Thank you ADGO for this awesome concert with Mikhail Pletnev’s GENIUS at the keyboard. I am enjoying this magical concert on March 1 2023, supposedly,Chopin’s birthday (1840) according to a classical radio announcer in 🇨🇦. Maestro Pletnev is obviously celebrating Chopin too!
«Для детей нужно писать так же хорошо,как и для взрослых,но ещё лучше». Для друзей нужно исполнять так же хорошо,как и для остальных слушателей,но все’равно,как-то по- особенному.И это- чувствуется. Я люблю эту запись, поэтому -и переслушиваю ,и благодарю. 23.04.2024.
Какая глубина и сосредоточенность в его исполнении. И ты вслушиваешься в каждый произнесённый звук, чтобы пропустить его через свою душу. 11.11.2020. Спасибо,Вам.
I can't help but wonder if people would agree that if Chopin would be alive today he would also believe that this is one of the best - if not THE best - performers of his music.
A highly original pianist! I've never heard the Chopin Fantasie played in this extremely personal and wild way. It might not be "Urtext" playing, but it's utterly compelling. Mikhail Pletnev recreates the Fantasie in an unforgettably original manner--truly an extraordinary musician!
Forgive me for not knowing Russian. I've played the piano as an "ungifted amateur" for 50 years, but, yes, I can't claim to be "close to any performing tradition" beyond the many piano recitals I have attended over the years and many recordings I have listened to. I did get to hear Horowitz, Richter, and Gilels live, and for that I'm very grateful. Particularly for having gotten to hear Horowitz in Chicago. Even though it was a bad time for Horowitz, during his so-called "medicated period," and he had memory lapses, it was still the most incredible piano sound I have ever heard in a live recital. As for this performance by Mikhail Pletnev of the Chopin Fantasie, it does strike me as a highly original interpretation of this great work. It is "wayward" and almost feels improvised, something I've never heard in other performances of the Fantasie. It is a fascinating performance for me! For a more conservative but equally compelling in a different way, I recommend Youri Egorov's Carnegie Hall recital performance of the Fantasie. That's also a marvelous performance. Cheers! @@ЕленаВергей-ы6д
@@Radiatoron88Yours are very interesting (and well-argumented, in my view) comments. May I ask you what do you think of Horowitz' sound in comparison to Pletnev's? Have you ever heard Pletnev live? I had the chance yesterday to attend a recital and thought: this has to be how Horowitz and Cherkassky sounded live back in the day (at least in part). Though there certainly are differences, for instance Horowitz was often vulgar in certain choices and always wanted to 'spell-bind' his audience, while Pletnev does not have such attitude (or at least the Pletnev I heard yesterday did not). Curious to hear what you think about this. Thanks!
I have never had a chance to hear Pletnev live, unfortunately. I have only heard him in a few recordings. I really love his performance of Grieg's "Carnival Scene." You can watch it by clicking on this link: th-cam.com/video/ATVjNW7upCY/w-d-xo.html I suppose Pletnev is a more "intellectual" pianist than Horowitz was, for better and/or for worse. With both pianists, I find that I really love much of what they do but don't care for some of their interpretations. But that's true of any two pianists. I'm not sure that "spellbinding" an audience is always a bad thing. I am just an ungifted amateur pianist myself, and am no doubt very far from having great intellectual insight into music and musicians. But I must admit that Horowitz's recordings have left their mark on me more than any other pianist I can think of. Actually, although the virtuosic Horowitz can certainly be spellbinding (in good ways, I think) as in his live recording of the Liszt "Scherzo and March," it's very often the depth and warmth of his tone that most affects me. For example, in his recording of the Schumann "Blumenstuck," "Humoreske," or the Op. 2 no. 1 Etude in C-sharp minor by Scriabin. There's a kind of "3D vividness" about his sound projection in that Scriabin Etude that is incredible. Not to mention the full-blooded passion that he brings to his interpretation. Clearly, I "imprinted" on Horowitz a long time ago, and he still has that mesmerizing effect on me--which I'm very grateful for! Horowitz's sound so often was