very good video but, I don't understand something, what is the name of the renaissance composer who make the book where there are every passages of transcription of a nuance?
Terrific playing! And a very useful tutorial. However, the term 'alla bastarda' has been shown to be broader than just an embellishment of a polyphonic work, and its use in this video propegates several incorrect old myths. (See www.vdgs.org.uk/files/VdGSJournal/Vol-08.pdf) Furthermore, the composers Bassano, Ortiz and Virgiliano that were given to advertise the process here are an equally confusing choice - since their pieces are (mostly) embellishments of just a single line. It would be more accurate to describe this style of playing simply as the 'compositon of divisions.' And it's a good illustration of THAT.
Thank you so much for your valuable extra information to my - really only very basic introduction to this theme! - and the link to your interesting article. I hope my video will encourage more musicians to read it and be fascinated by this possibility to make music. My main description comes from Praetorius, who writes in his De Organographia (1619) about the viola bastarda: … daß es gleichsam eine Bastard sei von allen Stimmen; sintemal es an keine Stimme allein gebunden/ sondern ein guter Meister die Madrigalien, unnd was er sonst off diesem Instrument musiciren will/ vor sich nimpt/ und die Fugen und Harmony mit allem Fleiß durch alle Stimmen durch und durch/ bald oben außm Cant, bald unten außm Baß/ bald in der Mitten außm Tenor und Alt herausser suchet/ mit Saltibus und Diminutionibus zieret/ und also tratiretl, daß man ziemlicher Maßen fast alle Stimmen eigendlich in ihren Fugen und Cadentien daraus vernemen kan.“ Thanks again, Karel
This is awesome - really clear and informative. Keep the videos coming!
well done and explained
This was wonderful, so informative. It has helped me a lot. By the way, that is a beautiful piece by Antonio il Verso. Thank you for sharing.
This is great!
Thank youuuuuuuuuuuuuuu
very good video but, I don't understand something, what is the name of the renaissance composer who make the book where there are every passages of transcription of a nuance?
Aurelio Virgiliano, the book is "Il Dolcimelo" (ca 1600)
Available here : imslp.org/wiki/Il_Dolcimelo_(Virgiliano%2C_Aurelio)
@@francello75 thank you
Terrific playing! And a very useful tutorial. However, the term 'alla bastarda' has been shown to be broader than just an embellishment of a polyphonic work, and its use in this video propegates several incorrect old myths. (See www.vdgs.org.uk/files/VdGSJournal/Vol-08.pdf) Furthermore, the composers Bassano, Ortiz and Virgiliano that were given to advertise the process here are an equally confusing choice - since their pieces are (mostly) embellishments of just a single line. It would be more accurate to describe this style of playing simply as the 'compositon of divisions.' And it's a good illustration of THAT.
Thank you so much for your valuable extra information to my - really only very basic introduction to this theme! - and the link to your interesting article.
I hope my video will encourage more musicians to read it and be fascinated by this possibility to make music.
My main description comes from Praetorius, who writes in his De Organographia (1619) about the viola bastarda: … daß es gleichsam eine Bastard sei von allen Stimmen; sintemal es an keine Stimme allein gebunden/ sondern ein guter Meister die Madrigalien, unnd was er sonst off diesem Instrument musiciren will/ vor sich nimpt/ und die Fugen und Harmony mit allem Fleiß durch alle Stimmen durch und durch/ bald oben außm Cant, bald unten außm Baß/ bald in der Mitten außm Tenor und Alt herausser suchet/ mit Saltibus und Diminutionibus zieret/ und also tratiretl, daß man ziemlicher Maßen fast alle Stimmen eigendlich in ihren Fugen und Cadentien daraus vernemen kan.“
Thanks again,
Karel