Curtis Judd This is a great review. Been looking at Tascam 60d using this mic as my rode video mic on camera isn't the best, lots of hiss. - Guessing thats the mini jack - So this is perfect. Thanks for clearing it up :-)
+Justin Glynn Thanks! I don't know whether you've already seen this but here is our review of the Tascam DR-60DmkII recorder. It does a great job for my projects. th-cam.com/video/TRoIMPHS91U/w-d-xo.html
Curtis Judd Thanks. I decided to go for the NTG4+ & tascam 60d. Mainly because monitoring the channels and the cost of the uint. The 70d, just isn't that much better and more expensive. Thanks for the great reviews though, these were extremely helpful.
Thank you! I learned so much from you on lights and here we are, six years after you made this video, one of your current subscribers in 2021 found it incredibly helpful and on point as I ponder upgrading my sound game. Thank You and keep em' coming, Sir!
Curtis I've seen quite a few of your reviews and I just gotta say that every single aspect of your work is beyond flawless. Thank you creating such excellent and helpful content. I can only aspire to produce something as great as what you make!
Hi There Roger Thanks! The Zoom H4n is showing its age pretty well with noisier pre-amps than others, even in the same price range. If you only need to record up to two XLR based mikes at a time, I'd look at the Tascam DR-60DmkII which we reviewed here: th-cam.com/video/TRoIMPHS91U/w-d-xo.html It runs about $175 USD at present.
I have watched several TH-cam videos regarding Rode microphones and different folks who use them. I have found Curtis Judd to be the best at reviewing the Rode microphones and explaining how to use it and what the features do. Very Helpful. I also have taken his Adobe Audition course and found it also to be extremely helpful. I have learned a lot from Curtis Judd. I cannot be more thankful for his time, knowledge and support. Please if you are looking for the right person to learn from Curtis Judd is the go to guy. Marshall from Arizona.
Curtis Judd, thank you very much for your review of the Rode NTG4+. I am highly interested in getting this for my studio setup. Great job on the video! I am looking forward to more reviews!
Hi David, since I reviewed this back in 2015, I've found some other microphones which sound better on most voices. In the same price range, I prefer the DEITY S-Mic 2: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html Best wishes!
Thanks Curtis, I have had the NTG2 for quite a while but today picked up the NTG4 which was on sale for AUD$300 (USD$200), normally AUD$389 ($USD 259) which is AUD$150 (USD$100) less expensive than the NTG4+. The saving was my determining choice. I can't wait to try it out and see what some EQ can do. A great video mate.
Thank you so much for this view! I want a great microphone that I can adapt to 3.5mm when needed for certain run and gun situations where I may need a simpler setup.
Linked up by Rode on facebook, nice score;) Great job. The mic sounds as good as I hoped and I think it looks like a solid purchase even in place of the NTG3. Some real interesting results when you switch on the HPF, almost an echo with a really open sound. Might not be a good choice indoors but would have to hear more. Great work Curtis.
Ray Ortega Thanks Ray! Agreed, not the best choice indoors. I had hoped to spend more time outdoors with it but the weather's been a little hit and miss here in the mountains. I suspect the NTG3 has a stronger signal (certainly pans out when reading the specs) which is probably important for those using a Zoom H4n which doesn't have quite as much clean gain.
@@curtisjudd I know this is 3 years old.. but I am looking for a quality mic for interviews INDOORS only. Since this isn't the best for indoor use, what would you suggest? I have the budget for anything $999 and below. Would the NTG3 be the best option? What about the a wireless lav? I don't think people care about seeing a lav mic anymore so I am open to either one (or perhaps a wired Lav with a really long cord)? Thanks so much
@@RyanGproductions1 Hi Ryan, you might find this comparison of indoor mics helpful: th-cam.com/video/q-b_1gOYOEQ/w-d-xo.html Or this one (which is newer): th-cam.com/video/iLOp-_oIzeg/w-d-xo.html Or this one with pro level mics: th-cam.com/video/RYWD5wI6B9k/w-d-xo.html Of those priced at less than $1000, I like the Audio Technica and the Oktava best. Best wishes!
Thanks for the review, Curtis! As an NTG2 owner I don't find that I need to upgrade to this one yet. Perhaps if I should need another mic, this will be it.
Thanks Ware Production. Before you do, consider watching this review first. It is a newer mic that I think sounds better and costs a bit less: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html
All your sound production videos are stellar. Thanks for the great job. I am a visually inclined filmmaker and learning about audio production can feel overwhelming, your videos really take the intimidation factor out and inspire. Where you recording in a sound treated room with the NTG4+ for this video? And if so, could you please share what you did? I ask because it sounds great and I just bought one but I also just learned that dialogue boom mics are used to record indoors instead of shotgun mics like the NTG4+. The first time I recorded with the NTG4+ with a used H4N recorder I got a very low volume, high-pitched frequency background noise that I have not been able to replicate again but have had that issue arise every once in a while with different shotgun mics. Do you think that background noise is caused by the sound reflections hitting the NTG4+?
Hi betomena1, This was recorded in my unfinished basement where I have concrete floors and no finished walls (concrete, wood frame, etc.) Is the high-pitched background noise continuous or does it sound more like RF interference from a phone or wifi?
Have used Rode NTG-2 and NTG-3 for outdoors MG shoots and auto rifles. The NTG-3 was super recording AFV (tank) engines and track noise at 20-30 metres but we found the NTG-2 better indoors where bare walls, ceiling and lino floors produced more reverb. Love them both (with Tascam DR-100 Mk II and new DR-70D). Anxious to try the NTG4+ to see if it's even better! BTW our Full On - Full Auto DVDs are available from my website.
I just purchased the Zoom H5 , the pre amps seem to be much better then the H4n. I do do hope the NTG3 or 2 will be compatible with the H5. I know you said you have a video coming on the H6 (wich is the same pre amps as the H5 ) Would love to get a heads up from you before purchasing any shotgun mic from Rode . Thanks again Curtis, great work as always .
+Steven Delopoulos Yes, here's my written review along with some audio samples of the H6. I would say that the H6 works great with the NTG2 and NTG3. learnlightandsound.com/2015/06/29/zoom-h6-my-impressions-after-4-weeks/ Best wishes!
To properly connect to the 3.5 minijack, you need to close the left and right channels of the minijack to the XLR channel 2, and close the XLR channels 1 and 3 to the ground. The noise will decrease and the signal strength will increase. And you will be happy.
Definitely a lot of info, is is safe to say you are using the aputure cob120t as a key through a scrim? reflector on opposite side? This video as an example. I was under the impression the cob120 was tungsten, is it just white balanced to look white? Thanks again!
Actually, this one was shot before the COB 120t was invented. In this piece, I used an old Tungsten softbox as well as tungsten lights on the back drop and as a rim light. It all looks white because I set the white balance to tungsten. The same can be accomplished with the 120t and in fact, that is what I now use most of the time for the new episodes. And yes, you have all the other details right - key light camera left, reflector camera right, background light behind me aimed at the paper backdrop, and a hair or rim light camera right. Good eye!
