I love how he plays the flute like he wants to. Not to impress the first chair flutist at the London Philharmonic, but simply to express what he wants for the song and the audience.
It really is admiring. I definitely started with classical aspirations, so the feeling like I needed to impress other classical players was definitely there. But now, I'm doing my own thing and it is so freeing. I And Ian definitely shows that you don't have to be a boring classical player to enjoy the flute!
@@KatieShesko Indeed it is admirable. I also think that you MUSTN'T be a boring player if you want to enjoy any instrument. And the same goes with all walks of life, really. Thanks for your reaction. You are sweet and genuine. And the moment when you got "caught" unawares during the video, your reaction was really cute!! Cheers and take care.
@@KatieShesko other flute bands, Focus(Thijs van Leer), Genesis(Peter Gabriel), Marshall Tucker band(3, yes THREE different flute players), and many others.
@@KatieShesko olá, sou brasileiro, por favor, adicione o recurso de legendas do youtube para outras línguas. Aqui na América Latina falamos português e espanhol, para quem estuda música é importante saber sua opinião. Grato,
No need to throw shade on the first chair flutist because they spent years and countless hours training and practicing and developing a beautiful sound so they could perform others' compositions faithfully and competently. They're not pop stars repeating the same songs for the next 60 years. You can't have a Philharmonic w/out highly trained and disciplined players doing things precisely and selflessly. Give the first chair flutist credit for putting in all that work and earning that esteemed position.
Jethro Tull was amazing, in the exact literal meaning of the word, back in the day. There was the landscape of pop music, dominated by blues derivatives with a little big band music still around; enjoyable enough within its limits, but definitely limited. And then Tull came along, and everyone had exactly the same reaction, whether they loved it or hated it: "Where the *bleep* did _that_ come from?"
He might not have had any classical training at this point in the band's career, but man it takes serious skill and practice to be able to play such tonally complex flute parts while singing, switching to guitar, and gyrating around on stage so much. Dude had SERIOUS stamina.
I was 9 in 1970. Saw Jethro for the first time in 76. Many times throughout the decades. Ian is a master performer, composer, musician. Thick as a Brick is top of the line.
Ian created a character. He gave that character affectations. The “one foot” stance happened first when he played harmonica. Just came naturally, apparently. He likes to play the court jester. The simpleton wise man.
@wyomarine and, yes, quite a lot of psychology, sociology, comparative religions, art history and design double majors, social psychology of social problems, philosophy of psychology, aging and the aged, creativity in the aged, etc. Wrote and designed for an art mag in college, have watched hundreds of hours of interviews and the same with live performances of Tull and many other bands, I’ve even talked to more than one psychologist specifically about Ian. So, I’m sorry if Ian acted in a certain way on a certain day that gave you a rash. That’s how it goes. The list is pretty long of musicians who rub people the wrong way. I love Zappa - and actually so does Ian - so man, Frank doesn't really endear himself to everyone, particularly interviewers or the media or the broader public. 'Music journalism is people who can't write, about people who can't play, for people who can't read.' In art history it's called the three poles of the creative world. The artist, the critic and the consumer. People want easily consumed and understandble media. Something to stomp along to at 120 bpm, where sex is called love. So, turn the dial to something you like. Freedom of choice, all that. But, you know, calling Ian a psychopath, that's weirdly hyperbolic and laughable at least.
@wyomarine "I'm not a musician, I'm an artiste". He was upset the interviewer would insult him with the label of being a mere musician." If I were as talented as Ian Anderson, and had accomplished everything he had done, I too would be insulted by the title "musician." Ian was a superb multi-instrumentalist, composer, arranger, writer, and producer. His music writing and lyric story-telling abilities are incredible and nuanced. Ian observer of his period and commented on social, political, and cultural themes. He was also a masterful performance artist using his entire body and facial expressions to convey emotion and energy to the audience. Again, if I had the talent and C.V. that Ian Anderson has, I too would consider the label of musician to be woefully inadequate.
He is a multi-instrumentalist who, in addition to flute and acoustic guitar, plays keyboards, electric guitar, bass guitar, bouzouki, balalaika, saxophone, harmonica, and a variety of whistles.[2] His solo work began with the 1983 album Walk into Light; since then he has released another five works, including the sequel to the Jethro Tull album Thick as a Brick (1972) in 2012, entitled Thick as a Brick 2. Anderson is the youngest of three brothers. The oldest of the three, Robin, became administrator of Scottish Ballet in 1973.[3] In early 1970s Tull performances.[9] Anderson performing with Jethro Tull, Maple Leaf Gardens, Toronto, Ontario, Canada 24 March 1977 At this time Anderson abandoned his ambition to play electric guitar, allegedly because he felt he would never be "as good as Eric Clapton". As he himself tells it in the introduction to the video Nothing Is Easy: Live at the Isle of Wight 1970, he traded his electric guitar in for a flute which, after some weeks of practice, he found he could play fairly well in a rock and blues style. According to the sleeve notes for the first Tull album, This Was (1968), he had been playing the flute only a few months when the album was recorded. His guitar practice did not go to waste either, as he continued to play acoustic guitar, using it as a melodic and rhythmic instrument. As his career progressed, he added soprano saxophone, mandolin, keyboards and other instruments to his arsenal. His tendency to stand on one leg while playing the flute came about by accident, as he had been inclined to stand on one leg while playing the harmonica, holding the microphone stand for balance. Anderson was known for his famous one-legged flute stance, and was once referred to as a "deranged flamingo".
Thank you so much for recognizing Ian Anderson. You're so cool! My first concert, 1973, freshman in college, Boston Garden, Jethro Tull. OMG! Ian Anderson made the flute cool. Blew everyone's mind. Ian was the whole show. Jethro Tull has a place in my heart. Thank you!
By the way, the album this song comes from, "Aqualung", is, basically, two concept albums in one. One side is CALLED, "Aqualung" and the other is called, "My God".
For a bigger appreciation of Ian Andersons musical talent, go listen to the studio cut of Locomotive Breath from the Aqualung album...and consider that EVERYTHING you hear in that cut is Ian. The band wasn't getting the sound he wanted for the song, so he recorded each instrument to its own track individually, then his own part, and studio mixed it all together. To top it off, he's an amazingly personable person. I've had opportunities to 'rub elbows' with him and chatted with him for a while, truely an amazing guy! Edit: FYI: Ians hand was injured by a fan shaking it a little too...manly... in his early career, so he stopped shaking hands, and instead rubs elbows as a greeting.
