Trabalho harmonioso ,como um dia todos vibraremos .Amadeus Wolfgang Mozart era maçom ...sou admiradora dessa fraternidade que ė cara aos meus .Obrigada Orquestra Filarmônica de Israel . Shalom !
Se hable en hebreo o se escriba en inglés, o cualquiera sea el idioma, el idioma de la música es UNIVERSAL, y dentro de ese universo uno de sus príncipes es indiscutiblemente MOZART. Este cuarteto es sublime y nos permite viajar al universo de la paz
Well, that's one of the least sleazy cadenzas I've heard inserted between II and III (so, backhanded compliment for that). But still, anything inserted there destroys what would otherwise be one of THE great moments in western classical music. Does Mozart of all people really need this kind of 'help'? It's a horrible trend, initiated in Korea it seems, and now spreading to Israel?
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The sweetest performance. Le Shana Tova u Metuka for all the IPO musicians, directors and members.
תודה רבה רבה. אתם עושים לנו נחת.
TodAH from Toronto....I think I see Mozart in the audience, if nobody else!
I love Mozart so much!
Wonderful. Todah rabah
אלופים!
Bravissimo !!!
נפלא, תודה רבה. 💐
בתקווה לימים יפים יותר.
Bravo!
Bravo bravissimo
Thank you!
Спасибо, это было волшебно в вашем исполнении .... Как вся музыка Моцарта
I had so many chills.. BEAUTIFUL!!
The second movement has made the land of milk and honey even sweeter. World-class performance.
Nicholas Wing Maybe it’s trying to say Shanah Tovah Umetukah?
참 좋습니다(very good)!
Trabalho harmonioso ,como um dia todos vibraremos .Amadeus Wolfgang Mozart era maçom ...sou admiradora dessa fraternidade que ė cara aos meus .Obrigada Orquestra Filarmônica de Israel . Shalom !
Mozart: está todo dicho. Bellísimo
ביצוע טוב חי וקולח
איזה חלילן מופלא!!!
וואו!
נגינה מופלאה
Se hable en hebreo o se escriba en inglés, o cualquiera sea el idioma, el idioma de la música es UNIVERSAL, y dentro de ese universo uno de sus príncipes es indiscutiblemente MOZART. Este cuarteto es sublime y nos permite viajar al universo de la paz
😘🙏♥️
תודה רבה!!!! חבל שאי אפשר להעביר את מחיאות הכפיים!
Well, that's one of the least sleazy cadenzas I've heard inserted between II and III (so, backhanded compliment for that). But still, anything inserted there destroys what would otherwise be one of THE great moments in western classical music. Does Mozart of all people really need this kind of 'help'? It's a horrible trend, initiated in Korea it seems, and now spreading to Israel?