Just blows the mind. It transcends all! The clarity of thought, the intensity of emotion, the effortless flow, the intellect! This is the best human civilization has to offer.
Beethovens 9th is the best of all. The clarity was nothing but a trend at that time, since everything had to appear to be just perfect, they were not allowed to show the misery of the humanity, except even that being staged. However, Beethoven was the first to depict the true ugliness of life in a very very sophisticated way, hence, less clarity sometimes.
That chord at 8:38 has always stuck with me for some reason. It feels so out of place yet perfectly fits. Feels so modern but also so unique. I don’t know why I love it so much
I would mention it functions as a suspention played on a downbeat, which is classic. For me the beauty is that we hear it with a modern ear as a minor-7 chord ("tonic"), yet Mozart deceives us and it turns out to be a suspention only. This ambiguity is intriguing and freeing our spirit somehow
Aside from suspensions, there are some passages where Mozart decides to let the bass line do its own thing regardless of the harmonies above, which of course results in what we now call jazz harmony. For example if you play a vii dim7 chord over the dominant you're generating V79 chord - Mozart does this a few times in KV 466.
Seine letzten drei Symphonien ( Nr. 40, 41, 42 ) schrieb Mozart in rund 40 Tagen, aber es ist unbekannt, ob er sie jemals außerhalb seiner eigenen Vorstellung hörte, bzw. ob sie zu seinen Lebzeiten aufgeführt wurden! Die Autographen sind ohne Korrekturen, absolut perfekt! Und die Musik unbeschreiblich schön!!
Da er die Instrumentation geändert hat und zwei Klarinetten hinzugefügt hat würde ich sagen, dass es sehr vermutlich ist, dass er die Symphonien schon gehört hat.
1st movement sounds serious in a minor key, 2nd movement sounds peaceful in a major key, 3rd movement sounds triumphant in a minor key and 4th movement sounds exciting in a minor key.
Everyone: *reads the title 'Symphony in G minor'* expects to hear G minor a lot. Mozart: 20:10 - 20:17 EVERY PITCH OF THE CHROMATIC SCALE EXCEPT THE TONIC OF THE PIECE, G, THEN BY 20:56 IS IN C-SHARP MINOR, THE TONAL OPPOSITE OF G MINOR, BEFORE ARRIVING AT A DECEPTIVE CADENCE 21:06, THEN COMING ALL THE WAY BACK TO G MINOR 🤯
@@aaron-XBass Later works, too, like the Pastoral (#6), my fave. Sudden theme changes, galloping rhythms like #40. Amazing. Cheers from Connecticut! Happy listening! Happy spring! ;^D
I wouldn't disagree. Or you can argue great minds think alike. The questionable point is whether Beethoven and Mozart have met before. There is a lot speculation.
1часть 0:00 - главная партия 0:23 - связка 0:49 - побочная партия 1:57 - разработка 2часть 6:00 - главная партия 7:10 - связка 8:12 - побочная партия 9:10 - разработка 3 часть 13:39 - начало 15:26 - трио 4часть 18:15 - главная партия 19:20 - побочная партия 20:09 - начало разработки 21:07 - окончание разработки
Beethoven is always good and lovely music to hear. Symphony No. 40 in G minor, KV. 550 was written by Wolfgang Amadeus Mozart in 1788. It is sometimes referred to as the "Great G minor symphony", to distinguish it from the "Little G minor symphony", No. 25. The two are the only extant minor key symphonies Mozart wrote.
That development section of the 1st mvt is incredible, and without equal in all classical symphonic music. I can't understand the popular dismissal of Mozart as a symphonist. This is the most wonderful, profound symphony ever composed; in fact, each one of Mozart's last 6 symphonies are equal to the best efforts of Beethoven in this genre. I'll venture to say that all Mozart's symphonies from #19 on are well-crafted, accomplished works worthy of repeated listening.
Connor Knight People comment it so they can see it in their past comments. If they have an audition coming up with this excerpt they can go to their comments and find it on youtube from this recording at the proper moment for reference.
hi, i need tips for how to make a video like this, with simply music and the score. i have tried putting images into imovie but the resolution is not as good when i do that. how did you make this video, any tips?
