Weltklasse wie immer! Viele ❤❤❤❤ für Christina Pluhar, L'arpeggiata, Sänger und Sängerinnen. Ich hoffe dass es bald wieder ein Konzert in der Schweiz gibt😊
I looked up the performance history of this opera. Apparently, it was staged alone, or performed as concert only, or mixed with parts of other works, including contemporary settings. en.wikipedia.org/wiki/Dido_and_Aeneas#Performance_history
Un horror. Cristina Pluhar y su L'Arpeggiata siempre destrozándolo todo. Todo lo interpreta igual y ya ni tan siquiera suena original... Después pretenderá ser una interpretación "históricamente informada". Parece ser que eso ya no vende y ahora lo que vende es lo "corssover". No para mí!
The performers seemed to have fun. As to 'changes' in the content: I would guess that in Purcell's days changes happened all the time due to the location and available musicians. Perhaps even changes to 'please' a particular audience, i.e. different aristocratic courts where the opera was performed. Remember: this kind of music was considered entertainment at the time (just like Shakespeare plays earlier were considered 'entertainment'. I enjoy updates and additions in L'Arpeggiata's performances. They always offer high levels of musicianship.
@@totot57 Masz rację , to była muzyka pisana dla rozrywki, a teraz zamieniliśmy ją w muzykę klasyczną. Myślę , że Purcell zgodziłby się na wszystkie improwizacje pani Pluhar , a może po latach dodałby coś od siebie.
Though I can't comment on how accurate L'arpeggiata's latest iteration of this work is. Owing to a different cast, it is certainly less dynamic and somewhat weaker than the avrotros klassiek version of nine years ago. (A flawless performance IMO). However, the chorus, as always, was superb.
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Weltklasse wie immer! Viele ❤❤❤❤ für Christina Pluhar, L'arpeggiata, Sänger und Sängerinnen. Ich hoffe dass es bald wieder ein Konzert in der Schweiz gibt😊
The actual Dido and Aeneas starts at 26:45
Zanimljivo, Didona sa mediteranskim i južnoameričkim prizvukom
I looked up the performance history of this opera. Apparently, it was staged alone, or performed as concert only, or mixed with parts of other works, including contemporary settings. en.wikipedia.org/wiki/Dido_and_Aeneas#Performance_history
what is this? most of this is not Purcell's Dido. The "Away, away" duet is recognizable......
Un horror. Cristina Pluhar y su L'Arpeggiata siempre destrozándolo todo. Todo lo interpreta igual y ya ni tan siquiera suena original... Después pretenderá ser una interpretación "históricamente informada". Parece ser que eso ya no vende y ahora lo que vende es lo "corssover". No para mí!
The performers seemed to have fun. As to 'changes' in the content: I would guess that in Purcell's days changes happened all the time due to the location and available musicians. Perhaps even changes to 'please' a particular audience, i.e. different aristocratic courts where the opera was performed. Remember: this kind of music was considered entertainment at the time (just like Shakespeare plays earlier were considered 'entertainment'.
I enjoy updates and additions in L'Arpeggiata's performances. They always offer high levels of musicianship.
@@totot57 Masz rację , to była muzyka pisana dla rozrywki, a teraz zamieniliśmy ją w muzykę klasyczną. Myślę , że Purcell zgodziłby się na wszystkie improwizacje pani Pluhar , a może po latach dodałby coś od siebie.
Though I can't comment on how accurate L'arpeggiata's latest iteration of this work is. Owing to a different cast, it is certainly less dynamic and somewhat weaker than the avrotros klassiek version of nine years ago. (A flawless performance IMO). However, the chorus, as always, was superb.