There's no rhyme or reason why this song is a catchy as it it is. First off, the strings are soothing, and pleasant enough to induce sleep. But the bass and drums, horns are just asskickin' the shit outta you to groove with them and they ain't holdin' back ,, then there's Barry voice,, and that's it..!! you're gone to another place and you ain't comin' back.. This is a musical orgasm .. Well done bass cover my man
Thanks Steve, that's very much appreciated. It's a combination that *can* provide some EQ challenges for certain numbers, but I switch to Jazz Bass & roundwounds on those rare occasions!
Wow.. first time i played it through my laptop speakers i was like.... wait a minute. I put my headphones on and.... got goosebumps ! Sound You achieved is amazing.... whats your set up? Is is only what you put in description?
Hi Maciej, yes, simply a stereo (aux) input to the Boss, in which I tweaked a factory preset (60's R&B mode) to better reflect the Stingray's essential tone with flatwounds (& bridge mutes slightly engaged). I tend to use a similar baseline setting for everything, as I prefer the sort of late '70's tone that characterised the Stingray on many records of that era. The Boss is then fed stereo out into the line input jack of a little old digital recorder (a Marantz PMD620). None of my recordings are via PC etc. Thanks :-)
Sounds Great-Nathan East(and Barry White)would be proud
This is so amazing, so love this song, you are brilliant xxxx❤❤
AWESOME, ONE OF MY FAV SONGS
A really excellent job Ian!
Silky smooth
Very génial félicitations magic
Banger mate!! Yes!!!!
Great track, you absolutely smashed it Ian, it’s a groover 🕺🏻🕺🏻
There's no rhyme or reason why this song is a catchy as it it is. First off, the strings are soothing, and pleasant enough to induce sleep. But the bass and drums, horns are just asskickin' the shit outta you to groove with them and they ain't holdin' back ,, then there's Barry voice,, and that's it..!! you're gone to another place and you ain't comin' back.. This is a musical orgasm .. Well done bass cover my man
Grew up a huge Barry White fan and you have done it again thanks
Hi - good bass playing! Cool! 💪
bravissimo che groove!
nice song and I like how u contribute to it. Great hands! :)
I wish I knew your musical history, records, or early days gig, etc.🤩
Nothing finer than a Ray with flats, well done!
Thanks Steve, that's very much appreciated. It's a combination that *can* provide some EQ challenges for certain numbers, but I switch to Jazz Bass & roundwounds on those rare occasions!
@@fergieweather Finally!!!!!!! got one on the way, can't wait to throw on a set of GHS Precision flats, which were oem strings back in the '70s
🔥🤩🤩🔥
Great vid .. u look good ..
were u in a rock band when u were younger ??
Wow.. first time i played it through my laptop speakers i was like.... wait a minute. I put my headphones on and.... got goosebumps ! Sound You achieved is amazing.... whats your set up? Is is only what you put in description?
Hi Maciej, yes, simply a stereo (aux) input to the Boss, in which I tweaked a factory preset (60's R&B mode) to better reflect the Stingray's essential tone with flatwounds (& bridge mutes slightly engaged). I tend to use a similar baseline setting for everything, as I prefer the sort of late '70's tone that characterised the Stingray on many records of that era. The Boss is then fed stereo out into the line input jack of a little old digital recorder (a Marantz PMD620). None of my recordings are via PC etc. Thanks :-)
@@fergieweather Thank you for so much :) Just last question please... What strings do you use? :)
@@lockupl Ernie Ball flatwounds
Awesome but you got something wrong brother- Nathan slides rather than hammers on the main riff- its in this video for SBL.
Thanks Riaz :-)