There is so much good information packed into this video! We noticed that there is a common thread through all of these points, about being flexible and remaining open to different possibilities in operating a studio. Sale of art does wax and wane, and each generation of collectors is different, so we think that's excellent advice about a conservative approach to pricing. We love the advice to choose painting supports like Arches Huile or hardboard panels, that are thin and easy to store. Working to standard frame sizes is also a great way to save money and space when you're getting off the ground. Ready-made frames can look as good as (or better than) custom frames that cost several times as much, and you can keep one or two handy for when opportunity strikes. A small collection of tools and supplies for in-studio framing is really a must for any studio- a framing point gun and mat cutter are affordable, and most artists are more than capable of producing professional results themselves. Use D-rings (not threaded eyelets), learn how to properly tie picture wire, and make sure to put a kraft paper dust barrier on the reverse for a finished look. We think Christina is destined for success in art, and it's great that she's sharing what she learns along the way to help other artists!
Aw thanks Blick! Great points, and I totally agree on the framing issue. I work in standard sizes as much as possible so I don't have to worry about custom framing. It keeps things simple for me, my galleries, and my collectors :)
Wow, thank you so much for answering my question! Your answer was smart and insightful, and really resonated with me especially since I am a mathematician, so I was particularly interested to know your day job also involves a more technical and scientific practice. Although nowhere near your level, I have also been painting for many years, with a hiatus of (in my case) almost ten years at one time, while I concentrated more on my math career. Now for the past few years I have been attempting to build up a consistent body of work and a more regular painting practice. Thank you for the inspiration and general good vibes, and also the super useful tips!
Hi, Christina, I've been enjoying your videos so much. You certainly had gain some experience as a working artist. And congrats on your solo show at the Pence. I'm live in Davis and hope to go to your reception!
@@CedricWilliamsFineArt That's awesome! I haven't been before but will have to check them out. I'm going to have a show in October at Pence gallery, which looks close by. Good luck with your show!
I make my own floater frames and I like your command strip idea. Otherwise with floater frames you're stuck with gluing the panel in - which means it's really tough to change frames ever. I read some speculation about command strips not being able to reliably hold the panel. I wouldn't worry about that since the command strips are designed to handle around 60 times the weight of your panel. Even with humidity.
Can you share how many hours per day/week did you dedicate to painting itself and to business side of it while you were still working full time? I constantly feel that I don’t dedicate enough time to my art practice
Great question. You can get an idea of my daily schedule while working in this video: th-cam.com/video/NU0ntcIl4rw/w-d-xo.htmlsi=axDqLIDgZ-VcsfAy I think I was painting about 2hrs each weekday and working on the business another 2 hours each day, plus spending all of my weekends and vacations on painting and business stuff. I will say it wasn't sustainable, I was constantly exhausted and stressed. And I still felt sad that I couldn't spend more time painting. Thankfully I was able to switch to part time as the business grew, which made things so much easier.
I love your channel and I mean this constructively: the left brain/right brain dichotomy and the attendant 'characteristics' with regard to creativity is not a thing. We all need to stop referring to it. Check the science.
There is so much good information packed into this video! We noticed that there is a common thread through all of these points, about being flexible and remaining open to different possibilities in operating a studio. Sale of art does wax and wane, and each generation of collectors is different, so we think that's excellent advice about a conservative approach to pricing. We love the advice to choose painting supports like Arches Huile or hardboard panels, that are thin and easy to store. Working to standard frame sizes is also a great way to save money and space when you're getting off the ground. Ready-made frames can look as good as (or better than) custom frames that cost several times as much, and you can keep one or two handy for when opportunity strikes. A small collection of tools and supplies for in-studio framing is really a must for any studio- a framing point gun and mat cutter are affordable, and most artists are more than capable of producing professional results themselves. Use D-rings (not threaded eyelets), learn how to properly tie picture wire, and make sure to put a kraft paper dust barrier on the reverse for a finished look. We think Christina is destined for success in art, and it's great that she's sharing what she learns along the way to help other artists!
Aw thanks Blick! Great points, and I totally agree on the framing issue. I work in standard sizes as much as possible so I don't have to worry about custom framing. It keeps things simple for me, my galleries, and my collectors :)
Wow, thank you so much for answering my question! Your answer was smart and insightful, and really resonated with me especially since I am a mathematician, so I was particularly interested to know your day job also involves a more technical and scientific practice. Although nowhere near your level, I have also been painting for many years, with a hiatus of (in my case) almost ten years at one time, while I concentrated more on my math career. Now for the past few years I have been attempting to build up a consistent body of work and a more regular painting practice.
Thank you for the inspiration and general good vibes, and also the super useful tips!
Glad you found it helpful, and great to hear from a fellow artist with a strong analytical background! :)
Hi, Christina, I've been enjoying your videos so much. You certainly had gain some experience as a working artist. And congrats on your solo show at the Pence. I'm live in Davis and hope to go to your reception!
Thank you! So glad to hear it, I’ll see you there! :)
Great info!! I've booked the entire month of April for my solo exhibition in Davis.
Oh congrats! What gallery is your show at?
Gallery 1855
@@CedricWilliamsFineArt That's awesome! I haven't been before but will have to check them out. I'm going to have a show in October at Pence gallery, which looks close by. Good luck with your show!
Thank you🙏🏾
Hi, Cedric, congrats on your show at Gallery 1855. Actually that's not in Davis but in Woodland. I live in Davis.
Oh, I hope you have a good time in Italy!
Thank you 😃
I make my own floater frames and I like your command strip idea. Otherwise with floater frames you're stuck with gluing the panel in - which means it's really tough to change frames ever. I read some speculation about command strips not being able to reliably hold the panel. I wouldn't worry about that since the command strips are designed to handle around 60 times the weight of your panel. Even with humidity.
Thanks! Yeah, it seems like the most secure methods are also the hardest to change unfortunately. I hope the command strips work for you!
Can you share how many hours per day/week did you dedicate to painting itself and to business side of it while you were still working full time? I constantly feel that I don’t dedicate enough time to my art practice
Great question. You can get an idea of my daily schedule while working in this video: th-cam.com/video/NU0ntcIl4rw/w-d-xo.htmlsi=axDqLIDgZ-VcsfAy
I think I was painting about 2hrs each weekday and working on the business another 2 hours each day, plus spending all of my weekends and vacations on painting and business stuff. I will say it wasn't sustainable, I was constantly exhausted and stressed. And I still felt sad that I couldn't spend more time painting. Thankfully I was able to switch to part time as the business grew, which made things so much easier.
I love your channel and I mean this constructively: the left brain/right brain dichotomy and the attendant 'characteristics' with regard to creativity is not a thing. We all need to stop referring to it. Check the science.
For sure! Thanks for pointing that out.