Great job... I was pretty convinced before but now definitely I think I'll get one. My real dilemma is tascam 60d or 70d! Thanks for the great (as always) work!
Thanks. Info that may help on your recorder decision: the guys at the Tascam booth at NAB confirmed that the DR70D has the same preamps as the DR60DmkII. So the question comes down to how many inputs you need and which form factor you prefer. If I were buying today, I'd go 70D.
Great review Curtis! I have the NTG-3, and you're right, it's really "boomy." It sounds great, but I don't think I've ever used it on a project in which I didn't have to roll off the lows.
Joe Baker Thanks Joe. I have to confess that when I first started working with the NTG4+, I felt like it was not "rich" enough on the low end. But I think that is because I was so used to the NTG2.
nice review, you are a professional in this field! small question, do you know if Rode NTG4+ could transmit a signal only using XLR to USB without using phantom power? so we could record directly to the computer, thank you
Hi Chen, yes, if you have an XLR to USB audio preamplifier and converter, the microphone can provide its own power. However, be warned that many XLR to USB adapters do not have good quality preamplifiers so you’ll want to choose carefully.
Curtis Judd great video as always. Here are some questions: How many years until you have to replace the internal rechargeable battery? Can you replace it by yourself? if not wouldn't be better to buy the MTG 4 version? Greetings from Ecuador.
Hi Roberto, I have had mine for 5 years and have not had to replace the battery yet. No, it is not made to be user replaceable. If I were to do it over, I would get the non + version.
The NTG3 is substantially better than the NTG4 in almost every way - better sound, hotter output signal, better performance in humidity, and immunity to RF interference.
Martin Hermansen I prefer the NTG4+ for most voices. The NT5, especially with its stock capsule, sounds a little brittle for most voices. It isn't bad, especially in light of the fact that it is really designed as an instrument mic, but not as flattering on voice in my opinion. But there may be a lot of people that disagree with me on that. :)
Great review. Can you talk about using the NTG4+ in a run and gun situation without a bulky Tascam? Is there an XLR solution that is cheap and small enough for this type of camera use?
Hello Curtis, Another great and helpful video! I need some microphone advise. This is kind of a repeat of my question regarding the RODE NT5....I am running an amateur round table stream. My audio rots. (I am currently using a condenser lavalier microphone to mic the moderator and a conference microphone to mic everyone else {the lavalier does not sound too bad - to me.] I am mixing in OBS Studio on a dedicated PC.) I want to upgrade the setup but I am on a budget with this hobby. I need too mic six people in two clusters of three around the 6-foot round table. Each cluster of three people will horizontally span approximately five to six-feet from person on the right to person on the left. There will be about 1-1/2 to 2-feet in between each cluster of three people. Each cluster will about 7-feet from the upright of a microphone stand, and I may be able to boom the microphone in I bit closer in a bit closer. Might two of these RODE NTG4 serve my purpose to mic each cluster of three people? (If yes I would probably run these through a Yamaha MG10XU or two Shure X2U XLR-to-USB Signal Adapters.) If not, what might you recommend? Any thought you might provide would be beneficial.(As I said before, I really can't set up seven lavaliers or six shotgun microphones.)I look forward to hearing from you. Tom
Terrific overview/review, Curtis. I'm putting together a mobile audio interview kit (me and one guest) and am trying to decide between something like the NTG4+ and maybe the NT3 (non-G). I'm using the Zoom H5 as the base, so phantom power isn't a problem. Most interviews will take place indoors, with the occasional outdoor/cafe type setting. Thoughts?
Jeffery Saddoris I've been quite happy using cardioid and hypercardioid mics for indoor dialogue over shotgun mics. I haven't used the NT3 personally but there are others out there using them for this type of recording and most reviews seem to indicate that this is a very versatile mic (having the 3/4" diaphragm).
Curtis Judd With all of the other pieces of kit I'm buying, I'd like to stay in the sub $300 range for the mic if the quality is there. The NTG4+ is a bit beyond that, but it does look like a terrific option that will have some longevity.
Jeffery Saddoris If the majority of interviews will be indoors, I'd stay away from shotgun mics, particularly for rooms with a lot of reverb. Shotgun mics have a different pickup pattern for bass vs treble frequencies and start doing odd phasing things in these types of rooms. Note the customer reviews at B&H for the NT3 where a number of them are from people doing the same thing you're looking at: www.bhphotovideo.com/c/product/233750-REG/Rode_NT3_NT3_Microphone.html/BI/19904/KBID/12941/kw/RONT3/DFF/d10-v2-t1-xRONT3
Hi Curtis, Love your videos... they have been very helpful! I currently have the NTG 4 plus... Do you think it would be good for doing a solo podcast? Or am I better off getting something like the Rode NT1 or something of the like? Thanks!
Hi Peter, I would first consider the acoustical quality of the room you'll be recording in. If there isn't any sort of acoustic treatment and you're finding a fair bit of reverberation in your recordings, I'd take a shot at addressing that before moving to a different microphone. Condenser microphones, whether small (NTG4+) or large (NT1) are so sensitive that for studio style recordings, getting the room in order is first matter of business. Good luck!
Yes, totally understand. Two additional thoughts: 1) a dynamic microphone might be a better choice for a podcast. I use the Electrovoice RE20 which is legendary in broadcast radio and amongst many podcasters: amzn.to/2hRfLvA The Shure SM7B is another great option: amzn.to/2vL2Pgo The advantage of a dynamic microphone is that they're far less sensitive so you pick up a lot less room sound. Alternatively, sound blankets can help a lot and are temporary (no permanent treatment in the room). Here's an example of the difference: th-cam.com/video/uzyEaVYCk3s/w-d-xo.html Best wishes!
Curtis Judd Thanks a lot, I am thinking to buy NTG4 or NTG2 for my Zoom H5, I don't have the budget for NTG 3 or NTG4+ can you please give suggestion which one is good matching with Zoom H5?
Of the two mics, I prefer the sound of the NTG2. But it is a mic that requires a lot of gain from the preamp in the recorder and while the H5 is decent, it doesn’t produce a ton of clean gain. So people with the goal of producing pristine recordings are sometimes frustrated with this combination. The NTG4 is about the same in my experience. You want to consider mics with a stronger output signal or recorders with more clean gain.
Hey Curtis, Great video with good tips! I am using the NTG4+, windscreen WS6, with the DR-60 and Zoom H2n (for light weight when needed). However I have always had problems with wind noise and recently made systematic test using a ventilator. The result was that the Sennheiser ME66 with WS6, or the Rode lavalier with its flurry or the Zoom H2n with a windshield are all without noise, but the NTG4+ (with WS6 or Softie from Rycote) is definitely with wind noise at the same wind speed (about Beaufort scale 4). I compared with a brand new NTG4+ in a shop with the same result! That is a pity and I don't understand why. I have recordings, may be I publish them on my channel. Any experience from you?
Thanks klengfilmen, Thanks for the details. I have to confess that I gave up using the NTG4+. I didn't like the sound of it relative to other microphones in the same price range. However, on the few times I did use it outdoors in a breeze, I use a blimp style cover without any issues but the breeze was pretty light as I recall. I didn't experience any issues in that particular case. But it looks like your tests are worth publishing. Best wishes!
