Ce compositeur est le brillant reflet d'une époque, c'est un astéroïde sonore qui revient jeter son dévolu sur l'art sonore. Une onde prodigieuse chargée de paradoxes d'où s'échappent l'obscurantisme la féérie et l'irrationnel, facteurs hypnotiques défiant les âmes vulnérables en quête d'absolu. Son architecture musicale est un court tunnel qui mène à la lumière
One of life's blessings is to encounter a piece of music previously unheard and realize that there is SO MUCH beauty, imagination and creativity to be taken in. This piece invited me in to contemplate Hindemith's genius. It's a smart piece that will offer many more listenings to gather what he managed here.
I first heard Hindemith's music when I was in my mid teens. Needless to say I didn't really understand it but nevertheless it held a fascination for me which lead to discovering music away from the core repertoire which has paid the most amazing dividends. Why so many people are afraid to look beyond their narrow horizons is beyond me, they are missing so much.
What a genius composer (and theorist) Hindemith was: this work features great, dissonant counterpoint and harmony !!! The result of the tension and drama he creates is attractive and compelling.
The first record I ever owned. I bought it from my brother-in-law. I just about wore out the needle and the record, from constant playing. Simply wonderful; a journey of delights.
THis score is one of the highlights of the whole set of works of Hindemith. It clearly shows his capacities in contrpunctal writing, in orchestration, and his control of a pêrsonal sense of harmony The final passacaglia is especially great.
@@stueystuey1962 Sorry to intrude, Stuart, but I noticed this curious invitation to Barraque on a Hindemith post. I wonder what the connection is. I know and like the Barraque.
tutta la "Nobilissima visione" richiama le architetture neogotiche di Gaudì della Sagrada Famiglia,ripercorrendo,in chiave novecentesca,le inarrivabili tessiture delle sinfonie di Buckner Italo Strati
The first time I listened to it, it got my interest. In the second, I thought it much worst than the first impression. But, at third time listenning to it, I find it as actually good, and pleasent. I don't know how to explain this, but that's my expereience. Let's see forth.
Haven't been here for a while. So hello, again. The last movement was the theme for the Afternoon Concert on KUOM during my days there. The Otto Klemperer version or one similar more uptempo was used. Gawd! I love it. While I'm at it. I have a Hail Mary request for the piece of music that was used by NBC Radio for their Big Preview radio show. Below is a series of notes showing the notes. EFGAB AGFE (REST) AGFGE AGFGE Get back to me & let me know if our room host or anyone else knows.
um, NO - Hindemith completed this work in February 1938 in Nazi Germany - which he and his family finally were able to leave/escape from into Switzerland by the late spring - no time for a jaunt to St. Petersburg/Leningrad to listen to the premiere of Shostakovich's work there in November 1937 and then rush back to Berlin to finish the Suite; the only place Hindemith had been to previously was Turkey in 1935, and America in 1937 - the two composers worked independently on these respective pieces
Ce compositeur est le brillant reflet d'une époque, c'est un astéroïde sonore qui revient jeter son dévolu sur l'art sonore. Une onde prodigieuse chargée de paradoxes d'où s'échappent l'obscurantisme la féérie et l'irrationnel, facteurs hypnotiques défiant les âmes vulnérables en quête d'absolu. Son architecture musicale est un court tunnel qui mène à la lumière
One of life's blessings is to encounter a piece of music previously unheard and realize that there is SO MUCH beauty, imagination and creativity to be taken in. This piece invited me in to contemplate Hindemith's genius. It's a smart piece that will offer many more listenings to gather what he managed here.
I first heard Hindemith's music when I was in my mid teens. Needless to say I didn't really understand it but nevertheless it held a fascination for me which lead to discovering music away from the core repertoire which has paid the most amazing dividends. Why so many people are afraid to look beyond their narrow horizons is beyond me, they are missing so much.
What a genius composer (and theorist) Hindemith was: this work features great, dissonant counterpoint and harmony !!! The result of the tension and drama he creates is attractive and compelling.
❤🎉
an awesome composition - Hindemith is one of my favorite 20th century composers - I've never been disappointed with his music
The first record I ever owned. I bought it from my brother-in-law. I just about wore out the needle and the record, from constant playing. Simply wonderful; a journey of delights.
What a masterpiece in orchestral composition this is.
A fabulous composition by a great master.
A first rate performance of this marvelous work!
increíble final, recién estoy conociendo este artista, me encanta su música
Excellent, beautiful suite.
THis score is one of the highlights of the whole set of works of Hindemith. It clearly shows his capacities in contrpunctal writing, in orchestration, and his control of a pêrsonal sense of harmony The final passacaglia is especially great.
exactly. Check my channel : )
Begni can you take a listen to jean barraque piano sonata?
@@stueystuey1962 Sorry to intrude, Stuart, but I noticed this curious invitation to Barraque on a Hindemith post. I wonder what the connection is. I know and like the Barraque.
Magnificent!
Nobilissima Opera!!!
La Passacaglia finale è qualcosa di straordinario!!
#MagicDonDino th-cam.com/video/P9JOfgPT934/w-d-xo.html questa è la seconda registrazione esistente diretta da Hindemith, proprio la Passacaglia finale
I simply love this.
Bellísima obra
Top drawer Hindemith!
tutta la "Nobilissima visione" richiama le architetture neogotiche di Gaudì della Sagrada Famiglia,ripercorrendo,in chiave novecentesca,le inarrivabili tessiture delle sinfonie di Buckner
Italo Strati
It’s so easy to put this on and just immediately get lost in its world.
The first time I listened to it, it got my interest. In the second, I thought it much worst than the first impression. But, at third time listenning to it, I find it as actually good, and pleasent. I don't know how to explain this, but that's my expereience. Let's see forth.
Wunderbar !
I brividi
Wunderbar
Danke
Now I understand in whose creations got inspired our Shostakovitch in his Symphonies like 5th...
The Shostakovich 5th was written a year before this piece.
very nice the add between the long final chord
Haven't been here for a while. So hello, again. The last movement was the theme for the Afternoon Concert on KUOM during my days there. The Otto Klemperer version or one similar more uptempo was used. Gawd! I love it.
While I'm at it. I have a Hail Mary request for the piece of music that was used by NBC Radio for their Big Preview radio show. Below is a series of notes showing the notes.
EFGAB
AGFE
(REST)
AGFGE
AGFGE
Get back to me & let me know if our room host or anyone else knows.
What a good end!
0:02 is a good place to start.
ispira spiritualità
for the passacaglia seems he was inspired by the shostakovich 5 symphony, last movment
um, NO - Hindemith completed this work in February 1938 in Nazi Germany - which he and his family finally were able to leave/escape from into Switzerland by the late spring - no time for a jaunt to St. Petersburg/Leningrad to listen to the premiere of Shostakovich's work there in November 1937 and then rush back to Berlin to finish the Suite; the only place Hindemith had been to previously was Turkey in 1935, and America in 1937 - the two composers worked independently on these respective pieces
It's the other way around!