I've been a landscape photographer for 40 years and a professor of Photography for most of those. I find your videos consistently helpful and rewarding, particularly around the use of space, letting the picture flow out to the horizon. Hard to do as it seems most want to fill the space with content. Many thanks
At 80, I am retired from my work in portrait and editorial photography. Surprising to me, I have abandoned and sold my zoom lenses, not to mention a collection of camera gear including my 'Blads, a 4x5 field camera, and a hideously vast colleciton of Nikon gear. Despite my aging knees, I am enjoying shooting with a small collection of prime lenses for my Fujifilm X-Pro 2: 16mm (24mm full-frame), 23mm (35mm FF) and 35mm (52mm FF). For a car trip, I take the kit. If I am flying to a location, I take the 23mm. It is just one of the most versatile lenses I have ever owned. And now that I no longer shoot professionally, the joy of using my legs to "zoom" in and out of a shot reminds me of my earliest days before getting paid to shoot. And, frankly, shooting with primes dovetails with Cartier-Bresson's "decisive moment" description of his best shots. Without a zoom lens, I am once again shooting instinctively, and I love it.
I could not have put this better myself ‐ thank you!😊 One of my favourite "grabs" was a panned shot of a motorcycle at Matlock. I was sitting on the pavement eating fish and chips. A chap kick started his Classic bike (Suzuki GT750 for those who know it). I pulled my X-E1 out of my pocket, shrugged at the 27mm lens and took a series of shots with the old X-E1 chugging away at 3fps. Back home, chosing the best compostion from about 6 jpgs, I had to crop significantly due to the distance. Despite only 12MP it still produced a fantastic image once changed to B&W. I've often thought how I'd have missed that entirely if I'd had to change lenses (or bodies) 😊
@@PhilipBallGarry the fuji 23 and 27mm are both so good for this kind of accidental scene, imo. My walking around setup is solely the 27 these days, just for compactness, but I really love how sharp it is -- cropping aggressively is absolutely a valid strategy. I dragged my 55-200 with me (after second-guessing myself) on an international trip recently and most days it stayed in the hotel room, although I admit it got me a couple of my favorites from the trip. But for the vast majority of the time, I was very happy zooming with my feet on just one prime, and I'm glad I did it that way.
i love that James shoots with one camera and one lens because experience taught him so, and I shoot with one camera and one lens cause i'm broke (and because they're more than good enough)
If I may expand on my earlier comment, on a recent road trip, I decided to shoot with the 23mm (35mm ff) lens for my Fujifilm X-Pro2. Over the course of a 7 hour drive home, I shot some of my favorite photos of the past two years. I took the same setup on a trip to Southern California and reveled in the results. One-lens travel has me hooked. And, at 80, keeping it simple has been marvelous retro experience recalling my early days without any zoom lenses.More than 50 years ago, I shot with a Nikon Photomic FTN with a few primes: a 20mm, a 55Micro Nikkor, and a 105mm. I used that system for more than 35 years before I had to shift to auto-focus gear to resolve a vision problem.
I went mad last year and sold my XT-5, all my very expensive lenses and gear, I bought a Ricoh GRiiix, the best decision I have ever made, no more g.a.s, and my photography has improved by a significant amount.
100% agree. I did the same transformation some years ago. currently I owe zwo prime lenses (28+75) but very often I take just one of them with me. Something I want to add to your video: If you are shooting just with one lens, for example 28mm, you automatically get the 28mm-view in your mind which makes you find a lot more appropriate subjects with no distraction from telephoto-shots!
Absolutely agree, over the last year I've also trimmed down to 28, 35 and 50mm lenses. I mostly shoot with the 35mm so I could trim down more. I do feel a greater sense if freedom when I only use the lens on the camera. Plus it helps me connect more with the scene rather than snapping and moving on.
A well considered video, many great points, one of which stands out, is what you call the not removing the imperfections. That’s what I enjoy about photography, the natural state, representing with I have seen, imperfections and all, it’s an honesty. The other and key point, if not on an assignment, reducing the kit we lug around, that’s such a valid point. What that has done for me, has improved, in my view, the quality of my composition. I’ve also taken it a step further, going with the ‘prime of the week’ approach, one prime lens, for a week, and that’s it.
Totally agree with the idea of finding shots with the lens you're carrying. I started shooting with a 14mm (on APSC) because I didn't know any better and people online loved the lens. That is literally the only lens I had for 6 months or so. Turns out, I found plenty to shoot, no matter where I went. No really knowing was I was missing was freedom. Of course, then I went through the gear collection phase. Now I'm back to one camera, one lens 95% of the time.
I remember back in the early 1970's having a lot of fun shooting with the fixed 45mm lens on a Yashica GTN. Controls were rudimentary and you had to alter the ISO to fool the exposure meter. A 28-48mm stayed on my Olympus most of the time too. I only got tempted into using telephotos for receding planes to give genuine depth. Even now with an APSC sensor it is an 18-135 that stays most of the time on the camera, and I still like using the old 45mm equivalent. Blue and Orange, yes that is a good style. Some of the winter light on the Cornish coast has a lot of yellow in it now I think about it.
Bags of indecision, never a truer word said. Bought an X100 years ago, instantly fell in love, since then almost all my favourite images have been taken with an X100, all the variants, they just get better and better and all my other kit, got sold.
11 years ago i bought a fuji x100s when my son was born. That was probably the best decision for myself to help me get better. For a whole year i shot 100% of my personal and 40% of my clients with that camera. Then it turned into 75% of my work woth the 35mm focal length. Its my favorite thing now. I have been considering purchasing the 16-55 and just leaving that on my camera. I think this video sealed that idea.
The best video of the year from the many professional photographers I watch on You Tube. I am over 80 and cannot carry all the lenses etc I have. I now have a compact 24mm to 75mm camera and use it for everything. This has given me so much confidence that I am not missing out because of lack of equipment. Thank you.