EVERYTHING? I must say he sure handled the piano part as well as John Evan ever did, and he captured Martin Barre's lead guitar part with aplomb. No need for Clive Bunker's drums either. Actually that is mostly wrong. Ian did not play every part on the recording. Not sure where you came up with that crazy yarn.
@@AdullFiddler-ez7tm It's as easy as checking credits for the song from the original album release...Ian is the only member of the band with credits for LB, while credit to the other band members is given for every other song on the same album. No need to take my word for it.
When Ian’s daughter started taking flute lessons she told him some of his fingerings were wrong so he went back and relearned them. He’s done work with some orchestras later in life. For a really good example, he performed at a Mozart festival. If you search TH-cam with Ian Anderson Mozart it should come up. It’s a jazzed up medley of Mozart with Bach thrown in at the end. He’s soloing with violinist Lucia Micarelli. Edit: Oh, the version you want is the 12 minute version
Awesome! I'll definitely check it out! That sounds amazing. And yeah, with someone self taught and they style he plays, it can be hard to discern what is "incorrect" fingerling versus what is done to achieve a specific sound.
@@KatieShesko Yeah, I found out pretty quickly that alternate fingerings were a thing, and why people generally avoid them unless they're deliberately using it for effect. But someone who just picked it up and started playing could easily stumble onto all sorts of different ways to play outside what is traditionally taught.
That Mozart stuff is dreadful elevator music, the worst example of Tull / Anderson. The best examples of his style after relearning the fingerings can be found on the album Roots To Branches.
Just wanted to let you know that this song was written in 1969 but didn’t make it to the record until 1971 and also the lyrics were quite different. The lyrics still deliver Ian’s message as well as the flute solo. So listen to the Aqualung album and you’ll be highly impressed with the variety of the songs and their musicianship
This particular iteration of the band in 1970 is my favourite. We are so fortunate that this excellent recording at the Isle of Wight festival was made.
I was at the Isle of Wight 1970 (including the two free days at the start) and whilst I have forgotten most of the acts I still retain vivid memories of odd people - Tiny Tim and Miles Davis, Hendrix of course, and Ten Years After oddly. I remember Jethro Tull vividly too. One of the great live bands of that day largely because of Anderson as a front man.
I want to suggest you review the Moody Blues. A rock and roll hall of fame band. There is a video of them working with a orchestra on the classic song Night in White Satin. You will LOVE it!!!!!! Thanks.
I saw them for the first time in 1973 and have seen him 3 times since. To me his concerts and Ian's performances are what I love. Their music is the same in person as well as recorded. He still at his age can still play the same way and on one leg, but I do miss his wild hair and facial expressions. My favorite group. But Iike Deep Purple, Led Zepplin etc also.
Karie, You young lady have selected a great video & song!!!!!!! Ian is such a talent...... He is on an acoustic in this one!!! Not to worry, he switches over to his flute in a bit.... AS I have informed you before NO flutes were harmed in this video. How about some two tones??? We are good because he did his Captain Morgan one leg stand... And he is using his pinky this time!! Katie when are YOU going to cover this song??? Have you been practicing???? Thank you dear!!!!
Also, hats off to Ian...he never smoked but today is fighting lung cancer from the onstage smoke machines he hated but was forced to use by promoters, managers, etc. Imagine how many DEEP DEEP breaths he took in one night, sometimes surrounded by smoke. Life is not fair, as us oldsters have all learned by now. I think he is doing ok though...hope so...
I’ve been singing this song for days but haven’t heard it live ever . I love how u appreciate all his details! Just saw him and band a month ago live. He’s very long winded amazingly on his flute! Try to catch him if u can. His band is very active as he is, nice live band !
Lol, Ian was a Huge fan of Monty Python comedy like many Classic Prog Bands were (Genesis, Yes, Pink Floyd, Gentle Giant etc) that was all the rage in the 70s so he just Loved the nose snorts and other noises and that were often use in MP skits and also just having fun talking before songs and being silly !! : D
Regarding the pinky finger, Ian has said in interviews that it’s a genetic abnormality that keeps his pinky from straightening completely. I recall it well because it really caught my attention, as I have the same issue - but until I heard him say that, I had never known it was “a thing”. The term for it is camptodactyly.
