👋We invite you to watch the 16th International Henryk Wieniawski Violin Competition, which will be fully broadcast on our 'Wieniawski Society' channel. The competition will be held between 7 and 21 Oct. 2022. Official website: competition.wieniawski.com
Violin: Bomsori Kim (Korea) Viola: Katarzyna Budnik-Gałazka (2nd Piece) Conductor: Agnieszka Duczmal Orchestra: Polish Radio Chamber Orchestra Amadeus Wolfgang Amadeus Mozart (1756-1791) 1. 0:50 - Violin Concerto No. 5 in A Major, KV.219, I. Allegro aperto (Violin and Orchestra) 2. 11:22 - Sinfonia Concertante in E-flat Major, KV.364, I. Allegro Maestoso (Violin, Viola and Orchestra) Johann Sebastian Bach (1685-1750) 3. 25:38 - I. Adagio from Sonata No. 1 in G Minor, BWV 1001 Performed on October 18, 2016
Bomsori KIm never ceases to amaze me. Genius in every aspect of violin playing. Subtleness, musicality, charisma, composure, charm, virtuosity, professionalism- all rolled into one; The great Artist !!!! You are already the winner Bomsori- of my heart first off !
I absolutely agree with you. Your comment is accurate. And it reflects my thoughts too. The difference is that I first heard Bomsori only at this time (the opportunity to listen appeared due to coronavirus self-isolation).
100% agree with everything you said! I discovered Bomsori only this year 2023, and literally have been listening to her every day! As you said, sort of like a perfect package, a special gift from God to humanity.
Isn’t it wonderful that a musical instrument like a violin can hold all of that beautiful music in its strings, bows and wood. It take a master to release that music.
These recordings of Bomsori's performances are priceless. They eternalize the priceless living moments of the creative activity of Bomsori, her amazing soul.
What a music! Bomsori means 'spring sound' in direct translation of korean. I can read so many emotional feelings such as fun, throbbing mind in her face, that makes her so much more attractive to my eyes!
Bomsori Kim refleja Música con mayúsculas, excelentes interpretaciones, con delicadeza y sensibilidad. Enhorabuena. El dúo con la viola de Katarzyna bien sincronizado, elegante, magnífico.
Bomsori's violin now constantly sounds in my mind. And I see the expressions of her beautiful face, the fast movements of her nice ponytail. I see how Bomsori carefully presses her violin to her shoulder, dissolving herself into a melody.
Each performance of Bomsori fascinates me. Her music shows a completely amazing world of her soul, which can only be seen on a sunny morning in a carefree childhood. Bomsori's violin really does not play, but sings.
Bomsori is an amazing unique light soul that is revealed in her beautiful repertoire. Probably Bomsori really loves the works of Mozart. And it seems that her incredible gift of God is best revealed in his works.
I love the sound of Bomsori's violin incredibly. The sound is clean, voiced, clear, open - and at the same time - unclouded by incomprehensible inexpressive muffled tones. It seems to me that her amazing violin reflects and expresses the beautiful essence of the rare and great human soul of Bomsori.
She played it with true feeling of the music, and without any technique pressure, so fluently and smoothly, every note is so accurate and clear, no slice of mistake, absolutely the best in comparison to the other competitors.
Very clean. Good positioning. Obviously well trained. Exceptional talent. Very inspired playing. I only wish I could have played at this competition but I prefer the cello.
The first time I saw her it was in a photo from a competition she was playing in, and I thought, this girl can't play. She's way too pretty. I thought that if she could play it would be just too unfair. Well, unfair it is. To this day I can't decide which is more beautiful, her playing or her face.
Strange that in part 4 of the competition you say 'To my knowledge she has never played it in competition before''' ? Of course in actual fact she has played in quite a few competitions including the 15th Tchaikovsky International Competition (fifth prize) in 2015.
cherrytime: She did NOT play the wieniawski D minor concerto in the last Tchaikovsky competition. I don't believe she has played it in any other major competition, either. Where do you get your information?
