Tutta la tecnica tradizionale italiana è qui riassunta. Un riferimento da tenere, perché nessun insegnante al giorno d'oggi ve lo insegnerà, anche il più pretenzioso! Sì, è quello che ho imparato e che sto cercando di trasmettere come promesso al mio Maestro il giorno prima della sua morte la vigilia di Natale 1959 Pensateci bene! Grazie, grazie.
Wow!! I am speechless... where can one find more beauty of tone and such a fine interpretation? There is not a single one singer now a day as wonderful as Pertile.
If not the most beautiful voice, certainly one of the most exciting. He was also a great actor so they say. He had a real ringing top voice, I love his complete recording of Trovatore with Granforte.
I quite agree with you. Add to this Pertile's exquisite sensitivity and feel for the music, he was a remarkable interpreter. These recordings show his traits to their fullest. This is what singing is all about.
Yeah, he is the greatest. The voice is always upfront and relaxed even in hard parts, so there is the impression that he could give even more, effortlessly... The passagio does not exist here, except for teaching purposes :-)
grazie per questa romanza, Pertile è il mio preferito, la tecnica vocale fatta persona, ascoltarlo ti porta a capire che ai giorni nostri non esiste nessuno con quella qualità, e ci resta solo l'ascoltare i vecchi vinili. Ma a me basta.
Ci sono stati dei tenori più ammalianti dal punto di vista fonetico ma la tecnica di Pertile era davvero perfetta e le sue interpretazioni sono ancora di riferimento davvero grandissimo!
He could be less known among young people in the United States today, because he returned to Italy after staying at the Met for only one season. He was such a marvelous singer.
+ywn3 I am not young, and have followed opera and tenors for many years and he is less well known to me. You mention one reason-he was not a Met singer, and had very little exposure in the US. I was just reading a letter of Gatti Casazza when he wrote Pertile and id not renew his contract even though he had a great reception here-though he doesn't come out and say it he had martinelli, Gigli, and Lauri-Volpi at that time. Another reason is that Pertile was a great theatrical tenor,actor and performer, and that doesn't always come through the same way on recordings. Also his great strengths with language is less effective with non-Italians, and in the US sheer beauty of voice was the thing
¡¡¡Absolutamente Maravilloso!!! ¡¡¡Escuchen, Aprendan jóvenes tenores, de éste "Dios del Olimpo Operístico", de todos los tiempos!!! ¡ Gracias *Maxlorenz24*, por compartir ésta joya!
The greatest tenor ever, giving a singing, and interpretation lesson. Of all the Pertile recordings, this one (Rodolfo) is truly representative of his great art. The constant cascade of overtone, from ppp to fff, is strong enough to warm a small city! Intensity, BEAUTY, interpretation; It's all there! Bravo!! I'll take his intensity over ANY "beauty" any day! What is opera, after all? IMHO....
Solo hace 12 anos que escuche por vez primera a este inmenso tenor y me cautivo su voz la cual a mi humilde opinion es mucho mas pura y mas hermoso vibrato que Bjorling y Caruso
Completo Artista Ampliamente Teatral* desde su Gran Expresividad y es también un claro ejemplo de la forma de canto de pricipios del siglo veinte ! Mil gracias!!! Caro -teachertenor- por compartir éste recuerdo con nosotros y Mil Gracias!!! -maxlorenz24- por esta Joya del pasado!!!
Salve, ascoltare il maestro Aureliano, è più utile di qualsiasi lezione a pagamento di questi pseudo maestrucoli dei nostri giorni. Felice di costatare che ancora c'è chi si intende di vere voci. saluti Guido
Inutile prendersela con gli"attuali maestrucoli!.E' troppo difficile cantare come fa Pertile ! O si è veri artisti oppure buoni cantanti(e sarebbe già tanto !)
Gracias amigo Eduardo por el envio,gracias por compartir estos momentos de autentica felicidad escuchando la maravillosa voz de Aureliano Pertile.Gracias también a maxlorenz24 por su gentileza al subir estas autenticas maravillas. Buen fin de semana a los dos.
I never could warm up to his timbre, but he had a great singing technique, and you'd be crazy to deny that. He also remains true to the score and the composer's intentions.
I'm amazed at this voice....the first time I've heard it and only as a consequence of seeking it out after finished reading "The Tenors: a History of the Voice" by John Potter. How could this voice have been so "unknown" to me who has tracked the tenor voice for 40 years. I don't much like the "histrionics" that pass for acting...I don't like them in any recording...but the voice, the timber the "squillo" and the dynamics....Wow.