Just a note on recording in the late 60's/early 70's: Studio time was extremely expensive! The band had to be completely on their game with performance level work before entering the studio. No futzing about in your home with endless takes! Ian and the band were all accomplished pros - whether self taught or not. The thing about Tull studio albums is that Ian is truly a musical genius - and the layers, harmonies with himself and multiple flute and other instrument parts that become possible with multi track recording - shows the incredible talent: in composition, arranging, playing and dynamics, key and time signature changes, etc. - are really amazing. Your nerdy heart will absolutely LOVE listening to the studio version of Thick as a Brick - one 43 minute song - a modernistic "symphony" if you will based on folk tunes with rock and progressive treatments added in amazingly cerebral and emotional ways. If Beethoven were alive today and could hear, he would consider Ian a contemporary or peer. And an incredible "story" expertly told to music as you described. th-cam.com/video/ldXdnZtTWp8/w-d-xo.html th-cam.com/video/GTWQv8RsI6s/w-d-xo.html Mixing simple folksie tunes or even medieval or baroque influences - with rock and his sound and talent makes for some very interesting and enjoyable experiences - you would also enjoy everything on the Album "Heavy Horses" The title song is a moving tribute to the almost lost breeds of Heavy Horses and the poetry of the lyrics set to his wonderful music can elicit tears: "Iron-clad feather-feet pounding the dust An October's day, towards evening Sweat embossed veins standing proud to the plough Salt on a deep chest seasoning"... "The Suffolk, the Clydesdale, the Percheron vie With the Shire on his feathers floating Hauling soft timber into the dusk To bed on a warm straw coating." th-cam.com/video/vRHATZzMh-g/w-d-xo.html Some of Ian's songs lend themselves well to live performance and some do not. Some are much better in the studio version and some songs are superior live. Again, a live version of Bouree (yes originally by Bach): th-cam.com/video/2u0XXpVGUwk/w-d-xo.html His adding vocalizations is not as it once was - his voice is shot - but he makes up for it with much more finesse with the flute and can still play on one foot and dance across the stage - being in his 60's in the above video! Then there is the intricate and stunningly beautiful song called "Skating Away on the Thin Ice of a New Day" - which is best in the studio version: th-cam.com/video/S5D9HZyYI6g/w-d-xo.html Almost every song from every album by Jethro Tull is worth listening to. Cross Eyed Mary: th-cam.com/video/0ufuH4vZ77w/w-d-xo.html Pretty heavy rock, but with classic Ian flute intro and some solo work with the band There is this touching gem "Wondring Aloud" th-cam.com/video/TSkxvvgMAGQ/w-d-xo.html Here is a direct quote from Ian Anderson in a long interview about the history of Jethro Tull: regarding his music - "...Martin understood what I was getting at. It was a more eclectic thing, bringing in elements of Western classical music, Asian music and even church music - the beginnings of something that was a little more spiritual. And also some real hard, driving rock songs. All of this stuff was in my head, but it required the input of Martin Barre, particularly." Full interview here: www.loudersound.com/features/ian-anderson-interview-the-beginning-middle-and-end-of-jethro-tull
So check out the studio version from the Aqualung album the lyrics are a little different but the flute solo is amazing -there’s two flute tracks combined along with some Gregorian cha
Love your choise , love your reaction and love Jethro Tull. How great musicians , such energy on stage , hes performance .... just a funny talentfully big party !!! Check Thick as a brick live , Living in the past , Cross eye Mary , wind up.❤❤ Love his icónic pose blowing flute estanding in one leg and one arm raised . Ian Anderson a pure blood Artist . Keep on rocking ❤ Keep on rocking beauty lady. Greetings from Barcelona
I can't say whether Ian Anderson made up the one-leg thing consciously or not but I found myself doing much the same thing playing violin, involuntarily. It's kind of what the feel of the music is bringing your body to do, something like a bowler puts "English" on the ball after it's already released -- you know you have no control of the ball but the moving dynamics of what's going on sort of impose it on the body. I suspect Ian Anderson noticed the same feeling, and then deliberately played it up.
From the album "Aqualung". A must for rock lover's collection. Been a favourite of mine since its release. When I was a kid, my classical flute playing friends used to complain about his "dirty" sounds. They always complained. Now it seems to be part of the extended flute repertoire.
It's so sad that it was so looked down on back in the day, because you're right, it's now considered extended flute repertoire and many contemporary pieces utilize what Ian was doing.
The Jethro Tull concerts I was fortunate to attend were an amazing once in a lifetime experience. It is great to relive the experience. Theses videos also are an eye opener that I took some of the concerts with less appreciation than they deserve
The musicianship of Tull (not just IA) is incredible. Super clean. For studio vs. live, it really depends on the band and the song. Some bands just have a hard time translating their music into a live situation. You should do a little study of the difference between live and studio for a song. Tull is just one of those that are always better live. Gotta let Ian's personality out to play. The greatest gag in the Grammy's history was when Tull won the first heavy metal grammy. Haha.
I really like your reaction videos. I started playing the flute because of Ian when I was 14. Sadly I haven't played for 12 years. Being a J Tull fan for many years, I can recommend you a couple videos you might want to consider for a future reaction. Locomotive breath live in 1982: th-cam.com/video/eSUdlUmtg3Q/w-d-xo.html And Thick as a Brick live in 1978: th-cam.com/video/FeBenliK6Lg/w-d-xo.html
I think Ian had first picked up a flute less than two years prior to this performance and taught himself how to play. He didn't say he wasn't a good guitar player, he just had decided he would never be at Eric Clapton's level. For Roland Kirk, do "Serenade to a Cuckoo" (th-cam.com/video/BsaxODHI3fA/w-d-xo.html ), then you can listen to Tull's version.
I can understand that a youngster may not have heard of Ian Anderson or Jethro Tull, but not a fellow flutist. We are ALL familiar with Ian's musical flute abilities and prowess.
I cant believe any claimed flute player can say they never heard Jethro Tull before. I am 70 years old and live would have not been the same without Ian Anderson.
Ian had only been playing the flute for less than 2 years at this time,completely self taught. He actually started playing on stage within @ a month of purchasing his first flute . Keep checking out the different suggestions you have gotten & you will be rewarded. Have fun.
When he dose the ape sounds and the crotch grab, it's like he going into the Aqualung character for a bit. I could be wrong that's the image that pop's into my head. loving your channel.
Love your comments and reactions. I was lucky enough to see them live 7 times and experienced this amazing song a couple times. My favorite all time band, incredible ❤️
I’m 63 I saw Jethro Tull in 1971 I was 13. It was my first concert it was the aqualung tour. Next songs to do aqualung, Locomotive breath, cross eyed Mary. Then do, Thick as a brick.
Have you not bought any Jethro Tull CDs yet ? At least a greatest hits Katie : ) Must albums ...... Aqualung 1971' Thick As A Brick 1972' Benefit 1970' Minstrel In The Gallery 1975' Songs From The Wood 1977' Bursting Out "Live" 1978' Living With The Past 2002' DVD Concert !! Your "Roots To Branches" reaction is from that DVD !! I hope you get some Katie : D
Ian is number one when it comes to live performance showmanship. Please keep checking out live concerts from Jethro Tull. You mentioned Saxophone playing. Ian's sax work is found on the albums "Thick As A Brick", "A Passion Play", and "WarChild".
Good stuff, Katie! Yeah I'm one of those who recommended this one (and 3 others)- because I knew you would love it. As to the album vs Live question... simple, do both. Album gives you the precise sound that the performers wanted to give you, the live version's sound is a bit the worse, but look at the impact Ian's visuals give you to make up for it. A brilliant overall performance by the Court Jester of Rock... and the King had best guard his young princesses... Peace from Canada.
Tull's had a number of line-up changes over the years - this line-up, which went on to make the 'Aqualung' record a year later - ( though bass player Glenn Cornick was on his way out of the band) - was not the original one that began in 1967 - '68 - but this line-up is my personal favorite. Clive Bunker was a monster on the drum kit.