John Graeler Sorry, late at night when I read your comment, I misunderstood you to mean that this wonderful young violinist had NEVER entered in any competitions !! Anyway, I think the Tchaikovsky results were a complete farce, with no one being awarded first prize in the violin section and as usual the mainly Russian judges looking after their own in all the various musical sections Clara Jumi Kang being given 4th place and Bomsori Kim 5th, both in my opinion better than some of the others placed above them eg 2nd place ( no first place gtiven ) Yu-Chien Tseng (Taiwan) then joint third place given to ....Alexandra Conunova (Moldova) Haik Kazazyan (Russia) Pavel Milyukov (Russia
John Graeler Many would say that Bomsori-Kim was unlucky not to win this competition. I think she will have a far more succesful career than many placed above her in the many competitions she has entered. It is a hard sector to compete in though. Compared to pop music there is not the interest in classical music worldwide and also SO many talented musicians competing for a place at the top table. South Korea, China and Japan are all generating so many wonderful young classical musicians and unlike many, I think the new younger generation are in some cases BETTER than the older classical musicians of the past. Who would have thought years ago, when top pianists and violinists were in the main men of jewish/russian origin, that we would now have SO many young women from south east Asia doing the same thing just as well.
I agree with you about the Tchaikovsky. There was a Russian violinist who was pretty bad. I think he should have been eliminated in the first round and he finished 2nd or something. Bomsori Kim's Brahms concerto in that competition was just great. One of the most beautiful I've heard played by anybody. Her Tchaikovsky was good, but it wasn't quite up to her standard. She has a way of projecting her musicality to an audience which is unique. Her tone is just beautiful, and her vibrato is so varied and expressive. I loved her playing the first time I heard it, and it has gotten better and better. I think she gained a lot of confidence in Montreal. I think she deserved to win in Poznan, and from the audience reaction, they thought so, too.
It is amazing how well the violinist and violist are paired in the Concertante. Seamless in the passages that are together and passed back and forth. It is like listening to one instrument!
10 grudnia będziemy mieli zaszczyt gościć Panią Bomsori w Filharmonii Śląskiej im. Henryka Mikołaja Góreckiego w Katowicach www.filharmonia-slaska.eu/koncert-14694532742523!1948.html
When the coronavirus quarantine regime was introduced, it became possible to discover an amazing miracle - Bomsori. That is, the well-known proverb “When God closes a door, in return he opens a window” is illustrated in this way, is not it?
she's a great player, but weak with Mozart's pieces I think. a bit unstable high pitches. need more moderation.. but I do really love her expressive interpretation of sinfonia concertante.
IDK how she can play with her neck twisted like that. She may want to change that chin rest before it causes her some long term neck issues. Other than that she is amazing! 👌😊
Gyrocompa My opinion is that The chaconne from BWV 1004 is the most captivating of JSBach’s compositions, certainly for the violin. Bach would have wept to hear somebody play it without vibrato. It’s not what you comment it’s the way that it strikes the reader, as if the performance was in some way inferior. You could have said “A masterful performance but I prefer less vibrato” Politeness costs nothing. Bach was not as dry as you think though when learning some Bach I agree the correct notes, on the nail, as written are essential.
@@john-patrickdickson9663 Indeed I agree. This obsession that just because it is Bach vibrato is not allowed needs putting to rest. There is no evidence whatsoever that Bach or any contemporary of his "banned" vibrato. It is a myth often perpetrated by those who probably don't have a very good vibrato and want to stop everyone else using it, or the early music geeks who think they own the style to themselves. A little vibrato makes violins sound a lot more pleasant and less scratchy. This is because of the nature of very high amounts of upper partials in its unadulterated sound. Vibrato smooths out the brittle sound of a fiddle.
1) What is the name of the principal classical artist ? What instrument plays the lead part in this piece? 2) The title of the musical pieces and their corresponding composers are? _______________________________________ by___________________________________________, and _________________________________________ by______________________________________________. 3) What other instruments did the composers chose to use for their musical work; which ones can you recognize? 4) Describe the artist technical ability? Would you consider her/him a "virtuoso" (master of his/her instrument)? Briefly explain why? 5) What do you think about the musical pieces? Which composer/musical piece did you prefer and why? 6) What type of emotional/musical character did your preferred piece have? What type of emotions did it make you feel?
Not for someone who has a sensitivity to music and efficient hearing. Veriko plays forcefully and can not bring out the pure sounds. Her Shostakovich is a thoughtless folk parody, which each movement should be called "Grotesque". I would not write this using harsh words, if not for your tactless post.
