Great to watch this - wish it was longer... Looking forward to the recording with great anticipation. What musical bliss you bring to us Maestri Pappano and Kaufmann! Much appreciation from South Africa!
El gran Caruso nunca cantó Otello , no son buenas las comparaciones .Las Voces son distintivas , incomparables y por sobre todo personales y eso las hace más o menos bellas a cada una .Caruso fue magnifico y Jonas Kaufmann es magnífico..💖💖🌹🌹
Breathtaking performance brilliant. The most beautiful , the truest art ever. May you keep recording to keep forever what must in the end be ephemeral. The hesuty you generate mist never be lost.
Какой бархатный голос , и какой колосальный труд для пения , умничка Ждонас ❤❤❤ не устаю слушать , и слушаю иолчсь за Джонаса , успехов и только умпехов ❤❤❤
Ich bewundere Sie so sehr ! Sie sind nicht nur der perfekte Tenor, aber auch ein perfekter Mensch, so bescheiden, als ob wären Sie einer aus meiner Familienkreise ! Ich wünsche Ihnen noch viele Jahre auf der Bühne, mit großem Erfolg wie bisher !🍀🍀🍀
Powerful vocal, visual and emotional performance! Jonas, you are at your absolute best in this recording. I love it and cannot wait for the full recording to arrive. Love soprano Lombardi’s beautiful voice, and, of course, the gorgeous Verdi’s music superbly conducted and performed by Maestro Pappano and orchestra. A total thrill! Thank you for sharing this beautiful recording today!❤️🌷🌹
JONAS KAUFMANN È IL MIGLIORE!! Nessuno per vocalità ed interpretazione può essere lontanamente equiparato alla sua grandezza. Bravissimo Pappano!! Grazie🥰, sono convinta che anche il maestro Verdi si congratulerebbe.❤ ❤👏👏💓💓
Bin mir nicht sicher ob Kaufmann stimmlich geeignet ist für diese Rolle. Irgendwas fehlt da aber wer bin ich? Er ist der Top Tenor in der Welt und ich bin nur ein normaler Mensch der diese Musik liebt. Ich bevorzuge Domingo in Otello aber das ist reine Geschmacks Sache. Trotzdem, Bravo Maestro Kaufmann. Passen sie bitte auf ihre Stimme auf....
El colosal y fantástico Tenor Alemán Jonas Kaufmann siempre me sorprende con la maravillosa interpretación de todos sus personajes de la Opera .Inolvidable su Otello en Londres 2017 ...💖💖🌹🌹🕊
Does anyone know what's up with how he holds his right hand to his ear like he's holding a phone? Seems to do it all the time when he's singing in the studio.
A lot of singers do this. It helps them to ensure the voice is placed well in the "mask", the cavities which resonate around the nasal passages and cheek bones.
Thank you. This is in my opinion the best perfomnce that I ever heard. Kaufmann gorgeaus Angeli Pappano fantastic. All very good Thank you very much again.
Solo vinay sera el.mas grande otello x otello no es para tenor solo.para baritonos con agudos como lo fue viinay inigualable.ni del monaco lo igualo.kaufman con los sños puede ser si cubre los centrls y agudos Vinay completo.VOZ estatura y actor impresionante verdi y shakespeare estarian orgullosos de vinay
El Otello de Jonas Kaufmann en Londres 2017 , sobrepasó todas las espectativas y fue fantástico tanto vocal como la parte teatral ..No compararia ese Otello con ningún otro ..
DOES anybody of you know why Jonas is holding his right arm in an approximately 45-degrees position upwards to his ear being nearly touched by his hand?
It's actually more common than you think, I see it all the time in rehearsals. There's a recording of Alagna singing Che Gelida Manina where he does something similar
He should keep his OTELLO in the studio for the moment. Then maybe he might still have a voice in 10 to 15 years. To begin with Kaufmann‘s beautiful instrument seems to be, at the heaviest, a lyric/spinto . OTELLO, on stage anyway, demands a dramatic tenor who can manage certain lyric passages in the score effectively. Domingo came close & his musicality & technique allowed success in this role. But artists like Vickers & McCracken were able to combine the lyric & dramatic qualities in an even more memorable manner. Both had not, what many would regard as more CONVENTIONALLY beautiful instruments. Del Monaco & Bonisolli had the power especially in the upper part of their voices but lacked the vocal subtlety & dramatic insight to be truly great OTELLOs. One should not recall Ramon VInay in this role, who for from the late 1940‘s to the mid 1950‘s, really made this role his own. He, being basically a baritone, with some upper extension, also did not always surmount the vocal difficulties of the role but at his best was always musically & dramatically quite powerful. Earlier exponents like Tamagno, Merli, & Zanelli were effective as well. As for Martinelli, well, he was not really a bonafide dramatic tenor but made a significant contribution despite the fact that he probably should have taken the role on perhaps 10 years prior to when he first performed it. All these opinions are in a large way subjective on my part & are hardly the final word concerning this role. I still have a more singers to hear in this role but I will say this. I regret the fact that Corelli never sang the role complete but have NO regrets that, perhaps my favorite tenor of all, Jussi Bjorling also was unable to realize his wish to sing this role even in the studio. In the studio he could have managed it but, for me, his timbre would have negated his efforts. His particular timbre also limited even some of his work as MANRICO, RADAMES, & CALIPH (Turandot).