orchestral in a way that it was like he wasn't "just playing a piano," and that's something that has always really appealed to me. I can only honestly say that I have never heard another pianist in recital who had the kind of large scale orchestral, "multi-timbral" sound that Horowitz projected. You can still hear that sound even in "just" recordings. Of course, he could also be an immaculately pristine player as well--as in for instance his recording of Scarlatti Sonatas. But I most love his passionate interpretations of Romantic repertoire. I love his later recordings of the Liszt Sonata. They are not "technically perfect," but they really grab my heart! Regarding what you refer to as the vulgarity in some of Horowitz's choices, although I sometimes feel that he overpowers some music, on the whole I'm moved by the passion that he delivers. His "not playing it safe" is something that I deeply respect and am grateful for. He once said in an interview that in order to perform music, he had to "have both the angelic and the demonic within himself" in order to do justice to the music. If not literally, then be able to identify with the angelic and the demonic in order to bring music to life. Horowitz is famous for having said something like "The music is beyond the notes." Meaning the spirit of the music. Wanda Horowitz said that Horowitz was the first pianist she ever heard who didn't bore her. One last quote from Horowitz: "A concert is not a lecture." I love that in some of Pletnev's playing, we hear that he is not at all afraid to "leave his stamp" on the music. As a listener, I want to hear what a given interpreter feels in their interpretation. That is, I'm not interested in "urtext" performances in which the performer's own spirit doesn't come through as well in the performances. Although I might not always like a given performer's choices, I'm glad to hear--and want to hear--what they want to "highlight" in their music making. I have now blathered on too along--again! Wishing you all the best and continuing love of music!
Pletnev es un pianista que pareciera haber nacido en otro planeta. Su cerebro tiene unos alcances insospechados. Sus interpretaciones de Chopin son atrevidas, pero maravillosas, únicas.
One of my all time favourite is the Polonaise Fantasie op. 61, he played at 44:17. Richter and Rubinstein played it more convincing, but Pletnev, even with his strange tempi and change of rythm, everthings sounds interesting with such a golden tone (only reminding on Gilels). Great artist.
A cosmically huge account and interpretation of a bonafide colossus. He makes it sound like a symphonic fantasy for piano! It is like I heard for the first time. Pletnev makes this masterpiece uniquely his and ours. PWG
Beautiful recording. Pletnev’s Chopin recordings have made me love Chopin again. A lot of his playing (with Rachmaninov as well) is as if I’m hearing the piece for the first time, that makes him to me so outstanding.
La Fantasia è di una bellezza straordinaria!....tutto scorre con la più sublime meraviglia sonora, tal che lo stesso Pletnev è in piena estasi Chopeniana , conducendo lo Stumento a tali variazioni timbriche , ritmiche e tonali da renderlo Orchestra a pieno titolo. Qui il Maestro non suona ma conduce! Cascata di emozioni in Pletnev , maturità e vanto della grande Scuola Russa..... Marco Rotondi
Pletnev is one of the few imaginative pianists around today. He has great respect for Chopin's writings as exhibited in this recital. His tone is luminous and his phrasing is original but within the bounds set by The Poet of the Piano. Niktok.
Anyone who has ever seen a page of Chpin knows this aint ever been Chopin's style nor one condoned by any of the schools of piano on any continent . Itis what jazz rtists do to standards .rthought.its wonderful. Chopin for our times !
This is Pletnev!! I want this CD. This recording has much more Pletnev style than his recording I have. Anyway, I’m really happy to watch this video. His expression is concentrated to this recording, and this is what I really wanted to listen.
My husband Vincent and I attended performances of part opera and part ballet performances thus the fluttering technique, Bel canto, alternating hands captivating.
What a pity ,very sad that all this big pianists did not take a lessons from all of you you tube Godlike perfekt musicians to learn how to play piano and interpret compositions.