For the first movement, why is the higher horn labelled Si-flat and then B alto? Is B alto a shorthand for Bb alto, since B-natural horns weren’t made*? * Source: 5 seconds of reading Wikipedia
Herr Mozart, with all honesty, personally speaking, I don't think you have works that are "way better" than this, in fact, I can't think of many opuses of yours that perceptibly eclipses this symphony in terms of sheer dramaticism, pathos and overall musicality.
As a kid I played the violin for this in orchestra, but a much simpler abridged version. Still it was extremely "Fast and Furious" for my tiny little fingers. I barely made it.
Nah fam...H\WHY were the flutes rushing through the piece??! Half of the time they were ahead of the strings and hitting the chords unevenly with the woodwinds!!! Otherwise, GREAT performance! I don't think I listen to any other version of it
But who was the conductor? Personally, I did not like the interpretation, but maybe it's only the flat recording, or else it's my computer, not the ideal. Usually I listen to CDs on a stereo system.... Anyway, the music is so amazing. When I first heard the finale conducted by Otto Klemperer (I was about15), I thought it was the personification of the inexorability of destiny, even more than Beethoven's fifth symphony. Beethoven is dramatic, Mozart is tragic and fatal like an ancient Greek tragedy. He ends the symphony in G minor, does not convert to G major as Haydn and Beethoven would have optimistically done. But Mozart soon recovers: in fact this symphony is immediately followed by the glorious and triumphant C major of the Jupiter Symphonie......
Beethoven used a theme very similar to the one of the finale of this symphony in the first theme of his sonata op.2 no.1 the so called ,,Manheim rocket".
TBH YEAH I MIGHT'VE HEARD SOMETHING LIKE THAT TOO the theme from swan lake was the first classical tune that I remembered lmao, it played on this little jewelry box that I still have
in ever orquestral work, the winds are LIKE TURTLES, WHY THE WINDS (specially flutes) IN EVERY PIECE ARE LIKE THIS? look to flute version of Bach bwv 668 :)
![Mozart - Symphony No. 40 in G minor, K. 550 [complete]](http://i.ytimg.com/vi/JTc1mDieQI8/mqdefault.jpg)
![Mozart - Symphony No. 40 in G minor, K. 550 [complete]](/img/tr.png)
Just blows the mind. It transcends all! The clarity of thought, the intensity of emotion, the effortless flow, the intellect! This is the best human civilization has to offer.
Full of ideas, his playstyle is ingenuity!
Beethovens 9th is the best of all. The clarity was nothing but a trend at that time, since everything had to appear to be just perfect, they were not allowed to show the misery of the humanity, except even that being staged. However, Beethoven was the first to depict the true ugliness of life in a very very sophisticated way, hence, less clarity sometimes.
I absolutely agree with you
perfect balance between everything, emotion, intellect, the counterpoint oh my god
@@d.o.7784 Bach will always be better than any composer ever
That chord at 8:38 has always stuck with me for some reason. It feels so out of place yet perfectly fits. Feels so modern but also so unique. I don’t know why I love it so much
It's an Ebm7. Plus the chromaticism onto the 7th as the top note, you can't get more jazzy than that.
yes, it's one of my favorite parts, hear that m7 chord, so fresh and modern.
Indeed. It almost foreshadows Brahms with this chord progression.
I would mention it functions as a suspention played on a downbeat, which is classic. For me the beauty is that we hear it with a modern ear as a minor-7 chord ("tonic"), yet Mozart deceives us and it turns out to be a suspention only. This ambiguity is intriguing and freeing our spirit somehow
Aside from suspensions, there are some passages where Mozart decides to let the bass line do its own thing regardless of the harmonies above, which of course results in what we now call jazz harmony. For example if you play a vii dim7 chord over the dominant you're generating V79 chord - Mozart does this a few times in KV 466.
Seine letzten drei Symphonien ( Nr. 40, 41, 42 ) schrieb Mozart in rund 40 Tagen, aber es ist unbekannt, ob er sie jemals außerhalb seiner eigenen Vorstellung hörte, bzw. ob sie zu seinen Lebzeiten aufgeführt wurden! Die Autographen sind ohne Korrekturen, absolut perfekt! Und die Musik unbeschreiblich schön!!