I used to love Kauffmann. Now I find his voice lacking core and his having to work so hard. After i listened to di Stephano, I find Kauffmann lacking. He is also too aware of the camera all the time.
Both voices are wrong for the role ,anyone can sound good when recording with a good sound man , In the house live it's all wrong ! Jonas is not a dramatic tenor . He must be very delusional like most Operatic singers of the day ! Listening to him speak is so sicking with all the BS !
![[LIVE] : ONE ลุมพินี 88 | คู่เอก "ป้อมเพชร vs อัสลามจอน"](http://i.ytimg.com/vi/1ZqTVVbMgbo/mqdefault.jpg)
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Como siempre Fascinante❤❤❤❤❤❤❤❤😂❤
Fantastic! Great job Jonas. ❤
Great to watch this - wish it was longer... Looking forward to the recording with great anticipation. What musical bliss you bring to us Maestri Pappano and Kaufmann! Much appreciation from South Africa!
it's awesome, and the power and sound is fantastic, along with the music's every moment! Thank you, Maister Kaufman .
Jonas Kaufmann reached the Mt Everest of opera, Otello. For the BEST TENOR of ALL TIME, it was great.
CARUSO is the best tenor of all time. Kaufmann is insignificant compared to him.
El gran Caruso nunca cantó Otello , no son buenas las comparaciones .Las Voces son distintivas , incomparables y por sobre todo personales y eso las hace más o menos bellas a cada una .Caruso fue magnifico y Jonas Kaufmann es magnífico..💖💖🌹🌹
Thank you Mr Kaufmann 🙏💚💚💚 You are the best, always. I admire your voice and you ! Greetings from Poland, and stay health. 🍀
Breathtaking performance brilliant. The most beautiful , the truest art ever. May you keep recording to keep forever what must in the end be ephemeral. The hesuty you generate mist never be lost.
Enfin ! Merci de nous aider à patienter. On attend cet enregistrement avec tant d'intérêt ,la presse est enthousiaste et nous aussi !
Der beste Otello den es je gab.
Incredibile bellezza di voce e di interpretazione!
You're brillant, dear Jonas. THE BEST without any doubt. Greetings from Uruguay, South América
I have watched the full 2017 London "Otello" 11 (eleven) times. I'm afraid I'm addicted.
HELLO! From ROMANIA!💓💓💓
Very Nice! Superb! Thank You! MAESTRO!!!💓🌹🌹🌹
I wish you a beautiful and blessed day! 💓🌹🌹🌹🌷🌷🌷
Cât suflet pune în tot ce canta !!!! Mulțumesc că exiști. SUPER!!!!! BRAVO!!!!!!
MINUNAT!!!!!SUPER!!!!BRAVO!!!!!
Τύχη μας που υπάρχει!!!
Какой бархатный голос , и какой колосальный труд для пения , умничка Ждонас ❤❤❤ не устаю слушать , и слушаю иолчсь за Джонаса , успехов и только умпехов ❤❤❤
Bellissima e bravissima Federica Lombardi
Una maravilla ayer fuy a verte en el cine Andrea Chiner fantástica interpretación eres un genio mi idolo😂❤❤
Ich bewundere Sie so sehr !
Sie sind nicht nur der perfekte Tenor, aber auch ein perfekter Mensch, so bescheiden, als ob wären Sie einer aus meiner Familienkreise !
Ich wünsche Ihnen noch viele Jahre auf der Bühne, mit großem Erfolg wie bisher !🍀🍀🍀
Solch exquisite Musik! So üppig und perfekt der Gesang! Danke, Jonas, für dieses Geschenk. Bleib gesund, mein Freund.
Hi pretty lady with a beautiful smile
You are a perfect Otello! Thank you for everything from Italy!
No, he's not. Del Monaco is the perfect Otello.
@James Mccourt McCracken is 50 times the Otello Kaufmann could ever be.
He certainly isn't. Del Monaco is one of the best Otello's to have performed it
Stimmgewaltig - und immer wieder gerne angesehen - und gehört!!