Great performance overall but she played it like a romantic piece. When playing Mozart, it is of utmost importance to keep the sound airy and the only way to do that is to control one's vibrato. At the same time, the tone has to be charming and serious at the same time. Unlike her other pieces and performance, she didn't impress me with her Mozart. Don't get me wrong, Mozart is the hardest to pull of to a mastery level out of all violin concertos. Its simpleness is deceiving. I think a perfect example of this piece is performed by Yehudi Menuhin/H. Von Karajan with the Wiener Philharmonic Orchestra recorded in 1966. Only if the traditions were kept and followed, I would have really enjoyed this recording of hers.
Joondo Chang You prefer a dry , I prefer a wet. As long as the music is played correctly to Mozart’s written directions the wonderful thing about music is that style is merely a matter of preference. You cannot in all fairness say a different way of playing the score is wrong. You implied you did not like the performance, well and good, you said why, well and good, interesting too. But to belittle the performance was not fair comment, it was a great performance, correct to the score in a way which I personally happen to like very much. Be careful not to imply your own preferences are the only way to appreciate the masters, that just would not be true. There is an old proverb ‘Comparisons are odious’.
Marco Pewe A performer in front of an audience as an actor must work on facial expression. Not so a performer of music in public whose expression is unconscious. To force a deadpan might damage the music. Ease up, just laugh.
John-Patrick Dickson that was just humor Mr Dickson, she is a phenomenon!, the facial expressions are necessary with out them the message will not come through.
When you said ‘“she has to” what else could I think but it was a direct criticism of her face. I bet she was surprised when she saw the video, these things are done unconsciously
Why? Nothing wrong with vibrato whether in Bach or Brahms. Just because something is baroque it doesn't mean a tool by which expression can take place is banned. Presumably you wouldn't ban singers from using vibrato just because it was Bach? Actually, violins sound brittle and metallic without at least some vibrato on occasions. You can apply subtle vibrato. It doesn't have to be full on wide vibrato.
Kim didn't win this competition and it was for her overbearing attitude in the duo concertante. No professional musician worth his salt would put up with it.
Wenn sich Asiaten westlich europäische Musik aneignen, kommt das heraus. Einfach nur langweilig. Technisch natürlich super, aber sonst, gähn....! When Asians learn Western European music, that's what comes out. Just boring. Technically super, of course, but otherwise, yawn....!
Sie sind wahrscheinlich ein sehr mutiger Mensch, denn Ihre Worte „westlich europäische Musik aneignen“ sind gefährlich wie die Büchse der Pandora. Denn jemand wird sich (früher oder später) sicher erinnern, zum Beispiel an Schießpulver und Papier, die in Südostasien erfunden und bei Europa angeeignet wurden. Es lohnt sich wahrscheinlich nicht, über komplexere Sache zu sprechen (zum Beispiel über Yoga oder Philosophie, die auch dort und vor sehr langer Zeit entstanden sind - damals, als wir auf unserem europäischen Kontinent noch „auf Bäume kletterten“), ist es das nicht wert sprechen über?
@@mykolal6834 Kann es sein dass Sie nicht differenzieren können? Sie können doch Äpfel nicht mit Birnen vergleichen! Ich spreche von einer gewachsenen Kultur, einer Zeitgeschichte von 1000 Jahren und Sie von irgendwelchen Erfindungen! Das sind doch vollkommen verschiede Dinge! Also bitte, zuerst das Hirn einschalten, genau überlegen und dann kommentieren!
It is amazing how well the violinist and violist are paired in the Concertante. Seamless in the passages that are together and passed back and forth. It is like listening to one instrument!
👋We invite you to watch the 16th International Henryk Wieniawski Violin Competition, which will be fully broadcast on our 'Wieniawski Society' channel. The competition will be held between 7 and 21 Oct. 2022. Official website: competition.wieniawski.com
Such a beautiful purity in the notes she produces.
