last class i was absent and they take woodblock print, i was really scared and nervous but thanks to your video now i will be able to do it by my self... hope so :) THANKS again
This is great! a massive thank you. it really makes me happy that there are people like yourself taking time to do these tutorials for everyone. cant wait to start carving :)
Another great video and great artist mention. I loooove David bull. His work is great but his process and his soothing voice... They're amazing to watch. Thanks for sharing Graham!
What a GREAT kickoff for a much-needed overview! This is going to be a great series, and your attention to detail and thorough explanations will be such a resource for folks who are new to relief printmaking. I can imagine the *hours* of editing, but really, you did an excellent job with this. Bravo!
Belinda Del Pesco Thanks Belinda! It's one of those things where everyone does things differently, so I'm trying to keep it as simple as I can. Originally I thought it would be a 3-5min video, but turns out there is a lot to cover! I really enjoyed your last drypoint video too, nice work!
Hi! I did woodcut prints in high school and recently returned to doing them again. I am really enjoying the process and have created some decent prints. The only thing I can't find in print or on the internet is an answer to one basic question: What makes a good woodblock print? That is, if judges were to look at some woodblock prints - what sorts of things would they judge the prints on? What would be the criteria? Now I realize that art is a subjective thing. However - more to the point, and as an example of where I'm needing more guidance, I wonder about the following: I've seen woodcut prints that look very clean cut, and I've seen prints where marks from the wood are printed around the main subject. Is one look right, the other look wrong? Personally - I like the carved marks left around a main subject at times. They give a "gestural" feeling (that is, a feeling of "movement") and an "earthy" feeling as well - hinting at the wood surface the work was created on. But I can understand that at times a very clean, crisp look may be desired. Maybe both are correct - but that's just it, I'm not sure! Any input will be greatly appreciated.
if you are strapped for cash try 100% cotton resume paper with smooth surface with no logo on paper. for 15 dollars you get 100 sheets.I have done lot of successful prints on these.Important also paper to be dumped if you are using water based inks
Superb video, can't wait for more. You're in my Top3 printmakers on TH-cam (not only artistically talented but also making interesting videos), with David Bull and Belinda Del Pesco (bdelpesco).
Great video! Trying to knock off the printmaking cobwebs and get back into the game. What do you recommend as an alternative for the dockyard micro tools? They are hard to come by. I mainly use powergrips and simple lino v-gouges, but I need something for detail marks.
To be honest, when you showed the buffalo print with the Japanese and western paper. The Japanese looks like the buffalo pops from the sheet, like it was 3D.
Super useful video ! Thank you for putting up this series on youtube.I have a question, how do you cut your wood into specific size ? I want to cut my wood into 3x3 cm should I be using a handheld hacksaw or what ?
Well that’s not very helpful! Sorry about that, I switched websites and having lingering links to fix! I’ve updated the description. Thanks for letting me know!
the most clear/precise/understandable of all the videos i've EVER watched...very well done
last class i was absent and they take woodblock print, i was really scared and nervous but thanks to your video now i will be able to do it by my self... hope so :)
THANKS again
+منال عبد الله Awesome, glad they were able to help!
This is great! a massive thank you.
it really makes me happy that there are people like yourself taking time to do these tutorials for everyone. cant wait to start carving :)
+Daniel Arnold I'm glad you enjoyed, thanks for checking them out! Would love to see what you end up making!
Another great video and great artist mention. I loooove David bull. His work is great but his process and his soothing voice... They're amazing to watch.
Thanks for sharing Graham!
KnitOutTheJams I agree! Watching him carve is also amazing, it looks so effortless! Thanks for watching!
Awesome! I'm looking forward to the rest of the series.
Drunken Woodworker Thanks David! Editing away, but you know all about that!
This was very informative. Thank you.
About to venture into printing and your first video was great- on to the next
Best video going over this stuff online - great job as usual
What a GREAT kickoff for a much-needed overview! This is going to be a great series, and your attention to detail and thorough explanations will be such a resource for folks who are new to relief printmaking. I can imagine the *hours* of editing, but really, you did an excellent job with this. Bravo!
Belinda Del Pesco Thanks Belinda! It's one of those things where everyone does things differently, so I'm trying to keep it as simple as I can. Originally I thought it would be a 3-5min video, but turns out there is a lot to cover! I really enjoyed your last drypoint video too, nice work!