Well timed video. Short backstory: for years I worked as an industrial/technical/scientific for a large multinational. We were well supplied for gear. However, for my own work, I favored an old Rolleiflex 2.8. Fast forward to now, I’ve long since moved on to another career, and I’ve been gearing up in anticipation of lots of free time to go back to photography for my own enjoyment. In the past few years, I’ve suffered from that same syndrome you describe so well. Lately, I’ve forced myself into just carrying my FF with a 40mm or my MFT with a 20mm. It’s been liberating. I still rue not having at times, the perfect kit, but, I look around and then resume seeing with what I have in my hand. Thanks for the video, it’s nice to know that I’m not alone in these traps we set for ourselves.
I just got Human Nature for Christmas and my name is in it! Merry Christmas to you, thank you for your content, your honesty, your insights. Discovered you just this year and since gained more confidence in my photography(-decisions). So greetings from Germany and happy holidays to you and your family :) 🎄
I agree with minimizing gear. In the days when I couldn't afford much gear, using only one lens and one camera body was the norm, but I really new the constraints, strengths and weaknesses of that combo, and that helped me produce better images. +1 for "The Rest is History", one of my favorite podcasts as well.
Well in the hubbub of the holidays I missed your trip to the slate mines and comments on the Nothern lights. So this will be a twofer. When I was a boy in the 50’s in Michigan and before light pollution ruined things I could see the milky way in all its splendor and when the Nothern lights came down from the arctic we would stand in the back yard and watch the show. The interesting thing is that the air would hum and crackle as the lights danced across the sky. You are right I have never seen a photo that captures what the northern lights are. Your channel is one of the few that is thought provoking and helps me think about my approach to photography. Today’s video is no exception as you explain your rationale for leaving in perceived imperfections in your photos and your choosing a lens that fits your world viewpoint. I find the world visually chaotic and prefer to use longer lens which I now understand matches how I navigate the world. Thanks and have a happy New Year.
I think the creation of space that you mention many times as a common theme within your images is helped by the lightness of the skies typically within your images; the space that the image is given includes that where the image 'bleeds' out of the frame. If the skies were darker or taken down in post then it would be like putting a lid on a box.
Hi James, I don't often place any comments but let me say this... I come to like your channel a lot because of your unpretentious but, at the same time very entertaining presentation. Well, all of this is obviously based on your high grade of photographic expertise, talent and knowledge which you are never rubbing on anybodies nose 😂 No, seriously, keep up the good work and I wish you all the best for the holiday season and the year 2025! And, be aware... this is coming from a photographer who still finds some bits to learn from you, respect! 🎉😊🍾🥂
On the same journey. Minimize my gear that I carry. I’ve enjoyed looking at my photos taken this year to better understand my own style and favorite focal lengths.
I came to a similar conclusion around six months ago. Went for the smallest setup I could and began taking my camera everywhere with me. Some of the best shots I've taken this year wouldn't have happened otherwise.
Excellent video James, exactly what I did when I sold my Sony a7 bodies and lenses and switched to Leica Q3. I too realised the liberation that less gear brings and would offer this as the best advice too. Loved many of your images this year James as other years. My fav from those you showed on this video was the first of the yellow buses and snow in New York, loved this image when you first showed it❤
This was so useful and valuable, James. Like you, I used to carry 20kg of gear, and it often produced nothing but indecision. After watching this, I immediately removed one lens from my bag. I’m now down to a pair of zooms and a wide. Wish I could drop one more lens. Maybe I can… All the best to you for 2025, and thanks for your generous content all year. 👍🦘
I did that a few years back , the only time I carry more is if I'm doing a longer trip , driving far and staying overnight, but generally even then I still only get out of the car with one camera , if I'm going into to Melbourne to do some street it only one camera one lens. Love the sence of space ans scale in your shots
Love this message. I firmly believe that limitation forces depth in your abilities. I'm a professional musician and I can relate to how this applies to music gear. Having less makes you dive deeper into what you have, which will inspire more growth. Happy New Year, James!
As someone with OCD that option paralysis is really bad for me. Agonising which lenses to take with me and use. But the truth is I find better shots if I just pick one lens, put it on the camera, then head out with just that and a spare battery.
"Option paralysis" is a great way to describe it, and I'm in a similar boat. Sometimes I spend more time thinking about what to bring than actually packing my bag.
Turned off RIH podcast to watch your video and got to hear you say you were a RIHP fan too. Lovely. And what a good video it was. Happy New Year, James!
I have a Tamron 28-200 and this is the best lens I could ever think of. Any scene is shootable with this lens. I've done trips across countries with and never felt restricted
I am also on team "One camera, one lens"... mostly because I hate lugging around stuff. I am also very waffly, so if I brought lots of lenses I would constantly be switching between them. I sometimes bring a second lens... and find that I either forget I have it, or I switch to it, realise I'd rather use the first lens and switch back.
One way that I've found that helps me sort of slim down my kit when I go out shooting is to narrow it down "slowly" and by that I mean, if you carry 4-5 lenses typically, on your next outings for say a month, only carry 3 or 4 (take one out) and repeat this over several weeks or months, and eventually you will get down t oa core of 1 or 2 lenses (primes or zooms) that you feel comfortable with. Of course when I travel, I still bring a decent array of lenses, but I make it a point to only carry maybe 1 or 2 for the day, depending on my most likely activities (ie. if I"m doing landscapes, or if I'm walking through a city -- if I"m walking through a city, I may just bring something like a 40mm prime on a body and no bag).
50+ years ago when I was starting off with my little retina iia range finder, all I wanted was an SLR. Then when I had my spotmatic F, all I wanted was a 135 Portrait lens to complement my 50 mm 1.4. Fast forward a few years and all I wanted was a canon Elan with auto focus capabilities, and more lenses. Now I have a couple of Canon Rs and a ton of lenses, a couple of which I have not touched in three years. I also own a couple of G7 Xs and an Olympus TG6 for underwater photography and I’m on my fourth GoPro. It turns out that I’m happiest carrying around one canon and one lens (50 1.2) or a G7 in my pocket. Back to basics. For vlogging, a G7x mark iii on a small Tripod and a remote microphone does the trick. Nice and simple. Great video, James! Oh, and PS, I also picked up a K 1000 a couple of years ago and I’m enjoying getting back into film. But I only take this camera out all by itself with its 50 mm lens. And I never think, as I did in the olden days, I wish I had more lenses..