Violin: Bomsori Kim (Korea)
Viola: Katarzyna Budnik-Gałazka (2nd Piece)
Conductor: Agnieszka Duczmal
Orchestra: Polish Radio Chamber Orchestra Amadeus
Wolfgang Amadeus Mozart (1756-1791)
1. 0:50 - Violin Concerto No. 5 in A Major, KV.219, I. Allegro aperto (Violin and Orchestra)
2. 11:22 - Sinfonia Concertante in E-flat Major, KV.364, I. Allegro Maestoso (Violin, Viola and Orchestra)
Johann Sebastian Bach (1685-1750)
3. 25:38 - I. Adagio from Sonata No. 1 in G Minor, BWV 1001
Performed on October 18, 2016
Bomsori KIm never ceases to amaze me. Genius in every aspect of violin
playing. Subtleness, musicality, charisma, composure, charm, virtuosity,
professionalism- all rolled into one; The great Artist !!!! You are
already the winner Bomsori- of my heart first off !
Couldn't agree with you more!! She is absolutely wonderful in so many ways!
I absolutely agree with you.
Your comment is accurate. And it reflects my thoughts too. The difference is that I first heard Bomsori only at this time (the opportunity to listen appeared due to coronavirus self-isolation).
100% agree with everything you said! I discovered Bomsori only this year 2023, and literally have been listening to her every day! As you said, sort of like a perfect package, a special gift from God to humanity.
演奏家のボムソリキムさん、とてもチャーミングで可愛い。演奏ステージと衣装も気品あります。
もちろん、スケールの大きな素晴らしい演奏、
アジアの誇りのバイオリニストです！
Isn’t it wonderful that a musical instrument like a violin can hold all of that beautiful music in its strings, bows and wood. It take a master to release that music.
These recordings of Bomsori's performances are priceless. They eternalize the priceless living moments of the creative activity of Bomsori, her amazing soul.
You 'Bomsori Kim' were born to make the world a better place and you have done so so admirably. WOW
What a music! Bomsori means 'spring sound' in direct translation of korean. I can read so many emotional feelings such as fun, throbbing mind in her face, that makes her so much more attractive to my eyes!
Kim. You're the best. Congratulations!
Bomsori Kim refleja Música con mayúsculas, excelentes interpretaciones, con delicadeza y sensibilidad. Enhorabuena.
El dúo con la viola de Katarzyna bien sincronizado, elegante, magnífico.
Bomsori's violin now constantly sounds in my mind. And I see the expressions of her beautiful face, the fast movements of her nice ponytail. I see how Bomsori carefully presses her violin to her shoulder, dissolving herself into a melody.
Kim, is not only a great musician, but a gorgeous beautiful woman. Pure eye candy!
김봄소리님 모습도 연주도 넘 아름다워요
얼마전에 예댱갔다가 음반도 구입했습니다
늘 건강히 응원하겠습니다
모습 만큼이나 너무나 아름다운 연주에 행복한 밤 입니다. 봄소리 양의 연주에 봄소리가 들립니다. 감사합니다!!
In the Bach, the whole hall is her instrument.
Born to enchant the world! Thank you for sharing your divine gift.
I don't understand why she did not win first prize? In many aspects, she is better than Veriko. At least they should share the first prize.
Congratulations! Kim jesteś najlepsza
excellent performance !!!
This is a well-balanced mixture of virtuosity and genious compositions.
Wow, wow, wow, she is absolutely gorgeous!
Wow, what a perfect sound and musicality!!! Divine performance!
Congratulations!
Each performance of Bomsori fascinates me. Her music shows a completely amazing world of her soul, which can only be seen on a sunny morning in a carefree childhood.
Bomsori's violin really does not play, but sings.
Bomsori is an amazing unique light soul that is revealed in her beautiful repertoire. Probably Bomsori really loves the works of Mozart. And it seems that her incredible gift of God is best revealed in his works.
Beautiful
It’s a good thing Mozart is long gone: He would have fell in love with Bomsori.
(The horn is having a very tough time, BTW)
I love the sound of Bomsori's violin incredibly. The sound is clean, voiced, clear, open - and at the same time - unclouded by incomprehensible inexpressive muffled tones. It seems to me that her amazing violin reflects and expresses the beautiful essence of the rare and great human soul of Bomsori.
Awesome!
Amazing!💗
Gorgeous !!!
Beautiful sound of music .!..!...!.......So great human society. .........
すごい、受賞歴ですね。堂々たる演奏ですね？素晴らし音色で、クリアーですね！将来性が、かなり、ありますね。
She played it with true feeling of the music, and without any technique pressure, so fluently and smoothly, every note is so accurate and clear, no slice of mistake, absolutely the best in comparison to the other competitors.