Grande Scuola Russa al suo apice formale armonico e strumentale. Pletnev oggi Caposcuola di tanta forma e sostanza. Hai lasciato un segno indelebile nel Concertismo mondiale. Continuo divenire nel canone della piu' profonda Tradizione Romantica. Bravo Maestro consegna il Tuo Scettro ai tantissimi Allievi che Madre Russia continua incessante a generare! Marco Rotondi
2006 г.-- 2018г.-- 2021 год. Здравствуйте, Мишенька== Михаил Васильевич !!! Как интересно СЛУШАТЬ "Фантазию" f-minor (op. 49) в разном исполнении= в интерпретациях !!! Огромное СПАСИБО за ИСПОЛНЕНИЕ РОДНОГО для Меня произведения = "Фантазии" Ф.Шопена из Моего репертуара (в прошлом) !!! Удивительно и любопытно, Сегодня=05 Мая 2021года, Я имела счастливую возможность ПОСЛУШАТЬ и ПОСМОТРЕТЬ ИСПОЛНЕНИЕ "Фантазии" ДВАЖДЫ ( 1). Якуб (?)-- из Желязовой Воли, 2). и в Вашем исполнении, Михаил !!!). Как ИНТЕРЕСНО СЛУШАТЬ "Фантазию" f-minor в исполнении разных пианистов !!! С одного прослушивания НЕлегко ГЛУБОКО понять Душу, Сердце самого исполнителя и композитора !!! Вячеслав Львович Соболевский проводил ОТКРЫТОЕ занятие со Своей Ученицей -- Ирочкой, работа над ИСПОЛНЕНИЕМ "Баллады номер 1" , фрагментами = частями , НЕ целиком; было интересно наблюдать за ПРОЦЕССОМ "вживания" в муз.--ные образы !!! Потрясающее ИСПОЛНЕНИЕ у Вас, Михаил !!! СПАСИБО Вам за этот ПОДАРОК для Меня !!! У Вячеслава Львовича был ЮБИЛЕЙНЫЙ КОНЦЕРТ (в ЧЕСТЬ Его 60 --летия) из произведений Фредерика Шопена !!! Незабываемо ! До встречи !
Improvisation in earthy organic epicurean foods and wine terriors this one can be captivated with piano prodigy and violin virtuoso polyphonic mastery techniques.
Body is comprised of 90 percent water thus sea algae vitamin Spirulina and Chlorophyl Alkaline diet of Green vegetables. Your acumen and playing exquisite.
Garner music knowledge from being radio Devotee different genres of music love classical music akin to the Castiglione Faletto King of Barolos distinctive wine appellations.
Pletnev is different . He must have conviction to be at the top and yet do these strange unchopinish things. Still , it is a fascinating mind meeting Choin like Gould meeting bach cuz what Gould does to Bach ain't marzel tov either ut most of us love it. I wonder if crazy Landowska ever heard him .I know she heard Tureck and she might have been the one she saiid youplay himyour way and i himplay him his way . The woman's solo Mozart is really the most unthinking piano playing besides my own Ive ever heard . Second hearing of Pletnev's Fantasie amazes may be as idiosyncratic as Hofmann or so many of his generatio. If Chopin didn't like Beethoven he would have hated these sfzorzandi and impossible , frightenig Sectralist schol of bases . After the concert the basses were still giving off pussyheat and harmonics . Pletnev will one day be lauded applauded for his affair in Tobago,Philliines,Thailand or wherevr dee hell it was .His recordings from the teen are exciting as Horowitz almost . I would love to kow what other pianits kknowledgable about past and present Chpinplaying think about this revelatory stuff. It aint Chinbut it's riveting music . Then again this is done in jazz and IS JAZZ ETHIC as brought to he fore in Pogorelich's playing .Its about time too!
Мартин, Вы утверждаете, что в этом исполнении проявляется этика джаза? Ну, каждый понимает в меру своего опыта! ( у нас говорят : в меру своей испорченности - юмор)) Я слышу определённо этос русской школы, в которой смысл, подтекст, диалог с автором диктуют форму выражения. И Вы преувеличиваете, говоря о ЭТИКЕ джаза, там господствует эстетика, эстетика чувствования.
To God's command, O Muse, obedient be, offense not dreading, and no wreath demanding; accept indifferently praise and slander, and do not contradict a fool. A.Pushkin (trans. by V.Nabokov)
Я в шоке,честно говоря, т .к. слушаюяЗто впервые.ЭТО, конечно, не Шопен, но поскольку выходит из под рук Плетнева,завораживает красотой звучания и процессом реинкарнации .Пусть будет -- у нас нет другого ПЛЕТНЕВА !!!!