Wandered round London with a 45mm lens on my A7r. Felt frustrated that I didn't have my 85mm with me for some of the shots. But when I got home and saw the images I really liked some of them. One lens was liberating!
Thank you for some great insights, which I found affirming of my own evolution lately. Particularly your comments about authenticity, but also your approach to a scene that requires a lens you did not bring, verses "choice paralysis". Taoism. Another terrific video!
Minimalism is the way to go what comes to carrying "a little camerastore" than just what photographer really needs. That Sony 24-50 is a good all-rounder for miljeu photography.
Have been all around the world with a 21 and 35 :) have done plenty of work at home with a 35 and an 85. Owned all the prime focal lengths you can over the years. Have settled on these for 98.9% of my work and travel :)
Fine advice. I don't much suffer from the analysis paralysis, but instead I find that I just often can't be bothered to take the 15kg backpack off to swap a lens, so usually the stuff in my 15kg backpack is merely along for the ride and doesn't even get used. Travel Lighter might just be my motto for the new year as well! All the best to you and yours in 2025, James--keep up the great work!
It is interesting that some of your favorite photos were ones you were not sure about in previous videos. That's why I don't delete older photos. I find that photos I previously was unsure of, I find I like later on.
I’ve spent a ten day holiday shooting only with a compact camera that has a built in 24-72mm equivalent lens. I must say the shots I got during that trip were among the most, if not the most satisfying I’ve ever had. I’ve added since then another compact camera with a telephoto zoom lens. This doubles as a macro with a close up lens screwed in front. And that covers all that I would shoot during an outing or a trip. I would need wider than 24mm in specific situations. But I would argue that what’s more important than gear is to keep the creative vibe going. Find new ways to shoot, have a new eye, a new look.
I would say the last 3 years for me has been a slow quest of removing gear from my bag and refining it down to what matters. It is still hard sometimes to shrug off the “but what if…” moments that come.
I love forum discussions on dpreview and other places about what kit for travel. The list usually includes multiple bodies and always includes a telephoto zoom. I have taken many trips with just an x100 or a Ricoh GR, or a Powershot G16 or a 5D and with a 28mm and 50mm lens. I adapt to the gear I have by seeing only in that focal length and ignoring potential shots I can't take. Sure, occaisional regret here and there. But there are plenty of shots you can take with whatever you have. You only need to look. Enjoy traveling light!
These days I try to take as little gear as possible when I travel. But, I haven't been able to take just one camera and one lens. I take two camera bodies, a 16-35 GM II, and a 70-200 f4 G II. If I took any less I would be missing shots. But, I do think one camera one lens, even if it's a prime, is a good exercise. In fact, most of us started out with one camera and one lens.
Another great video James. Father Christmas (Mrs Ed) very kindly brought me a copy of "Human Nature" (I did send him (her) the link and insisted that it be picked up in the pre order. Beautiful book to touch and smell even before you open it!!! And was surprised and delighted at the beautiful message you wrote. The photos are, as expected, beautiful! Thanks so much, andooking forward to 2025!!
9:53 I thought that structure in the background was a space shuttle on a launch pad for a moment and I thought that was the most interesting image I’d seen in ages.
Great video as per usual, I totally agree with you on the need to reduce gear. I went from carrying a bag with at least 3 lenses to 2 lens only for the past year. I'm not ready to go to one yet, but will do soon.
I was just thinking you have the idea for a left of field April fools video in that opening sequence - James P irons a shirt - it will be an instant hit, perhaps while talking about his latest camera. On topic a few years ago I switched to a small Leica X - amazing little camera, and has many uses. I do own a Nikon Df (2014 version) with a 50mm on it, just in case I need something for lowlight, or indoors. But I only ever carry one, and mainly I use the X of all things.
Hi James, thanks for another year of interesting videos. I too strive for imperfection, which i find incredibly simple to achieve. Others call it garbage.
James, if I was not so much into photographing wildlife from extreme macro to 840mm birding then I would be happy with my Z8, 24-120mm and a fast 50mm prime. I do own two complete systems and will be taking my OM-1 with a set of micro 4/3 lenses to Cambodia in Feb. Total weight from extreme macro the 840mm is less than 4kg including my Godox V1 and diffusers for focus staking macro. Oh, I do love the OM-40-150 f4 (80-300mm) . Super tiny and super sharp through the range. Fantastic for alternative street. The 12-40 f2.8 (24-80mm). It is also super tiny and incredibly sharp. I love my Nikon Z full frame system but sometimes wonder why I have it.
I'm in the same boat now, but in a different way. I sold my 24-70 to get some primes instead. Now I have a 14 GM, 20 G, 35 GM and 85 DG DN. It's a rewarding experience, especially carrying any of them for a days worth of shooting. I'm still thinking about getting a 24-50 G or the 24-70 II. Such a versatile lens type. Pair it with a wide like the 14 GM and 90% of city photography needs are covered. I also own a 200-600, but that one only comes out on special occasions (wildlife, or planned shots)
I like what James is saying but here’s a different way of thinking about this: go out with one camera & one lens, but change them (or at least change the lens). Using the same lens over & over is comfortable and familiar, but having to think in a different view angle is creatively stimulating - or at least it can be.
The school bus image is my favourite 😍. That’s exactly why I love it to go on tour with the M11 Monochrom + APO-Summicron-M 2/35 only - and I spent a fortune for that reduction. Attention, the raw images of the Monochrom are quite flat and need post production or you put permanently at least an orange filter on it and if you prefer dark skies even a red filter. Otherwise I recommend to Leica M newbies a used (colour) M10, M10-R or M11. Interesting, why the 24-50 and not the 24-70 GM2? That’s btw. the lens permanently on my 1M2 except I go for birding, then I put the 300/2.8 GM + TCx2 on it, lightest 600mm f/5.6 combo ever.
