Chaya Czernowin - Sahaf [w/ score]
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- เผยแพร่เมื่อ 13 พ.ย. 2012
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performed by Ensemble Nikel
Sahaf (Drift), for saxophone, e-guitar, percussion and piano by Chaya Czernowin (1995)
www.ensemblenikel.com/
chayaczernowin.com/
Featured Composer #6
uploaded with permission from Chaya Czernowin, Schott Music, and Ensemble Nikel.
Publisher @ en.schott-music.com/
Purchase Score & Parts [ED20481] @ en.schott-music.com/shop/saha...
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I played this to a first grade girl and she liked it and started to dance.... Seems like I have made an achievement in this world :)
My mother used to sing this to me. Ah, the memories.
ok, this made me laugh. Thanks.
I'd like to think that you sang along with her. You're lucky to have had such a remarkable mother.
best comment ever :))
The quiet part at the beginning with words was haunting.
wait what - this IS pretty
Honestly, I think this piece is a load of fun.
Chaya's scores are always so fantastic!
One of the best uploads lately, I really like the feeling of machinery that starts and stops gradually, the ratchet really helps in that. Also, all those repeated quickly repeating notes must hurt the fingers :')
Edit: I just realized this was uploaded in 2012, it somehow appeared on my youtube frontpage
The use of different and constantly changing tone colors in this piece feel very well thought out. I may never find myself writing in this style, but this has piqued my interest.
Actually, i found this kind of pieces very interesting... i saw a coment that says that the composer doesn´t have anything to say, but it´s really hard to write this pieces, and also, i think that, on the way to found new paths to our music, we need to express this controlled chaos.
It's really hard to make someone wear a neckless made of turd. Doesn't me the turd neckless is a masterpiece
I think it's very Crumb-esque or possibly Varesian.
the excitement of newly discovering a composer on one's wavelength
great!!!!
Priscila Malanski I agree. :)
such a banger
Holy crap, many thanks for posting.
LOVE IT LOVE IT LOVE IT!!
My biggest complaint with contemporary or new music is I've spent decades collecting and cataloging in the broad genres of "chamber" or "orchestral," then along comes newer ensembles that are relatively small but sound orchestral and all my efforts are out the window! Pierre Boulez was among the earliest culprits. I'll need a new broad genre -- music.
Yeah, it's been for over half a century now. Nono's great duo for two violins is (for me) like a Mahler symphony. I too keep chamber and orchestral music generally separate, but with modern music (which consumes almost all my time now) I don't separate by number of performers. If it's something (no matter how profound) that feels like a conversation that one might over-hear, than it goes with chamber. If it (no matter how trivial) seems to be addressing itself at me and/or an audience, than it goes with orchestral.
pawllyphonic
I may have to try this. Thank you!
MrBeethovenfan Simply put I am the broad new genre of music (one must of course ignore any flaws in the performances, as they are single take, as well as the necessity of only putting crowd pleasers up at the moment), but I assure you I am the whole future of art music.
it's fun to read, and it must be entertaining to play because of it's difficultness, a funny piece nothing more
she played the guitar ?? damn .. awesome !
Then good for you, after her hard work it's nice that someone finds beauty in her works :)
This is a very good prog rock.
The farty bottle-slides made me smile; quite adorable.
It's too bad the composer isn't around: I want to know why the piece is the length it is.
Heavy and cool
right on
HA j'adore!
Strange, weird, but very interesting music.
It's always better to disable comments....
It really is
@@morissmor no, discussion is good
Is there supposed to be sound or is it muted?
so good...
It is a work that everyone is interested in. Many comments point to that.
Actually, it was kind of a superlative statement about how much this music impresses me. I'm glad you're so passionate on defending it, though. Anyway, you have to admit is not exactly easy listening to this music (as with Ferneyhough's).
Ferneyhough is shit. This is not shit.
Don't get too upset, Chaya told herself that she doesn't try to make it pretty or comfortable. It is not ment to be understood right away...
I like plenty of other compositions by her, but I'd pick Thinking Plague over this.
Yes, but they're also not at all the same thing.
(1/7)/4 cool
It's the same recording from the CD lol :)
El valor de esta cosa es similar al del regaetton
JJJEEESSSUUUSSSSSSSS!!!!!!!!!!
I like this. Of course this will piss off the classical music elitists, but they are always angry at everything!
"She muddies the waters that they might appear deep". ~ Nietzsche
Great quote. Freddy was wrong about many things, but not about writing in an obscure way so as to appear profound.
Il paraît que cette femme est professeure de composition. J'espère qu'elle enseigne mieux qu'elle n'écrit. En tout cas, j'espère qu'elle n'enseigne pas son style.
Franck Mousset elle écrit très bien
because??? is it because it's not C maj, G maj chord kind of thing?.. surely this music is made for SOME human brains. Maybe not yours though. But don't generalize all human brains.
She muddies the waters that they might appear deep. ~ Nietzsche
ok so this line applies to romantic poets and not modernist composers, for one thing - nietzsche is discussing the poets' exploitation of private emotion and the sense of profundity, whereas his view is that that stuff should be felt within and not projected without - a cursory search on analysis on the internet could tell you that. meanwhile, chaya czernowin's explicit purpose is to bury the emotion so that you have to dig to find it.
so - nietzsche refers to poets that lure in people with tricks to make their emotion seem more accessible, whereas czernowin deliberately alienates people? hmmmm
Damn! This was not made for the human brain.
la compositora sabe "componer" pero no tiene absolutamente nada para decir, contar o transmitir.
si ésto es el fruto de su imaginación, talento, sensibilidad, esfuerzo y duro trabajo me parece que (si ella es verdaderamente honesta consigo misma) pierde el tiempo, y si no lo es (honesta consigo misma) entonces allá ella con su consciencia y autocrítica. La así llamada música contemporánea es por lo general así, ruidos sin ritmo ni ton ni son, ella no es una excepción.
The success of a modernist composer is based off how exotic their last name is. It's all garbage, so who can tell the difference.
While considering the fact that my last name means vagina and I'm not successful (at all), I'd say no.
incipitsify lol, wf kind of last name is it?
Dude you must have some serious issues there...get better, good luck!
Jesse Kaiser what form is it that u are appreciating, I know alot about music theory so you don't have to explain what ur terms mean
Everything I've heard by this woman (and actually most composers on this channel) is the same boring "emperor's new clothes" kind of academic European 'avant garde' music (which actually is not avant garde at all, because it's basically nothing but a recycling of the same 1960s-70s modernist tricks and formulas over and over again).
I don't agree with your assertion, Hans Christian Andersen has better books than the "Emperor's New Clothes". It's overrated garbage, I think you should be talking about this piece rather than some shitty book that you love so much. Why not comment this on a book forum or something? that would be more relevant wouldn't it?
@@johnappleseed8369 Says the person with John Appleseed as his handle?!?
Exemple emblématique de mauvaise musique contemporaine. Lachenmann a vraiment rendu un mauvais service à toute une génération de compositeurs. Outre l'instrumentalisation qui est loin d'être la plus géniale, on a l'impression plus d'un catalogue d'effets sonores que d'une véritable composition avec une structure perceptible et avec un discours cohérent. Pas étonnant qu'une part importante de la population se détourne de ce type de musique.
Unadulterated crap; Czernowin has much better music; this never should have seen the light of day, much less performed
i can tell you this-the players are doing no more than vaguely approximating the notation a good deal of the time. so what is gained from such pretentious notation?