ฝัง
- เผยแพร่เมื่อ 31 พ.ค. 2024
- ........when one genius plays another........
00:00 - Prelude op. 3 no. 2
04:28 - Elegie op. 3 no. 1
10:38 - Polichinelle op. 3 no. 4
14:43 - Barcarolle op. 10 no. 3
19:03 - Humoresque, op. 10 no. 5
23:08 - Prelude op. 23 no. 2
27:04 - Prelude op. 23 no. 4
32:02 - Prelude op. 23 no. 7
34:36 - Prelude op. 23 no. 6
37:52 - Prelude op. 23 no. 5
42:41 - Prelude op. 32 no. 8
44:25 - Prelude op. 32 no. 12
47:07 - Etude-tableau op. 39 no. 7
56:07 - Piano Sonata no. 1, op. 28
Михаил Плетнёв - Рахманинов - เพลง
Never before have I heard Rachmaninoff's piano pieces played to such beauty and perfection; as well as, with such precision, technical prowess, minute attention to the score and sonorous dynamics. I am absolutely spellbound by Maestro Pletnev's titanic genius and consummate musicality. Bravissimo Maestro Mikhail Pletnev!
Михаил Плетнев- непревзойденный музыкант.Мне посчастливилось слушать его на Платоновском фестивале.Он исполнял Шопена.Это было счастье.Хотелось жить, творить, любить и делать добро.Спасибо и браво!!!
Его фортепиано аналогично произведению великого скульптора.Он гений, который появляется раз в сто лет. Это невероятно. Браво!
Да
Несравненный Сергей Васильевич и потрясающий Михаил Васильевич!!
Низкий вам поклон и безмерная благодарность!!
Дорогой ADGO, несмотря на то, что Вам ближе Соколов, я благодарю Вас за этот подарок. Я эту программу слышу первый раз, не ожидала такого откровения, даже не сразу решила слушать. То, что мы слышим у Плетнева здесь, не услышим ни у кого. Это всё , к сожалению, кончается... Такого Рахманинова я ни у кого не слышала, это "то самое"
Heard this concert in Amsterdam. I have never witnessed anything like that before. It was almost scary to hear. GREAT ARTIST.
Thank you for this recital. Mikhail Pletnev interprets Rachmaninoff with all that it requires in technicality, musicality and emotion. Pletnev is a GENIUS in our time. Fortunately, for us listeners.
@adriennebeecker5000 -- Yes....and for these...right up there with Richter & Weissenberg.....BRAVO from Acapulco!
@@steveegallo3384х😊😮🎉😂 для
the piano sonata n1 in his hands is one of the best pieces of art i’ve ever came across
Grazie Maestro Pletnev....
Больше года слушаю этот речитал и нет слов, чтобы выразить восторг, потому что это запредельно, феерично, Божественно! 💗
Божественный Рахманинов С.!!! Спасибо гениальному исполнителю!!!
Мацуев так может?? Нет, и никогда бы не смог..
я тоже...
Mr Pletnev is blessed by God to stream Heavenly Harmony to us.
I grew up watching Pletnev in the 1980s and 90s. I always admire his honest and genuine performances. Bravo !
все таки лучшего рассказчика не нахожу.
Инструмент под руками чудесного музыканта«говорит» ,музыка сверкает, как бриллиант, очень нравится его слышание и передача музыки
Pletnev at his very best. Sometimes he sounds mannered and strangely detached but this recital is as good as you could ever hear. The focus and control put him up there with The Gods of all time.
Rachmaninoff, 1st Piano Sonata (1908)
56:07 1st mvmt
1:12:34 2nd mvmt
1:22:33 3rd mvmt
Masterful performances. Deep and perfect in scope and atmosphere.
Божественная игра.Спасибо Музыканту
Спасибо за передачу красоты , волшебства живого звука произведения Сергея Рахманинова, низкий поклон.
上週在莫斯科現場聽到這套曲目，被Pletnev細緻精美又魔幻的琴聲觸動到掉淚，非常感動！
Баркаролла меня просто потрясла - это неземное исполнение!!!
He played it later in Warsaw on his own Shigeru Kawai. Really breathtaking. I've never heard anyone who can control piano sound so much!
only Gilels could do it also, even Richter not.
Cmon, don’t tell that. Pletnev is great, but there were many great musicians able to create some outstanding sound. Listen to late Horowitz, Richter playing Ravel and Debussy, Zimmermann just to name a few.
@@user-ep8ss5gj3u If you think so. Gilels hast an golden tone, Richter ist different and when there are so many, it's great. For me not.