Repeatedly going downtown here is why I know I can get away with either a 35, 50, and 75/85 or 50, 75/85, and 105 setup. I know I rarely need or want longer than 105mm, and I even more rarely need wider than 35mm. And walking through some of the same sections of the city so often, I got really good at guessing which lens should be on the camera before even getting there. Also means I don't even really need to think about focal length or look down at my bag to figure anything out. I can keep looking forward just in case the shot changes.
You basically spelled out the reasons I use 100% prime lenses, as I like the limitations of being constricted to one or two focal lengths. The 24 to 50 focal length is perfect for me, but I really really need a wider aperture. Most all the photographers I have seen on TH-cam tend to take their photographs at a minimum of f8 and often more closed down. Call me crazy, but I like the three dimensionality of a defined depth of field. My ideal focal length is 40 mm and for years I used the Zeiss Batis 40 f2.0. It is a wonderful lens, but now I seldom use it since acquiring the Sony 35 f1.4. My last trip was to Wales and I took 3-lenses, the Sony 35/1.4, 14/1.8 and Zeiss Batis 85/1.8. While that is still more than your one lens solution, I carry two lenses in a small sling bag and the third is on the camera around my neck. A pretty light setup that still gives me the control over DOF I crave. All the best.
Not having your arsenal of lens, and possibly missing a shot, yet finding another shot. Interesting thought. If you never take the telephoto shot when you see the opportunity, then one will never know since the shot was never taken. Philosophical. Did one take the best shot available when not all shots were taken. It comes down to style. You have chosen your style. And I love your style. So stick with it and love and enjoy it. Don't worry about the shots you see, but don't want, enjoy and stay with your style. .......too much from me, maybe.
Regarding "rucking" - carrying a heavy rucksack for exercise. Decades ago, my friends and I were hiking from youth hostel to youth hostel in Yorkshire, and we made jokes about people putting rocks in their bags to have the heaviest rucksack. Seems we only thought we were joking.
I appreciate your perspective. The paralysis of choice is real; I experience it every time before I go out to shoot. And my choices are limited compared to yours, but I agonize over what to bring with me. It’s usually one lens (I only have five) and my A7CR (my only body). However, when I’m out shooting I then think I should’ve brought the 24-70 or the 70-180, or whatever.
"Makes the photo's feel more real" The very reason I don't have photoshop or any other box of electronic trickery crayons. Life is too short to be messing around with a 1000 choices of how to improve a picture. Having the opportunity of changing the picture into the picture you wished you took in the first place, to me seems nothing short of lying to yourself and anyone else that sees the image. Photography for me is like fishing, if I don't get anything today, there's always tomorrow!
I’ve been walking around taking pictures for 60 years. I use a 28mm lens, now that I’m shooting digital it’s 18mm equivalent. Because that’s how one sees. One camera one lens.
Unfortunately MPB won't pay nearly what you can sell your gear. It is handy if you just need to get rid of things quickly and means it doesn't take time to find a buyer
Merry Christmas James. I just commented, about reducing my gear recently, then deleted it when I realised I have just in fact 'geared' up when deciding to keep my Fujifilm X-M1 as a Christmas gift to myself when it was supposed to be sold to part pay for my new old Fujifilm X30... #doh.
I'm an old-school analogue photographer, and I totally get what you're saying. Modern photos often feel… clinical. I miss the tactile experience of the darkroom and the organic feel of film. Those "flaws" were part of the magic! Also, I've been a loyal MPB customer for ages, buying exclusively used equipment. They've always been reliable, and their customer service is excellent.
When I got into EDC I got into a rabbit hole of stuff that I honestly didn't need or used. Luckily I ran into a TH-camr that put some sense into me. I just got into photography again, and I nearly ran into the same problem, I saved up for my Sonya6400, I admit it's pricey but it felt like the right one when I went to try out cameras, for a lense I got a 50mm, first day out I immediately felt I needed a 35mm, and then a friend of mine said I need a telephoto, so I went and searched and finally decided, I don't need anything else, I like learning how to shoot with my 50, I don't want to often change lense out in public because my lense isn't wide enough. I'm happy with what I have, and don't much need much else., plus not carrying all that weight is great.
I've been a landscape photographer for 40 years and a professor of Photography for most of those. I find your videos consistently helpful and rewarding, particularly around the use of space, letting the picture flow out to the horizon. Hard to do as it seems most want to fill the space with content. Many thanks
At 80, I am retired from my work in portrait and editorial photography. Surprising to me, I have abandoned and sold my zoom lenses, not to mention a collection of camera gear including my 'Blads, a 4x5 field camera, and a hideously vast colleciton of Nikon gear. Despite my aging knees, I am enjoying shooting with a small collection of prime lenses for my Fujifilm X-Pro 2: 16mm (24mm full-frame), 23mm (35mm FF) and 35mm (52mm FF). For a car trip, I take the kit. If I am flying to a location, I take the 23mm. It is just one of the most versatile lenses I have ever owned. And now that I no longer shoot professionally, the joy of using my legs to "zoom" in and out of a shot reminds me of my earliest days before getting paid to shoot. And, frankly, shooting with primes dovetails with Cartier-Bresson's "decisive moment" description of his best shots. Without a zoom lens, I am once again shooting instinctively, and I love it.
