Thank you! I'm nit sure what I was playing there, it sounds like I was just playing two notes or some counterpoint idea in the moment. Unfortunately the guitar neck isn't visible there
Kinda reminds me to stand up when I practice. Deceptive tune. To make jazz work you have the pulse clicking in your blood, the tune like your own name, chords (the right ones), and then at some point completely destroy it, with players that can go there so you end creating something totally unique but you always have the pulse, always the tune so you're always there but not there.
Wow loveee this
Thanks Sam
Thanks Chris, I enjoy your playing very much.
Thank you Hector
I like this. Thanks for not playing crazy fast arpeggios all over the tune .
Thank you!
Very tasteful! Chris you are a master of quartal voicings!
Thank you Marco!
Great playing! Beautiful guitar solo Chris
Thanks Carmelo
From here 2:10 to here 2:22 I’m feeling some joe Henderson. Nice take guys.
Thank you!
Another incredible performance by one of the best guitarist on planet earth and his great trio. Thanks Chris.
Agreed
Wow, thanks Al!
Agree with Al Ward . No body to touch Chris playing guitar . Absolutly the best .
Thanks Chris! I love the theme and how you play it. Very well accompanied.
Thank you 🙏🏻
Great performance and interpretation!
Thanks Rick
Sounds great Chris!
Thanks Steve!
Excellent playing Chris and trio! I’ll study those nice quartal chords you played so well too.
Thanks Stephen!
fudging sick dudes.
Thank you 🙏🏻
Wow! Chris with Tony Bennett’s bass player… sounds great!
Thank you!
Is that true? Wow!
He's undeniably a badass.
this was excellent! i would love to hear you play more post bop and hard bop material!
Thanks Jayson
Very nicely done
Thank you! Cheers!
Well done all!
Thank you!
or gen z plus two,,, it SLAPS.
Love that ride cymbal! What is it...?
consummate! 👍
Thank you!
Chris, this is wonderful! Great arrangement. May I ask what 5 chords you're playing @ 5:39? They're fascinating. Thanks.
Thank you! I'm nit sure what I was playing there, it sounds like I was just playing two notes or some counterpoint idea in the moment. Unfortunately the guitar neck isn't visible there
bassist reminds me of Gary Peacok
Kinda reminds me to stand up when I practice. Deceptive tune. To make jazz work you have the pulse clicking in your blood, the tune like your own name, chords (the right ones), and then at some point completely destroy it, with players that can go there so you end creating something totally unique but you always have the pulse, always the tune so you're always there but not there.