I'm a relative beginner. My biggest issues are not knowing where the keys are so that I am frequently checking myself and tension that increases the longer I play. Any suggestions are greatly appreciated!
Patricia Bagwell Yes, spend another three to forty seven years playing the piano all the time. Some issues have practical, methodical solutions. Other issues don’t. What you are experiencing is not really a problem. What you are experiencing is a natural condition of any person who hasn’t played a TOOON of piano for a TOOOON of years.
I just shed a tear of joy from discovering this channel. You went straight into my top 5 of great music educators along with Leonard Bernstein, Oscar Peterson, Adam Neely and Oliver Prehn. Plus that hair style is light years ahead of our time.
Oliver is a fraud, he has no place in the list you mention, his piano teachings are on the level of "tab" for guitar, it has nothing to do with music teaching.
In the youtube world of tutorials that mostly concentrate on showing you WHAT to do (without explaining the "why" part), Ruslan concentrates on HOW to do it and why it will make you a more rounded musician instead of someone who "knows more stuff". Great video, man!
Honestly, you are doing probably the best jazz lessons on TH-cam. Unlike other channels, you don't give us the answers, you give us the tools. Thank you so much! brb going to practice The Lick in all modes over every chord
Russian, this is an amazing eye opener. Thank you for sharing this. It's such a clever way to expand one vocabulary. It all seems so very obvious yet I have never thought of this before. Once again thank you very much. I can't wait to start exploring. Best wishes to you. Terry
You Ruslan are an ocean of amazing ideas! You explain those things in a so special way! I'm going to put in practice the concept with the clarinet. This is gold! It's not only the treasures you share with us, it is the way you teach to think! The inspiring way to watch the things we love! I hope I could express what I mean in English, Spanish is my first language. Thanks as many as possible!!!
Daniel Irilarry thank you so much for your words. I’m so happy my videos bring something positive to the life of other people. I will contribute to make them and I hope you will find them useful, my friend!!! Thank you...
I'm still to listen the teachings but for starters you play nice (very good) and my reserve is due to me doing it for almost fifty years. Congrats for the solo.
Very cool, stuff. I've only watched the first five minutes -- not only is that shape a great addition to my melodic minor vocabulary, but also altered. But of course, it's the basic principle of shifting shapes around that is most important. Next step: hitting the subscribe button.
Just subscribed.. teaching myself Donna Lee on piano and guitar. The other day I labeled the notes as relative to Ab major. The Ab is 1 , Bb 2 Or 9, C Maj 3, Db 4, Eb 5, F 6 or 13, 7 Lt.. as I went thought it I realized that many of the same patterns we're being played against new chords and those chords we're giving the same licks new sounds because they were actually different places. I like what you are doing here. You are essentially playing a mode of the lick..Of course the more complex a lick , the more flavor it will have. The best
Hi Ruslan, I'm an intermediate jazz guitarist and I can't thank you enough for the concepts that you cover in your videos. You just made more sense than some of the best jazz books that I have on my shelf (and some of them are pretty darn good). Thank you.
Great stuff! I will have to try it but I think you can reapply any lick to any scale. You just have to change the notes. This looks like an awesome new way to practice scales too.
Subscribed today, after watching a couple of your videos. I'm a novice, so most talk sounds foreign, but when you said 'shape' it felt like I had found the Babel fish of Hitchhiker's Guide. Learning to walk, but nice to watch others run.
Finally I can remember the name of this channel when I want to find it (the next level thing was practically unsearchable unless you type in the exact name)
I was messing around with my keyboard last night. I was going up and down the keys playing minor thirds. I don't play piano. I got the keyboard to help me understand how music works- in theory. I discovered that there was a definite shape in this minor exploration. A while ago I discovered for myself the shapes that the various scales make. Now I have to learn how to transfer those shapes to my flute and sax.
Ruslan. I am so happy to have found your videos. Because I play mostly diatonic as I am a beginner (but I don't sound like a beginner), but I have a big heart and ear for so much sound. So you are opening things for me because maybe you are the same way. Even when I cannot follow your video (I fall behind because I don't know the scales by heart and my hands are still a little slow), (well no technique, just ear and brain). So my question: What is the best way for me to build my foundation??? I can understand the theory language because I know what intervals are (numbers) (logic + vocabulary) but simply what should I learn for the left hand and drill so I can play around with intentionality (not just surprising myself because something sounds like jazz) .... When did technique and knowledge come together for you to enable like you say "language" to come out... like sharing feeling through the sounds and movements and choices and rhythm? My ultimate goal is pure expression :)
I Just stumbled across one of your videos the other day. As i watch your videos,you make more sense than all of the other jazz tutorials so far. I just subscribed to your channel. Thanks a lot, and keep up the work.
I just realized a what I can do after proceeding with a shape in the practice methods you speak of. Play it retrograde (reverse order), and in various rhythms and apply over all the changes of a tune. Wow. Finally I am composing not just fishing for ideas!!! Next is to combine 2 and 3 shape ideas over the changes yeah? Say even take bits and pieces of the melody from the song and make solos with this on the spot after lots of practice. From here I realized I can apply patterns to fit approach notes using chromatic passing tones in the mix to flavor the harmonic structure. We shall see here this takes me...
A good next step to this excellent technique might be to teach u how to connect these in-scale licks with chromatic phrases in a real-world context. i.e. in a standard tune. Thanks for helping us get out of the box.
This is not the first time I hear of this approach, but your way of explaining it made it much clearer for me ! Thank you, I'm including it in my practice :)
@@rillloudmother don’t need to be personal. It’s not because you state something that is nonsense and has no physical justification in the first place that you have to be defensive, you could just explain why you thinks that the guitar is advantageous to move by scale tones. We guitarist are curious to know why...