I could not have put this better myself ‐ thank you!😊
One of my favourite "grabs" was a panned shot of a motorcycle at Matlock. I was sitting on the pavement eating fish and chips. A chap kick started his Classic bike (Suzuki GT750 for those who know it). I pulled my X-E1 out of my pocket, shrugged at the 27mm lens and took a series of shots with the old X-E1 chugging away at 3fps. Back home, chosing the best compostion from about 6 jpgs, I had to crop significantly due to the distance. Despite only 12MP it still produced a fantastic image once changed to B&W. I've often thought how I'd have missed that entirely if I'd had to change lenses (or bodies) 😊
@@PhilipBallGarry the fuji 23 and 27mm are both so good for this kind of accidental scene, imo. My walking around setup is solely the 27 these days, just for compactness, but I really love how sharp it is -- cropping aggressively is absolutely a valid strategy. I dragged my 55-200 with me (after second-guessing myself) on an international trip recently and most days it stayed in the hotel room, although I admit it got me a couple of my favorites from the trip. But for the vast majority of the time, I was very happy zooming with my feet on just one prime, and I'm glad I did it that way.
i love that James shoots with one camera and one lens because experience taught him so, and I shoot with one camera and one lens cause i'm broke (and because they're more than good enough)
Close enough 😅
The creases in your clothing reflect what your eyes want in your photos, imperfection. It's perfect.
If I may expand on my earlier comment, on a recent road trip, I decided to shoot with the 23mm (35mm ff) lens for my Fujifilm X-Pro2. Over the course of a 7 hour drive home, I shot some of my favorite photos of the past two years. I took the same setup on a trip to Southern California and reveled in the results. One-lens travel has me hooked. And, at 80, keeping it simple has been marvelous retro experience recalling my early days without any zoom lenses.More than 50 years ago, I shot with a Nikon Photomic FTN with a few primes: a 20mm, a 55Micro Nikkor, and a 105mm. I used that system for more than 35 years before I had to shift to auto-focus gear to resolve a vision problem.
The New York school bus image is my favorite of yours and hangs over my couch.
A few people thought it was a painting 🖌️🎨
Best compliment for an image
It's the orange pylon bases for me, but I don't have a print. That's the image that made me fall in love with his style.
I went mad last year and sold my XT-5, all my very expensive lenses and gear, I bought a Ricoh GRiiix, the best decision I have ever made, no more g.a.s, and my photography has improved by a significant amount.
100% agree. I did the same transformation some years ago. currently I owe zwo prime lenses (28+75) but very often I take just one of them with me. Something I want to add to your video: If you are shooting just with one lens, for example 28mm, you automatically get the 28mm-view in your mind which makes you find a lot more appropriate subjects with no distraction from telephoto-shots!
Absolutely agree, over the last year I've also trimmed down to 28, 35 and 50mm lenses. I mostly shoot with the 35mm so I could trim down more. I do feel a greater sense if freedom when I only use the lens on the camera. Plus it helps me connect more with the scene rather than snapping and moving on.
5:20 “Because they don’t listen to their eyes wants” -James Popsys
That’s a great of a quote
A well considered video, many great points, one of which stands out, is what you call the not removing the imperfections. That’s what I enjoy about photography, the natural state, representing with I have seen, imperfections and all, it’s an honesty.
The other and key point, if not on an assignment, reducing the kit we lug around, that’s such a valid point. What that has done for me, has improved, in my view, the quality of my composition. I’ve also taken it a step further, going with the ‘prime of the week’ approach, one prime lens, for a week, and that’s it.
Totally agree with the idea of finding shots with the lens you're carrying.
I started shooting with a 14mm (on APSC) because I didn't know any better and people online loved the lens. That is literally the only lens I had for 6 months or so. Turns out, I found plenty to shoot, no matter where I went. No really knowing was I was missing was freedom.
Of course, then I went through the gear collection phase. Now I'm back to one camera, one lens 95% of the time.
I remember back in the early 1970's having a lot of fun shooting with the fixed 45mm lens on a Yashica GTN. Controls were rudimentary and you had to alter the ISO to fool the exposure meter. A 28-48mm stayed on my Olympus most of the time too. I only got tempted into using telephotos for receding planes to give genuine depth. Even now with an APSC sensor it is an 18-135 that stays most of the time on the camera, and I still like using the old 45mm equivalent. Blue and Orange, yes that is a good style. Some of the winter light on the Cornish coast has a lot of yellow in it now I think about it.
Great work! Your landscape photography is a standout.
You have made some insanely stunning pictures this year. I can't stop staring at them!
I've said it once, I'll say it again: that photo about the cowboy and the horses from Patagonia is one of the single greatest images I've ever seen.
Bags of indecision, never a truer word said. Bought an X100 years ago, instantly fell in love, since then almost all my favourite images have been taken with an X100, all the variants, they just get better and better and all my other kit, got sold.
11 years ago i bought a fuji x100s when my son was born. That was probably the best decision for myself to help me get better. For a whole year i shot 100% of my personal and 40% of my clients with that camera. Then it turned into 75% of my work woth the 35mm focal length. Its my favorite thing now.
I have been considering purchasing the 16-55 and just leaving that on my camera. I think this video sealed that idea.
You deserve MPB sponsor your videos. I first heard about MPB from you and have
been their happy customer ever since. Thanks for the tips James !
Your book arrived in the mail today. Thanks for the kind words too. Cheers, Tobias
The best video of the year from the many professional photographers I watch on You Tube. I am over 80 and cannot carry all the lenses etc I have. I now have a compact 24mm to 75mm camera and use it for everything. This has given me so much confidence that I am not missing out because of lack of equipment. Thank you.
Don’t have FOMO have ROMO relief of missing out. 😊
Well timed video. Short backstory: for years I worked as an industrial/technical/scientific for a large multinational. We were well supplied for gear. However, for my own work, I favored an old Rolleiflex 2.8.
Fast forward to now, I’ve long since moved on to another career, and I’ve been gearing up in anticipation of lots of free time to go back to photography for my own enjoyment.
In the past few years, I’ve suffered from that same syndrome you describe so well. Lately, I’ve forced myself into just carrying my FF with a 40mm or my MFT with a 20mm.
It’s been liberating. I still rue not having at times, the perfect kit, but, I look around and then resume seeing with what I have in my hand.
Thanks for the video, it’s nice to know that I’m not alone in these traps we set for ourselves.
I believe Dolly Parton coined the term “bags of indecision” but I don’t think she was talking about camera bags.
James, thank you for the year. Your confused look, coupled with amazing images have been a big help to me this year at the times when I struggled.
Great images this year, absolutely unique style throughout.