Da er die Instrumentation geändert hat und zwei Klarinetten hinzugefügt hat würde ich sagen, dass es sehr vermutlich ist, dass er die Symphonien schon gehört hat.
This is the only recording of this symphony I’ve heard where the french horn players don’t mess up in the minuet section
wait what?
@ In every other video I've found on this symphony, the french horn players mess up in the minuet section
@@lucydoodles2020 Do you mean Trio, when horns and strings play?
@@lucydoodles2020 I think it's also true to say that I have never lost a race against Usain Bolt
Looksharp staysmart the first? Really?
4 часть
Экспозиция ГП- 18:15
Экспозиция СП- 18:59
Экспозиция ПП B-dur- 19:20
Экспозиция ЗП- 19:48
Разработка- 20:09
Реприза ГП- 21:24
Реприза ПП g-moll- 22:01
Реприза ЗП- 22:29
G r a c i a s !
I’m not sure why, but the bassoon clarinet duo at 19:34 makes me so happy
Probably because it sounds Disneyish
It's longing, not happiness.
@@omegads3862 subjective
This orchestra’s viola and bassoon player are the best . The sound is clear but rich and deep at the same time.
I remember playing this as a flute duet with myself using a tape cassette recorder... a long long time ago. The Menuetto section.
Great
@@Franz_Liszt_Korean you are everywhere
I'm loving the chord sequence at 8:40 and 13:00-- it's so rich
1st movement sounds serious in a minor key, 2nd movement sounds peaceful in a major key, 3rd movement sounds triumphant in a minor key and 4th movement sounds exciting in a minor key.
1st 소나타형식
00:01 제시부 제1주제
00:32 경과구
00:50 제시부 제2주제
2nd 소나타형식
06:01 제1주제
08:12 제2주제
3rd 미뉴에트
13:41 주제
15:26 트리오
4th 소나타형식
18:16 제1주제
19:20 제2주제
Everyone: *reads the title 'Symphony in G minor'* expects to hear G minor a lot.
Mozart: 20:10 - 20:17 EVERY PITCH OF THE CHROMATIC SCALE EXCEPT THE TONIC OF THE PIECE, G, THEN BY 20:56 IS IN C-SHARP MINOR, THE TONAL OPPOSITE OF G MINOR, BEFORE ARRIVING AT A DECEPTIVE CADENCE 21:06, THEN COMING ALL THE WAY BACK TO G MINOR 🤯
yes for this time this was Schönberg. To Mozart's contemporaneans it must have sounded as if created by aliens.
@@farrelpermadi5471 Developments by MOZART and HAYDN often go to unusual keys, other composers not so much. Even so, 20:10 is pretty out-there
look at this early ligeti :) 8:36
Yes it’s ALMOST a twelve-tone row! A century before Schoenberg!
Did you notice that the re-transition is a perfect circle of 5ths leading back to G minor?
0:00
5:58
13:35
18:10
behind every good video, is an indian guy with timestamps
@@eggie2097 I don't care where anyone's from... they've got good taste in music undoubtedly. Also, useful timestamps
And that too, and a Bengali.!
1 часть
Экспозиция ГП- 0:00
Экспозиция СП- 0:23
Экспозиция ПП B-dur- 0:49
Экспозиция ЗП B-dur- 1:23
Разработка (вся на теме ГП)- 1:57
Реприза ГП- 3:14
Реприза СП- 3:36
Реприза ПП g-moll- 4:27
Реприза ЗП- 5:06
Спасибо
Muchas Gracias !
Спасибо тебе, Серёжа!
Thank you for this. Finally found a recording with the right tempo and pitch.
Chicken Dinner what do you mean by right tempo and pitch?
@@josephengel8263 some of them are in different keys
You can hear so much of this symphony in Beethoven's work.
He probably had this one by the incomparable Mozart emblazoned in his brain.
@@aaron-XBass Later works, too, like the Pastoral (#6), my fave. Sudden theme changes, galloping rhythms like #40. Amazing.