너무 아름다워요.
너무 좋네요. 곡을 아름답게 켜시네요.
Very clean. Good positioning. Obviously well trained. Exceptional talent. Very inspired playing. I only wish I could have played at this competition but I prefer the cello.
우리 봄소리
최고입니다♡ 👍
Absolutely brilliant.
The winner!
michael turov could also be Richard Lin
Wonderful sound !
I nearly fell into playing the musics.
no doubt for me, j.bell and kim bomsori belong to the best violin players
Swietnie
Beautiful!!
Colorful!
It's truly a wonderful performance!
This viola player is real professional. She was able to tune viola :)))))))))).
Una fresca y hermosa interpretación. Muy intensa. Felicidades!!! Un abrazo desde México.
Un concierto musical bellísimo bravo Espléndido Bomsori Gracias
The word serene; henceforth, defined.
The first time I saw her it was in a photo from a competition she was playing in, and I thought, this girl can't play. She's way too pretty. I thought that if she could play it would be just too unfair. Well, unfair it is. To this day I can't decide which is more beautiful, her playing or her face.
Strange that in part 4 of the competition you say 'To my knowledge she has never played it in competition before''' ? Of course in actual fact she has played in quite a few competitions including the 15th Tchaikovsky International Competition (fifth prize) in 2015.
cherrytime: She did NOT play the wieniawski D minor concerto in the last Tchaikovsky competition. I don't believe she has played it in any other major competition, either. Where do you get your information?
John Graeler Sorry, late at night when I read your comment, I misunderstood you to mean that this wonderful young violinist had NEVER entered in any competitions !! Anyway, I think the Tchaikovsky results were a complete farce, with no one being awarded first prize in the violin section and as usual the mainly Russian judges looking after their own in all the various musical sections Clara Jumi Kang being given 4th place and Bomsori Kim 5th, both in my opinion better than some of the others placed above them eg 2nd place ( no first place gtiven ) Yu-Chien Tseng (Taiwan) then joint third place given to ....Alexandra Conunova (Moldova)
Haik Kazazyan (Russia)
Pavel Milyukov (Russia
John Graeler Many would say that Bomsori-Kim was unlucky not to win this competition. I think she will have a far more succesful career than many placed above her in the many competitions she has entered. It is a hard sector to compete in though. Compared to pop music there is not the interest in classical music worldwide and also SO many talented musicians competing for a place at the top table. South Korea, China and Japan are all generating so many wonderful young classical musicians and unlike many, I think the new younger generation are in some cases BETTER than the older classical musicians of the past. Who would have thought years ago, when top pianists and violinists were in the main men of jewish/russian origin, that we would now have SO many young women from south east Asia doing the same thing just as well.
I agree with you about the Tchaikovsky. There was a Russian violinist who was pretty bad. I think he should have been eliminated in the first round and he finished 2nd or something. Bomsori Kim's Brahms concerto in that competition was just great. One of the most beautiful I've heard played by anybody. Her Tchaikovsky was good, but it wasn't quite up to her standard. She has a way of projecting her musicality to an audience which is unique. Her tone is just beautiful, and her vibrato is so varied and expressive. I loved her playing the first time I heard it, and it has gotten better and better. I think she gained a lot of confidence in Montreal. I think she deserved to win in Poznan, and from the audience reaction, they thought so, too.
It is amazing how well the violinist and violist are paired in the Concertante. Seamless in the passages that are together and passed back and forth. It is like listening to one instrument!
This music is the best. Lovely and incredibly sensitive music with so many details.
너무 너무 아름다워요^^
A perfect performance
!! BELLÍSIMO !!
She is so beautiful~~ 굿~~
Con una interpretación cómo está, se expresa la belleza del mundo. Gracias ☺️
Kim jesteś mistrzynią świata, więcej niż mistrzynią.
my goz,..perfect and Amazing
Dulcemente magnifica Bomsori kim tú arte de tocar tu violín
10 grudnia będziemy mieli zaszczyt gościć Panią Bomsori w Filharmonii Śląskiej im. Henryka Mikołaja Góreckiego w Katowicach
www.filharmonia-slaska.eu/koncert-14694532742523!1948.html
Well done. Thought that the Mozart had a little too much vibrato, but it all sounded beautiful!
sound 음색이 곱네요 듣기 편안한
음색이라 라팔이 초이스 한 거
같네요
Brawo ! Wielka Artystka !