Ladies and Gentleman , Please ! Some of you just do not even deserve to listen Pletnev! May I recomend to you something ? please listen Chopin from Richter, or Pollini or Michelangeli or some chinese pianist like Wuya Wang (or something like this) Theirs Chopin interpretation is possibly much more close to your imagination and musical taste and fantasy. PS They do not have even a wrong key, !
I love Pletnev but not in Chopin... I hated this Fantasy and forget about the Polonaise Fantasy and f minor nocture... :) and remember, "de gustibus no est disputandum."
Whether you LIKE it or not is of no moment, The point is that his playing is absolutely SPELLBINDING. It is impossible to be INDIFFERENT to it, and that alone make it marvelous. I couldn't help but note his interpretations of the works I studied and performed, myself, struck me at first as bizarre, distorted, and borderline unacceptable, -- probably because it never occurred to me -- or any of the great teachers wth whom I worked -- that anything like that was even faintly possible. (!) HOWEVER, the mazurkas, and the first nocturne he performed transcended the limits of mere piano playing and transported me, as if by magic, to a realm of wonder, beauty, and prayerful contemplation I never dreamed existed. Would I play the Fantasy, the G-Minor Ballade and the F-Minor Nocturne as he did? No! Of course not, -- even if I could --, but that doesn't stop me from being grateful that PLETNEV did.
Великолепно! Браво!!!!! Гениальное исполнение Шопена! А вот режиссёрам звукозаписи - позор! Тупо убавлять громкость звука и тембры на громких местах,а прибавлять на тихих - это отвратительно! Очень мешает при прослушивании. Без ушей что-ли совсем?!
Idiotic nocturne op 27 - rediscovering Chopin à la Liszt. Chopin would hate it as I do... lacking a lot of charme when sprinting through for thé sole purpose of showing his technique - just disgusting at time
Mr. Pletnev brings original ideas and new possibilities to the interpretations of these great works of Chopin. And they are convincing!
Thank you ADGO for this awesome concert with Mikhail Pletnev’s GENIUS at the keyboard. I am enjoying this magical concert on March 1 2023, supposedly,Chopin’s birthday (1840) according to a classical radio announcer in 🇨🇦. Maestro Pletnev is obviously celebrating Chopin too!
«Для детей нужно писать так же хорошо,как и для
взрослых,но ещё лучше».
Для друзей нужно
исполнять так же хорошо,как и для
остальных слушателей,но все’равно,как-то по-
особенному.И это-
чувствуется.
Я люблю эту запись,
поэтому -и переслушиваю ,и благодарю.
23.04.2024.
Можно да нельзя сыграть лучше.Послушаешь и хочется жить несмотря ниначто .
Ballade 1 always brings tears to my eyes. That ecstasy in the midsection. I haven't heard to played quite like this. Wow.
Mikhail Pletnev is the master of silence and whisper.
Какая глубина и сосредоточенность в его
исполнении.
И ты вслушиваешься в
каждый произнесённый
звук, чтобы пропустить
его через свою душу.
11.11.2020.
Спасибо,Вам.
No doubt, one of the best musicians in the classical music world. His Chopin interpretations are Gold. Bravo Maestro Pletnev!!!
Greatest living pianist
I can't help but wonder if people would agree that if Chopin would be alive today he would also believe that this is one of the best - if not THE best - performers of his music.
A highly original pianist! I've never heard the Chopin Fantasie played in this extremely personal and wild way. It might not be "Urtext" playing, but it's utterly compelling. Mikhail Pletnev recreates the Fantasie in an unforgettably original manner--truly an extraordinary musician!
Оригинально и дико?! Вы, очевидно, далеки от исполнительских традиций. Кроме того, Вы говорите о Михаиле Плетневе!