+محمد الناظر Yes, three major things: Price, Sensitivity, and RF rejection. The NTG3 is better in terms of sensitivity and RF rejection though it costs quite a bit more. It also sounds a little different, with more bass pickup than the NTG4.
Best review I've seen! I have been using the RODE Video Mic Pro and want to step up my audio game as I continue to work with my new channel. Will this mic out perform the Video Mic Pro in both outdoor and indoor situations? Also, If I am capturing the audio file into the Zoom H6, can the quality be "professional" (given the right settings and conditions) to drop strait onto the timeline of my video project? Thank you Curtis!!!
Hmm, at a general level, I'm not sure that the NTG4 sounds better than the VMP. It's polar pattern is a little more focused, but it has a bit of a mid-range focused sound that isn't my favorite at this price. The NTG4 is better suited for booming so if you've been using the VMP on top of your camera, then you will hear a substantial improvement. Just want to make sure you are not disappointed. :-D
Hey Curtis! Great review! Would you still recommend this mic, say for a run and gun documentary shoot (mounted onto a GH5 with the DMW-XLR1 adaptor)? Will I still need a zoom for general ambient sound? Thanks :)
Hi Jethro, It isn't my favorite at this point. I'd rather prefer the DEITY S-Mic 2 in this same price range: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html and if you want a shorter, but less directional version, there is also a DEITY S-Mic 2S: th-cam.com/video/n2dbpwbAP4M/w-d-xo.html But if you wanted to keep things even lighter and easier, I'd skip the XLR1 and use something like the DEITY D3 Pro: th-cam.com/video/W9Sde3ey2kc/w-d-xo.html or the RODE VideoMic Pro+: th-cam.com/video/gcMVSzVt-LI/w-d-xo.html
First of all congrats for your incredible job! I've read in the comments that you suggest the MKE600 for avoiding the noise when you connect it to a 3.5mm?? Did you try that? I don't understand why the NTG4+ make this noise when you use that configuration. Maybe it's because of the preamp of the camera and a bad impedance matching? I use a sony a7sii.
I would love to see how you setup the Rode NTG 4+ in the Rodecaster Pro-- for those of us not as techy? I don't think that RODE has put any kind of pre-set options in the RCP for this mic in their family, like they have done with their other RODE mics? Thanks for any guidance on that! Thanks for the video; I'm working in a studio with the RCP.
Hi Mark, I don't have the NTG4+ anymore, I gave it away. But the general idea is to set the RCP to condenser microphone, turn on phantom power, and then set the gain until the meters top out at around -6 to -12dB when talking.
Curtis Judd I'll be connecting it to a zoom h1, so the rode vmp+ will be suitable for me. I'll assume that in terms of sound quality, they are kind of same. Thanks !!
Thanks and good question. I'm not sure since I've only used the MKE600 one time. My recollection is that the Sennheiser puts out a much stronger signal with less gain required. The Sennheiser is also a very bright sounding microphone with quite a lot of high frequency articulation and detail.
Hey Curtis! I notice in many of the comments below that you're suggesting the Deity S-Mic 2 is a better option on the basis of US prices. However here in Europe, Deity products are considerably more expensive relative to Rode products. To give you an example, at time of writing, the NTG4+ is £199GBP (approx $245USD), the NTG4 is £176 (approx $217USD) and the NTG2 is £171.16 (approx $211USD) - all Amazon UK prices - whereas the Deity S-Mic 2 in the UK is £357GBP (approx $440USD). How do you feel that would affect the purchasing decision based on price to performance here?
Thanks again for you advice! You wouldn't believe how much help you've provided with my gear! Just wondering, would you recommend a Sennheiser MKE600 or the RODE NTG4+ with the Tascam DR-60DmkII?
Curtis, thank you for making this informative video. I just subscribed and will watch some of your other videos. Which setting on the NTG4+ will you recommend for recording two people talking in a room without getting white noise? We record with a boom pole into a Zoom 4HN recorder, using the -10db but it gives us a lot of white noise. Thank you.
I would turn off the -10dB setting. Also get the mic as close to you as possible, ideally within 12 to 18 inches. Shotgun mics are difficult to use to mic 2 people unless you’re sitting super close because the mic is so directional.
@@ourpeacefulfamily I'd start without it and see where you get. I assume the "white noise" is sound which is actually in the room. The best way to cut that is to get the mic closer and eliminate as much of the room noise as possible. Turn off any fans or other electronics not needed. Same for HVAC if possible. Cover hard surfaces (walls, floors) with blankets. Hopefully that helps!
I hear system noise of sorts when you turn on the High-pass filter (at 2:56)...can you confirm? Is this introduced because of the onboard circuitry or not? Thank you!! Great video, by the way.
Confirmed. I suspect it was the freezer in my basement "studio". Apologies I missed that. ONE NOTE: This is not my first recommendation for shotgun microphones in 2020. You might prefer to watch this more recent overview of various boom microphones: th-cam.com/video/q7rfwCFjBDg/w-d-xo.html
Hey Curtis, thanks for this video. Do you have a tutorial on equalization to get that “base” sound we like to have you mention in this video? And also, which mic should have that right off the bat? Thank you!
The RODE NTG3 produces more bass response but is a fair bit more expensive. You can hear it here: th-cam.com/video/bv1xUShuUY0/w-d-xo.html I don't recommend adding a lot of bass with EQ. But you can and if you do, I'd add it around 130Hz and avoid the 300Hz range.
Dear Curtis Judd Thank you for providing good information about the different microphones. I had a question: I want to make a short film. What microphone do you recommend for this? Given that I will be my first film. Sound is very important to me
Hi from Greece..I like your video and push me to by this mic for my camcorder..nice quality of sound and nice built..The only thing i wanted is the wind shield not cover the buttons.I shoot in a lot of different sound conditions (weddings) and i would like to shange the settings or see with what filter i shoot..
Γιώργος Αλεξίου That is a good point. I have been using the windscreen such that it does not cover the buttons so that I can see them. That doesn't appear to affect the sound it captures.
Curtis Judd If i do not push it at the end to reach the buttons i see the widshield on my screen.I have a wideangle camcorder ...I am thinking to cut it a litle bit,so at least to be seen the -10db button
Thanks for the review.. I have the NTG2 and was wondering how to make the audio sound fuller.. for example if I am using a NTG4+ and NTG2 and I want to match the sound. Possible? What kind of settings do I need to input for EQ?
Hello Curtis have enjoyed your video and learned much looking at setting up your "Apple White" in my garage for info videos. I have Nikon D-750 which I will be using what Mic would you recommend in that configuration? NTG4+ looks good but going to 3.5mm connection on the camera concerns me, and if go that route thinking I should boom it overhead?
Raphael Smith Yes, shotgun mics sound best when boomed overhead within about 40 - 60 cm of the talent. I record the audio separately to a Tascam DR-60DmkII which works well for me. You could also run the audio out of the Tascam into the D750 which would get you the better quality pre-amps of the Tascam but then you wouldn't have to sync the audio to the video in post. Here's my review of the Tascam if that is of interest to you: th-cam.com/video/TRoIMPHS91U/w-d-xo.html
+BravingTheOutDoors I have recorded with the Sennheiser MKH416 but I do not personally own it. Legendary microphone with a sound almost everyone has heard in various TV shows and movies.
