys.
OMFG!!! THIS IS PURE GOLD FOR MY HEARS (AND HEART TOO!)... Thanks, from Argentina
It's always nice to hear Shawn Lane
Thanks, good luck with your guitar journey.
Thanks man, and you too
Truth in Shredding.... man funny thing haha, you are one of the names on TH-cam I remember over years as one of those rare people that knows their stuff. Cool to see you around
thank you for this Blessing,,,Just incredible!!!Love and MIss Shawn
Such an awesome find, the alternate versions of Get you back remind of the versions ive heard with vocals. Thanks for posting this.
WITH VOCALS?!?!
You heard 'em with vocals???
@@ghoststorm777 th-cam.com/video/a8Q4Idf6Zno/w-d-xo.html you can hear the get you back vocals version and also a hardcase version(also with vocals) and some other alternate versions here!
This is other dimension ! Thanks Shawn 💕
I like that his hands are pretty normalsized, not those superlong fingers some shredders are working with
What genius!!!! Monumental musicality!
Amazing share, he was such a genius...
Thanks a lot for these gems ! By the way, the McLaughlin piece at 1:03:12 is "Guardian Angels " and not Meeting of the Spirits.
Thanks man, I'll change the name of the track
This is Gold!
Thanks for sharing all the great music. Appreciated. Also, I believe the McLaughlin piece is Guardian Angels and not Meeting. Thanks again. Cheers.
Thanks man, I'll change the name of the track
Awesome versions!!!
Cool!
This is absolutely dope.
Thank you, fellow shredder
I loved TPoT and Shawn Lane so much! thnx for posting :D
Thanks for sharing this loving every phrase of it.
How is the family doing ?
Beautiful variation @15:10 ❤
Shawn♥️
As usual, thanks Wesley :)
Thank you
Thanks for sharing !
The playing from 11:15 on... amazing.
Lost my copy of Rain 15 years ago. Thanks!
You're welcome man! Love the stuff you do, been following you for a while
@@wesleylakemusic what is the track Rain from? Cant find it on google or anything
@@fourtyseven47572 it's an unreleased track, it's from the "Film and Music Album" (only one upload of it on YT). Its basically a bunch of demos Shawn made that were never released
This guy should have been bigger than Hendrix
Brother, Thank You So Very Much For These GEM'S FROM THE GREATEST GUITARIST TO EVER PLAY🎸🎸🎸🎸
thanks
Amazing! Where on Earth did you find this?
Alot of these are publicly available funnily enough, you just have look hard enough lol
Oh shit, is Mr Lane gone from us? Cuz I absolutely have no idea you know I'm 6,000 mi away
this is great! some of these are better takes (better songs overall) imo
A doughnut hole in the doughnut's hole.
But we must look a little closer.
And when we do, we see that the doughnut hole has a hole in its center - it is not a doughnut hole at all but a smaller doughnut with its own hole,
and our doughnut is not whole at all!
I don't even know what to say mate. that's how hidden it is.
59:21 holy shit
Where is the Jazz solo from? Sounds amazing and I've never heard it before
I have no idea, I can't remember where I got this from but it didn't state where it was from. I assume it's from a gig, possibly round 1989-1992(???)
19:57
What is the piece at 3:40? I remember hearing this while I was in college!!!!! I have been looking for this for almost 30 years… wow. 🙏🙏🙏🙏
It's Tri-7/5. Every song on this video is listed on the timestamps in the description
the demo for mark varney is sped up on this recording
Yep, it's probably something to do with exporting the tape (the audio gets sped up in the process), multiple bootlegs have a similar issue.
Hey Wesley are you the producer for Mr Lane? Is it only Mr Lane who plays, or do you play also? I don't know if you've been watching any Fremont videos, I was reviewing them all last night my 5 or 10 most recent posts. .. for filming outside I need a different setup, and so I'm looking into a using the smartphone for the audio and a mini camcorder for the video.