Studio/album versions are what is in our heads, it's what we know, that's why studio versions are best. And yes, that sudden loud transition is just how they did it in the studio! Listen to the album version of this song.
Awesome job Katie! I especially love how you get it! Live concerts are SO much fun. I agree with those suggestions for the studio version of Thick as a Brick to really experience the music as I mentioned in the Tampa review, the 40th anniversary edition is the best studio version I have found. Shout out to D Boss, great list! You are exactly on target when it comes to live. However in the case of TaaB, live video falls so far short of being there. Imagine sitting in the nose bleed seat's watching the band and out of the corner of your eye, behind you, you are shocked as a guy in full scuba gear, fins and all, is headed down the main steps past you. Just doesn't come through in the live videos. loved learning about the wood flute aspect.
you commented on Ian's guitar playing ... his compositional skills and acoustic playing are simply incredible. As you hear more of Tull and see the arc of his playing over the course of many albums, and his creativity, it's mind-boggling. The growth and 'progression' of their music and his writing just constantly amazes me. I love so many bands from that early prog era, but IMO none of them hold a candle to Ian and Tull.
Great job. One of my favoite Tull shows and you really broke it down great. I wanted to mention his voice was really great in the early years. This video for sure. In later ones you will notice he really lost his voice. He had major issues with his throat. His flute playing however, over the years became even better and more refined. Obviosly, you cannot make a carrer reacting to all his videos but if you just want to watch a later one that shows the growth, try "Jethro Tull - Boris Dancing (Live At Lugano Estival Jazz Fertival 2005) here on youtube. I think you will really enjoy it. I am a musician as well. Primarily a guitarist but Ian inspired me to take flute lessons more recently. I have loved his music since I was a teenager. I knw all the guitar parts on his albums but never the flute. Its never too late to learn another instument.
YOU KNOW I KNEW YOU WOULD LIKE AND ENJOY THIS KATIE, THAT'S WHY I TOLD YOU! :) YOU RESPONDED QUICK WITH THIS AND THAT WAS SO COOL, THANKS AND ENJOYYYY, IAN AND THE BAND HAVE SO MUCH MORE YOU CAN DO AND YESSSS THIS SONG IS ON ( AQUALUNG ) SO. :) HE WAS JUST SO DAMNNNNN GOOD WITH THAT FLUTE AS WELL AS THE ACOUSTIC GUITAR PLAYING.
Ms. Shesko, your reactions are pure gold. Thank you for having such a keen insight. Ian Anderson even played the Hurdy Gurdy. One of my favorites of his is "Skating Away on the thin ice of a new day"
It strikes me how much of what you say about flute being temperamental with the embouchure and fingerings also applies to bassoon, though I doubt Ian would've enjoyed swinging one of those around on stage. They get heavy.
I love the guitar intro too. I'm actually a guitar player of average skill, and can play the intro fairly well, so actually it's maybe not as technically challenging as perhaps it sounds, but the composition itself, the chords, the transitions, are just beautiful IMO, as you said. Wonderful composing skills in the guitar part, and how it's married so perfectly with the singing that follows it. On the dramatic entry of the rest of the band, after the words "and don't call on him to save!", it was just as dramatic on the studio version (I remember being startled too, the first time I heard the record!), and was meant IMO to be a startling contrast (in a good way) to the quiet intro of the song on the studio version also. Ian was a master of theatrically, both in the studio and of course even more so in person.
Considering that Ian plays the flute just for two years at that time makes his performance even more impressive. 🙂
Absolutely!
Gives me goosebumps recalling seeing him do this live that year. Amazing that in 1970 he had only been playing flute for about 1 1/2 years.
Footnote: He is playing to 600,000 people there!
I love how he plays the flute like he wants to. Not to impress the first chair flutist at the London Philharmonic, but simply to express what he wants for the song and the audience.
It really is admiring. I definitely started with classical aspirations, so the feeling like I needed to impress other classical players was definitely there. But now, I'm doing my own thing and it is so freeing. I And Ian definitely shows that you don't have to be a boring classical player to enjoy the flute!
@@KatieShesko Indeed it is admirable. I also think that you MUSTN'T be a boring player if you want to enjoy any instrument. And the same goes with all walks of life, really. Thanks for your reaction. You are sweet and genuine. And the moment when you got "caught" unawares during the video, your reaction was really cute!! Cheers and take care.
@@KatieShesko other flute bands, Focus(Thijs van Leer), Genesis(Peter Gabriel), Marshall Tucker band(3, yes THREE different flute players), and many others.
@@KatieShesko olá, sou brasileiro, por favor, adicione o recurso de legendas do youtube para outras línguas. Aqui na América Latina falamos português e espanhol, para quem estuda música é importante saber sua opinião. Grato,
No need to throw shade on the first chair flutist because they spent years and countless hours training and practicing and developing a beautiful sound so they could perform others' compositions faithfully and competently. They're not pop stars repeating the same songs for the next 60 years. You can't have a Philharmonic w/out highly trained and disciplined players doing things precisely and selflessly. Give the first chair flutist credit for putting in all that work and earning that esteemed position.
Jethro Tull was amazing, in the exact literal meaning of the word, back in the day. There was the landscape of pop music, dominated by blues derivatives with a little big band music still around; enjoyable enough within its limits, but definitely limited. And then Tull came along, and everyone had exactly the same reaction, whether they loved it or hated it: "Where the *bleep* did _that_ come from?"
Agreed, love it or hate it it definitely caught your attention!
Ian Anderson had super human lungs.. his breathing techniques was unbelievable for a self taught musician..
He might not have had any classical training at this point in the band's career, but man it takes serious skill and practice to be able to play such tonally complex flute parts while singing, switching to guitar, and gyrating around on stage so much. Dude had SERIOUS stamina.
Yeah. He's one of the people that if I were to describe them in one sentence, I would say "That man is living music."
Absolutely! I completely agree! And I say this as someone who can only play flute 😂
I was 9 in 1970. Saw Jethro for the first time in 76. Many times throughout the decades. Ian is a master performer, composer, musician. Thick as a Brick is top of the line.
Ian created a character. He gave that character affectations. The “one foot” stance happened first when he played harmonica. Just came naturally, apparently.