Hey Curtis, I'm a huge longtime fan of the channel and not expecting you to see this - but on the off chance that you do, could you help clear up where and when you think this mic suits best? I do corporate interviews boomed overhead (usually one person at a time, for multiple I use Lavs) - all have been indoors so far but they're often in a decent sized room. Is this NTG4+ suited? I've just sold an Audio Technica AT875R to fund this NTG4+ thinking the longer mic would be better for rejecting background noise but now I'm wondering if it's too long for my typical use case? What would you recommend I do/use this mic for?
The NTG4 is actually not especially directional relative to other similarly sized shotgun mics in 2022 and definitely would NOT be my first choice. I’d opt for the NTG5, NTG3, Sennheiser MKE600, or Deity S-Mic 2 instead.
@@curtisjudd thank you so SO much for replying! As a TH-cam channel with 3k subs myself I can find it takes me a while to reply, so I hugely appreciate a reply at all! Thank you, Curtis 😁
Hi curtis, thnx for the review but u forgot to mention about the built in battery life, how long it will work? And if we don't charge battery for some month or some year does battery goes to drain or is there available an extra battery ? Thank you!!
+love you 50 hours. The battery is built-in, not user replaceable, just recharge via USB. Mine still had charge after 4 months of non use. I don't have any specific tests beyond that.
It's 2018, so this video is about 3 years old now... How do you feel the NTG4+ holds up against the new Rode shotgun mics that they've released? Perhaps you already have a video on this. I'll take a look through your channel
Hey Cole, the NTG4+ is RODE’s newest XLR based mic. To me it sounds a bit on the thin side compared to the NTG3 and NTG2. My order of preference would be NTG3, NTG2 (but only with a good strong preamp), NTG4.
Curtis Judd thanks again for another reply. For some reason I thought there was a newer version but that was just me thinking of the top of my head. Your advice is helpful. Thank you
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This is perfect. Most reviews focus on describing the products but fail to educate. Rarely, people like you nail both! Awesome.
Thanks Siddharth!
I agree solid video for sure!
Curtis Judd great job reviewing the NTG4+
RØDE Microphones Thanks! Good job designing a great new shotgun mic!
Curtis Judd This is a great review. Been looking at Tascam 60d using this mic as my rode video mic on camera isn't the best, lots of hiss. - Guessing thats the mini jack - So this is perfect. Thanks for clearing it up :-)
+Justin Glynn Thanks! I don't know whether you've already seen this but here is our review of the Tascam DR-60DmkII recorder. It does a great job for my projects. th-cam.com/video/TRoIMPHS91U/w-d-xo.html
Curtis Judd Thanks. I decided to go for the NTG4+ & tascam 60d. Mainly because monitoring the channels and the cost of the uint. The 70d, just isn't that much better and more expensive.
Thanks for the great reviews though, these were extremely helpful.
Micro amp ha400
Thank you! I learned so much from you on lights and here we are, six years after you made this video, one of your current subscribers in 2021 found it incredibly helpful and on point as I ponder upgrading my sound game. Thank You and keep em' coming, Sir!
Thanks so much for watching even the really old videos!
I wish more people that do video reviews could be as clear and concise as you are. Well done Curtis Judd!
Thanks!
Curtis I've seen quite a few of your reviews and I just gotta say that every single aspect of your work is beyond flawless. Thank you creating such excellent and helpful content. I can only aspire to produce something as great as what you make!
Hi There Roger Also, I have a quick question. Would you say the ZOOM H4NSP would be a good sound recorder to plug this mic into?
Hi There Roger Thanks! The Zoom H4n is showing its age pretty well with noisier pre-amps than others, even in the same price range. If you only need to record up to two XLR based mikes at a time, I'd look at the Tascam DR-60DmkII which we reviewed here: th-cam.com/video/TRoIMPHS91U/w-d-xo.html It runs about $175 USD at present.
I have watched several TH-cam videos regarding Rode microphones and different folks who use them. I have found Curtis Judd to be the best at reviewing the Rode microphones and explaining how to use it and what the features do. Very Helpful. I also have taken his Adobe Audition course and found it also to be extremely helpful. I have learned a lot from Curtis Judd. I cannot be more thankful for his time, knowledge and support. Please if you are looking for the right person to learn from Curtis Judd is the go to guy.
Marshall from Arizona.
Thanks so much, Marshall.
5 years ago your video quality was already great!
Thanks cobraX.
This video was recommended to me so I said "Why Not" and decided to watch it. You still had it back then dude. Another great video Curtis.
Wow! That's an oldie. Thanks for coming by!
Curtis Judd, thank you very much for your review of the Rode NTG4+. I am highly interested in getting this for my studio setup. Great job on the video! I am looking forward to more reviews!
Hi David, since I reviewed this back in 2015, I've found some other microphones which sound better on most voices. In the same price range, I prefer the DEITY S-Mic 2: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html Best wishes!
Thanks for this great review Curtis! Really enjoyed it and found it helpful.
Ati Shephard Thanks, glad it helped!
Thanks Curtis, I have had the NTG2 for quite a while but today picked up the NTG4 which was on sale for AUD$300 (USD$200), normally AUD$389 ($USD 259) which is AUD$150 (USD$100) less expensive than the NTG4+. The saving was my determining choice. I can't wait to try it out and see what some EQ can do. A great video mate.
I hope it works well for you. 🎙
Wow thank you for this test. I'm definitely going to be getting the NTG 4+
You're welcome and best wishes!
Curtis Judd thanks for such a comprehensive review of the NTG4+ I definitely will be sharing this video.
Simple Audio Tips Thanks! Looking forward to your thoughts as well!
Thanks for this video. We have the NTG4+ and it was great to see your examples and demonstrations of different set ups.
Thanks M-Studios.
I always love your detailed and very balanced reviews! They are extremely helpful! Thank you!
Thanks!
Great job Curtis, thank you very much, big help! I'm looking forward to buying the Rode's NTG4 soon.
👍 happy recording!
I just ordered an ntg4, so excited!
I hope it works well for you - happy recording!
Thanx again. NTG4+ is on the wishlist here.
Bhikkhu Samahita Thanks Bhikkhu! I hope you enjoy it when it arrives.
Wow. Very thorough! I'm watching this in 2017 and this review holds up!
Thanks Sam!
Awesome review!! You're really good at breaking it down for ppl like me who aren't that technically savvy. *Subscribed!*
Thanks!
Curtis Judd I just bought this mic, can by wait to get it!
Great review, it really helped, I just bought the NTG4+ and totally happy with it, thanks
👍 happy recording!
Thank you always sir, Your reviews guides us alot in Microphone Purchases.
You're welcome!
Thank you so much for this view! I want a great microphone that I can adapt to 3.5mm when needed for certain run and gun situations where I may need a simpler setup.
Try a Sennheiser MKE600.
