Guy shares a video that he thinks will help people, 13,000+ people watch it, of course someone complains about something that has nothing to do with the content of the video. It’s not like he put incorrect or misleading information in the title.
Basic and obvious material that fits perfectly with "the Berklee clef" : $ . I have been studying at Berklee in the 80's and "the Berklee clef" : $ was written on the walls inside the school !
When I applied for Colleges in the late 70s, Berklee was by far the easiest to get excepted to (too easy?) and by far the most expensive. I got the impression I would be paying for contacts. I choose a much cheaper excellent state university with an outstanding faculty. I have/had a career in music and presently sort of semi retired (it's just hard to say no to a gig).
@@juzek1958 Right on ! Yes, so much better choice to go to a much cheaper excellent state university with an outstanding faculty. "presently sort of semi retired (it's just hard to say no to a gig). For sure bro, we need to play as long as possible, as our heroes do when they are able to !
I think the Dirk Laukens and Christiaan Van Hemert methods are far more effective as you are playing actual quality musical phrases from the very beginning, applying them to different harmonic situations. They also a lot more entertaining.
The dorian colour is in the b6. If you want to hear this mode in a chord, play Dm6 or Dm69. Use D F A and B for your arpeggio A Dm7 (D F A C) sounds immediately aeolian because the caracteristic note of the dorian mode is not heard If you want to hear the phrygian mode, play the b2 If you want to hear the lydian mode, make sure you play the augmented 4th And so on...
Not true, he took a lesson with me back in th e90's - I believe he was a syudent at Manhattan School of Music - although I'm not 10% sure about it. Chris was a stone cold jazz guy, as was I and then he unleashed his blues talent.
@@adamrafferty Perhaps you misunderstood.....I was talking about Hendrix never taking lessons...You say"Took a lesson from me in the 90's" Jimi died in 1970.....
Well, i disagree with that method.. It has proved "harmful" both for me and for many of my students over the years. playing a scale linearly like that it's ok only until someone figures out what frets are "within" the scale in a specific position, but after that, getting used of this "linearity" your muscle memory "drives" you in such linear and absolutely non creative phrasing. The same goes for the chord shapes. One must NOT get stuck in certain 3-4 chord shapes for playing lets say a major seventh sound but must discover the voicing that fits better to a personal taste, to a phrase, to the music or even the other instruments in a band. Of course, all that apply to people who want to serve music, who respect the compositions, want to be unique and find their personal sound, and not just be "guitarists" in a very narrow sense..
The problem with music “school” is that you do what the teachers want you to do. Do what you want to do. The best guitar player in the world has 16,000 subscribers, and everybody else pushes overpriced junk guitars and pedals. Mediocre at best for the most part. What Tory Slusher does can’t be learned or taught at music school. Unless you can duplicate yourself, and then play counterpoint with yourself, you might as well quit now. Teachers are “over” music for the most part. They do it for money. They are in it for all the wrong reasons, like most of you.
For the most part...your are sorely mistaken. Whether it is Architecture, Graphic Design, Information Technology or Music......people MUST be....."Taught how to create". Period.
@@mattdelany6799 1) The misspelling is corrected. :) 2) Contrary to popular opinion and, as a "mere media event", Hendrix did NOT know how to "create". 3) He was common flat picker, who did not know how to read music and was not capable of the "academic intelligence" required to do something with intent....as apposed to just playing by "brute instinct" instead of "academic reason". Further, even for plectrum style guitar playing, his right and left positions always evidenced the untrained and therefore, unskilled nature of his playing. Tony Mattolla knew how to play with class. Historically, "tattooed drug users" do not. :) And there you have it...from a music school graduate who WAS taught "how to create". :)
@@globalonemusic2381 you wasted your money at “school”. Go listen to Tory Slusher play. Nobody taught her how to play. If you are a better guitar player than Tory, then good for you, but you are not. Sorry you wasted your money on “school”. All great artists are addicted to drugs or alcohol.