Forgive me for not knowing Russian. I've played the piano as an "ungifted amateur" for 50 years, but, yes, I can't claim to be "close to any performing tradition" beyond the many piano recitals I have attended over the years and many recordings I have listened to. I did get to hear Horowitz, Richter, and Gilels live, and for that I'm very grateful. Particularly for having gotten to hear Horowitz in Chicago. Even though it was a bad time for Horowitz, during his so-called "medicated period," and he had memory lapses, it was still the most incredible piano sound I have ever heard in a live recital. As for this performance by Mikhail Pletnev of the Chopin Fantasie, it does strike me as a highly original interpretation of this great work. It is "wayward" and almost feels improvised, something I've never heard in other performances of the Fantasie. It is a fascinating performance for me! For a more conservative but equally compelling in a different way, I recommend Youri Egorov's Carnegie Hall recital performance of the Fantasie. That's also a marvelous performance. Cheers! @@ЕленаВергей-ы6д
@@Radiatoron88Yours are very interesting (and well-argumented, in my view) comments. May I ask you what do you think of Horowitz' sound in comparison to Pletnev's? Have you ever heard Pletnev live? I had the chance yesterday to attend a recital and thought: this has to be how Horowitz and Cherkassky sounded live back in the day (at least in part). Though there certainly are differences, for instance Horowitz was often vulgar in certain choices and always wanted to 'spell-bind' his audience, while Pletnev does not have such attitude (or at least the Pletnev I heard yesterday did not). Curious to hear what you think about this. Thanks!
@@Radiatoron88If I may add a compelling Fantasia to your list: the studio recording of Ivan Moravec.
I have never had a chance to hear Pletnev live, unfortunately. I have only heard him in a few recordings. I really love his performance of Grieg's "Carnival Scene." You can watch it by clicking on this link: th-cam.com/video/ATVjNW7upCY/w-d-xo.html
I suppose Pletnev is a more "intellectual" pianist than Horowitz was, for better and/or for worse. With both pianists, I find that I really love much of what they do but don't care for some of their interpretations. But that's true of any two pianists.
I'm not sure that "spellbinding" an audience is always a bad thing. I am just an ungifted amateur pianist myself, and am no doubt very far from having great intellectual insight into music and musicians. But I must admit that Horowitz's recordings have left their mark on me more than any other pianist I can think of. Actually, although the virtuosic Horowitz can certainly be spellbinding (in good ways, I think) as in his live recording of the Liszt "Scherzo and March," it's very often the depth and warmth of his tone that most affects me. For example, in his recording of the Schumann "Blumenstuck," "Humoreske," or the Op. 2 no. 1 Etude in C-sharp minor by Scriabin. There's a kind of "3D vividness" about his sound projection in that Scriabin Etude that is incredible. Not to mention the full-blooded passion that he brings to his interpretation. Clearly, I "imprinted" on Horowitz a long time ago, and he still has that mesmerizing effect on me--which I'm very grateful for! Horowitz's sound so often
was orchestral in a way that it was like he wasn't "just playing a piano," and that's something that has always really appealed to me. I can only honestly say that I have never heard another pianist in recital who had the kind of large scale orchestral, "multi-timbral" sound that Horowitz projected. You can still hear that sound even in "just" recordings. Of course, he could also be an immaculately pristine player as well--as in for instance his recording of Scarlatti Sonatas. But I most love his passionate interpretations of Romantic repertoire. I love his later recordings of the Liszt Sonata. They are not "technically perfect," but they really grab my heart!
Regarding what you refer to as the vulgarity in some of Horowitz's choices, although I sometimes feel that he overpowers some music, on the whole I'm moved by the passion that he delivers. His "not playing it safe" is something that I deeply respect and am grateful for. He once said in an interview that in order to perform music, he had to "have both the angelic and the demonic within himself" in order to do justice to the music. If not literally, then be able to identify with the angelic and the demonic in order to bring music to life. Horowitz is famous for having said something like "The music is beyond the notes." Meaning the spirit of the music. Wanda Horowitz said that Horowitz was the first pianist she ever heard who didn't bore her. One last quote from Horowitz: "A concert is not a lecture."
I love that in some of Pletnev's playing, we hear that he is not at all afraid to "leave his stamp" on the music. As a listener, I want to hear what a given interpreter feels in their interpretation. That is, I'm not interested in "urtext" performances in which the performer's own spirit doesn't come through as well in the performances. Although I might not always like a given performer's choices, I'm glad to hear--and want to hear--what they want to "highlight" in their music making.
I have now blathered on too along--again! Wishing you all the best and continuing love of music!
I love his embellishments, especially in the Op 9 No. 2 nocturne, just gorgeous and mind-blowingly good tone.
Все что невыразишь словами говорит музыка .