Bravo!!!
0:50, 11:22, 25:38
🎵🥀 🖤🥀🎵🥀🖤🥀🎵🥀🖤🥀🎵
Mozart's music is by far the most 'stylistically' difficult to play.
yet Kim did it effortlessly & joyfully.
Why was the viola tuned to Bb?
When the coronavirus quarantine regime was introduced, it became possible to discover an amazing miracle - Bomsori. That is, the well-known proverb “When God closes a door, in return he opens a window” is illustrated in this way, is not it?
she's a great player, but weak with Mozart's pieces I think. a bit unstable high pitches. need more moderation.. but I do really love her expressive interpretation of sinfonia concertante.
you should compare to another competitor, Richard Lin, who played the same song, Sinfonia Concertante in E-flat major KV 364.
25:30 bach
whose cadenza(Mozart Concerto No. 5) is it?
10:49 WHO LET THE VIOLA OUT? wait is that a viola...... btw BEAUTIFUL PERFORMANCE!!!!!
IDK how she can play with her neck twisted like that. She may want to change that chin rest before it causes her some long term neck issues. Other than that she is amazing! 👌😊
She is a wonderful violinist, but I would have preferred the Bach without vibrato...
Gyrocompa My opinion is that The chaconne from BWV 1004 is the most captivating of JSBach’s compositions, certainly for the violin. Bach would have wept to hear somebody play it without vibrato. It’s not what you comment it’s the way that it strikes the reader, as if the performance was in some way inferior. You could have said “A masterful performance but I prefer less vibrato” Politeness costs nothing. Bach was not as dry as you think though when learning some Bach I agree the correct notes, on the nail, as written are essential.
@@john-patrickdickson9663 Indeed I agree. This obsession that just because it is Bach vibrato is not allowed needs putting to rest. There is no evidence whatsoever that Bach or any contemporary of his "banned" vibrato. It is a myth often perpetrated by those who probably don't have a very good vibrato and want to stop everyone else using it, or the early music geeks who think they own the style to themselves. A little vibrato makes violins sound a lot more pleasant and less scratchy. This is because of the nature of very high amounts of upper partials in its unadulterated sound. Vibrato smooths out the brittle sound of a fiddle.
1) What is the name of the principal classical artist ? What instrument plays the lead part in this piece?
2) The title of the musical pieces and their corresponding composers are? _______________________________________ by___________________________________________, and _________________________________________ by______________________________________________.
3) What other instruments did the composers chose to use for their musical work; which ones can you recognize?
4) Describe the artist technical ability?
Would you consider her/him a "virtuoso" (master of his/her instrument)? Briefly explain why?
5) What do you think about the musical pieces? Which composer/musical piece did you prefer and why?
6) What type of emotional/musical character did your preferred piece have?
What type of emotions did it make you feel?
Who is you're teacher mine is mr Ramos
Veriko is simply the best ever!!!!!
Not for someone who has a sensitivity to music and efficient hearing. Veriko plays forcefully and can not bring out the pure sounds. Her Shostakovich is a thoughtless folk parody, which each movement should be called "Grotesque".
I would not write this using harsh words, if not for your tactless post.
Great performance overall but she played it like a romantic piece. When playing Mozart, it is of utmost importance to keep the sound airy and the only way to do that is to control one's vibrato. At the same time, the tone has to be charming and serious at the same time. Unlike her other pieces and performance, she didn't impress me with her Mozart. Don't get me wrong, Mozart is the hardest to pull of to a mastery level out of all violin concertos. Its simpleness is deceiving. I think a perfect example of this piece is performed by Yehudi Menuhin/H. Von Karajan with the Wiener Philharmonic Orchestra recorded in 1966. Only if the traditions were kept and followed, I would have really enjoyed this recording of hers.
Joondo Chang You prefer a dry , I prefer a wet. As long as the music is played correctly to Mozart’s written directions the wonderful thing about music is that style is merely a matter of preference. You cannot in all fairness say a different way of playing the score is wrong. You implied you did not like the performance, well and good, you said why, well and good, interesting too. But to belittle the performance was not fair comment, it was a great performance, correct to the score in a way which I personally happen to like very much. Be careful not to imply your own preferences are the only way to appreciate the masters, that just would not be true. There is an old proverb ‘Comparisons are odious’.