There's definitely a lot you can do now with the technology to bypass the big expensive studio productions.. I know a lot about it for sure, since believe it or not in the studio the professors are still using mono for the vocals, I was shocked I was flabbergasted mono, what era are you living in 25 frames per second it was really sad. So I quit filming video, now I do business and I'm much better at it and no doubt I will get my associates in applied science. Somehow I just wanted to touch base with you and you know provide encouragement cuz some of the stuff is really excellent it just needs you know some more structure some some more some more band and I'm sure some of the stuff could be a very fine album. But yes in my very early years when I did not know anything about music at all except for the lessons that I was taking, I had access to studio and so my friends and I we call ourselves a band but we were just you know tinkering my friends and I you know really enjoyed the studio environment like you have no idea. But I guess my dream has always been to be a music producer.. or rather a record producer that's it yeah that's it A RECORD PRODUCER!! Ha nailed it!
I guess for a record you need lyrics, and I've tried and I 100% failed on that, because I'm not a native English speaker, I speak in a right English perfectly, but it's not the same thing as writing lyrics.
But this day and age, live video is really you know in demand, just like the Black eyed peas lyrics, I got that HD flat!! ( Flat screen)
If you ever do start on the video path remember that MP4 is not the same thing as mp3, when you migrate an mp4 to TH-cam it gets separated and now you do have two different animals but the video that you get on your on your phone or on a chip that's one complete thing MP4 it's a tautology.
Typed using Motorola voice recognition
Hi man, I'm not the producer for Shawn haha, I'm 17 so that's way out of my age range unfortunately. I only take a large amount of inspiration from Shawn for my playing and composing music. This video is all (allegedly) Shawn, with rough takes and demos of his works that have been released on PoT and Tritone Fascination. I appreciate your kind words though, not sure if you're commenting about this video or some of my own stuff, but regardless thank you. I do work in studios time to time and sort of have a grasp on the environment and such. But yeah, not sure really, I do work with a band but it isn't the same as my solo projects, so I'm tackling a bit more mainstream music in conparison to fusion instrumentals. But yeah, I appreciate the words though man, thank you
@@wesleylakemusic absolutely anything to help. I got another week's vacation from my higher education here at the college of Southern Nevada, so I'll scroll through your your posts to familiarize myself a little more with your work.
55:30 on Shawn Lane Chanel it's just demo 1. How do you know the name of the song?
It says here on the Shawn Lane channel in the description: th-cam.com/video/8_lc4WBwbtc/w-d-xo.html
Apparently it was written whilst Shawn was in savage Innocence
@@wesleylakemusic Thank you for the explanation)
Where is the original Beyond the Stars song???
I don't actually know, I got the name from this video: th-cam.com/video/8_lc4WBwbtc/w-d-xo.html (which is the same track), Crafton knows way more about Shawn and the tracks than I do so I just went off that
So had to break out the profex 2 and push it through another amp and was using another pedal adaptive distortion setting to unity and trying to just boost not color the settings which If I could ever find with permission id be able to try to sound like that.
Of course its Shawns hands and muscle memory but its there very fast and consistent .
now it has to be fed into PA front of house as well axe 2 and now 3 in order to record the dry stem tracks into axe 3.
Ive been chasing tones for 30+ years and of late the Dumble line and whats wild is of the two settings
Shawn had shadowed eq wise one of them the darker or 4 band vs just 3 band happens to sound ALOT like a Dumble
only its not it was the holmes rig with westbury 20 or some other goodies so when I was comparing I found its very close to ODS Dumble lead tone straight in no pedals on the Dumble where as with the 2nd voicing for Shawn he would add pedals to send it into
peace in Mississippi land. The woolier of the lead sounds. Im curious if that might have been for single coils because its so dark already where as the 3 band setting is brighter and more BARK then Woof.
When I spoke to Diane initially I asked her if they had the patch settings and she said no nor did she know who did them for Shawn
when they designed his pro fex 2 with his specific sound. To which I said im going to find out and she said I believe you will and when you do have them contact me which I did they did not give me anything settings wise as its artist relations and they didnt disclose but to Diane they did and she asked that I be allowed to work with them and for them to be sealed private
which they are. I programmed Shawns Niece one and built and voiced a Burgundy Mist Strat for her which I built.
Diane was sent the preamp fully loaded and I went through and made every patch I could by ear to each song
even sweet home alabama..