Слушайте Мишу и выздоравливайте.
Pletnev es un pianista que pareciera haber nacido en otro planeta. Su cerebro tiene unos alcances insospechados. Sus interpretaciones de Chopin son atrevidas, pero maravillosas, únicas.
One of my all time favourite is the Polonaise Fantasie op. 61, he played at 44:17. Richter and Rubinstein played it more convincing, but Pletnev, even with his strange tempi and change of rythm, everthings sounds interesting with such a golden tone (only reminding on Gilels). Great artist.
Przepiękne wykonania! Bravissimo!
A cosmically huge account and interpretation of a bonafide colossus. He makes it sound like a symphonic fantasy for piano! It is like I heard for the first time. Pletnev makes this masterpiece uniquely his and ours. PWG
Благодарю!великолепно!столько Жизни....!
Прекрасное исполнение, гениальное, гениальная музыка, радость и грусть, да, сама жизнь, Вы правы.
Chaman.
Maestro Pletnev is a chaman of Music.
Beautiful recording. Pletnev’s Chopin recordings have made me love Chopin again. A lot of his playing (with Rachmaninov as well) is as if I’m hearing the piece for the first time, that makes him to me so outstanding.
What a magical recital! He’s a genius!
La Fantasia è di una bellezza straordinaria!....tutto scorre con la più sublime meraviglia sonora, tal che lo stesso Pletnev è in piena estasi Chopeniana , conducendo lo Stumento a tali variazioni timbriche , ritmiche e tonali da renderlo Orchestra a pieno titolo.
Qui il Maestro non suona ma conduce!
Cascata di emozioni in Pletnev , maturità e vanto della grande Scuola Russa.....
Marco Rotondi
This concert is amazing!
I have never heard the Fantasie played so beautifully.
Pletnev’s interpretations are so beautiful.
Superbly played
Interesting variation on 1:25:16!
Чудо. Лучшее исполнение фантазии. Форма "зримая"
Педагог! Это называется: не играет, а показывает.
Очень хорошо подмечено, именно зримая. Спасибо.
Merci à vous ADGO, vous renseignez les noms des oeuvres jouées au bas de l'écran, c'est très appréciable et rare. Merci.!
Pletnev is one of the few imaginative pianists around today. He has great respect for Chopin's writings as exhibited in this recital. His tone is luminous and his phrasing is original but within the bounds set by The Poet of the Piano. Niktok.
Anyone who has ever seen a page of Chpin knows this aint ever been Chopin's style nor one condoned by any of the schools of piano on any continent . Itis what jazz rtists do to standards .rthought.its wonderful. Chopin for our times !
It's beautiful.
A very acute rendering of the flavor of Chopin's music. IT asks for a daily dialog with this music.
Pletnev es un Gran Artista. Gracias.
Beyond imagination!
Excellent. Thank you.
Преклоняюсь перед гением Шопена и М . Плетнева .
This is Pletnev!! I want this CD. This recording has much more Pletnev style than his recording I have.
Anyway, I’m really happy to watch this video. His expression is concentrated to this recording, and this is what I really wanted to listen.
stunning performances with superb sound.
Wonderful, thanks so much ADCO!
This fantasy brought totally to life!
❤спасибо! Браво!
Потрясающе! Восскресил Шопена
Увековечил великого ПЛЕТНЁВА!
My husband Vincent and I attended performances of part opera and part ballet performances thus the fluttering technique, Bel canto, alternating hands captivating.
Как чудесно: спасибо!
Sublime récital , Maravilhoso.
Sublime!
Thank you ADGO, you made my Friday night!
It's not easy to just listen to chopin's masterpiece, thank you very much.It was a study for me.
Спасибо 🙏
Thanks👏🌸😍
This is great! Also different from his playings of Fantasy and I love this performance.Thank you very much for uploading.
What a pity ,very sad that all this big pianists did not take a lessons from all of you you tube Godlike perfekt musicians to learn how to play piano and interpret compositions.
most of these 'perfect musicians' could not tell a piano from a vacuum cleaner!
-- Sublime récital de M.Pletnev dédié à Chopin. --
AMAZING!! CHOPIN ALIVE!! Rachmaninoff-size TALENT!
