Your work is among the best I've seen, likely the best, I'm really old and have seen a lot, so bravo Tyler you're extremely talented, your parents must be very proud of their son.
I think you’ll get some of more subtle shifts in temperature on the flesh if you underpaint with a pale green for your lights rather than straight white. Some of higher key tints get a bit a chalky. Still, great job. 👏
@@tylerhughesart So every time you put on a new layer of color you wait a week? I don't understand if it is an "alla prima" painting or an indirect painting.
@@HorstramWieljentic this is indirect painting since I'm painting in layers. I usually only do one or two color layers, so I'm definitely waiting for things to dry between each layer. I have a bunch of paintings going at once so waiting for things to dry isn't an issue.
A bit of a mix between a grisaille (grey) and a brunaille (brown), where the underpainting is builds the foundation of value and form. Then you utilise transparent and opaque paints in the upper layer to build the colour
Your work is among the best I've seen, likely the best, I'm really old and have seen a lot, so bravo Tyler you're extremely talented, your parents must be very proud of their son.
Super good and helpful with the palette in view! Appreciate seeing the process
It's a great tutorial
I think you’ll get some of more subtle shifts in temperature on the flesh if you underpaint with a pale green for your lights rather than straight white. Some of higher key tints get a bit a chalky. Still, great job. 👏
How much time did you allow for the white to dry before laying down that first wash? I'd be scared of smearing.
About a week
@@tylerhughesart So every time you put on a new layer of color you wait a week? I don't understand if it is an "alla prima" painting or an indirect painting.
@@HorstramWieljentic this is indirect painting since I'm painting in layers. I usually only do one or two color layers, so I'm definitely waiting for things to dry between each layer. I have a bunch of paintings going at once so waiting for things to dry isn't an issue.
Для многослойной живопись хорошо подходит смешанная техника, темпера + лессировки маслом . И ждать неделями не потребуется.
whay happens if I use acrylics for that frist white layer and then oils on it?
Is this all alla prima? Or white layer is dry before
the white is left to dry for about a week before applying color
what is this method called?
A bit of a mix between a grisaille (grey) and a brunaille (brown), where the underpainting is builds the foundation of value and form. Then you utilise transparent and opaque paints in the upper layer to build the colour
What is the original work called? Also great job
Head Study of an Old Man by Eduard Ballo
@@tylerhughesart thank you
.....the old slow way to paint. It was because of limitations.
The odd method. Brown to gray to flesh !?!?!!
The brown and grey are just an underpainting to establish value and form. Colour comes in the later layers