Merry Christmas young man! And many thanks for all the informative, wry and cheerful videos.
I just got Human Nature for Christmas and my name is in it! Merry Christmas to you, thank you for your content, your honesty, your insights. Discovered you just this year and since gained more confidence in my photography(-decisions). So greetings from Germany and happy holidays to you and your family :) 🎄
I agree with minimizing gear. In the days when I couldn't afford much gear, using only one lens and one camera body was the norm, but I really new the constraints, strengths and weaknesses of that combo, and that helped me produce better images.
+1 for "The Rest is History", one of my favorite podcasts as well.
Well in the hubbub of the holidays I missed your trip to the slate mines and comments on the Nothern lights. So this will be a twofer.
When I was a boy in the 50’s in Michigan and before light pollution ruined things I could see the milky way in all its splendor and when the Nothern lights came down from the arctic we would stand in the back yard and watch the show. The interesting thing is that the air would hum and crackle as the lights danced across the sky. You are right I have never seen a photo that captures what the northern lights are.
Your channel is one of the few that is thought provoking and helps me think about my approach to photography. Today’s video is no exception as you explain your rationale for leaving in perceived imperfections in your photos and your choosing a lens that fits your world viewpoint. I find the world visually chaotic and prefer to use longer lens which I now understand matches how I navigate the world. Thanks and have a happy New Year.
I think the creation of space that you mention many times as a common theme within your images is helped by the lightness of the skies typically within your images; the space that the image is given includes that where the image 'bleeds' out of the frame. If the skies were darker or taken down in post then it would be like putting a lid on a box.
Great stuff as usual. I couldn't help but notice (one you have pointed it out) the blue and orange theme in your studio.
Great podcast! No comments about your content, except that it can’t be improved. Love the laid back style and just being you. Enjoy 2025. Ed
Hi James, I don't often place any comments but let me say this... I come to like your channel a lot because of your unpretentious but, at the same time very entertaining presentation. Well, all of this is obviously based on your high grade of photographic expertise, talent and knowledge which you are never rubbing on anybodies nose 😂 No, seriously, keep up the good work and I wish you all the best for the holiday season and the year 2025! And, be aware... this is coming from a photographer who still finds some bits to learn from you, respect! 🎉😊🍾🥂
On the same journey. Minimize my gear that I carry. I’ve enjoyed looking at my photos taken this year to better understand my own style and favorite focal lengths.
I came to a similar conclusion around six months ago. Went for the smallest setup I could and began taking my camera everywhere with me. Some of the best shots I've taken this year wouldn't have happened otherwise.
Excellent video James, exactly what I did when I sold my Sony a7 bodies and lenses and switched to Leica Q3. I too realised the liberation that less gear brings and would offer this as the best advice too. Loved many of your images this year James as other years. My fav from those you showed on this video was the first of the yellow buses and snow in New York, loved this image when you first showed it❤
This was so useful and valuable, James. Like you, I used to carry 20kg of gear, and it often produced nothing but indecision. After watching this, I immediately removed one lens from my bag. I’m now down to a pair of zooms and a wide. Wish I could drop one more lens. Maybe I can… All the best to you for 2025, and thanks for your generous content all year. 👍🦘
I did that a few years back , the only time I carry more is if I'm doing a longer trip , driving far and staying overnight, but generally even then I still only get out of the car with one camera , if I'm going into to Melbourne to do some street it only one camera one lens. Love the sence of space ans scale in your shots
Stunning best of 2024 and I 100% agree. Limitation breeds creativity and Perfectly imperfect is the way.
What a great video to end the year! Best wishes, James!
Love this message. I firmly believe that limitation forces depth in your abilities. I'm a professional musician and I can relate to how this applies to music gear. Having less makes you dive deeper into what you have, which will inspire more growth. Happy New Year, James!
Doesn't make sense.
As someone with OCD that option paralysis is really bad for me. Agonising which lenses to take with me and use. But the truth is I find better shots if I just pick one lens, put it on the camera, then head out with just that and a spare battery.
"Option paralysis" is a great way to describe it, and I'm in a similar boat. Sometimes I spend more time thinking about what to bring than actually packing my bag.
Turned off RIH podcast to watch your video and got to hear you say you were a RIHP fan too. Lovely. And what a good video it was. Happy New Year, James!
I have a Tamron 28-200 and this is the best lens I could ever think of. Any scene is shootable with this lens. I've done trips across countries with and never felt restricted
I'm a hobbyist so no pressure, most often recently I go out with just a 70-300 adapted to my a7r2 - its great!
I am also on team "One camera, one lens"... mostly because I hate lugging around stuff. I am also very waffly, so if I brought lots of lenses I would constantly be switching between them. I sometimes bring a second lens... and find that I either forget I have it, or I switch to it, realise I'd rather use the first lens and switch back.
One way that I've found that helps me sort of slim down my kit when I go out shooting is to narrow it down "slowly" and by that I mean, if you carry 4-5 lenses typically, on your next outings for say a month, only carry 3 or 4 (take one out) and repeat this over several weeks or months, and eventually you will get down t oa core of 1 or 2 lenses (primes or zooms) that you feel comfortable with. Of course when I travel, I still bring a decent array of lenses, but I make it a point to only carry maybe 1 or 2 for the day, depending on my most likely activities (ie. if I"m doing landscapes, or if I'm walking through a city -- if I"m walking through a city, I may just bring something like a 40mm prime on a body and no bag).
50+ years ago when I was starting off with my little retina iia range finder, all I wanted was an SLR. Then when I had my spotmatic F, all I wanted was a 135 Portrait lens to complement my 50 mm 1.4. Fast forward a few years and all I wanted was a canon Elan with auto focus capabilities, and more lenses. Now I have a couple of Canon Rs and a ton of lenses, a couple of which I have not touched in three years. I also own a couple of G7 Xs and an Olympus TG6 for underwater photography and I’m on my fourth GoPro. It turns out that I’m happiest carrying around one canon and one lens (50 1.2) or a G7 in my pocket. Back to basics. For vlogging, a G7x mark iii on a small Tripod and a remote microphone does the trick. Nice and simple. Great video, James! Oh, and PS, I also picked up a K 1000 a couple of years ago and I’m enjoying getting back into film. But I only take this camera out all by itself with its 50 mm lens. And I never think, as I did in the olden days, I wish I had more lenses..