He likes to play the court jester. The simpleton wise man.
i've heard him described as a jester-sage. I love Ian and JT so much
@wyomarine thank you Dr.
@wyomarine sorry, I meant thank you, son of a Dr.
@wyomarine and, yes, quite a lot of psychology, sociology, comparative religions, art history and design double majors, social psychology of social problems, philosophy of psychology, aging and the aged, creativity in the aged, etc. Wrote and designed for an art mag in college, have watched hundreds of hours of interviews and the same with live performances of Tull and many other bands, I’ve even talked to more than one psychologist specifically about Ian.
So, I’m sorry if Ian acted in a certain way on a certain day that gave you a rash. That’s how it goes. The list is pretty long of musicians who rub people the wrong way. I love Zappa - and actually so does Ian - so man, Frank doesn't really endear himself to everyone, particularly interviewers or the media or the broader public. 'Music journalism is people who can't write, about people who can't play, for people who can't read.' In art history it's called the three poles of the creative world. The artist, the critic and the consumer. People want easily consumed and understandble media. Something to stomp along to at 120 bpm, where sex is called love. So, turn the dial to something you like. Freedom of choice, all that. But, you know, calling Ian a psychopath, that's weirdly hyperbolic and laughable at least.
@wyomarine "I'm not a musician, I'm an artiste". He was upset the interviewer would insult him with the label of being a mere musician."
If I were as talented as Ian Anderson, and had accomplished everything he had done, I too would be insulted by the title "musician." Ian was a superb multi-instrumentalist, composer, arranger, writer, and producer. His music writing and lyric story-telling abilities are incredible and nuanced. Ian observer of his period and commented on social, political, and cultural themes. He was also a masterful performance artist using his entire body and facial expressions to convey emotion and energy to the audience. Again, if I had the talent and C.V. that Ian Anderson has, I too would consider the label of musician to be woefully inadequate.
Jethro Tull, Led Zeppelin and Bowie ruled my 70's. Great reaction Thank You.
Thank you for watching!
He is a multi-instrumentalist who, in addition to flute and acoustic guitar, plays keyboards, electric guitar, bass guitar, bouzouki, balalaika, saxophone, harmonica, and a variety of whistles.[2] His solo work began with the 1983 album Walk into Light; since then he has released another five works, including the sequel to the Jethro Tull album Thick as a Brick (1972) in 2012, entitled Thick as a Brick 2. Anderson is the youngest of three brothers. The oldest of the three, Robin, became administrator of Scottish Ballet in 1973.[3]
In early 1970s Tull performances.[9] Anderson performing with Jethro Tull, Maple Leaf Gardens, Toronto, Ontario, Canada 24 March 1977
At this time Anderson abandoned his ambition to play electric guitar, allegedly because he felt he would never be "as good as Eric Clapton". As he himself tells it in the introduction to the video Nothing Is Easy: Live at the Isle of Wight 1970, he traded his electric guitar in for a flute which, after some weeks of practice, he found he could play fairly well in a rock and blues style. According to the sleeve notes for the first Tull album, This Was (1968), he had been playing the flute only a few months when the album was recorded. His guitar practice did not go to waste either, as he continued to play acoustic guitar, using it as a melodic and rhythmic instrument. As his career progressed, he added soprano saxophone, mandolin, keyboards and other instruments to his arsenal.
His tendency to stand on one leg while playing the flute came about by accident, as he had been inclined to stand on one leg while playing the harmonica, holding the microphone stand for balance. Anderson was known for his famous one-legged flute stance, and was once referred to as a "deranged flamingo".
Ian Anderson is an absolute phenomena! And the absolute ultimate showman. Excellent analysis, Katie.
Thank you so much for recognizing Ian Anderson. You're so cool! My first concert, 1973, freshman in college, Boston Garden, Jethro Tull. OMG! Ian Anderson made the flute cool. Blew everyone's mind. Ian was the whole show. Jethro Tull has a place in my heart. Thank you!
By the way, the album this song comes from, "Aqualung", is, basically, two concept albums in one. One side is CALLED, "Aqualung" and the other is called, "My God".
For a bigger appreciation of Ian Andersons musical talent, go listen to the studio cut of Locomotive Breath from the Aqualung album...and consider that EVERYTHING you hear in that cut is Ian. The band wasn't getting the sound he wanted for the song, so he recorded each instrument to its own track individually, then his own part, and studio mixed it all together. To top it off, he's an amazingly personable person. I've had opportunities to 'rub elbows' with him and chatted with him for a while, truely an amazing guy!
Edit: FYI: Ians hand was injured by a fan shaking it a little too...manly... in his early career, so he stopped shaking hands, and instead rubs elbows as a greeting.
EVERYTHING? I must say he sure handled the piano part as well as John Evan ever did, and he captured Martin Barre's lead guitar part with aplomb. No need for Clive Bunker's drums either.
Actually that is mostly wrong. Ian did not play every part on the recording. Not sure where you came up with that crazy yarn.
@@AdullFiddler-ez7tm It's as easy as checking credits for the song from the original album release...Ian is the only member of the band with credits for LB, while credit to the other band members is given for every other song on the same album. No need to take my word for it.
He is the guy who popularized the flute in rock music back in the '70s and then, some other rock/county rock bands also had a flute player
She missed the sneeze and the clothes are from the 60’s filmed in 1969.
He looks like he was playing out the part of the court juster... just look at his theatrical flare on the stage.
He used what I, a 70 year old sax and clarinet player, started on this year. He goes through stacks of Artley 18-0 student flutes.
When Ian’s daughter started taking flute lessons she told him some of his fingerings were wrong so he went back and relearned them. He’s done work with some orchestras later in life. For a really good example, he performed at a Mozart festival. If you search TH-cam with Ian Anderson Mozart it should come up. It’s a jazzed up medley of Mozart with Bach thrown in at the end. He’s soloing with violinist Lucia Micarelli.
Edit: Oh, the version you want is the 12 minute version
Awesome! I'll definitely check it out! That sounds amazing.
And yeah, with someone self taught and they style he plays, it can be hard to discern what is "incorrect" fingerling versus what is done to achieve a specific sound.
@@KatieShesko Yeah, I found out pretty quickly that alternate fingerings were a thing, and why people generally avoid them unless they're deliberately using it for effect. But someone who just picked it up and started playing could easily stumble onto all sorts of different ways to play outside what is traditionally taught.
