@@BenHessFilms Hey Ben! Thanks so much for the response! Selfishly, I’d appreciate any insight you have with either tabletop product videos, or onboarding clients and pre-production workflow!
I love how practical and achievable you make these shooting these videos. Sometimes, it can seem overwhelming thinking one may have to always get massive equipments and butt loads of helps (gaffer, grip, an AC etc). Thank you for sharing these as always!!
Very nice. Have to shoot a short film with no lights, just bounce and neg fill in mid September. That's gonna be a challenge but I'm going to do a lot of the stuff you've just shown
Thanks for watching Paul! You got this! The main thing is just making sure you have enough available natural light to bounce. You can also get some unbleached muslin, which is a great way to get slightly warmer skin tones with bouncing light. Lighting indoors can sometimes be tricky but if you place your subject next to windows it can definitely be done.
@@BenHessFilms Cheers for that tip. the whole story takes place outside during the day so as long as the sun's shining available light shouldn't be to much of a problem hopefully. Keep it up man, great stuff 👌
![Fashion Commercial // Elan Spring 2022 [RED MONSTRO VV]](/img/n.gif)
Great work DP’ing this one Ben! Loved how this spot turned out
Thank you for having me out on this one, always an honor to work with ya!
YESSS!!! Let’s go Ben!! Excited for the TH-cam content!
Appreciate all the support Andrew! Any videos topics you'd want to see made?
@@BenHessFilms Hey Ben! Thanks so much for the response!
Selfishly, I’d appreciate any insight you have with either tabletop product videos, or onboarding clients and pre-production workflow!
@@AndrewMillerVideo Perfect, I've got some great behind the scenes for a tabletop shot!
I love how practical and achievable you make these shooting these videos. Sometimes, it can seem overwhelming thinking one may have to always get massive equipments and butt loads of helps (gaffer, grip, an AC etc). Thank you for sharing these as always!!
Amazing, that's my goal is to show real world examples of pulling off shots like these with minimal crew/gear!
Those camera movements were incredible!
Thank you so much Mukwenda!
Excelente! Son muy útiles las técnicas para aprovechar la luz natural, sería genial tener más videos como este. Gracias y abrazo grande!
Thank you so much, more videos to come for sure!
Awesome work man! It looked great. What did you use for that bts? 360 cam attached to your easy rig? GoPro max?
Thank you! I used a magic arm connected to my Easyrig, using the GoPro Max!
Love the breakdown Ben! Maybe one day I can work with you
Thanks so much Peter!
Great job sugar!
Thanks baby!! :)
🔥🔥🔥🔥
Thank you!
Nice video!! 👍🏽👍🏽
Thank you Joshua!
What was your setup for this shoot. Looks amazing
Thank you! We shot on a Red monstro with a tokina 50mm lens. But any camera with good dynamic range would get a similar look!
Very nice. Have to shoot a short film with no lights, just bounce and neg fill in mid September. That's gonna be a challenge but I'm going to do a lot of the stuff you've just shown
Thanks for watching Paul! You got this! The main thing is just making sure you have enough available natural light to bounce. You can also get some unbleached muslin, which is a great way to get slightly warmer skin tones with bouncing light. Lighting indoors can sometimes be tricky but if you place your subject next to windows it can definitely be done.
@@BenHessFilms Cheers for that tip. the whole story takes place outside during the day so as long as the sun's shining available light shouldn't be to much of a problem hopefully. Keep it up man, great stuff 👌
@@paulusschmaulus101 Nice, you guys should be good to go then if its outside all day! Send the final project over when its complete!
@@BenHessFilms Sure, will absolutely do!
Hey What lenses used for this shot ?
I think it was a 50mm. Tokina Vista was the brand.