Wandered round London with a 45mm lens on my A7r. Felt frustrated that I didn't have my 85mm with me for some of the shots. But when I got home and saw the images I really liked some of them. One lens was liberating!
Thank you for some great insights, which I found affirming of my own evolution lately. Particularly your comments about authenticity, but also your approach to a scene that requires a lens you did not bring, verses "choice paralysis". Taoism. Another terrific video!
Minimalism is the way to go what comes to carrying "a little camerastore" than just what photographer really needs. That Sony 24-50 is a good all-rounder for miljeu photography.
Have been all around the world with a 21 and 35 :) have done plenty of work at home with a 35 and an 85. Owned all the prime focal lengths you can over the years. Have settled on these for 98.9% of my work and travel :)
Always looking forward to your vids! ❤
Fine advice. I don't much suffer from the analysis paralysis, but instead I find that I just often can't be bothered to take the 15kg backpack off to swap a lens, so usually the stuff in my 15kg backpack is merely along for the ride and doesn't even get used. Travel Lighter might just be my motto for the new year as well!
All the best to you and yours in 2025, James--keep up the great work!
28mm & 40mm are underrated
Sigma 40mm & 28mm Art - image quality are 💯
I have the same lenses.
It is interesting that some of your favorite photos were ones you were not sure about in previous videos. That's why I don't delete older photos. I find that photos I previously was unsure of, I find I like later on.
I’ve spent a ten day holiday shooting only with a compact camera that has a built in 24-72mm equivalent lens. I must say the shots I got during that trip were among the most, if not the most satisfying I’ve ever had.
I’ve added since then another compact camera with a telephoto zoom lens. This doubles as a macro with a close up lens screwed in front.
And that covers all that I would shoot during an outing or a trip.
I would need wider than 24mm in specific situations.
But I would argue that what’s more important than gear is to keep the creative vibe going. Find new ways to shoot, have a new eye, a new look.
This was great James, thank you!
I would say the last 3 years for me has been a slow quest of removing gear from my bag and refining it down to what matters. It is still hard sometimes to shrug off the “but what if…” moments that come.
A7C and a Zeiss 55mm. All I have, can be a bit tight in some circumstances but ideal package for a lot of the time.
I love forum discussions on dpreview and other places about what kit for travel. The list usually includes multiple bodies and always includes a telephoto zoom. I have taken many trips with just an x100 or a Ricoh GR, or a Powershot G16 or a 5D and with a 28mm and 50mm lens. I adapt to the gear I have by seeing only in that focal length and ignoring potential shots I can't take. Sure, occaisional regret here and there. But there are plenty of shots you can take with whatever you have. You only need to look. Enjoy traveling light!
Some great images there James! Thanks
These days I try to take as little gear as possible when I travel. But, I haven't been able to take just one camera and one lens. I take two camera bodies, a 16-35 GM II, and a 70-200 f4 G II. If I took any less I would be missing shots. But, I do think one camera one lens, even if it's a prime, is a good exercise. In fact, most of us started out with one camera and one lens.
Another great video James. Father Christmas (Mrs Ed) very kindly brought me a copy of "Human Nature" (I did send him (her) the link and insisted that it be picked up in the pre order. Beautiful book to touch and smell even before you open it!!! And was surprised and delighted at the beautiful message you wrote. The photos are, as expected, beautiful! Thanks so much, andooking forward to 2025!!
Brilliant video, amazing pictures.
9:53 I thought that structure in the background was a space shuttle on a launch pad for a moment and I thought that was the most interesting image I’d seen in ages.
Great video as per usual, I totally agree with you on the need to reduce gear. I went from carrying a bag with at least 3 lenses to 2 lens only for the past year. I'm not ready to go to one yet, but will do soon.
I went the whole way, James, and walk around with a Leica Q2M. no change in lens to choose and no colour possible. It's been extremely liberating!
Outstanding photography, processing and presentation, sir
Happy Holiday season
I was just thinking you have the idea for a left of field April fools video in that opening sequence - James P irons a shirt - it will be an instant hit, perhaps while talking about his latest camera.
On topic a few years ago I switched to a small Leica X - amazing little camera, and has many uses. I do own a Nikon Df (2014 version) with a 50mm on it, just in case I need something for lowlight, or indoors. But I only ever carry one, and mainly I use the X of all things.
Hi James, thanks for another year of interesting videos. I too strive for imperfection, which i find incredibly simple to achieve. Others call it garbage.
James, if I was not so much into photographing wildlife from extreme macro to 840mm birding then I would be happy with my Z8, 24-120mm and a fast 50mm prime.
I do own two complete systems and will be taking my OM-1 with a set of micro 4/3 lenses to Cambodia in Feb. Total weight from extreme macro the 840mm is less than 4kg including my Godox V1 and diffusers for focus staking macro.
Oh, I do love the OM-40-150 f4 (80-300mm) . Super tiny and super sharp through the range. Fantastic for alternative street. The 12-40 f2.8 (24-80mm). It is also super tiny and incredibly sharp.
I love my Nikon Z full frame system but sometimes wonder why I have it.
Nice video James. I like your style of photography a lot of it appeals to me.
Teal and orange is the most popular colour grading. I am not surprised that is where you landed.
Your videos are always 😗🤌🏼
I'm in the same boat now, but in a different way. I sold my 24-70 to get some primes instead. Now I have a 14 GM, 20 G, 35 GM and 85 DG DN. It's a rewarding experience, especially carrying any of them for a days worth of shooting. I'm still thinking about getting a 24-50 G or the 24-70 II. Such a versatile lens type. Pair it with a wide like the 14 GM and 90% of city photography needs are covered.