That Mozart stuff is dreadful elevator music, the worst example of Tull / Anderson. The best examples of his style after relearning the fingerings can be found on the album Roots To Branches.
Just wanted to let you know that this song was written in 1969 but didn’t make it to the record until 1971 and also the lyrics were quite different. The lyrics still deliver Ian’s message as well as the flute solo. So listen to the Aqualung album and you’ll be highly impressed with the variety of the songs and their musicianship
This particular iteration of the band in 1970 is my favourite. We are so fortunate that this excellent recording at the Isle of Wight festival was made.
I was at the Isle of Wight 1970 (including the two free days at the start) and whilst I have forgotten most of the acts I still retain vivid memories of odd people - Tiny Tim and Miles Davis, Hendrix of course, and Ten Years After oddly. I remember Jethro Tull vividly too. One of the great live bands of that day largely because of Anderson as a front man.
That's awesome!
@@KatieShesko I was also there, and remember Tull being outstanding, as well as The Moody Blues and The Who......
Ian and Tiny Tim had several things in common.
I want to suggest you review the Moody Blues. A rock and roll hall of fame band. There is a video of them working with a orchestra on the classic song Night in White Satin. You will LOVE it!!!!!! Thanks.
I saw them for the first time in 1973 and have seen him 3 times since. To me his concerts and Ian's performances are what I love. Their music is the same in person as well as recorded. He still at his age can still play the same way and on one leg, but I do miss his wild hair and facial expressions. My favorite group. But Iike Deep Purple, Led Zepplin etc also.
Karie,
You young lady have selected a great video & song!!!!!!! Ian is such a talent...... He is on an acoustic in this one!!! Not to worry, he switches over to his flute in a bit.... AS I have informed you before NO flutes were harmed in this video. How about some two tones??? We are good because he did his Captain Morgan one leg stand... And he is using his pinky this time!! Katie when are YOU going to cover this song??? Have you been practicing???? Thank you dear!!!!
Also, hats off to Ian...he never smoked but today is fighting lung cancer from the onstage smoke machines he hated but was forced to use by promoters, managers, etc. Imagine how many DEEP DEEP breaths he took in one night, sometimes surrounded by smoke. Life is not fair, as us oldsters have all learned by now. I think he is doing ok though...hope so...
Your reactions and Jethro Tull are a great combination. Thank you.
Thank you for watching!
Ian Anderson is completely one of a kind. Master musician.
Check out “Bouree.” It’s a straight forward flute song…kinda.
The studio version is definitely worth a listen.
Will do for sure!
I’ve been singing this song for days but haven’t heard it live ever . I love how u appreciate all his details! Just saw him and band a month ago live. He’s very long winded amazingly on his flute! Try to catch him if u can. His band is very active as he is, nice live band !
I'll definitely have to try! I've heard nothing but good things about his live shows!
Lol, Ian was a Huge fan of Monty Python comedy like many Classic Prog Bands were (Genesis, Yes, Pink Floyd, Gentle Giant etc) that was all the rage in the 70s so he just Loved the nose snorts and other noises and that were often use in MP skits and also just having fun talking before songs and being silly !! : D
I was at the concert/festival, great then and great now
The Christmas song you heard in his long flute solo was "God rest ye Merry Gentlemen"
You got me with letting it run through with comments and not stopping the performance.
Regarding the pinky finger, Ian has said in interviews that it’s a genetic abnormality that keeps his pinky from straightening completely. I recall it well because it really caught my attention, as I have the same issue - but until I heard him say that, I had never known it was “a thing”. The term for it is camptodactyly.
Amazen, He knows how to actually dance with the instrument. He becomes the instumemt.
Just a note on recording in the late 60's/early 70's: Studio time was extremely expensive! The band had to be completely on their game with performance level work before entering the studio. No futzing about in your home with endless takes! Ian and the band were all accomplished pros - whether self taught or not. The thing about Tull studio albums is that Ian is truly a musical genius - and the layers, harmonies with himself and multiple flute and other instrument parts that become possible with multi track recording - shows the incredible talent: in composition, arranging, playing and dynamics, key and time signature changes, etc. - are really amazing.
Your nerdy heart will absolutely LOVE listening to the studio version of Thick as a Brick - one 43 minute song - a modernistic "symphony" if you will based on folk tunes with rock and progressive treatments added in amazingly cerebral and emotional ways. If Beethoven were alive today and could hear, he would consider Ian a contemporary or peer. And an incredible "story" expertly told to music as you described.
th-cam.com/video/ldXdnZtTWp8/w-d-xo.html
th-cam.com/video/GTWQv8RsI6s/w-d-xo.html
Mixing simple folksie tunes or even medieval or baroque influences - with rock and his sound and talent makes for some very interesting and enjoyable experiences - you would also enjoy everything on the Album "Heavy Horses"
The title song is a moving tribute to the almost lost breeds of Heavy Horses and the poetry of the lyrics set to his wonderful music can elicit tears:
"Iron-clad feather-feet pounding the dust
An October's day, towards evening
Sweat embossed veins standing proud to the plough
Salt on a deep chest seasoning"...
"The Suffolk, the Clydesdale, the Percheron vie
With the Shire on his feathers floating
Hauling soft timber into the dusk
To bed on a warm straw coating."
th-cam.com/video/vRHATZzMh-g/w-d-xo.html
Some of Ian's songs lend themselves well to live performance and some do not. Some are much better in the studio version and some songs are superior live.
Again, a live version of Bouree (yes originally by Bach):
th-cam.com/video/2u0XXpVGUwk/w-d-xo.html
His adding vocalizations is not as it once was - his voice is shot - but he makes up for it with much more finesse with the flute and can still play on one foot and dance across the stage - being in his 60's in the above video!
Then there is the intricate and stunningly beautiful song called "Skating Away on the Thin Ice of a New Day" - which is best in the studio version:
th-cam.com/video/S5D9HZyYI6g/w-d-xo.html
Almost every song from every album by Jethro Tull is worth listening to.