хорошо!!!!!
@@user-ep8ss5gj3u and don't forget Martha, the great Martha !
Thank you, maestro. Thank you
You are the messenger
Гениальная музыка в исполнении гениального пианиста.!
Даже на таком инструменте Рахманинов Плетнева - лучший! Величайший и великий! И оба из России!
Артос Саркисянц и оба Татары
Он сам выбрал этот инструмент - он возит его на все концерты + настройщик от Kawai.
@@qiecake ☺
@@qiecake вообще то Рахманинов потомок Молдавского Господаря
Вырос в Новгороде)))
Очень мужественное , прекрасное исполнение.🎹🎼🎵🎶 ,🌹🌹🌹🌹🌹🌹🌹💐💐💐💐💐💐💐
Thank You so much. Speechless. The best Rachmaninoff. Holiness. Bravo Pletnev!
Моя благодарность мастеру Плетневу и автору ролика. Потрясающее чуство вкуса
Какое владение временем! Невероятно... Хорошо знакомые произведения, как будто в первый раз услышал. Браво!
Совершенно согласна!,«говорящий»пианист,СОВЕРШЕННО!!
X ‐'"""
Браво!!!!!!!!!!!
одна из сложнейших задач в исполнении произведений Рахманинова - владение временнОй компенсацией, чем сам Сергей Василич владел в совершенстве
@@user-um1ie8sb1c Пианистов много ... признанных, титулованных, молодежь тоже приходит ... С тех пор, как я услышал Плетнева - не могу больше ни на кого восхищаться! Это продолжается уже много лет. Вот был конкурс Шопена ... Слушал - и ... я вернулся к Мише! 💖
Гениальное исполнение.
What a symphony of sound he produces from the piano in these pieces. The opening of the Polichinelle is amazing. Extraordinarily difficult to get a sound so clear yet seemingly un-forced from a grand.
Absolutely fantastic! This Pletnev performance remind me Rachmaninov way of playing, colourful, with magic rhythm and time; playing of composer and conductor! Thank you!
Thank you so much for this gift. I felt the time has stopped when I listen to this treasure. Amazing interpretation of Rachmaninoff’s sonata #1
It's heartwarming to still hearing him play with such creativity yet character. Definitely uniquie in the wohle spectrum of pianists mankind has seen so far. To me, Gilels has always been the king of Rachmaninov but this surely makes me think twice!
La rencontre de deux génies ! 97 minutes de temps suspendu et de pur bonheur ! Merci pour l'upload.
I first came across Pletnev when he played the Bach concerto for 4 pianos with Argerich, Kissin and Levine. He has steadily grown on me, and more than with any other pianist I experience him as a 'careful' interpreter, both as a pianist and a. Conductor, not in the sense of somebody who doesn't take risks, but as somebody who is literally 'full of care" in that he gives me the feeling that he is respectful of the music like a curator hanging a Rembrandt painting. He creates a feeling of awe.
YES! Thank you. You really GET it, Jenny. Good for you!
What an insightful comment! Perfect verbalization of his playing.
Pletnev has always been great with infallible fingers and all that. I haven't heard much of him recently until these youtube recordings. What a treasure! His interpretations are extroardinary, unique, and so heartfelt. This playing is as good as it gets. He truly has something to say. His recent Chopin Preludes here are amazing too. I've heard these pieces hundreds of times before but these stand out so. Right there with Sokolov, Bolet, Cherkassky, etc. He is like a fine wine getting better with age. Piano playing doesn't get any better than this.
Thanks for putting this up.
If the only sin in musical performance is to be boring, then Pletnev qualifies as both a saint and angel -- certainlh a paragin of virtue at the very least. He may perplex at times, but he NEVER turns you to stone with boredom. It's impossible to be indifferent to his playing, it's so astonsihingly ALIVE. Tha alone makes him a magnificent artist.
Fantastic !!@!!@!
Genious playing and theme
42 thumbs down votes for this magnificent playing? Those people must have tin ears! For once the famous c# minor and g minor Preludes sound like real music instead of the usual banging bombast; there are so many piano players today, but Pletnev is a MUSICIAN whose imagination and technical mastery leaves all others in the dust; his only worthy contemporary is young Aleksandr Malofeev, another phenomenon.
Да Артист Мастер
No, just the haters are everywhere.
Боже мой!!!