Cheers from Connecticut!
Happy listening! Happy spring! ;^D
I wouldn't disagree. Or you can argue great minds think alike. The questionable point is whether Beethoven and Mozart have met before. There is a lot speculation.
No way.
@@brandonwu8353they didn't have to personally meet for there to have been direct or indirect influence from Mozart to Beethoven
1часть
0:00 - главная партия
0:23 - связка
0:49 - побочная партия
1:57 - разработка
2часть
6:00 - главная партия
7:10 - связка
8:12 - побочная партия
9:10 - разработка
3 часть
13:39 - начало
15:26 - трио
4часть
18:15 - главная партия
19:20 - побочная партия
20:09 - начало разработки
21:07 - окончание разработки
0:00 І ч. ГП g
0:48 І ч. ПП В
2:00 І ч. ГП в РБ
6:00 ІІ ч. ГП Es
8:12 ІІ ч. ПП В
13:40 ІІІ ч. ОТ g
15:26 ІІІ ч. тріо G
18:14 IV ч. ГП g
19:20 IV ч. ПП B
Спасибо. Лучший
2 часть
Экспозиция ГП- 6:00
Экспозиция СП- 7:10
Экспозиция ПП- 8:12
Разработка- 9:10
Реприза ГП- 10:32
Реприза ПП- 12:33
Gracias !💥
1 часть:
0:00 - ГП
0:23 - Связка
0:49 - ПП
1:58 - Разраб.
2 часть:
6:01 - ГП
7:10 - Связка
8:12 - ПП
9:11 - Разраб.
4 часть:
18:16 - ГП
19:20 - ПП
20:10 - Начало Разраб.
21:08 - Окончания Разраб
3 часть
начало - 13:43
трио - 15:26
3 часть
начало - 13:41
трио - 15:26
No puedo explicar con palabras, el éxtasis que me produce escuchar está obra de arte, leyendo al mismo tiempo la partitura
Beethoven is always good and lovely music to hear. Symphony No. 40 in G minor, KV. 550 was written by Wolfgang Amadeus Mozart in 1788. It is sometimes referred to as the "Great G minor symphony", to distinguish it from the "Little G minor symphony", No. 25. The two are the only extant minor key symphonies Mozart wrote.
Cand.scient.dat. Sune Smith I wish he’d made a minor key violin concerto.
@@adamdonahue2079 But he said "Symphony". Symphony and Concerto aren't the same thing
Juan Eliseo Rivero Exactly. He never wrote a violin concerto in a minor key and it would’ve been really nice if he had.
WOLFGANG AMADEUS MOZART (1756-1791)
Symphony No. 40 in G minor, KV. 550 (1788):
1. Molto Allegro.
2. Andante. 6:00
3. Menuetto - Trio. 13:39
4. Allegro Assai. 18:16
What passionate perfection.
1악장 0:00
2악장 6:00 관악기하향7:42 2주제 8:12 마이너전조9:10 관악기링크12:00
3악장 미뉴엣 13:39 트리오 15:26
4악장 18:14 2주제/장조 19:20 단조/링크20:10 1주제 subito p 21:24 2주제변형/마이너 전조22:01 코다22:29
First time after 20 years I read an orchestral sheet listening at the music. Thanks a lot!
3:45 my favourite moment....
Sounds like the music from Tom and Jerry
Every instrument chips in then and it's fantastic
That development section of the 1st mvt is incredible, and without equal in all classical symphonic music.
I can't understand the popular dismissal of Mozart as a symphonist. This is the most wonderful, profound symphony ever composed; in fact, each one of Mozart's last 6 symphonies are equal to the best efforts of Beethoven in this genre. I'll venture to say that all Mozart's symphonies from #19 on are well-crafted, accomplished works worthy of repeated listening.
Memé the first movement of this symphony has an uncanny resemblance to the first movement of Beethoven's epic Hammerclavier Sonata op. 106.
ANGELA DE LA CRUZ wait what-
20:17
20:30
20:43 my favorite parts of the 4th movement, he nailed it👍
Yep
1:57 Development
@@connorknight8238 0:00 Exposition
thanks my dear comrade!
