Schubert, Impromptu in F minor D.935/1 - Sergey Kuznetsov
ฝัง
- เผยแพร่เมื่อ 28 ก.ย. 2024
- F. Schubert, Impromptu in F minor, D. 935 (op. posth. 142) No. 1, Allegro moderato.
Sergey Kuznetsov live at the Small hall of the Moscow conservatory on April 28, 2019. Click for details.
Ф. П. Шуберт. Экспромт фа минор, D. 935 (соч. посм. 142) № 1.
Сергей Кузнецов (фортепиано). Запись с концерта 28.04.2019 в Малом зале Московской консерватории.
F. P. Schubert: Impromptu f-moll, D. 935 (op. posth. 142) Nr. 1.
Sergey Kuznetsov (Klavier), Liveaufnahme eines Solorezitals im Kleinsaal des Moskauer Konservatoriums.
F. Schubert: Impromptu en fa mineur D. 935 (op. posth. 142) n° 1.
Sergey Kuznetsov, piano. Enregistrement en direct d'un récital solo à la petite salle du Conservatoire de Moscou.
フランツ・シューベルト作曲 ピアノのための即興曲ヘ短調. D.935作品142、第1曲。
演奏： セルゲイクズネツォフ（ピアノ）。
モスクワ音楽院の小ホールでソロリサイタルからのライヴ録音。
Beatiful
Thank you!
Schubert il mio preferito!
Fantastica esecuzione, come sempre , un piacere ascoltarLa
Grazie 🎶❤🎶
Excellent! Rays of light through corona clouds. Captures the essence of Schubert! Or as Isak Dinesen (author of "Out of Africa") said: "All can be borne if it can be put into a story." That's Schubert, and thanks for an uplifting performance when we need uplift!!
Thank you very much!
Excellent performance!
Thank you!
Beautiful
Thank you! :-)
Mr.Sergey, SO WONDERFUL AS ALWAYS, MAESTRO!!!!! Thank you for my favourite Schubert in an excellent your rendition, of course, my big "like-thumb up-upvote" 10 for this great performance, again my best wishes from Poland, have a happy week. Joanna
Thank you very much dear Joanna!
I am having real roubles when the pp chords come in at 1:50, its so hard to play these chords delicately and voice them at the same time, do you have any tips for practicing them? thanks alot
Well, first of all is difficult. So it's hardly going to fix completely quickly. It will do some progress soon, but it's probably going to take months at best till one feels really comfortably here, if at all. Have patience. :-)
That said, try to avoid direct vertical downward movement of the hand. Here, it's rather the fingertips that should "take" the sound rather than the hand going down with fingers as mere protrusions thereof. But the hand is far from being still: the wrist should be constantly moving, breathing as it were, sidewise. The idea is that the wrist moves partly along the top voice line, partly just slightly around its "central" position, so that, when the fingers repeat the same chord, they would make every new repetition of the slightly differently, avoiding mechanical exact repetition. Of course, it's better to use these subtle differences between chords in order to build a beautiful phrase, at times building a soft rise to a phrase pinnacle, at times making a soft descent in dynamics.
@@sergeypiano thanks so much, Im getting there , would it be fair to say this is the toughest among all the 8 impromptus to pull off properly?
@amirmotahari6186 prrobably... Well, it's certainly one of the most difficult ones, inter alia because of the variety and scale of different tasks that it sets, although the tasks in some other impromptus may be even greater in scale (e.g. the G flat) albeit far less varied.
So it may well be _the_ most difficult one, depending on how one measures it.
You're most recent video was titled the same thing except it was D.935/4 instead of D.935/1. I'm a little confused... what's the second number? Thanks!
Great performance. This piece sounds surprisingly similar to how I sound when improvising, except that this is eleventy-billion times better. Shubert is a genius.
I'd subscribe, but I already did.
Thank you!
No. 935 in Schubert's works catalogue is a set of four impromptus of which nos. 1 and 4 share the same tonality.
@@sergeypiano Ok, thanks for clearing that up. Them both being in f minor is a bit confusing.
I love so much this piece...
I can only agree. It's an outstanding piece.
Sublime!
Thank you!
Yes!
Thank you! :-)