Pletnev is one of the last musicians who understand what interpreting music is all about: to look beyond the notes and feel the process of composition.this means to be creative and listen to yourself rather than reproduce the notes. Pletnev's art is an art which is sadly lost since more than 70 years because of machinery, recordings, and incorrect information about historic performance practices.
Sokolov too
that's exactly what I think. the Elegie is the piece which Horowitz played in front of him when he visited Moscow, Pletnev's transcription of Nutcracker impressed Horowitz so much that he told him there were only two persons in the world could play this score, you and me.
Yes, Pletnev's 'Nutcracker' is torrential. As for 'being creative,' check out how Lang-Lang opens The 2nd Concerto!
Gosh, I die a little bit inside every time I listen to Lang Lang. Creative? Sure, but so unfaithful to the original material that it hurts.
You are right. Other interpreter like Pletnev was Claudio Arrau. He was very strict to interpret the partitures imprinting the feelings of the composer.
Pletnev is a giant.
Absolutely fantastic playing! This is a big event for Rachmaninoff fans. I haven't been so blown away since I saw Horowitz in Carnegie Hall in 68. And the Funeral Etude! There are no words for this expressive playing.
Wow! I totally agree!
Гениальная естественность и такое же владение временем. Спасибо
Some of this playing is absolutely sensational. Take the central section of the G minor prelude. the voice leading within chords is an example of his total mastery and control. Some of the distortions of tempo here and there in works does not retain musical tension sometimes. But hey, so what ! There is so much quality and creative imagination in play, it's sounding like a master improvising..
Thanks very much for uploading. It's a privilege to listen Pletnev.
I was in the audience，it was intimate and magic! He played on the Shigeru Kawai
His artistry at the piano truly is incredible! A joy to listen to...so deeply moving:)*
ADGO, thank you! one of the rare interesting pianists in this world.
Such exquisite playing which i could listen to for a very long time. My favorite pianist playing work by my favorite composer what could be better. Just gorgeous.
Gorgeous touch and tone...everynote is speaking for sth.
I have listened him in this program last winter here in Florence, since then I am not the same musician and person I was... The second greates recital I attended in my life (the first was when I listened Pletnev playing all Chopin program...)
am looking forward to his performance in munich in january!
fabio rosati р Андре рьё
True. When I heard Pletnev's Scarlatti suddenly all Schiff's Scarlatti completely lost its meaning,
I remember this fitst piece from my childhood. Have not heard this in a long time. Brings back memories
Truly magnificent!
БРАВО
Superb. Thanks. We visited de Oosterpoort yesterday, Mr Pletnev played the same piece and was so exellent!
Many, many, thanks for this upload! Heard him play this program yesterday in Amsterdam. Blown away by it, especially the first half before the break. So much expression and emotional depth.
Scintillatig diamonds sparkling from ten fingers and a musical soul, so splendid it's almost unbearable...
Merci pour ce partage ! l'élégie au réveil me permet de penser à tous mes amis musiciens professionnels ou amateurs .Partage de travail d'écoute et de Paix autour d'un piano. La musique de Pletnev sonne vrai et paraît facile Comme avec tous les grands musiciens . Pour terminer, le fait et De ne pas voir l'interprète permet de se concentrer sur l'écoute et c'est top ! merci
With every year seeming to introduce a new crop of blazing young virtuosi from competitions, here's an amazing artist at age 60 sounding in top form. Fearlessly subjective yet always interesting, a few of the pieces are too much for me but at least deeply thought-out - and breathtakingly beautiful. The Rachmaninoff First Sonata is getting played more often in recent years.
Un fiume in piena. Magnifico.!
Maravilloso!! Gracias Mikhail
Un immense interprète !
Эпичное исполнение!!!
Thank you so much！
His Carnegie hall debut is amazing!
I have been waiting for this for such a long time! Thank you very much for uploading!
I listened to this program live. It was really a magical and miraculous performance. I am glad that I can listen to this again.
thank you
What a treat and surprise- we are lucky he plays more now. Many thanks for uploading
Just beautiful.
Beautiful recital. One can somewhat recognize Horowitz's influence in his playing (pianissimi, rubato, subtle pedaling, voicing...).
Михаил Васильевич - гигант!!!
Уважаемый однофамилец, совершенно согласен с Вами!
Тайцы подтверждают.
@@bodyguardik Ты там был?
Perfect
-- Quelle superbe interprétation ! --
Your description is truest of truth. Only hours ago I just listened to Edinburgh festival!!! Thanks so much 🎶
I listened too :) The op. 39/7 etude is unbelievable.