Playing it this afternoon is blowing my wig because its so responsive and instantly I was shredding the lines were blazing out of me because it is so fast in tracking..
If you put a westbury before it OMF there it is especially with the right tubes USE YOUR EARS
but since its solid state things like adaptive distortion or heavy metal pedal which I would never in a million years would think would sound at all good does.
any guitar ive ever put through it even the worst guitars my friends have sounded amazing through the preamp
which explains why any guitar Shawn played through it sounded like the best one you ever heard that and of course
its him and always will be just him.
That said A man has to try..
My next step is inputting this into Axe 3 straight in dry on 3 band and 4 band
and saving both patches as SL 1 SL 2 Forever into AXE 3
When I do those syx files will be sent to Diane to do as she wishes with them.
But I feel Shawn would want them to b
e heard and played and enjoyed and loved
and so id be encouraging of that to Diane and Family but its always their choice not mine.
I vowed to not share them with anyone directly too Diane and honor that to date.
I KNOW SHAWN WOULD HAVE TRIED AT LEAST THE AXE FX LINE AND IF HE WERE HERE
IN PHYSICAL FORM VS SPIRIT THEN THIS WOULD BE THE PATH HE CHOSE BECAUSE OF THE CONSISTENCY IN TONE EVERYTIME ITS TURNED ON.
SO AS A PLAYER IM CERTAIN NO QUESTION WHERE SHAWN WOULD BE THOUGHT WISE ON THAT
HE WOULD HAVE MASTERED BOTH AXE 2 AND 3 ALREADY BY NOW FOR BOTH GUITAR AND KEYS NO QUESTION
AND IT WOULD BE THE LIBRARY OF TONE.
SO WHAT YOU THOUGHT ID GIVE UP AND QUIT OR STOP ?
THINK AGAIN
IM PLAYING IT THIS AFTERNOON IF I CAN GO DIRECT TO PA
AND I CAN WITH ALL 3 PREAMPS THEN IN FACT I CAN RECORD FROM EITHER 3 DRY
THEN FEED THE STEM TRACKS DIRECTLY INTO AXE 3 AND SHADOW THEM BOTH TO SO CLOSE HUMAN EARS
CANT TELL.
WHICH IS WHAT WE AS FREAKS DEMAND WE DONT WANT IT TO KINDA SOUND LIKE IT
WE WANT OMF THERE IT IS THEN TO BURST INTO TEARS BECAUSE WE CAN ENJOY IT
AGAIN.
I THINK SHAWN WOULD HAVE BEEN SHARING PATCHES WITH AXE FX FOR HIS FANS
BUT DIANE MAKES THAT CALL.
BUT TODAY RIGHT NOW IM PLAYING THROUGH IT
MY PA IS HERE SO IM GOING TO START GOOFING WITH THAT
GET THAT GOING TESTED AGAIN THEN PATCH PRO FEX 2 AXE FX 2 AND AXE FX 3 ALL
INTO SAME MIXER FRONT OF HOUSE.
THEN WE WANT NO EFX AT ALL JUST AMP AND CAB AND SPEAKER AND DRY RECORDINGS OF EACH.
3B
4B
AND EVERY TUBE AMP I OWN DUMBLE ORIGINAL AND DUMBLE 1:1 CLONE BUILT OFF ORIGINALS
INCLUDING THE BIGBOY STEEL STRING SINGER 150 WATT AMP WITH DIFFERENT TRANSFORMERS THEN ODS AMPS
HAD AND 6550 OR MY FAVORITE KT88 FOR THAT AMP ALL OF THE AMPS MUST BE RECORDED DRY AS IS FED INTO AXE 3
THEN ITS ON LIKE DONKEY KONG.
BECAUSE YOU CAN CHERRY PICK EVERY AMP AND GO THROUGH AND PAIR THEM MAKE A LIST PAIR EVERY ONE UP TO HEAR HOW THEY ACT TOGETHER AND SOUND MAKE NOTES SAY EH EH OR OMF KEEPER
AND YOU SAVE THE CHERRIES.