Amigo, no trato de filosofar, solo intento verter una opinión, quise decir que el gran artista es vehículo de la Obra, es el canal por donde pasa la maravillosa musica. Él es el aspecto visible del contenido espiritual. No se trata de comparar épocas pero, inevitablemente el artista de hoy opaca la transmisión, hay más de intelecto que de corazón. Por ello Verdi aconsejaba avanzar hacia atrás, que no quiere decir ir a lo viejo, sino a lo esencial. Espero haber aclarado y no osc. Lo saludo resp.
Signs? I was hoping for a marvellous video about 1920's contract signing, with the usual "and so forths" "henceforths" and "the undersigned'... but all it is a video of splendid singing.
@ilser73 Condivido assolutamente le tue saggie parole. Stavo per fare un commento, ma sarebbe stato praticamente uguale al tuo: Pertile, l'irrepetibile signore del canto! Irrepetibile, appunto perchè i MAESTRI di canto, tranne qualche rarissima eccezione, non esistono più! Ti saluto affettuosamente con l'emozione d'aver trovato in te un anima gemella in quel che riguarda l'dea in comune che abbiamo su come si deve cantare.
@Kievest You're welcome. I truly agree. I made the mistake years ago to comment about Pavarotti's version here in Utube, that I found it boring and flat...even to-day I receive burning aggressive comments of fans...it was nothing personal over P, I liked the big man, I only disliked his capacity as a complete artist...
tines mucha razon t t ere la epoca en que se disputaban los pendones de diamante , de esmeralda y de rubi en las grandes arenas del GLORIOSO BELCANTO .
Pertile is in a way "my grandad" as a teacher... I had lessons with Pier Miranda Ferraro arond 1991 0r 2.. Ferraro was also a "power man"... I put two videos of La vita e in ferno on youtube, as karifrid, the better from 2013, with added HIGH C in the rest... (I learned to sing HIGH C, in Italy..) I do not SOUND as Pertile or Ferraro, BUT I AM STRONG,AND USING MY BODY...(As I learned...) I Still can sing High D and deep D..... Long voice....Turiddu, IlTroavatore,Ricchardo,Cavaradossi,Radames and Edgardo as my best roles today.....
@oscarpintormerlano, mira quizás lleves parte de razón, no lo niego!, pero veo complicado que el arte en general responda finalmente a ese argumento, lo esencial es intemporal, está fuera del tiempo,...mi padre no me comprendia, yo a veces tampoco a mi hijo, etc...pero como decia Socrátes, los estudiantes del s.V a.C., también cruzaban las piernas en clase y contestaban a sus profesores y padres....igual, igual que hoy, la historia se repite...Saludos!
@oscarpintor1, Magnifico A. Pertile!!....pero, tu comentario pienso que es un topicazo por completo. Meterse a filosofar 'en caliente' después de escuchar esta espléndida aria cantada porbel maestro Pertile tiene sus riesgos de caer en el manido tópico de 'cualquier época anterior fue mejor',...cual fue mejor los años 20' o el tiempo de Verdi o 'más hacia atrás'? o....y acaso las 'pasiones síquicas' no es una 'expresión del espiritu' ni mayor ni menor?.....
Richesse du timbre,tempérament,finesse musicale,nous sommes comblés,merci!
Che voce straordinaria!!!!!
Tutta la tecnica tradizionale italiana è qui riassunta. Un riferimento da tenere, perché nessun insegnante al giorno d'oggi ve lo insegnerà, anche il più pretenzioso!
Sì, è quello che ho imparato e che sto cercando di trasmettere come promesso al mio Maestro il giorno prima della sua morte la vigilia di Natale 1959
Pensateci bene!
Grazie, grazie.
Maestro di forza, grazia, belcanto
Just forza
Wow!! I am speechless... where can one find more beauty of tone and such a fine interpretation? There is not a single one singer now a day as wonderful as Pertile.
If not the most beautiful voice, certainly one of the most exciting. He was also a great actor so they say. He had a real ringing top voice, I love his complete recording of Trovatore with Granforte.
I quite agree with you. Add to this Pertile's exquisite sensitivity and feel for the music, he was a remarkable interpreter. These recordings show his traits to their fullest. This is what singing is all about.
Yeah, he is the greatest.
The voice is always upfront and relaxed even in hard parts, so there is the impression that he could give even more, effortlessly...