ADGO in my culture, we do thank the messengers for we are hopeless without them ;)
I heard many times people said his playing is too sentimental. I think differently. He could be very sad and quietly turbulent. The sonata is beautiful.
For real!!! ... I never heared that etude op. 39 /7 in that very colorful and mystic kind!! Realy a new look about the "material"...(.even very freely played....)
The beginn of that Pletnev- concert I dont like: special Elegie is very mannered...no natural large phrases...(what Volodos knows to make so naturaly and wonderful ! ) Also the Preludes op.23 for my tast (!) I heared "better" ((more expressiv and clearly and just what was written by Rachmaninow ! ) many years ago by the young Andrej Gawrilow!
The sonata is crazy....very impressiv and phantastic the 2. mov.!!! Amazing! ....! Thank you again for posting here... You have always the best news here...THANX! :-)
I was there too! Queens hall, it was fantastic
anja woschik -All the pianists you've mentioned belong completely to 21st century ( when I say that I mean the trend to standardize the playing as much as possible, to play literally what's written in the text. ). By contrast, Pletnev's art belongs to 19th century when it was normal for pianist to be co-author of what he plays, the piece was created in your eyes and the next time it could be played absolutely another way. And if you listen carefully to Rakhmaninov's records of the same pieces only then you'll understand what I mean.
Only listen... Wonderful!
GREAT!!!
The grand arc of the lines is projected clearly yet with details intact.
LOVE....
Super!
Бог!
да
Я люблю ВАС ,МИХАИЛ ПЛЕТНЕВ !
Genius of our Time.
Genius...
Pletnev maduro, pujante e de uma virtuosidade plácida
He is a poet.
poet?
prelude op 32 -12...sounds like a loving tribute to his admired horowitz...rachmaninov resurrected...
Рахманинов, восторг с детства уже столько лет!!
Genii
💖💖💖!!!
Elegiya
Magnifique 1 ère sonate de Rachmaninov.
44:25 - Prelude op. 32 no. 12, в конце, где октавы похоже на квартет Малера, да-нет??
WOW, a Real Russian playing a Real Rachmaninov......many thanks, 'm sorry for the piano teachers......!
Pletnev brings out new colors. (bow)
Thanks for uploading , I have a personal question for you ADGO, if you have to pick one ,who’s ur favorite artist, sokolov or pletnev ?
I suppose it depends. I've felt more intense and lasting experiences in recital with Sokolov. I've also heard him more though. However these days in recordings I listen to Pletnev more often.
I was among the audiences on that day; how did you obtain such high quality recording?
There's no secret, I just recorded the broadcast.
Мы забываем, что влюбленность
не просто поворот лица,
а под купавами бездонность,
ночная паника пловца.
Покуда снится, снись, влюбленность,
но пробуждением не мучь,
и лучше недоговоренность,
чем эта щель и этот луч.
Напоминаю, что влюбленность
не явь, что метины не те,
что, может быть, потусторонность
приотворилась в темноте.
(Стихотворение Вадима из романа "Look at the Harlequins!")
1973
@Edwin van den Berg: Hi Edwin pleased to meet! I try to explain, my english is very simple... I firmly believe the only aim of a player, better, of an honest artist, is to play in service of revealing the treasures hidden in the works of the composers we love. I think only few are really capable of that: Pletnev, Sokolov, Hamelin, Hough do it best, between the living ones. Of course we can appreciate a particular interpretation even played by a "unknown" not famous player everywhere in the world, but the named's "average" way of read the works is greatly revealing. In particular, speaking about this all-Rachmaninov recital by Pletnev, I think his choice to take a distance from the showing-off way we too often listen in concert halls, to put our attention strictly into the textures and architecture of the works as they were "chamber music", in a sort of chopinian sense of composing, even in the large scale first sonata (that I love much more than the 2nd), put new light non only to thye pieces he choose to play, but to the way we could play Rachmaninov in general terms. And if we add to this Pletnev's unique, magistral care of the minimal nuances of sound in every bar... the result is a magical experience, I was in a state of trance, as I was expecting to be. No more the same music lover, the same Rachmaninov connoisseur I was before. As I am used to say, such giants of music playing, beside one can like or not, could be "judged" not by good-evil category, their playing, their way of rethinking the works is not beautiful or not beautiful, it is necessary. Hope I could explain... All the best to you. Fabio
After some listening, you'll add CYPRIEN KATSARIS to your list of 'treasure hunters.'
Barcarolle!!!!
Fantastic!
Absolutely ! And no pedal in the right hand (first few bars) makes you think about "The Isle of Dead" he will write several more years....