Haha that coughing at 2:22... Perfect timing
Спасибо, очень красивая музыка.
Ooohhh, breathtaking wonder...
Such profound interacting between feminine and masculine...
Good Lord
Grande Scuola Russa al suo apice formale armonico e strumentale.
Pletnev oggi Caposcuola di tanta forma e sostanza.
Hai lasciato un segno indelebile nel Concertismo mondiale.
Continuo divenire nel canone della piu' profonda Tradizione Romantica.
Bravo Maestro consegna il Tuo Scettro ai tantissimi Allievi che Madre Russia continua incessante a generare!
Marco Rotondi
2006 г.-- 2018г.-- 2021 год. Здравствуйте, Мишенька== Михаил Васильевич !!! Как интересно СЛУШАТЬ "Фантазию" f-minor (op. 49) в разном исполнении= в интерпретациях !!! Огромное СПАСИБО за ИСПОЛНЕНИЕ РОДНОГО для Меня произведения = "Фантазии" Ф.Шопена из Моего репертуара (в прошлом) !!! Удивительно и любопытно, Сегодня=05 Мая 2021года, Я имела счастливую возможность ПОСЛУШАТЬ и ПОСМОТРЕТЬ ИСПОЛНЕНИЕ "Фантазии" ДВАЖДЫ ( 1). Якуб (?)-- из Желязовой Воли, 2). и в Вашем исполнении, Михаил !!!). Как ИНТЕРЕСНО СЛУШАТЬ "Фантазию" f-minor в исполнении разных пианистов !!! С одного прослушивания НЕлегко ГЛУБОКО понять Душу, Сердце самого исполнителя и композитора !!! Вячеслав Львович Соболевский проводил ОТКРЫТОЕ занятие со Своей Ученицей -- Ирочкой, работа над ИСПОЛНЕНИЕМ "Баллады номер 1" , фрагментами = частями , НЕ целиком; было интересно наблюдать за ПРОЦЕССОМ "вживания" в муз.--ные образы !!! Потрясающее ИСПОЛНЕНИЕ у Вас, Михаил !!! СПАСИБО Вам за этот ПОДАРОК для Меня !!! У Вячеслава Львовича был ЮБИЛЕЙНЫЙ КОНЦЕРТ (в ЧЕСТЬ Его 60 --летия) из произведений Фредерика Шопена !!! Незабываемо ! До встречи !
Self growth and voracious reader and art aficinado thus enjoy the earthy organic and dramatic composers and their repertoire.
Thank you so much I thought I had mastered this piece , but not o fast just beautiful
🥰❤
I think some extra notes were added to ballade, but I like it, sounds so fresh!!) Amazing
A Chopin Recital to end all Recitals
Improvisation in earthy organic epicurean foods and wine terriors this one can be captivated with piano prodigy and violin virtuoso polyphonic mastery techniques.
thanks！
Body is comprised of 90 percent water thus sea algae vitamin Spirulina and Chlorophyl Alkaline diet of Green vegetables. Your acumen and playing exquisite.
Yeayee!!!👏💐💐💐
🌹🌹🌹🌹🌹🌹🌹🌹🌹💖
👍👍👍
Brilliant. I would be very thankful if someone would list the pieces played here.
Click on "show more" below the video
Mikex0123
Thank you. Appreciate the tip !
Огромное спасибр! А нет ли Крейслерианы Шумана того же года, тоже из Москвы?
when he was pretty young
Garner music knowledge from being radio Devotee different genres of music love classical music akin to the Castiglione Faletto King of Barolos distinctive wine appellations.
Original as Gould, and wears a scarf too
he know how to play a blüthner
Pletnev is different . He must have conviction to be at the top and yet do these strange unchopinish things. Still , it is a fascinating mind meeting Choin like Gould meeting bach cuz what Gould does to Bach ain't marzel tov either ut most of us love it. I wonder if crazy Landowska ever heard him .I know she heard Tureck and she might have been the one she saiid youplay himyour way and i himplay him his way . The woman's solo Mozart is really the most unthinking piano playing besides my own Ive ever heard . Second hearing of Pletnev's Fantasie amazes may be as idiosyncratic as Hofmann or so many of his generatio. If Chopin didn't like Beethoven he would have hated these sfzorzandi and impossible , frightenig Sectralist schol of bases . After the concert the basses were still giving off pussyheat and harmonics . Pletnev will one day be lauded applauded for his affair in Tobago,Philliines,Thailand or wherevr dee hell it was .His recordings from the teen are exciting as Horowitz almost . I would love to kow what other pianits kknowledgable about past and present Chpinplaying think about this revelatory stuff. It aint Chinbut it's riveting music . Then again this is done in jazz and IS JAZZ ETHIC as brought to he fore in Pogorelich's playing .Its about time too!