Jonas Kaufmann, just a dream 🌺
Hi pretty lady with a beautiful smile
Powerful vocal, visual and emotional performance! Jonas, you are at your absolute best in this recording. I love it and cannot wait for the full recording to arrive. Love soprano Lombardi’s beautiful voice, and, of course, the gorgeous Verdi’s music superbly conducted and performed by Maestro Pappano and orchestra. A total thrill! Thank you for sharing this beautiful recording today!❤️🌷🌹
Thank you this is wonderful. Jonas Kaufmann IS Otello could not be better.
Many better tenors have sung this
They are lovely!
JONAS KAUFMANN È IL MIGLIORE!! Nessuno per vocalità ed interpretazione può essere lontanamente equiparato alla sua grandezza. Bravissimo Pappano!!
Grazie🥰, sono convinta che anche il maestro Verdi si congratulerebbe.❤ ❤👏👏💓💓
Un grand Merci, Jonas!!! J'aime beaucoup vriment beaucoup votre voix🌺
С Днем Рождения прекрасный певец и актер!!! Здоровья и счастья Вам-на долгие года. Пусть Ваш о
Maravilloso
My favourite tenor forever,fabulous voice and magnificent actor,I can listen 24/7 to his records and more,you are the best,Jonas 4:07
MERVEILLEUX OTELLO bravo !
A great Otello dear Jonas.I only have the DVD,because I live so far....best wishes from Santiago de Chile
Auf dieses neue Album freue ich mich!
Deep dramatic feelings,OTELLO,a splendid performance!!.. Wonderful,great ARTISTS! Respect and Admiration!.🎼👏👏👏🌹🌹🌹
Grande Carlos Alvarez!!!!!!
Très intéressant de voir le travail des artistes 👍👍👍👍 C'est étonnant !!!
El mejor! Der ser beste Tenor! Gracias!
🎂🥂🍾🎊🎊🎈🎈🎈Felicidades en tu día Jonas kaufmann
What a performance! Thank You!
It is beatiful!!!
Very good record. Kaufman is number one
Gaur Jonas Kaufmann urtebetetzea da zorionak Jonas, Basque kountry
Hoy cumpleaños de Jonas, felicidades, desde Euskal herria
Gyönyörű előadás többször is meghallgatom a DVD-n
So strong and beautiful Otello!!! Thanks very much!!!🙏🏼✨🌹👏👏👏👏👏
He has a TINY voice.
Hi pretty lady with a beautiful smile
Magnifiques extraits qui donnent envie d'acheter le CD bien que je possède déjà le blu ray !
I am SO excited to listen to this! Bravissimo Jonas for recording this monster of a role!
His voice sounds awful though
@@WelshHomo87 When did I ask?
Ακόμη και ο ήχος της φωνής του είναι κάθε φορά με άλλη χροιά.
Grande Verdi,grande Pappano grande Klaus 110/lode!
Το πάθος και ο σεβασμός που δείχνει σε ότι κάνει, είναι μοναδικά. Πάντα πρώτος στις καρδιές μας!!!!
What a difference between his spoken voice and his singing one.
Bin mir nicht sicher ob Kaufmann stimmlich geeignet ist für diese Rolle. Irgendwas fehlt da aber wer bin ich? Er ist der Top Tenor in der Welt und ich bin nur ein normaler Mensch der diese Musik liebt. Ich bevorzuge Domingo in Otello aber das ist reine Geschmacks Sache. Trotzdem, Bravo Maestro Kaufmann. Passen sie bitte auf ihre Stimme auf....
bravo, very moving
Hi pretty lady with a beautiful smile
grande!!1
Questo è il più bell’Otello dai tempi di Del Monaco
El colosal y fantástico Tenor Alemán Jonas Kaufmann siempre me sorprende con la maravillosa interpretación de todos sus personajes de la Opera .Inolvidable su Otello en Londres 2017 ...💖💖🌹🌹🕊
Йонас милый очень люблю Ваш голос, слушаю с удовольствием!!! ♥️
Great Otello!!!! thank you for sharing!!!
No, he's not.
Exciting, so exciting!
Hi pretty lady with a beautiful smiled
❤️
👏👏👏👏👏👏👏👏
Боже мой!!! Гений, гений, гений!!!
Hi pretty lady with a beautiful smile
Very sympathetic !
❤👍🌷
❤️❤️❤️❤️❤️
Does anyone know what's up with how he holds his right hand to his ear like he's holding a phone? Seems to do it all the time when he's singing in the studio.
Some singers think it helps them 'hear' themselves better. Then again, it may be a nervous tic.
A lot of singers do this. It helps them to ensure the voice is placed well in the "mask", the cavities which resonate around the nasal passages and cheek bones.
And in addition it help to not squeeze the jaw and the throat
STUPENDO, COINVOLGENTE
❤️🎵❤️
Anyone knows the names of the vocal microphones used for this? It would help me a lot!