@@DiodePress Hi! Where do you source Shina Plywood from?
Really great introduction video.. Thank you. The bench hook is brilliant.. also so easy to DIY. 😊👍
This was perfect! Thanks so much 🤩
WHERE HAVE YOU BEEN ALL MY LIFE!!!!!???? U ARE AWESOME!! Love your videos, the way you explain everything, your creativity omg!!! I'm in love
Thank you for a great presentation!
You are a very pleasant fellow 😊. Have always wanted to learn how to do this. Can’t wait to start! 🌊
That was just awesome! Thank you.
What a useful video man. Thanks a lot!
Extremely helpful. Thank you so much
Hi! I did woodcut prints in high school and recently returned to doing them again. I am really enjoying the process and have created some decent prints. The only thing I can't find in print or on the internet is an answer to one basic question: What makes a good woodblock print? That is, if judges were to look at some woodblock prints - what sorts of things would they judge the prints on? What would be the criteria? Now I realize that art is a subjective thing. However - more to the point, and as an example of where I'm needing more guidance, I wonder about the following: I've seen woodcut prints that look very clean cut, and I've seen prints where marks from the wood are printed around the main subject. Is one look right, the other look wrong? Personally - I like the carved marks left around a main subject at times. They give a "gestural" feeling (that is, a feeling of "movement") and an "earthy" feeling as well - hinting at the wood surface the work was created on. But I can understand that at times a very clean, crisp look may be desired. Maybe both are correct - but that's just it, I'm not sure! Any input will be greatly appreciated.
if you are strapped for cash try 100% cotton resume paper with smooth surface with no logo on paper. for 15 dollars you get 100 sheets.I have done lot of successful prints on these.Important also paper to be dumped if you are using water based inks
This is super helpful
Thank you, you answered many of my questions.
Thanks for Sharing..very informative
Good stuff, Greg! thanks
+Gary J Thanks for checking it out! it's Graham, but I'm sure I don't say it too clearly!
sorry about that Graham.
thanks again
great intro. Greatly appreciated. I'll be back.
+Donald MacWatt Thanks!
Thats beauty
Thanks!
Great video, thank you!
+Lisa Guajardo thanks for watching! I have some more woodcut videos in the works!
Superb video, can't wait for more. You're in my Top3 printmakers on TH-cam (not only artistically talented but also making interesting videos), with David Bull and Belinda Del Pesco (bdelpesco).
BartolomeJacinto Thanks, that's great company to be in!
Great video..Thanks!
John Andrew Thanks for checking it out!
such an amaazing video, im really thankful to you!!
+Pamela Pacerová Thanks, I'm glad it could help!
Do you cover your wood with a sealer before you print?
What size namisei v-gouge are you using at round 9:37?
+Connor Stratton Sorry for the slow reply! I just measured it, and it's 6mm at the widest point.
Love the video! I tried to click on the link that you have for the materials, but it took me to a page that was unsecure. Is that correct?
Great video! Trying to knock off the printmaking cobwebs and get back into the game. What do you recommend as an alternative for the dockyard micro tools? They are hard to come by. I mainly use powergrips and simple lino v-gouges, but I need something for detail marks.
Thank You !!!!!!
To be honest, when you showed the buffalo print with the Japanese and western paper. The Japanese looks like the buffalo pops from the sheet, like it was 3D.
Super useful video ! Thank you for putting up this series on youtube.I have a question, how do you cut your wood into specific size ? I want to cut my wood into 3x3 cm should I be using a handheld hacksaw or what ?
Thanks for watching! I either use the wood in the size I order, or I use a jigsaw or circular saw. But a handheld wood saw would work also!
Hi, I'm having trouble finding the link to the list of materials. Could you repost that?
What's the name of that cheap plywood again?
I use Shina plywood, which is more expensive, or Baltic Birch which can be fairly affordable.
It's funny Lino was very cheap until a certain artist used it to make prints.
DON'T Shout at the beginning of your ad - nearly gave me a heartattack!
Link to tools doesn't work
Well that’s not very helpful! Sorry about that, I switched websites and having lingering links to fix! I’ve updated the description. Thanks for letting me know!
is that called tool ? y don't u say the real name ._.