Thanks Curtis, enjoyed your video just ordered one :)
Thanks Craig. Happy recording!
You are really good at explaining a product. Good work !
Thanks!
Your videos are really helpful and well organized. Great job, keep it up!
Thanks Jeremy.
Great job Curtis!! Big help, thank you very much!
Thanks Layne!
Linked up by Rode on facebook, nice score;) Great job. The mic sounds as good as I hoped and I think it looks like a solid purchase even in place of the NTG3. Some real interesting results when you switch on the HPF, almost an echo with a really open sound. Might not be a good choice indoors but would have to hear more. Great work Curtis.
Ray Ortega Thanks Ray! Agreed, not the best choice indoors. I had hoped to spend more time outdoors with it but the weather's been a little hit and miss here in the mountains. I suspect the NTG3 has a stronger signal (certainly pans out when reading the specs) which is probably important for those using a Zoom H4n which doesn't have quite as much clean gain.
@@curtisjudd I know this is 3 years old.. but I am looking for a quality mic for interviews INDOORS only. Since this isn't the best for indoor use, what would you suggest? I have the budget for anything $999 and below. Would the NTG3 be the best option? What about the a wireless lav? I don't think people care about seeing a lav mic anymore so I am open to either one (or perhaps a wired Lav with a really long cord)? Thanks so much
@@RyanGproductions1 Hi Ryan, you might find this comparison of indoor mics helpful: th-cam.com/video/q-b_1gOYOEQ/w-d-xo.html
Or this one (which is newer): th-cam.com/video/iLOp-_oIzeg/w-d-xo.html
Or this one with pro level mics: th-cam.com/video/RYWD5wI6B9k/w-d-xo.html
Of those priced at less than $1000, I like the Audio Technica and the Oktava best. Best wishes!
Thanks for the review, Curtis! As an NTG2 owner I don't find that I need to upgrade to this one yet. Perhaps if I should need another mic, this will be it.
Zexun Tan Yes, the NTG2 is a solid mic. Keep making cool stuff!
Always spot on Curtis! You are my sound Guru!
Thanks Homer!
Comprehensive review and as always, one with a high production value.
Stijn Lauwen Thanks!
Fantastic review m8
5 STARS REVIEW. THANK YOU
+Ramiro Hernandez thanks!
Love your REview so Simple and good
Thanks!
Great review Curtis thinking of getting one 😊👍🏾
Thanks Ware Production. Before you do, consider watching this review first. It is a newer mic that I think sounds better and costs a bit less: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html
thank you for this excellent review. helped me understand how to proceed with this mic idea.
You’re welcome!
Excellent video. Very high quality and extremely informative. Subscribed!
Thanks Rov!
Incredible review, thanks a lot for all the advice in your channel, it's really really appreciated. Keep it going!
Thanks Ocram, will keep it going!
A great review. Just got one today. Thank you.
I hope it works well for you!
All your sound production videos are stellar. Thanks for the great job. I am a visually inclined filmmaker and learning about audio production can feel overwhelming, your videos really take the intimidation factor out and inspire. Where you recording in a sound treated room with the NTG4+ for this video? And if so, could you please share what you did? I ask because it sounds great and I just bought one but I also just learned that dialogue boom mics are used to record indoors instead of shotgun mics like the NTG4+. The first time I recorded with the NTG4+ with a used H4N recorder I got a very low volume, high-pitched frequency background noise that I have not been able to replicate again but have had that issue arise every once in a while with different shotgun mics. Do you think that background noise is caused by the sound reflections hitting the NTG4+?
Hi betomena1, This was recorded in my unfinished basement where I have concrete floors and no finished walls (concrete, wood frame, etc.) Is the high-pitched background noise continuous or does it sound more like RF interference from a phone or wifi?
Really great review. Very helpful. Thank you!
Thanks!
Such valuable information. Thank you Curtis.
Thanks!
Well, this made my mind up what to buy, great review. Thanks!
👍
Have used Rode NTG-2 and NTG-3 for outdoors MG shoots and auto rifles. The NTG-3 was super recording AFV (tank) engines and track noise at 20-30 metres but we found the NTG-2 better indoors where bare walls, ceiling and lino floors produced more reverb. Love them both (with Tascam DR-100 Mk II and new DR-70D). Anxious to try the NTG4+ to see if it's even better!
BTW our Full On - Full Auto DVDs are available from my website.
+Ian Skennerton I actually prefer the NTG2 and NTG3. I find I don’t use the NTG4+ given my other options.
I just purchased the Zoom H5 , the pre amps seem to be much better then the H4n. I do do hope the NTG3 or 2 will be compatible with the H5. I know you said you have a video coming on the H6 (wich is the same pre amps as the H5 ) Would love to get a heads up from you before purchasing any shotgun mic from Rode . Thanks again Curtis, great work as always .
+Steven Delopoulos Yes, here's my written review along with some audio samples of the H6. I would say that the H6 works great with the NTG2 and NTG3. learnlightandsound.com/2015/06/29/zoom-h6-my-impressions-after-4-weeks/ Best wishes!
Thank you sir !!
Thank you, Curtis. Great info! Ordered the mic with boom and the Zoom F6. I never liked for camera audio.......
Sunscribed
Happy recording!
To properly connect to the 3.5 minijack, you need to close the left and right channels of the minijack to the XLR channel 2, and close the XLR channels 1 and 3 to the ground. The noise will decrease and the signal strength will increase. And you will be happy.
Thanks Vladimir.
Hey Curtis, awesome review. Was wondering how do you light these videos? they look very professional and clean. Thanks!
Hey Thanks! Yes, here's a playlist of my lighting tutorials and reviews: th-cam.com/video/x3o2e5efn00/w-d-xo.html
Definitely a lot of info, is is safe to say you are using the aputure cob120t as a key through a scrim? reflector on opposite side? This video as an example. I was under the impression the cob120 was tungsten, is it just white balanced to look white?
Thanks again!
Actually, this one was shot before the COB 120t was invented. In this piece, I used an old Tungsten softbox as well as tungsten lights on the back drop and as a rim light. It all looks white because I set the white balance to tungsten. The same can be accomplished with the 120t and in fact, that is what I now use most of the time for the new episodes.
And yes, you have all the other details right - key light camera left, reflector camera right, background light behind me aimed at the paper backdrop, and a hair or rim light camera right. Good eye!
Curtis Judd thanks for the help man, keep it up. subscribed!
Congrats!!! Great channel, and great info... you helped me a lot!!!
Thanks!
Great job... I was pretty convinced before but now definitely I think I'll get one. My real dilemma is tascam 60d or 70d! Thanks for the great (as always) work!
Thanks. Info that may help on your recorder decision: the guys at the Tascam booth at NAB confirmed that the DR70D has the same preamps as the DR60DmkII. So the question comes down to how many inputs you need and which form factor you prefer. If I were buying today, I'd go 70D.
Curtis Judd Aha! That is good to know. I figure, what the hell, for the extra $50 (which is what it is here in Japan) I'll go for the 70D. Ordering!
Phil Smy Great, let us know what you think after you've had a chance to put it through its paces!