Chris is a great blues player, actually. Seen his band many times in NYC. Look him up. He’s been around many years. Dude rocks and he’s quite humble and easy to talk to. If it wasn’t for the fact that I live out east on Long Island I would jump at the offer of lessons at his place in the city. Just to far and a hassle for me to get to him. He’s an awesome player! Kind of an odd statement that someone would say that they would not go to learn anything from a “professor”. What if they called him Sensei? I mean I’ve been a teacher most my life now in one discipline or another. No airs, just helping people learn. What we do. Shrug!
A stupid, misinformed comment. Why stop there? Do doctors need to go to medical school? Do lawyers need to pass the bar exam? Music is a language and there is nothing wrong with learning the guitar through the lens of a teacher and education. It should be encouraged, actually.
Why is "Chris Bergson" in quotes. Is it a pseudonym? Is he in some witness protection program?
Right? Maybe it's his alter ego that only comes out when he teaches guitar 😂
Maybe he identifies as Chris Bergson?
@@musicafteroldage Seems about "right". ;)
due to the illiteracy of the uploader
Guy shares a video that he thinks will help people, 13,000+ people watch it, of course someone complains about something that has nothing to do with the content of the video. It’s not like he put incorrect or misleading information in the title.
Game recognises game those squire teles play so nice
I had one and regret selling it.
After 1:00 he forgot to add "come back after 10 years and continue the video!".
Those Aiwa stereos just took me back to 1996.
Basic and obvious material that fits perfectly with "the Berklee clef" : $ . I have been studying at Berklee in the 80's and "the Berklee clef" : $ was written on the walls inside the school !
When I applied for Colleges in the late 70s, Berklee was by far the easiest to get excepted to (too easy?) and by far the most expensive. I got the impression I would be paying for contacts. I choose a much cheaper excellent state university with an outstanding faculty. I have/had a career in music and presently sort of semi retired (it's just hard to say no to a gig).
@@juzek1958 Right on ! Yes, so much better choice to go to a much cheaper excellent state university with an outstanding faculty.
"presently sort of semi retired (it's just hard to say no to a gig). For sure bro, we need to play as long as possible, as our heroes do when they are able to !
@@juzek1958 Isn't Belmont a really expensive music school as well?
I took the summer of 1975 music clinic at Berklee when they were pretty much jazz purists back then.. it was a fun and memorable experience .
Clearly, this guy likes the song Playground Love by Air.
Overlaying chord arpeggios and scale have helped my playing immensely
I think the Dirk Laukens and Christiaan Van Hemert methods are far more effective as you are playing actual quality musical phrases from the very beginning, applying them to different harmonic situations. They also a lot more entertaining.
Definitly !
I’m not saying he played blue valentine by Tom Waits but he definitely played the right chords
The dorian colour is in the b6. If you want to hear this mode in a chord, play Dm6 or Dm69. Use D F A and B for your arpeggio
A Dm7 (D F A C) sounds immediately aeolian because the caracteristic note of the dorian mode is not heard
If you want to hear the phrygian mode, play the b2
If you want to hear the lydian mode, make sure you play the augmented 4th
And so on...
Thank you for this.
OK so where is the proficiency sheet I need to use?
You get it AFTER tuition is paid. 🤣
write the description of this video on google and it's there ;)
@@juzek1958 lol
lol behind a couple tens of thousand tuition fee wall.
If this is good enough for Eliot Easton of the Cars, its good for me.
This really helped thank you
Do you have the proficiency materials available?
i second this
The motion carries...
As do voices, as well
Yeah, if you’re enrolled at Berklee!😂
Send them this way bro
just search on google u will find the pdf
what are the related chords for the other modes?
Where is this handout?
Does Berklee recommend a book that clearly covers this strategy. I found Berklee guitar theory . By Berklee press publications
I want to rock 🤟
I will just watch Tory Slusher videos. She can play circles around anybody.
For only 70k a year
He seems to be confused himself with the information lol
Sing
I think Shaun Baxters (GI) method is better 😉
see the guy on the poster on the wall behind him? yeah he didn't do any of this crap. think about it
Everyone should just make blues rock and not learn note names or chords. Very intellectual.