I also own a 200-600, but that one only comes out on special occasions (wildlife, or planned shots)
I like what James is saying but here’s a different way of thinking about this: go out with one camera & one lens, but change them (or at least change the lens). Using the same lens over & over is comfortable and familiar, but having to think in a different view angle is creatively stimulating - or at least it can be.
I have done this for the last 10 years. One camera, one lens. 35mm is all I need.
The school bus image is my favourite 😍. That’s exactly why I love it to go on tour with the M11 Monochrom + APO-Summicron-M 2/35 only - and I spent a fortune for that reduction. Attention, the raw images of the Monochrom are quite flat and need post production or you put permanently at least an orange filter on it and if you prefer dark skies even a red filter. Otherwise I recommend to Leica M newbies a used (colour) M10, M10-R or M11. Interesting, why the 24-50 and not the 24-70 GM2? That’s btw. the lens permanently on my 1M2 except I go for birding, then I put the 300/2.8 GM + TCx2 on it, lightest 600mm f/5.6 combo ever.
Went to Japan one time with 1 film cam and 1 35mm prime. Ended up with some of the best photos I've taken.
Repeatedly going downtown here is why I know I can get away with either a 35, 50, and 75/85 or 50, 75/85, and 105 setup. I know I rarely need or want longer than 105mm, and I even more rarely need wider than 35mm. And walking through some of the same sections of the city so often, I got really good at guessing which lens should be on the camera before even getting there. Also means I don't even really need to think about focal length or look down at my bag to figure anything out. I can keep looking forward just in case the shot changes.
Absolute masterclass 😮
You basically spelled out the reasons I use 100% prime lenses, as I like the limitations of being constricted to one or two focal lengths. The 24 to 50 focal length is perfect for me, but I really really need a wider aperture. Most all the photographers I have seen on TH-cam tend to take their photographs at a minimum of f8 and often more closed down. Call me crazy, but I like the three dimensionality of a defined depth of field. My ideal focal length is 40 mm and for years I used the Zeiss Batis 40 f2.0. It is a wonderful lens, but now I seldom use it since acquiring the Sony 35 f1.4. My last trip was to Wales and I took 3-lenses, the Sony 35/1.4, 14/1.8 and Zeiss Batis 85/1.8. While that is still more than your one lens solution, I carry two lenses in a small sling bag and the third is on the camera around my neck. A pretty light setup that still gives me the control over DOF I crave. All the best.
Sold all my gear 3 weeks ago
One camera now and 3 lenses .
Best decision ever
Happy healthy 2025 James cheers from Australia
Well said. Word of reason.
You released this video just in time for Boxing Day shopping 😅 and here I am thinking of adding my f2.8 repertoire.
Not having your arsenal of lens, and possibly missing a shot, yet finding another shot. Interesting thought. If you never take the telephoto shot when you see the opportunity, then one will never know since the shot was never taken. Philosophical. Did one take the best shot available when not all shots were taken. It comes down to style. You have chosen your style. And I love your style. So stick with it and love and enjoy it. Don't worry about the shots you see, but don't want, enjoy and stay with your style. .......too much from me, maybe.
Schrödinger’s photo?
Love to take pics with only 3 lenses. As you say there is always a composition to be had with what you bring along
Regarding "rucking" - carrying a heavy rucksack for exercise. Decades ago, my friends and I were hiking from youth hostel to youth hostel in Yorkshire, and we made jokes about people putting rocks in their bags to have the heaviest rucksack. Seems we only thought we were joking.
I appreciate your perspective. The paralysis of choice is real; I experience it every time before I go out to shoot. And my choices are limited compared to yours, but I agonize over what to bring with me. It’s usually one lens (I only have five) and my A7CR (my only body). However, when I’m out shooting I then think I should’ve brought the 24-70 or the 70-180, or whatever.
"Makes the photo's feel more real" The very reason I don't have photoshop or any other box of electronic trickery crayons. Life is too short to be messing around with a 1000 choices of how to improve a picture. Having the opportunity of changing the picture into the picture you wished you took in the first place, to me seems nothing short of lying to yourself and anyone else that sees the image. Photography for me is like fishing, if I don't get anything today, there's always tomorrow!
I’ve been walking around taking pictures for 60 years. I use a 28mm lens, now that I’m shooting digital it’s 18mm equivalent. Because that’s how one sees. One camera one lens.
I really like a small setup. A7RV, 28-75 Tamron and that's it normally for photos. Also got the DJI Pocket 3 as well for video.
Another great video, reduced my equipment sometime ago. The only zoom lens I have are my legs.
Good message. Lightening up is a great trend unless you're rucking. Happy Boxing Day!
Carry on. 👍🥂
Unfortunately MPB won't pay nearly what you can sell your gear. It is handy if you just need to get rid of things quickly and means it doesn't take time to find a buyer
Merry Christmas James. I just commented, about reducing my gear recently, then deleted it when I realised I have just in fact 'geared' up when deciding to keep my Fujifilm X-M1 as a Christmas gift to myself when it was supposed to be sold to part pay for my new old Fujifilm X30... #doh.
I'm an old-school analogue photographer, and I totally get what you're saying. Modern photos often feel… clinical. I miss the tactile experience of the darkroom and the organic feel of film. Those "flaws" were part of the magic!
Also, I've been a loyal MPB customer for ages, buying exclusively used equipment. They've always been reliable, and their customer service is excellent.
I was going to say something similar until i read your comment, ive commented a few times that modern digital edited photos are too clinical
When I got into EDC I got into a rabbit hole of stuff that I honestly didn't need or used. Luckily I ran into a TH-camr that put some sense into me. I just got into photography again, and I nearly ran into the same problem, I saved up for my Sonya6400, I admit it's pricey but it felt like the right one when I went to try out cameras, for a lense I got a 50mm, first day out I immediately felt I needed a 35mm, and then a friend of mine said I need a telephoto, so I went and searched and finally decided, I don't need anything else, I like learning how to shoot with my 50, I don't want to often change lense out in public because my lense isn't wide enough. I'm happy with what I have, and don't much need much else., plus not carrying all that weight is great.