Great review Curtis! I have the NTG-3, and you're right, it's really "boomy." It sounds great, but I don't think I've ever used it on a project in which I didn't have to roll off the lows.
Joe Baker Thanks Joe. I have to confess that when I first started working with the NTG4+, I felt like it was not "rich" enough on the low end. But I think that is because I was so used to the NTG2.
You deserve more subs!
I can barely keep up with the subscribers in this community we have currently. ;-)
Could you do a review on the Sony ECM-VG1 shotgun microphone
nice review, you are a professional in this field! small question, do you know if Rode NTG4+ could transmit a signal only using XLR to USB without using phantom power? so we could record directly to the computer, thank you
Hi Chen, yes, if you have an XLR to USB audio preamplifier and converter, the microphone can provide its own power. However, be warned that many XLR to USB adapters do not have good quality preamplifiers so you’ll want to choose carefully.
@@curtisjudd really appreciated for your advise
Curtis Judd great video as always. Here are some questions: How many years until you have to replace the internal rechargeable battery? Can you replace it by yourself? if not wouldn't be better to buy the MTG 4 version? Greetings from Ecuador.
Hi Roberto, I have had mine for 5 years and have not had to replace the battery yet. No, it is not made to be user replaceable. If I were to do it over, I would get the non + version.
@@curtisjudd Thanks. Appreciate.
Nice review. What do you think about Rode NTG3? Have you used it? Planning a review.
The NTG3 is substantially better than the NTG4 in almost every way - better sound, hotter output signal, better performance in humidity, and immunity to RF interference.
Hi Curtis! Great review as always. How does the NTG4+ compare to the NT5 i terms of audio quality?
Martin Hermansen I prefer the NTG4+ for most voices. The NT5, especially with its stock capsule, sounds a little brittle for most voices. It isn't bad, especially in light of the fact that it is really designed as an instrument mic, but not as flattering on voice in my opinion. But there may be a lot of people that disagree with me on that. :)
Curtis Judd Okay, thanks Curtis! I am wondering what will happen if i plug a NTG 3 which has an Output Impedance of 25Ω into a Tascam dr60d?
Thanks for the work you put into this!
BoredChef Productions Thanks, the pleasure is mine!
Great review. Can you talk about using the NTG4+ in a run and gun situation without a bulky Tascam? Is there an XLR solution that is cheap and small enough for this type of camera use?
zoom h5 or h6
Well done, I enjoyed watching this, good information.
+CTL OnTheLine Thanks, I appreciate the feedback!
Hello Curtis, Another great and helpful video! I need some microphone advise. This is kind of a repeat of my question regarding the RODE NT5....I am running an amateur round table stream. My audio rots. (I am currently using a condenser lavalier microphone to mic the moderator and a conference microphone to mic everyone else {the lavalier does not sound too bad - to me.] I am mixing in OBS Studio on a dedicated PC.) I want to upgrade the setup but I am on a budget with this hobby. I need too mic six people in two clusters of three around the 6-foot round table. Each cluster of three people will horizontally span approximately five to six-feet from person on the right to person on the left. There will be about 1-1/2 to 2-feet in between each cluster of three people. Each cluster will about 7-feet from the upright of a microphone stand, and I may be able to boom the microphone in I bit closer in a bit closer. Might two of these RODE NTG4 serve my purpose to mic each cluster of three people? (If yes I would probably run these through a Yamaha MG10XU or two Shure X2U XLR-to-USB Signal Adapters.) If not, what might you recommend? Any thought you might provide would be beneficial.(As I said before, I really can't set up seven lavaliers or six shotgun microphones.)I look forward to hearing from you. Tom
I would not use shotgun microphones for this scenario. Full answer on the other video comment...
Terrific overview/review, Curtis. I'm putting together a mobile audio interview kit (me and one guest) and am trying to decide between something like the NTG4+ and maybe the NT3 (non-G). I'm using the Zoom H5 as the base, so phantom power isn't a problem. Most interviews will take place indoors, with the occasional outdoor/cafe type setting. Thoughts?
Jeffery Saddoris I've been quite happy using cardioid and hypercardioid mics for indoor dialogue over shotgun mics. I haven't used the NT3 personally but there are others out there using them for this type of recording and most reviews seem to indicate that this is a very versatile mic (having the 3/4" diaphragm).
Curtis Judd With all of the other pieces of kit I'm buying, I'd like to stay in the sub $300 range for the mic if the quality is there. The NTG4+ is a bit beyond that, but it does look like a terrific option that will have some longevity.
Jeffery Saddoris If the majority of interviews will be indoors, I'd stay away from shotgun mics, particularly for rooms with a lot of reverb. Shotgun mics have a different pickup pattern for bass vs treble frequencies and start doing odd phasing things in these types of rooms. Note the customer reviews at B&H for the NT3 where a number of them are from people doing the same thing you're looking at: www.bhphotovideo.com/c/product/233750-REG/Rode_NT3_NT3_Microphone.html/BI/19904/KBID/12941/kw/RONT3/DFF/d10-v2-t1-xRONT3
Curtis Judd Yep. I was just looking at this. Seems like a solid choice. Thank you for taking the time to respond.
Really great video. Love this channel!!
Thanks Dave!
Thank you!
Hi Curtis, Love your videos... they have been very helpful!
I currently have the NTG 4 plus... Do you think it would be good for doing a solo podcast? Or am I better off getting something like the Rode NT1 or something of the like?
Thanks!
Hi Peter, I would first consider the acoustical quality of the room you'll be recording in. If there isn't any sort of acoustic treatment and you're finding a fair bit of reverberation in your recordings, I'd take a shot at addressing that before moving to a different microphone. Condenser microphones, whether small (NTG4+) or large (NT1) are so sensitive that for studio style recordings, getting the room in order is first matter of business. Good luck!
Thanks Curtis! There's not much I can do with the room acoustically, and we have 2 little kids running around upstairs!
Yes, totally understand. Two additional thoughts: 1) a dynamic microphone might be a better choice for a podcast. I use the Electrovoice RE20 which is legendary in broadcast radio and amongst many podcasters: amzn.to/2hRfLvA The Shure SM7B is another great option: amzn.to/2vL2Pgo The advantage of a dynamic microphone is that they're far less sensitive so you pick up a lot less room sound.
Alternatively, sound blankets can help a lot and are temporary (no permanent treatment in the room). Here's an example of the difference: th-cam.com/video/uzyEaVYCk3s/w-d-xo.html
Best wishes!
Superb review. If I were RODE, I would send you free stuff FOR LIFE!!!
Thanks, Circle of Attention!
Thanks for the nice video, Can you please tell me NTG 4 and NTG4+ sound quality are same or not?
The sound quality is the same. The NTG4+ just has the in-built battery.
Curtis Judd
Thanks a lot, I am thinking to buy NTG4 or NTG2 for my Zoom H5, I don't have the budget for NTG 3 or NTG4+
can you please give suggestion which one is good matching with Zoom H5?
Of the two mics, I prefer the sound of the NTG2. But it is a mic that requires a lot of gain from the preamp in the recorder and while the H5 is decent, it doesn’t produce a ton of clean gain. So people with the goal of producing pristine recordings are sometimes frustrated with this combination. The NTG4 is about the same in my experience. You want to consider mics with a stronger output signal or recorders with more clean gain.