Мартин, Вы утверждаете, что в этом исполнении проявляется этика джаза? Ну, каждый понимает в меру своего опыта! ( у нас говорят : в меру своей испорченности - юмор)) Я слышу определённо этос русской школы, в которой смысл, подтекст, диалог с автором диктуют форму выражения. И Вы преувеличиваете, говоря о ЭТИКЕ джаза, там господствует эстетика, эстетика чувствования.
I'd like to know the source of the recording.
Pletnev-Horowitz
Du grand Chopin
Dove si è tenuto il concerto?
Any other recordings with playing a Bluthner?
All Beethoven's concertos with Russian National Orchestra.
😱
To God's command, O Muse, obedient be,
offense not dreading, and no wreath demanding;
accept indifferently praise and slander,
and do not contradict a fool.
A.Pushkin (trans. by V.Nabokov)
15:14
42:25
1:19:20
Я в шоке,честно говоря, т .к. слушаюяЗто впервые.ЭТО, конечно, не Шопен, но поскольку выходит из под рук Плетнева,завораживает красотой звучания и процессом реинкарнации .Пусть будет -- у нас нет другого ПЛЕТНЕВА !!!!
Where can I buy this CD?
It's not released as a CD, it was a broadcast.
@@ADGO Где проходил этот концерт? Я не думаю, что Плетнёв смог бы повторить именно это состояние, оно бывает не на каждом выступлении.
Ladies and Gentleman , Please ! Some of you just do not even deserve to listen Pletnev!
May I recomend to you something ? please listen Chopin from Richter, or Pollini or Michelangeli or some chinese pianist like Wuya Wang (or something like this) Theirs Chopin interpretation is possibly much more close to your imagination and musical taste and fantasy. PS They do not have even a wrong key, !
I love Pletnev but not in Chopin... I hated this Fantasy and forget about the Polonaise Fantasy and f minor nocture... :) and remember, "de gustibus no est disputandum."
Whether you LIKE it or not is of no moment, The point is that his playing is absolutely SPELLBINDING. It is impossible to be INDIFFERENT to it, and that alone make it marvelous. I couldn't help but note his interpretations of the works I studied and performed, myself, struck me at first as bizarre, distorted, and borderline unacceptable, -- probably because it never occurred to me -- or any of the great teachers wth whom I worked -- that anything like that was even faintly possible. (!) HOWEVER, the mazurkas, and the first nocturne he performed transcended the limits of mere piano playing and transported me, as if by magic, to a realm of wonder, beauty, and prayerful contemplation I never dreamed existed. Would I play the Fantasy, the G-Minor Ballade and the F-Minor Nocturne as he did? No! Of course not, -- even if I could --, but that doesn't stop me from being grateful that PLETNEV did.
I agree
@@hyramesshiramess1035 according to you... the opus 61 is eccentric
Акакий Акакиевич,дорвавшийся до своего каллиграфического рая..
..его здесь нет и весь далече..
Великолепно! Браво!!!!! Гениальное исполнение Шопена! А вот режиссёрам звукозаписи - позор! Тупо убавлять громкость звука и тембры на громких местах,а прибавлять на тихих - это отвратительно! Очень мешает при прослушивании. Без ушей что-ли совсем?!
The most " interesting one " was nocturn op 55 no 1.Good that Chopin didn't listen. 👎👎👎😂😂😂
Idiotic nocturne op 27 - rediscovering Chopin à la Liszt. Chopin would hate it as I do... lacking a lot of charme when sprinting through for thé sole purpose of showing his technique - just disgusting at time
There is always one IDIOT among musicians!
Mannered and histrionic
Agree!
At least not boring. Unlike Richter's interpretation