The passagio does not exist here, except for teaching purposes :-)
grazie per questa romanza, Pertile è il mio preferito, la tecnica vocale fatta persona, ascoltarlo ti porta a capire che ai giorni nostri non esiste nessuno con quella qualità, e ci resta solo l'ascoltare i vecchi vinili. Ma a me basta.
QUE EMOCIÓN ESCUCHARLO... QUE VOZ MARAVILLOSA!! QUE ORGULLO LLEVAR EL MISMO APELLIDO... VOCES ASI FALTAN EN EL MUNDO DE AHORA...
Pertile displays a way of singing that many should follow.MOST BEAUTIFUL
bravissimo
Ci sono stati dei tenori più ammalianti dal punto di vista fonetico ma la tecnica di Pertile era davvero perfetta e le sue interpretazioni sono ancora di riferimento davvero grandissimo!
He could be less known among young people in the United States today, because he returned to Italy after staying at the Met for only one season. He was such a marvelous singer.
+ywn3
I am not young, and have followed opera and tenors for many years and he is less well known to me. You mention one reason-he was not a Met singer, and had very little exposure in the US. I was just reading a letter of Gatti Casazza when he wrote Pertile and id not renew his contract even though he had a great reception here-though he doesn't come out and say it he had martinelli, Gigli, and Lauri-Volpi at that time. Another reason is that Pertile was a great theatrical tenor,actor and performer, and that doesn't always come through the same way on recordings. Also his great strengths with language is less effective with non-Italians, and in the US sheer beauty of voice was the thing
Yes. All knows Caruso, but this man is not less, so crafted and finest.
¡¡¡Absolutamente Maravilloso!!!
¡¡¡Escuchen, Aprendan jóvenes tenores, de éste "Dios del Olimpo Operístico", de todos los tiempos!!!
¡ Gracias *Maxlorenz24*, por compartir ésta joya!
La migliore esecuzione di questo brano .
The greatest tenor ever, giving a singing, and interpretation lesson. Of all the Pertile recordings, this one (Rodolfo) is truly representative of his great art. The constant cascade of overtone, from ppp to fff, is strong enough to warm a small city! Intensity, BEAUTY, interpretation; It's all there! Bravo!! I'll take his intensity over ANY "beauty" any day! What is opera, after all? IMHO....
great voice style bombastic at times more popular in golden age no one today comes close
Voce Voce Voce.Onore ai padri del canto.
La miglior tecnica di canto mai sentita .Fuoriclasse !
Solo hace 12 anos que escuche por vez primera a este inmenso tenor y me cautivo su voz la cual a mi humilde opinion es mucho mas pura y mas hermoso vibrato que Bjorling y Caruso
Completo Artista Ampliamente Teatral*
desde su Gran Expresividad y es también un claro ejemplo de
la forma de canto de pricipios del siglo veinte !
Mil gracias!!! Caro -teachertenor- por compartir éste recuerdo con
nosotros y Mil Gracias!!! -maxlorenz24- por esta Joya del pasado!!!
Salve, ascoltare il maestro Aureliano, è più utile di qualsiasi lezione a pagamento di questi pseudo maestrucoli dei nostri giorni. Felice di costatare che ancora c'è chi si intende di vere voci. saluti Guido
Inutile prendersela con gli"attuali maestrucoli!.E' troppo difficile cantare come fa Pertile ! O si è veri artisti oppure buoni cantanti(e sarebbe già tanto !)
Era il preferito di toscanini.uno dei migliori tenori di tutti i tempi.
UNICO!!!
Gracias amigo Eduardo por el envio,gracias por compartir estos momentos de autentica felicidad escuchando la maravillosa voz de Aureliano Pertile.Gracias también a maxlorenz24 por su gentileza al subir estas autenticas maravillas.
Buen fin de semana a los dos.
Fenomeno
I never could warm up to his timbre, but he had a great singing technique, and you'd be crazy to deny that. He also remains true to the score and the composer's intentions.
GENIAL !!!!!!!!!!!!!!!!!!!
I'm amazed at this voice....the first time I've heard it and only as a consequence of seeking it out after finished reading "The Tenors: a History of the Voice" by John Potter. How could this voice have been so "unknown" to me who has tracked the tenor voice for 40 years. I don't much like the "histrionics" that pass for acting...I don't like them in any recording...but the voice, the timber the "squillo" and the dynamics....Wow.