Thanks, you are Great!
Hey Curtis,
Great video with good tips! I am using the NTG4+, windscreen WS6, with the DR-60 and Zoom H2n (for light weight when needed). However I have always had problems with wind noise and recently made systematic test using a ventilator. The result was that the Sennheiser ME66 with WS6, or the Rode lavalier with its flurry or the Zoom H2n with a windshield are all without noise, but the NTG4+ (with WS6 or Softie from Rycote) is definitely with wind noise at the same wind speed (about Beaufort scale 4). I compared with a brand new NTG4+ in a shop with the same result! That is a pity and I don't understand why. I have recordings, may be I publish them on my channel. Any experience from you?
Thanks klengfilmen, Thanks for the details. I have to confess that I gave up using the NTG4+. I didn't like the sound of it relative to other microphones in the same price range. However, on the few times I did use it outdoors in a breeze, I use a blimp style cover without any issues but the breeze was pretty light as I recall. I didn't experience any issues in that particular case. But it looks like your tests are worth publishing. Best wishes!
Is there a big difference between the NTG4 and the NTG3?
+محمد الناظر Yes, three major things: Price, Sensitivity, and RF rejection. The NTG3 is better in terms of sensitivity and RF rejection though it costs quite a bit more. It also sounds a little different, with more bass pickup than the NTG4.
+Curtis Judd thanks a lot for the quick reply 😊
Curtis Judd what is rf rejection?
@@johnpaulporrelli6208 It means that it is less likely to pick up interference from wireless devices.
Best review I've seen! I have been using the RODE Video Mic Pro and want to step up my audio game as I continue to work with my new channel. Will this mic out perform the Video Mic Pro in both outdoor and indoor situations? Also, If I am capturing the audio file into the Zoom H6, can the quality be "professional" (given the right settings and conditions) to drop strait onto the timeline of my video project?
Thank you Curtis!!!
Hmm, at a general level, I'm not sure that the NTG4 sounds better than the VMP. It's polar pattern is a little more focused, but it has a bit of a mid-range focused sound that isn't my favorite at this price. The NTG4 is better suited for booming so if you've been using the VMP on top of your camera, then you will hear a substantial improvement. Just want to make sure you are not disappointed. :-D
Thank you Curtis!
Hey Curtis! Great review! Would you still recommend this mic, say for a run and gun documentary shoot (mounted onto a GH5 with the DMW-XLR1 adaptor)? Will I still need a zoom for general ambient sound? Thanks :)
Hi Jethro, It isn't my favorite at this point. I'd rather prefer the DEITY S-Mic 2 in this same price range: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html and if you want a shorter, but less directional version, there is also a DEITY S-Mic 2S: th-cam.com/video/n2dbpwbAP4M/w-d-xo.html
But if you wanted to keep things even lighter and easier, I'd skip the XLR1 and use something like the DEITY D3 Pro: th-cam.com/video/W9Sde3ey2kc/w-d-xo.html or the RODE VideoMic Pro+: th-cam.com/video/gcMVSzVt-LI/w-d-xo.html
First of all congrats for your incredible job! I've read in the comments that you suggest the MKE600 for avoiding the noise when you connect it to a 3.5mm?? Did you try that? I don't understand why the NTG4+ make this noise when you use that configuration. Maybe it's because of the preamp of the camera and a bad impedance matching? I use a sony a7sii.
By the way, do you think we could eliminate the hiss using and external preamp like Saramonic??
I have not tried it but consensus seems to be that impedance matching is important here.
Yes, most of it.
Great Vid and info, best one for this Mic, thanks!
Thanks!
I would love to see how you setup the Rode NTG 4+ in the Rodecaster Pro-- for those of us not as techy? I don't think that RODE has put any kind of pre-set options in the RCP for this mic in their family, like they have done with their other RODE mics? Thanks for any guidance on that! Thanks for the video; I'm working in a studio with the RCP.
Hi Mark, I don't have the NTG4+ anymore, I gave it away. But the general idea is to set the RCP to condenser microphone, turn on phantom power, and then set the gain until the meters top out at around -6 to -12dB when talking.
Great review!
Thanks!
Please do a comparison with the videomic pro plus ! Just confused between those two mics.
P.S.- you're a great reviewer
Thanks Ranjana. Here’s the simple comparison: does your camera have an XLR or 3.5mm mic input? If 3.5mm, the VMP is probably a better choice.
Curtis Judd I'll be connecting it to a zoom h1, so the rode vmp+ will be suitable for me.
I'll assume that in terms of sound quality, they are kind of same.
Thanks !!
They are very similar in terms of audio quality. I prefer the sound of the VideoMic Pro+
Curtis Judd so the rode videomic pro plus is sure good for me. Thanks
Hello Curtis and first , thanks for all your great videos. Is there a way to ask you a question directly ? thanks in advance
Sure, in the about section on my youtube channel you can send me a direct message. Talk with you soon.
Curtis Judd
Thanks a lot i sent you email :)
Another great review. Just a question on the side; how does it compare to say a Sennheiser MKE600 mic?
Thanks and good question. I'm not sure since I've only used the MKE600 one time. My recollection is that the Sennheiser puts out a much stronger signal with less gain required. The Sennheiser is also a very bright sounding microphone with quite a lot of high frequency articulation and detail.
Curtis Judd ; Thanks again for the opinion (as much as the review). I've just ordered it for delivery tomorrow. Looking forward to using it.
Curtis Judd : buying the NTG 4+ now strictly due to budget issues coupled with a huge mark-down on the price! 😊 Will get a MKE600 or ME66 later ....
+spandana.music 👍 best wishes and happy recording!
Great review, thanks!
👍
Hey Curtis! I notice in many of the comments below that you're suggesting the Deity S-Mic 2 is a better option on the basis of US prices. However here in Europe, Deity products are considerably more expensive relative to Rode products. To give you an example, at time of writing, the NTG4+ is £199GBP (approx $245USD), the NTG4 is £176 (approx $217USD) and the NTG2 is £171.16 (approx $211USD) - all Amazon UK prices - whereas the Deity S-Mic 2 in the UK is £357GBP (approx $440USD). How do you feel that would affect the purchasing decision based on price to performance here?
I would buy the NTG2 before the NTG4 or 4+.
Thanx watching from Zambia
Thank you for watching and stay well!
Thanks again for you advice! You wouldn't believe how much help you've provided with my gear! Just wondering, would you recommend a Sennheiser MKE600 or the RODE NTG4+ with the Tascam DR-60DmkII?
Thanks! I'd go with the Sennheiser MKE600: amzn.to/2usH1Fu Good luck!
@@curtisjudd your reviews are great..please do a review of mke 600.
@@sam24bit It is on my list. Thanks!
can I just connect this to a scarett solo and connect it straight to my PC?
If you have an XLR Cable, yes.
@@cursivefox oh ok ty! Just making sure because I wanna get an ntg4+ but I don't have a dslr camera lol.
Agreed with @CursiveFox.