Cross Eyed Mary:
th-cam.com/video/0ufuH4vZ77w/w-d-xo.html
Pretty heavy rock, but with classic Ian flute intro and some solo work with the band
There is this touching gem "Wondring Aloud"
th-cam.com/video/TSkxvvgMAGQ/w-d-xo.html
Here is a direct quote from Ian Anderson in a long interview about the history of Jethro Tull: regarding his music - "...Martin understood what I was getting at. It was a more eclectic thing, bringing in elements of Western classical music, Asian music and even church music - the beginnings of something that was a little more spiritual. And also some real hard, driving rock songs. All of this stuff was in my head, but it required the input of Martin Barre, particularly."
Full interview here:
www.loudersound.com/features/ian-anderson-interview-the-beginning-middle-and-end-of-jethro-tull
Damn man. Props for the wall of text.
Awesome. Thanks for all that info and suggestions. I'll definitely be checking all of that out!
Excellent. I never underestimate the band behind him. Least of all the fabulous Martin Barre.
saw lot of shows back then tull was one of the best
He may not as vocal as he was in the younger years, but he still is the master of the flute! 🙂👍
I don’t ever seen an entertainer work harder than Ian Anderson.
So check out the studio version from the Aqualung album the lyrics are a little different but the flute solo is amazing -there’s two flute tracks combined along with some Gregorian cha
Just imagine being among the 600,000 kids there at Afton in August 1970. Just magic. I never really recovered.
Thanks for this one Katie. The album version is a must as well. The flute is perfectly woven throughout one of their most well written compositions
I'll definitely check it out!
He's a self-confessed "troubadour" , has jester-like self-stylings he kept unashamedly throughout his career.
Love your choise , love your reaction and love Jethro Tull. How great musicians , such energy on stage , hes performance .... just a funny talentfully big party !!! Check Thick as a brick live , Living in the past , Cross eye Mary , wind up.❤❤
Love his icónic pose blowing flute estanding in one leg and one arm raised . Ian Anderson a pure blood Artist .
Keep on rocking ❤
Keep on rocking beauty lady.
Greetings from Barcelona
I can't say whether Ian Anderson made up the one-leg thing consciously or not but I found myself doing much the same thing playing violin, involuntarily. It's kind of what the feel of the music is bringing your body to do, something like a bowler puts "English" on the ball after it's already released -- you know you have no control of the ball but the moving dynamics of what's going on sort of impose it on the body. I suspect Ian Anderson noticed the same feeling, and then deliberately played it up.
This has always been my favorite song of theirs, hands down.
It's definitely a fantastic song. I definitely want to dive more into the lyrics, it's hard to catch them all on a first listen.
Sometimes people excel when they don't know the limitations.
From the album "Aqualung". A must for rock lover's collection. Been a favourite of mine since its release.
When I was a kid, my classical flute playing friends used to complain about his "dirty" sounds. They always complained. Now it seems to be part of the extended flute repertoire.
It's so sad that it was so looked down on back in the day, because you're right, it's now considered extended flute repertoire and many contemporary pieces utilize what Ian was doing.
Ian was definitely performance art. He often makes me think of Hocus Pocus who certainly must have been fans.
Studio versions are much more fun to listen to as those are the versions that brought him to fame and what we learned to appreciate the artistry.
The Jethro Tull concerts I was fortunate to attend were an amazing once in a lifetime experience. It is great to relive the experience. Theses videos also are an eye opener that I took some of the concerts with less appreciation than they deserve
The musicianship of Tull (not just IA) is incredible. Super clean. For studio vs. live, it really depends on the band and the song. Some bands just have a hard time translating their music into a live situation. You should do a little study of the difference between live and studio for a song. Tull is just one of those that are always better live. Gotta let Ian's personality out to play. The greatest gag in the Grammy's history was when Tull won the first heavy metal grammy. Haha.
As a guitar player, Ian is a master on 12 string and also plays mandolin, balalaika & domra, and probably the lute as well.
If you enjoy folk music and bards I think you’ll really enjoy the “Songs From the Wood” album.
I definitely plan on checking it out!
Ian couldn't even read sheet music until his son taught him not too long ago 😮
I really like your reaction videos. I started playing the flute because of Ian when I was 14. Sadly I haven't played for 12 years.
Being a J Tull fan for many years, I can recommend you a couple videos you might want to consider for a future reaction.
Locomotive breath live in 1982: th-cam.com/video/eSUdlUmtg3Q/w-d-xo.html
And Thick as a Brick live in 1978: th-cam.com/video/FeBenliK6Lg/w-d-xo.html
I think Ian had first picked up a flute less than two years prior to this performance and taught himself how to play. He didn't say he wasn't a good guitar player, he just had decided he would never be at Eric Clapton's level.
For Roland Kirk, do "Serenade to a Cuckoo" (th-cam.com/video/BsaxODHI3fA/w-d-xo.html ), then you can listen to Tull's version.
I feel this song 🎶 ☺
I can understand that a youngster may not have heard of Ian Anderson or Jethro Tull, but not a fellow flutist. We are ALL familiar with Ian's musical flute abilities and prowess.
Perhaps one of the most dynamic live performers of all time. See him soon before he hangs up that golden flute!
I cant believe any claimed flute player can say they never heard Jethro Tull before. I am 70 years old and live would have not been the same without Ian Anderson.
That's a real live lepricon right there hehehehe
cant believe hes not even out of breath incredible performance the talent on that stage is omg
An important historical performance. This band was at its peak.
Saw Tull 5 or 6 times in the 70s & 80s. Remember- Ian had a deformed pinky so was unable to do what many pros say is the "proper" fingering.
Ian had only been playing the flute for less than 2 years at this time,completely self taught. He actually started playing on stage within @ a month of purchasing his first flute . Keep checking out the different suggestions you have gotten & you will be rewarded. Have fun.
I would be like him.
Ian was so ahead of his time. No one was playing the flute like him. Try listening to Herbi Mann a jazz flutist.
Ian gives it all he had a the greatest concert EVER .More than 500.000 spectators was present.
Oh, that's amazing! I didn't realize it was that big!
Watching a live video before you have heard the studio recording is like watching the movie before you read the book.
When he dose the ape sounds and the crotch grab, it's like he going into the Aqualung character for a bit. I could be wrong that's the image that pop's into my head. loving your channel.
Like he was presaging the meth addicts on the street today.