3:14 Recapitulation
3 часть:
13:43 - начало
15:26 - трио
18:16 we are doing this section up until 19:19 for youth symphony auditions
19:48 is the best part.
0:00.... to 23:01...is the best part! Period.
YES
How did this come from a brain
@Benjamin Price lmao ikr
@@rajaorr A shit one lol
Hes high
@@jackminto7062 no Wolfgang without Leopold
geniuses are born, not created
UCF violin audition music
Mvt 1: 2:00
Mvt 2: 8:11
JUPITER AND THAT ONE MY FAVORITE
obg por tudo Mozarte estou muito grato pela tua música vou dormir descansado todas as noites!!!!
1:20-1:43 is my favorite.
8:36 '-'
I: Molto Allegro 0:00
II: Andante 6:01
III: Menuetto Allegretto 13:39
Trio 15:27
IV: Allegro Assai 18:15
Beethoven loved the theme at 18:15.
3 часть
Менуэт- 13:39
Трио- 15:26
Менуэт- 17:17
G R A C I AS !
Secondary theme 19:19 in major 22:01in minor. Cleverly done with the chromaticism, orchestration and variation.
I часть
Exp
ГП 0:00
СП 0:24
ПП B-dur 0:49
ЗП 1:23
R
1:57
Rp
ГП 3:14
СВ 3:36
ПП 4:27
ЗП 5:06
II часть
6:00
III часть
13:42
15:26 трио
IV часть
18:14 ГП
19:20 ПП
Another 300 years Mozart will still be a leader , today's contemporary will be in the garbage bin.
John Williams would still be listened to, I think.
들을 수록 깊이가 있는 음의 선율입니다.
3:35 audition excerpt
Connor Knight ikr
Connor Knight People comment it so they can see it in their past comments. If they have an audition coming up with this excerpt they can go to their comments and find it on youtube from this recording at the proper moment for reference.
13:39-14:43 viola audition excerpt.
20:09
Really interesting section. Kinda late romantic.
Sounds like drunken Mozart
@@accipiterignitus5123 is drugs
That section reminds me of John Williams' Gilderoy Lockhart theme.
Me, a upright bass player: Now, where can I find people to play this with...
...Darn, guess I'll just play the cellos part.
- 2:13
- 3:44
Pasajes de contrabajo
0:58
2:45
3:08
7:35
8:38
9:27
10:00
11:55
19:31
22:13
0:00
W.A.Mozart symphony No.40 in g minor k.550 1nd
1:38 - 2:19 (audition excerpt)
I'm playing it on cello in my orchestra. It's so fu***** hard!!!
Just imagine how much of a nightmare this is on the double bass.
Feel sorry for the violins
@@gammafoxlore2981 they play same xD
If you play my Symphony, you will fainted to be a cellist! 😂😂
@@farrelpermadi5471 , guess what 😂
what is happening at 12:31 ? sounds like the lingering reverb of all instruments undergo some sort of downward pitch modulation effect
You're true, I hadn't noticed that until you mentioned it.
13:40 V.A.Mocarts - 40.simfonija 3.d. pamattēma
all-region excerpt - 2:09
hi, i need tips for how to make a video like this, with simply music and the score. i have tried putting images into imovie but the resolution is not as good when i do that. how did you make this video, any tips?
marcus I just use imovie. It should work.
0:00 18:16 the best movements imo
2:01 myso excerpt for violin
que som do caraças meu!!!!!!!
I daļas g.p. (no sākuma)
III daļas pamattēma (no 13:39)
For the first movement, why is the higher horn labelled Si-flat and then B alto?
Is B alto a shorthand for Bb alto, since B-natural horns weren’t made*?
* Source: 5 seconds of reading Wikipedia
"B alto" is the german name of the high b-flat horn and "Corno in Si b" is the itialian name.
How to repeat the development and recapitulation sections in the 1st movement?
Wtf is the fourth movement. I love it.
Why, why is this simply the only symphony people think of when they think of me? I have way better works than this.
Because this is memorable. Can you hum off the top of your head his/your third piano concerto?