Curtis, thank you for making this informative video. I just subscribed and will watch some of your other videos.
Which setting on the NTG4+ will you recommend for recording two people talking in a room without getting white noise?
We record with a boom pole into a Zoom 4HN recorder, using the -10db but it gives us a lot of white noise.
Thank you.
I would turn off the -10dB setting. Also get the mic as close to you as possible, ideally within 12 to 18 inches. Shotgun mics are difficult to use to mic 2 people unless you’re sitting super close because the mic is so directional.
@@curtisjudd Thank you for your reply.
Should we use the high frequency or high pass setting? Or no settings at all?
@@ourpeacefulfamily I'd start without it and see where you get. I assume the "white noise" is sound which is actually in the room. The best way to cut that is to get the mic closer and eliminate as much of the room noise as possible. Turn off any fans or other electronics not needed. Same for HVAC if possible. Cover hard surfaces (walls, floors) with blankets. Hopefully that helps!
@@curtisjudd Thank you! I did that, and it works great.
Have a wonderful day.
Many thanks!
I hear system noise of sorts when you turn on the High-pass filter (at 2:56)...can you confirm? Is this introduced because of the onboard circuitry or not? Thank you!! Great video, by the way.
Confirmed. I suspect it was the freezer in my basement "studio". Apologies I missed that. ONE NOTE: This is not my first recommendation for shotgun microphones in 2020. You might prefer to watch this more recent overview of various boom microphones: th-cam.com/video/q7rfwCFjBDg/w-d-xo.html
Very good video. Helped me with my decision :)
Glad it helped!
hey Curtis! great review, just wondering if this mic works fine with the zoom h5?
Yes, but this review is pretty old. For a similar price, I prefer the Deity S-Mic 2: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html
Great review! Thanks you.
WaynesWorldStudio Thanks! Glad it was helpful!
Hey Curtis, thanks for this video. Do you have a tutorial on equalization to get that “base” sound we like to have you mention in this video? And also, which mic should have that right off the bat? Thank you!
The RODE NTG3 produces more bass response but is a fair bit more expensive. You can hear it here: th-cam.com/video/bv1xUShuUY0/w-d-xo.html
I don't recommend adding a lot of bass with EQ. But you can and if you do, I'd add it around 130Hz and avoid the 300Hz range.
Dear Curtis Judd Thank you for providing good information about the different microphones. I had a question: I want to make a short film. What microphone do you recommend for this? Given that I will be my first film. Sound is very important to me
Hi and thanks. I would have a look at the DEITY S-Mic 2: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html
@@curtisjudd Thank you for the quick answer to my question. The problem is that the microphone is not available in the country where I live.
@@curtisjudd Forgive me for the incorrect composition. I do not speak English very well.
Ok. Perhaps the RODE NTG5: th-cam.com/video/bv1xUShuUY0/w-d-xo.html
No worries. Your English is good!
great review. After all this years, which one is better for shooting short film between the NTG4+ and the sennheiser M600 ?
Thx Curtis
I'd probably choose the Sennheiser, though it is a rather bright microphone and can be a little harsh on sibilant voices.
@@curtisjudd thx Curtis. Cheers from France.
Hi from Greece..I like your video and push me to by this mic for my camcorder..nice quality of sound and nice built..The only thing i wanted is the wind shield not cover the buttons.I shoot in a lot of different sound conditions (weddings) and i would like to shange the settings or see with what filter i shoot..
Γιώργος Αλεξίου That is a good point. I have been using the windscreen such that it does not cover the buttons so that I can see them. That doesn't appear to affect the sound it captures.
Curtis Judd If i do not push it at the end to reach the buttons i see the widshield on my screen.I have a wideangle camcorder ...I am thinking to cut it a litle bit,so at least to be seen the -10db button
Γιώργος Αλεξίου That's a good idea!
Thanks for the review.. I have the NTG2 and was wondering how to make the audio sound fuller.. for example if I am using a NTG4+ and NTG2 and I want to match the sound. Possible? What kind of settings do I need to input for EQ?
Hello Curtis have enjoyed your video and learned much looking at setting up your "Apple White" in my garage for info videos. I have Nikon D-750 which I will be using what Mic would you recommend in that configuration? NTG4+ looks good but going to 3.5mm connection on the camera concerns me, and if go that route thinking I should boom it overhead?
Raphael Smith Yes, shotgun mics sound best when boomed overhead within about 40 - 60 cm of the talent. I record the audio separately to a Tascam DR-60DmkII which works well for me. You could also run the audio out of the Tascam into the D750 which would get you the better quality pre-amps of the Tascam but then you wouldn't have to sync the audio to the video in post. Here's my review of the Tascam if that is of interest to you: th-cam.com/video/TRoIMPHS91U/w-d-xo.html
Curtis, do you have the infamous Sennheiser MKH 416-P48U3 ?
+BravingTheOutDoors I have recorded with the Sennheiser MKH416 but I do not personally own it. Legendary microphone with a sound almost everyone has heard in various TV shows and movies.
Hey Curtis,
I'm a huge longtime fan of the channel and not expecting you to see this - but on the off chance that you do, could you help clear up where and when you think this mic suits best?
I do corporate interviews boomed overhead (usually one person at a time, for multiple I use Lavs) - all have been indoors so far but they're often in a decent sized room. Is this NTG4+ suited? I've just sold an Audio Technica AT875R to fund this NTG4+ thinking the longer mic would be better for rejecting background noise but now I'm wondering if it's too long for my typical use case?
What would you recommend I do/use this mic for?
The NTG4 is actually not especially directional relative to other similarly sized shotgun mics in 2022 and definitely would NOT be my first choice. I’d opt for the NTG5, NTG3, Sennheiser MKE600, or Deity S-Mic 2 instead.
@@curtisjudd thank you so SO much for replying! As a TH-cam channel with 3k subs myself I can find it takes me a while to reply, so I hugely appreciate a reply at all!
Thank you, Curtis 😁
Great review, how would you compare this to the Sennheiser Me-66?
I prefer the sound of the Me-66.
@@curtisjudd PERFECT timing as I was about to buy the Rode. I value your opinion and think I will stick to my me-66's for filmmaking!
👍🏻 Happy recording!
Hi curtis, thnx for the review but u forgot to mention about the built in battery life, how long it will work? And if we don't charge battery for some month or some year does battery goes to drain or is there available an extra battery ?
Thank you!!
+love you 50 hours. The battery is built-in, not user replaceable, just recharge via USB. Mine still had charge after 4 months of non use. I don't have any specific tests beyond that.
Thank you!
👍
It's 2018, so this video is about 3 years old now... How do you feel the NTG4+ holds up against the new Rode shotgun mics that they've released? Perhaps you already have a video on this. I'll take a look through your channel
Hey Cole, the NTG4+ is RODE’s newest XLR based mic. To me it sounds a bit on the thin side compared to the NTG3 and NTG2. My order of preference would be NTG3, NTG2 (but only with a good strong preamp), NTG4.
Curtis Judd thanks again for another reply. For some reason I thought there was a newer version but that was just me thinking of the top of my head. Your advice is helpful. Thank you
clearly review. liked - subbed.