You should check out Ian Anderson's solo album Divinities, Twelve Dances with God.
Love your comments and reactions. I was lucky enough to see them live 7 times and experienced this amazing song a couple times. My favorite all time band, incredible ❤️
I’m 63 I saw Jethro Tull in 1971 I was 13. It was my first concert it was the aqualung tour. Next songs to do aqualung, Locomotive breath, cross eyed Mary. Then do, Thick as a brick.
Saw them twice in the 70’s great performances live but the studio version much more powerful
Have you not bought any Jethro Tull CDs yet ? At least a greatest hits Katie : )
Must albums ......
Aqualung 1971'
Thick As A Brick 1972'
Benefit 1970'
Minstrel In The Gallery 1975'
Songs From The Wood 1977'
Bursting Out "Live" 1978'
Living With The Past 2002' DVD Concert !!
Your "Roots To Branches" reaction is from that DVD !!
I hope you get some Katie : D
Ian is number one when it comes to live performance showmanship. Please keep checking out live concerts from Jethro Tull.
You mentioned Saxophone playing. Ian's sax work is found on the albums "Thick As A Brick", "A Passion Play", and "WarChild".
With most songs, I would recommend the studio version.
With Jethro Tull, you gotta do it live.
Good stuff, Katie! Yeah I'm one of those who recommended this one (and 3 others)- because I knew you would love it. As to the album vs Live question... simple, do both. Album gives you the precise sound that the performers wanted to give you, the live version's sound is a bit the worse, but look at the impact Ian's visuals give you to make up for it. A brilliant overall performance by the Court Jester of Rock... and the King had best guard his young princesses... Peace from Canada.
Yep! There he was, standing on one leg, classic!
Tull's had a number of line-up changes over the years - this line-up, which went on to make the 'Aqualung' record a year later - ( though bass player Glenn Cornick was on his way out of the band) - was not the original one that began in 1967 - '68 - but this line-up is my personal favorite. Clive Bunker was a monster on the drum kit.
But listen to Glenn's bass lines in this early version!
Thank you for letting the video play through first before you dive into analyzing. Great video
I saw Tull in LA in 1972 at the Forum. Incredible show.
me too!
Studio/album versions are what is in our heads, it's what we know, that's why studio versions are best. And yes, that sudden loud transition is just how they did it in the studio! Listen to the album version of this song.
Love your enthusiasm and love just looking at you
Awesome job Katie!
I especially love how you get it! Live concerts are SO much fun.
I agree with those suggestions for the studio version of Thick as a Brick to really experience the music as I mentioned in the Tampa review, the 40th anniversary edition is the best studio version I have found.
Shout out to D Boss, great list!
You are exactly on target when it comes to live. However in the case of TaaB, live video falls so far short of being there. Imagine sitting in the nose bleed seat's watching the band and out of the corner of your eye, behind you, you are shocked as a guy in full scuba gear, fins and all, is headed down the main steps past you. Just doesn't come through in the live videos. loved learning about the wood flute aspect.
I know this is an old one of yours but I love your reactions.
you commented on Ian's guitar playing ... his compositional skills and acoustic playing are simply incredible. As you hear more of Tull and see the arc of his playing over the course of many albums, and his creativity, it's mind-boggling. The growth and 'progression' of their music and his writing just constantly amazes me. I love so many bands from that early prog era, but IMO none of them hold a candle to Ian and Tull.
32:00 Katie,he's mimicking a dog!
Here’s my take and opinion on everything Tull.
Basically almost every thing they crafted composed and released.
Are all Masterpieces.
Period.
23:55 Yes, he does use cheaper flutes, and has said that he goes through a lot of them - they tend to take some abuse.
Some of my favorite videos of Ian Anderson are the duets with Lucia Micarelli. Love 'em♥
I'm looking forward to this I need to ring the bell so I don't miss these in the future
Great job. One of my favoite Tull shows and you really broke it down great. I wanted to mention his voice was really great in the early years. This video for sure. In later ones you will notice he really lost his voice. He had major issues with his throat. His flute playing however, over the years became even better and more refined. Obviosly, you cannot make a carrer reacting to all his videos but if you just want to watch a later one that shows the growth, try "Jethro Tull - Boris Dancing (Live At Lugano Estival Jazz Fertival 2005) here on youtube. I think you will really enjoy it. I am a musician as well. Primarily a guitarist but Ian inspired me to take flute lessons more recently. I have loved his music since I was a teenager. I knw all the guitar parts on his albums but never the flute. Its never too late to learn another instument.
YOU KNOW I KNEW YOU WOULD LIKE AND ENJOY THIS KATIE, THAT'S WHY I TOLD YOU! :) YOU RESPONDED QUICK WITH THIS AND THAT WAS SO COOL, THANKS AND ENJOYYYY, IAN AND THE BAND HAVE SO MUCH MORE YOU CAN DO AND YESSSS THIS SONG IS ON ( AQUALUNG ) SO. :) HE WAS JUST SO DAMNNNNN GOOD WITH THAT FLUTE AS WELL AS THE ACOUSTIC GUITAR PLAYING.
Agreed! I definitely plan on checking out the studio version!
Ms. Shesko, your reactions are pure gold. Thank you for having such a keen insight. Ian Anderson even played the Hurdy Gurdy. One of my favorites of his is "Skating Away on the thin ice of a new day"
Now i think I have an idea where all the antics from Max Cavalera came from.. 🤔
It strikes me how much of what you say about flute being temperamental with the embouchure and fingerings also applies to bassoon, though I doubt Ian would've enjoyed swinging one of those around on stage. They get heavy.
Oh my gosh, that would be amazing though!
I love the guitar intro too. I'm actually a guitar player of average skill, and can play the intro fairly well, so actually it's maybe not as technically challenging as perhaps it sounds, but the composition itself, the chords, the transitions, are just beautiful IMO, as you said. Wonderful composing skills in the guitar part, and how it's married so perfectly with the singing that follows it. On the dramatic entry of the rest of the band, after the words "and don't call on him to save!", it was just as dramatic on the studio version (I remember being startled too, the first time I heard the record!), and was meant IMO to be a startling contrast (in a good way) to the quiet intro of the song on the studio version also. Ian was a master of theatrically, both in the studio and of course even more so in person.