STACKING THEM ALL UP TO HAVE THEM ALL AND YOUR CAKE ALSO
BECAUSE WE DEMAND THE BEST AND WILL ACCEPT NOTHING SHORT AS OBSESSIVE TONE JUNKIES.
DO I HAVE A WITNESS ?
CANT FKG HEAR YOU
IF ANYONE THINKS THIS MIGHT BE A BRILLIANT IDEA AND WOULD LIKE TO
VOTE THE THUMBS UP HERE MAYBE WHEN IM DONE I SEND THEM TO DIANE
AND SHE CAN OFFER THE SYX PATCHES FOR DOWNLOAD AND SELL THEM DIRECT
AS A BUNDLE PACK OR SOMETHING.
FOR THOSE WHO MIGHT HAVE AXE FX AND WISH TO BUY THEM DIRECTLY FROM THE FAMILY
THATS UP TO HER OF COURSE ALWAYS BUT IM CLEARLY HER HUCKLEBERRY IF SHE SO DEEMS IT...
I DID MY HOMEWORK RELAX ITS VERY MUCH ALIVE AND UNMISTAKEABLE WHEN THE TSUNAMI OF SOUND HITS
YOU AND FOR SOME REASON YOU CAN JUST BLAZE AT SPEEDS NOT EXPECTED THAT YOU CAN EVEN PLAY THEY JUST BLOW OUT OF YOU.
LETS VOTE SHALL WE WHO WOULD CARE TO SEE SOMETHING LIKE THAT HAPPEN ?
THUMBS UP START WRITING TO DIANE HERE AS TO HOW YOU WOULD ASK HER TO PLEASE CONSIDER IT
I ALREADY STARTED AND ITS SITTING BESIDE ME OF COURSE.
IT TOOK ME 30 YEARS TO TRACK EJS SSS DUMBLE 005 VOICINGS DOWN AND SRVS
WHICH ALLOWED ME TO MAKE THE ENTIRE DUMBLE LINE FLAGSHIP AMPS IN AXE 2 AND 3 ALSO
ALL OF THEM.
AXE FX DOES NOT OFFER THE ENTIRE LINE BECAUSE NOBODY IS GONNA GIVE UP A MILLION DOLLAR AMP TO TAKE APART
BUT ITS NOT NEEDED IVE GOT THE SCHEMATICS FROM THE MEN WHO FIXED SRVS AMPS
AND I MYSELF WAS IN ERICS WHEN IT BURNED UP AND HAD TO BE SENT BACK AND NEVER EVER SOUNDED THE SAME.
SO SINCE AXE 3 CAN RECORD AND SHADOW AND MATCH STEM TRACKS THEN ALL OF SHAWNS CATALOGUE AS WELL ERIC JOHNSONS COULD BE LOADED INTO AXE AND EVERY AMP THEY EVER OWNED OR GOT RID OF AT ITS PEAK SOUND
WOULD BE AT ONES FEET .
EVERY MARSHALL EVERY FENDER VOX DUMBLE WHAT EVER
AND EVERY EFX AND SPEAKER PLUS CAB COMBINATION ALSO
WHICH IS THERE FOR ME TO DO IF ERIC WOULD LET ME
FURTHERMORE SHAWNS COULD BE DONE WITH PERMISSION FROM DIANE OF COURSE
AND SAVED FOREVER ALSO.
SO THE BEST MUSICIANS IN THE WORLD THAT COULD EVEN PLAY IT OR GET CLOSE TO PLAYING
IT COULD PAY TRIBUTE THROUGH THE SAME RIGS.
IM CLOSE TO ANDY TIMMONS HE NEEDS TO HEAR AND PLAY IT SO DOES EJ
I CRIED WHEN I FIRST HEARD SHAWNS SETTINGS BECAUSE THERE HE WAS IN MY LIVING ROOM
TONE WISE
I CANT PLAY LIKE ANYONE BUT ME BUT IVE NEVER SOUNDED CLOSER WHICH IS ALL I CARED ABOUT ANYWAY
THE REST I CAN AND AM LEARNING SO IT SOUNDS PROPER.
TONE FREAKS SPEAK UP AND VOTE
WHO THINKS THESE RAMBLINGS ARE WORTHY OF IDEAS ?