BS
I like Kim's version but here's an alternative No. 5: Heifetz with Chamber Orchestra (RCA Red Seal)
She is great, sounds almost original.the only thing she has to work on facial expressions but still superb
Marco Pewe A performer in front of an audience as an actor must work on facial expression. Not so a performer of music in public whose expression is unconscious. To force a deadpan might damage the music. Ease up, just laugh.
John-Patrick Dickson that was just humor Mr Dickson, she is a phenomenon!, the facial expressions are necessary with out them the message will not come through.
Marco Pewe I agree. So glad.
When you said ‘“she has to” what else could I think but it was a direct criticism of her face. I bet she was surprised when she saw the video, these things are done unconsciously
10:54 viola sound is so awful (joke)
Whose cadenza is this ?
Mine
intonation problems
lotusbuds2000 you have problems
great bach playing...even better if no vibrato
Why? Nothing wrong with vibrato whether in Bach or Brahms. Just because something is baroque it doesn't mean a tool by which expression can take place is banned. Presumably you wouldn't ban singers from using vibrato just because it was Bach? Actually, violins sound brittle and metallic without at least some vibrato on occasions. You can apply subtle vibrato. It doesn't have to be full on wide vibrato.
Well I can hear her strong right nostril inhaling ! Kim !!
Hot violin (Joannes Baptista Guadagnini in 1774.) and hotttt...body.
한국사람 없냐~?
있어요~
@@musiccircles 아이고~ 반가워욧~^^
클래식 좋아하세요? 전 클래식이 좋아서 수능끝나고 예술의 전당 1주일에 한 번 꼴로 가고 있어요. 클래식 좋아하는 지인이 없어서 슬퍼요..
@@musiccircles ㅎ 네 좋아해요
음악은 역시 메탈리카죠ㅋㅋ
근데 바로크를 쫌더~ ㅎ
이제 수능봤으면 좋은시절
시작 되겠네요 ㅎ
좋겠다능 ㅋ
근데 저 김봄소리님
개콘 김지민 닮지 안았나요~?ㅋ
이쁜다구요 ㅋㅋㅋ
약간 닮은 것 같네요~~~ㅋㅋ궁금한게 메탈리카는 가수이름 아닌가요?바로크는 음악시대에 해당하는거고..
Kim didn't win this competition and it was for her overbearing attitude in the duo concertante. No professional musician worth his salt would put up with it.
잘하는데 아무 감동없음
hanna 저도요
Wenn sich Asiaten westlich europäische Musik aneignen, kommt das heraus. Einfach nur langweilig. Technisch natürlich super, aber sonst, gähn....!
When Asians learn Western European music, that's what comes out. Just boring. Technically super, of course, but otherwise, yawn....!
Sie sind wahrscheinlich ein sehr mutiger Mensch, denn Ihre Worte „westlich europäische Musik aneignen“ sind gefährlich wie die Büchse der Pandora. Denn jemand wird sich (früher oder später) sicher erinnern, zum Beispiel an Schießpulver und Papier, die in Südostasien erfunden und bei Europa angeeignet wurden. Es lohnt sich wahrscheinlich nicht, über komplexere Sache zu sprechen (zum Beispiel über Yoga oder Philosophie, die auch dort und vor sehr langer Zeit entstanden sind - damals, als wir auf unserem europäischen Kontinent noch „auf Bäume kletterten“), ist es das nicht wert sprechen über?
@@mykolal6834 Kann es sein dass Sie nicht differenzieren können? Sie können doch Äpfel nicht mit Birnen vergleichen! Ich spreche von einer gewachsenen Kultur, einer Zeitgeschichte von 1000 Jahren und Sie von irgendwelchen Erfindungen! Das sind doch vollkommen verschiede Dinge!
Also bitte, zuerst das Hirn einschalten, genau überlegen und dann kommentieren!
It is amazing how well the violinist and violist are paired in the Concertante. Seamless in the passages that are together and passed back and forth. It is like listening to one instrument!
It is one of the greatest viola player
intonation problems