@@BungleJoogie68 Bruh
Yuk
All I see is Hendrix in the back ground and....He didn't even take lessons....
but he definitely practiced lol
Not true, he took a lesson with me back in th e90's - I believe he was a syudent at Manhattan School of Music - although I'm not 10% sure about it. Chris was a stone cold jazz guy, as was I and then he unleashed his blues talent.
@@adamrafferty Perhaps you misunderstood.....I was talking about Hendrix never taking lessons...You say"Took a lesson from me in the 90's"
Jimi died in 1970.....
@@newspapertaxis1 AH - I mis understood - I thought you meant Chris Bergson
@@adamrafferty Yep...I figured you might have....Take care!
Are you bald😊
Well, i disagree with that method.. It has proved "harmful" both for me and for many of my students over the years. playing a scale linearly like that it's ok only until someone figures out what frets are "within" the scale in a specific position, but after that, getting used of this "linearity" your muscle memory "drives" you in such linear and absolutely non creative phrasing. The same goes for the chord shapes. One must NOT get stuck in certain 3-4 chord shapes for playing lets say a major seventh sound but must discover the voicing that fits better to a personal taste, to a phrase, to the music or even the other instruments in a band. Of course, all that apply to people who want to serve music, who respect the compositions, want to be unique and find their personal sound, and not just be "guitarists" in a very narrow sense..
The problem with music “school” is that you do what the teachers want you to do. Do what you want to do. The best guitar player in the world has 16,000 subscribers, and everybody else pushes overpriced junk guitars and pedals. Mediocre at best for the most part. What Tory Slusher does can’t be learned or taught at music school. Unless you can duplicate yourself, and then play counterpoint with yourself, you might as well quit now. Teachers are “over” music for the most part. They do it for money. They are in it for all the wrong reasons, like most of you.
Do you seriously believe that teachers, as a rule, are in it for the money?
For the most part...your are sorely mistaken. Whether it is Architecture, Graphic Design, Information Technology or Music......people MUST be....."Taught how to create". Period.
@@globalonemusic2381 hahaha……Hendrix wasn’t taught how to create. Tory Slusher wasn’t taught how to create. Weather? Whether.
@@mattdelany6799
1) The misspelling is corrected. :)
2) Contrary to popular opinion and, as a "mere media event", Hendrix did NOT know how to "create".
3) He was common flat picker, who did not know how to read music and was not capable of the "academic intelligence" required to do something with intent....as apposed to just playing by "brute instinct" instead of "academic reason".
Further, even for plectrum style guitar playing, his right and left positions always evidenced the untrained and therefore, unskilled nature of his playing. Tony Mattolla knew how to play with class. Historically,
"tattooed drug users" do not. :)
And there you have it...from a music school graduate who WAS taught "how to create". :)
@@globalonemusic2381 you wasted your money at “school”. Go listen to Tory Slusher play. Nobody taught her how to play. If you are a better guitar player than Tory, then good for you, but you are not. Sorry you wasted your money on “school”. All great artists are addicted to drugs or alcohol.
I would never try to learn electric guitar or anything else from a college professor...
Why not
Chris is a great blues player, actually. Seen his band many times in NYC. Look him up. He’s been around many years. Dude rocks and he’s quite humble and easy to talk to.
If it wasn’t for the fact that I live out east on Long Island I would jump at the offer of lessons at his place in the city. Just to far and a hassle for me to get to him. He’s an awesome player!
Kind of an odd statement that someone would say that they would not go to learn anything from a “professor”. What if they called him Sensei? I mean I’ve been a teacher most my life now in one discipline or another. No airs, just helping people learn. What we do. Shrug!
A stupid, misinformed comment. Why stop there? Do doctors need to go to medical school? Do lawyers need to pass the bar exam? Music is a language and there is nothing wrong with learning the guitar through the lens of a teacher and education. It should be encouraged, actually.
Spoken like a true dumbass
Yea, I don't have the money either...