Sonosciuto Pertile? Ai profani,forse,e se non ha trovato citazione nel libro"I tenori:una storia della voce",John Potter è tra costoro.
He was one of Pavarotti s favourite tenors when he was studying, along with Gigli .
Aureliano è il mio tenore preferito. Possibile non ci sia un solo filmato di una sua interpretazione?
Amigo, no trato de filosofar, solo intento verter una opinión, quise decir que el gran artista es vehículo de la Obra, es el canal por donde pasa la maravillosa musica. Él es el aspecto visible del contenido espiritual. No se trata de comparar épocas pero, inevitablemente el artista de hoy opaca la transmisión, hay más de intelecto que de corazón. Por ello Verdi aconsejaba avanzar hacia atrás, que no quiere decir ir a lo viejo, sino a lo esencial. Espero haber aclarado y no osc. Lo saludo resp.
Très beau document !!!
Merci pour le post ...
Bellissima esecuzione...saluti
grandissimo insuperabile
Феноменально!!!
Гениально!!!!!!!!
E davvero magnifico!
Signs? I was hoping for a marvellous video about 1920's contract signing, with the usual "and so forths" "henceforths" and "the undersigned'... but all it is a video of splendid singing.
Obviously a typo...
Maravilloso tenor
Gracias querido Eduardo por compartirlo
Juanita
Ciao Ilser. E buono trovare altri fans di Pertile.
Io solo posiedo CD, non vinili...ma a me basta :-)
Just masterful, Love,
@ilser73 Condivido assolutamente le tue saggie parole. Stavo per fare un commento, ma sarebbe stato praticamente uguale al tuo: Pertile, l'irrepetibile signore del canto! Irrepetibile, appunto perchè i MAESTRI di canto, tranne qualche rarissima eccezione, non esistono più!
Ti saluto affettuosamente con l'emozione d'aver trovato in te un anima gemella in quel che riguarda l'dea in comune che abbiamo su come si deve cantare.
extraordinaire.... wahou...
❤ТЕНОР ..высший класс .Браво ооо.❤❤
@Kievest You're welcome. I truly agree. I made the mistake years ago to comment about Pavarotti's version here in Utube, that I found it boring and flat...even to-day I receive burning aggressive comments of fans...it was nothing personal over P, I liked the big man, I only disliked his capacity as a complete artist...
tines mucha razon t t ere la epoca en que se disputaban los pendones de diamante , de esmeralda y de rubi en las grandes arenas del GLORIOSO BELCANTO .
Pertile is in a way "my grandad" as a teacher... I had lessons with Pier Miranda Ferraro arond 1991 0r 2.. Ferraro was also a "power man"... I put two videos of La vita e in ferno on youtube, as karifrid, the better from 2013, with added HIGH C in the rest... (I learned to sing HIGH C, in Italy..) I do not SOUND as Pertile or Ferraro, BUT I AM STRONG,AND USING MY BODY...(As I learned...)
I Still can sing High D and deep D..... Long voice....Turiddu, IlTroavatore,Ricchardo,Cavaradossi,Radames and Edgardo as my best roles today.....
DIOSO
@teachertenor De nada. Es un placer para mí. Sólo lamento no tener más tiempo para subir...
@BirdArvid Very well said.
@oscarpintormerlano, mira quizás lleves parte de razón, no lo niego!, pero veo complicado que el arte en general responda finalmente a ese argumento, lo esencial es intemporal, está fuera del tiempo,...mi padre no me comprendia, yo a veces tampoco a mi hijo, etc...pero como decia Socrátes, los estudiantes del s.V a.C., también cruzaban las piernas en clase y contestaban a sus profesores y padres....igual, igual que hoy, la historia se repite...Saludos!
@oscarpintor1, Magnifico A. Pertile!!....pero, tu comentario pienso que es un topicazo por completo. Meterse a filosofar 'en caliente' después de escuchar esta espléndida aria cantada porbel maestro Pertile tiene sus riesgos de caer en el manido tópico de 'cualquier época anterior fue mejor',...cual fue mejor los años 20' o el tiempo de Verdi o 'más hacia atrás'? o....y acaso las 'pasiones síquicas' no es una 'expresión del espiritu' ni mayor ni menor?.....
Mejor la interpretación de Luisa Miller. Con todo respeto.
大哥作为一个意大利人，意大利话太牛屄啦
Блестящий тенор!!!
да мы все не в орале а в анусе божество -давшеев направлениигде куда и как надо петь