What is the name of this particular scene?
Jonas,Bolschoe Spasibo!
Que pena, lo que me pierdo porque no tengo internet,😂😂
Hi pretty lady with a beautiful smile
Αισθάνεσαι, μαθαίνεις, ευφραινεται το είναι σου...
What are those microphones?
Thank you. This is in my opinion the best perfomnce that I ever heard. Kaufmann gorgeaus Angeli Pappano fantastic. All very good Thank you very much again.
Solo vinay sera el.mas grande otello x otello no es para tenor solo.para baritonos con agudos como lo fue viinay inigualable.ni del monaco lo igualo.kaufman con los sños puede ser si cubre los centrls y agudos
Vinay completo.VOZ estatura y actor impresionante verdi y shakespeare estarian orgullosos de vinay
El Otello de Jonas Kaufmann en Londres 2017 , sobrepasó todas las espectativas y fue fantástico tanto vocal como la parte teatral ..No compararia ese Otello con ningún otro ..
DOES anybody of you know why Jonas is holding his right arm in an approximately 45-degrees position upwards to his ear being nearly touched by his hand?
It's a way of hearing oneself, a way to keep focus
It's actually more common than you think, I see it all the time in rehearsals. There's a recording of Alagna singing Che Gelida Manina where he does something similar
@@LocutusBorgOf Thank you, I should visit such a rehearsal in the future and keep attention to it!
thanks, I was wondering about this too. Looks like he's holding an imaginary phone!
Wonderful, Jonas. In the great tradition of Vickers and Domingo.
Domingo and especially Vickers are infinitely better than Kaufmann. Then Del Monaco is infinitely better than either of them.
Hahahahaha the baríton tenor Jonas ..
Throaty, voce ingolata!
@James Mccourt Caruso had squillo. As did Vickers, as did McCracken. Kaufmann does not, he has voce ingolata and is very throaty.
Is it really necessary for the cover of album to photoshop? like he is not handsome enough!!! Really
...correggo: Kaufmman
Ανεπανάληπτος...
Ha ha ha ha ha !!! Orso Yoghi......e bubu dove l'hai lasciato?🤣🤣🤣🤣
Και η εναρμόνιση του...
He should keep his OTELLO in the studio for the moment. Then maybe he might still have a voice in 10 to 15 years. To begin with Kaufmann‘s beautiful instrument seems to be, at the heaviest, a lyric/spinto . OTELLO, on stage anyway, demands a dramatic tenor who can manage certain lyric passages in the score effectively. Domingo came close & his musicality & technique allowed success in this role. But artists like Vickers & McCracken were able to combine the lyric & dramatic qualities in an even more memorable manner. Both had not, what many would regard as more CONVENTIONALLY beautiful instruments. Del Monaco & Bonisolli had the power especially in the upper part of their voices but lacked the vocal subtlety & dramatic insight to be truly great OTELLOs. One should not recall Ramon VInay in this role, who for from the late 1940‘s to the mid 1950‘s, really made this role his own. He, being basically a baritone, with some upper extension, also did not always surmount the vocal difficulties of the role but at his best was always musically & dramatically quite powerful. Earlier exponents like Tamagno, Merli, & Zanelli were effective as well. As for Martinelli, well, he was not really a bonafide dramatic tenor but made a significant contribution despite the fact that he probably should have taken the role on perhaps 10 years prior to when he first performed it. All these opinions are in a large way subjective on my part & are hardly the final word concerning this role. I still have a more singers to hear in this role but I will say this. I regret the fact that Corelli never sang the role complete but have NO regrets that, perhaps my favorite tenor of all, Jussi Bjorling also was unable to realize his wish to sing this role even in the studio. In the studio he could have managed it but, for me, his timbre would have negated his efforts. His particular timbre also limited even some of his work as MANRICO, RADAMES, & CALIPH (Turandot).
O
I used to love Kauffmann. Now I find his voice lacking core and his having to work so hard. After i listened to di Stephano, I find Kauffmann lacking. He is also too aware of the camera all the time.
Ma parlate in Italiano...
최초공개 같은거 하지마요...
He should not be singing Otello. His technique is all wrong.
Oh, give over. His Otello was brilliant. 😮
sorry I won't buy this one. they aren't going to surpass the legacies of Solti
You can listen to it on TH-cam for free, you don't have a dick about it
Disasters, awful singers with madness papano!
Both voices are wrong for the role ,anyone can sound good when recording with a good sound man , In the house live it's all wrong ! Jonas is not a dramatic tenor . He must be very delusional like most Operatic singers of the day ! Listening to him speak is so sicking with all the BS !
Nothing true about that. Jonas is perfect