@@windmillwilly what about my clarinet concerto
The clarinet concerto was your best work
Mylo Cz my favorite movements from this symphony are 1and 4
Herr Mozart, with all honesty, personally speaking, I don't think you have works that are "way better" than this, in fact, I can't think of many opuses of yours that perceptibly eclipses this symphony in terms of sheer dramaticism, pathos and overall musicality.
0:22
0:37
2:46
3:40
As a kid I played the violin for this in orchestra, but a much simpler abridged version. Still it was extremely "Fast and Furious" for my tiny little fingers. I barely made it.
20:10
It's from some other work, but which one? I can't remember!
1:50 to 1:57 is my fav part
1:57
18:14 18:38
Nah fam...H\WHY were the flutes rushing through the piece??! Half of the time they were ahead of the strings and hitting the chords unevenly with the woodwinds!!!
Otherwise, GREAT performance! I don't think I listen to any other version of it
Also had their own note lengths and articulations in mind, and play out of tune...
Excellent
But who was the conductor? Personally, I did not like the interpretation, but maybe it's only the flat recording, or else it's my computer, not the ideal. Usually I listen to CDs on a stereo system....
Anyway, the music is so amazing. When I first heard the finale conducted by Otto Klemperer (I was about15), I thought it was the personification of the inexorability of destiny, even more than Beethoven's fifth symphony. Beethoven is dramatic, Mozart is tragic and fatal like an ancient Greek tragedy. He ends the symphony in G minor, does not convert to G major as Haydn and Beethoven would have optimistically done. But Mozart soon recovers: in fact this symphony is immediately followed by the glorious and triumphant C major of the Jupiter Symphonie......
Was Mozart right or left handed ? Do you know ?
He's either left-handed or ambidextrous.
Yes just like me
@@eliasmazhukin2009 yes just like me
Flute
Oboe
Clarinet
French Horn
-
-
Violin I
Violin II
Viola
Cello
why is there no reprise in the fourth movement of this symphony?
2:13
3:44
18:56
daayo audition cut starts at about 2:05 (sorry this is for me)
remember playing in this in my much younger days.
20:10 ???
20:10 Whoa whoa whoa mozart! Ya getting wayy ahead of time!
comment secion b like 1% this is a good piece, 99% timestamps and the odd twoset reference
Chopin was definitely influenced by this for his 2nd Sonata in b flat minor.
6:01 2악장
YOU WANNA PLAY VIDEOGAMES WITH ME? I HAVE TWO CONTROLLERS!
Adoro o Mozart
Who is the conductor? Tell me please. Thanks.
No idea...but very well executed! 😊
Czech National Symphony Orchestra
I feel Beethoven had taken some ingreidens from the 4th movement for moonlight 3rd . It reminds me some moonlight 3rd movement.
you mean Mozart?
Beethoven used a theme very similar to the one of the finale of this symphony in the first theme of his sonata op.2 no.1 the so called ,,Manheim rocket".
8:36 '-' how mozart mozart know this before ligeti? iluminati confirmed
What do you mean?
@@abathingdave5966 no idea what he's talking about
Swah
3:13 - 4:27
I don't know music, but even I know that this contains 0 flaws
Wrong
👍👍👍👍 👍❤👍This is so good ! 👍 lovely 👍 LAYA
Amadeus!
Oh!
Pleasure!
03'08" Interlude Example I-1
How can I get the sheet music only for violin. From the sheet he used in the video?
You can copy it with pen and paper ;)
lol
I might be the only teenager here lol, but I swear I had this song on one of those toy phones I had as a kid
@@connorknight8238 no one cares
Connor Knight did anyone ask?
Connor Knight who asked
Guys, be more chilled. I mean, did anyone ever ask for any youtube comment? Like yours? I doubt that
TBH YEAH I MIGHT'VE HEARD SOMETHING LIKE THAT TOO
the theme from swan lake was the first classical tune that I remembered lmao, it played on this little jewelry box that I still have
20:08 incredible
3:59
20:09 (p.463)
in ever orquestral work, the winds are LIKE TURTLES, WHY THE WINDS (specially flutes) IN EVERY PIECE ARE LIKE THIS? look to flute version of Bach bwv 668 :)