@@luapmartin i don't remember what i was thinking about, but i think it was something to do with the fingerings being different for different keys on piano. i'm not sure what you think i was talking about and frankly i don't care.
@@rillloudmother since you replied twice it seems you care. Maybe you haven’t understood the concept exposed in the video... Otherwise I should exchange my faulty guitar...
Great lesson, Ruslan. Thanks! Works great for licks containing multiple scales too, like a ii-V-I lick with dorian, alt, and lydian for example. Shift the notes in the shape to fit each chord scale as it goes by. Cool!
Amazing!! I don't know what to say. You've got a great teaching skill. Besides having a simplified system of looking at stuff and handing out the Knowledge of HOW one comes up with a fresh idea, (which is very rare to find out there by the way), you have a great way of explaining them as well. Which is a very vital part of teaching and learning. This makes you stand out. I appreciate what you're doing. Please can you explain what you were playing in the introduction part of this video, I mean before you began to talk about the teaching. What were those scales exactly, and repetitions? Do you have a video that talks about that, or plsss can you explain how you came about those notes and scales and what chords go along in the left hand? Thank you👍
Hi Ruslan, what are you playing at the start? Is it improv? If you could give me the song/chords or really anything that would be greatly appreciated. I really want to learn what you're playing there!
Ruslan, great like always, excellent information, your lessons are very pedagogical. Man, I would like you to include in your planning a lesson about technique or methodology for comping with left hand, how to model while improvising in the right hand. Thanks Ruslan, God bless you.
"You don't have to play that same old boring lick you always play, you can play that same old boring lick... a step up!" Made me laugh. Great video though, it helps me a lot and gives me some new ideas to chew on.
Hi please can you take one or a couple of Corinne Bailey Rae’s song and break it down as in example the theory behind the composition. I like her songs, I can play a couple of them on the piano just following the chord progressions but I don’t really get the theory why the songs are so soulful and beautiful. The chord progressions are not very regular either not to talk of the melody over the chord progressions. Please can you breakdown a couple of them as in the root the 5th the 4th as so on so that after learning them one could use some of the theories to compose not just copying chord progressions. Thanks a lot in advance.
I found this channel accidentally¡ and all I have to say is thank you Ruslan for doing what you’re doing, it’s amazing¡¡ Now, I’m violinist and after seeing this video I asked to myself: what if the “shape” (DEbGBDC) had the same notes for multiple chords? One simple example could be: G7#5 the shape (DEbGBDC) is now the fifth grade on that chord¡ so now we can “connect “ multiple chords throughout a simple shape¡ what do you think? Thank you¡¡
I usually make patterns or licks from the different modes of a chord scale. I've found more freedom and personal note choices this way rather than taking someone else's lick and run it through modes and chord scales. Sure I practice arpeggios and other foundational skills as well. But creating your own lick or pattern from different intervals within a scale then running that through the modes of that scale seems for me to be a little more personal. In the long run there's probably not much difference. It's just that choosing each successive note to create a lick against a given chord/harmony gives a slightly personal touch. Then I bring it through modes and other tonalities. Just my 2 cents. :0)
Damaso Vergara sure! What exactly would you like me to cover in that video? To me rhythm changes is just another tune. Just another set of chords which can be used to teach how to comp, how to solo, how to Reharmonize etc. What exactly would you like me to cover in the Rhythm Changes video?
YcrzyMF that's so close to how all virtical organisation has always worked for me. Plus you clearly can play. Anyway subscribed. This shape thing goes in all directions like scale shapes phrase shapes methods for sequestering common tones between different scales as well as scale types. EG melodic minor modes vs major modes vs diminished etc.
Very good lesson. I learnt a lot here. I like the idea that every chord exists within a scale. The phrase chord scale Is new to me and sums up very well the concept. I think the concept of the chord scale can go beyond Jazz to other kinds of music. Don’t you agree.
Samuel Peckman that’s right... a good way to think about scales is - every scale is a family, a family with its own unique properties.. it’s own humor, it’s own facial expressions, it’s own unique looks.. it’s own history. It’s own strengths and weaknesses... u know, just like real-world families. . And what a chord is, is a few of the members of the family who came together to represent the family. You see the dad, uncle and two cousins who showed up and you know right away -- aaah, it’s the Smiths! With their unmistakable nose! Only the smiths have this shape of nose :) Or... aah it’s the Johnsons! With their unmistakable laugh. Only the Johnsons laugh like this! And you recognize the family by their unique traits. Chords come from scales!
Ruslan, on min7 chords, what determines whether I use dorian, aeolean, or frigian? Or, should I just treat all min7 chords as ii chords? Thank you, JOE
For Skype Lessons, write me on Instagram (@ruslanpiano), or write under this comment and I'll reach out to you.
I'm a relative beginner. My biggest issues are not knowing where the keys are so that I am frequently checking myself and tension that increases the longer I play. Any suggestions are greatly appreciated!
Patricia Bagwell Yes, spend another three to forty seven years playing the piano all the time. Some issues have practical, methodical solutions. Other issues don’t. What you are experiencing is not really a problem. What you are experiencing is a natural condition of any person who hasn’t played a TOOON of piano for a TOOOON of years.
I just shed a tear of joy from discovering this channel.
You went straight into my top 5 of great music educators along with Leonard Bernstein, Oscar Peterson, Adam Neely and Oliver Prehn.
Plus that hair style is light years ahead of our time.
Asger Rosendal Thorn oh my.. that’s quite the compliment. Thank you so much.... I don’t know what to say 😳😳❤️❤️❤️
Oliver is a fraud, he has no place in the list you mention, his piano teachings are on the level of "tab" for guitar, it has nothing to do with music teaching.
Mike longo is missing on that list
In the youtube world of tutorials that mostly concentrate on showing you WHAT to do (without explaining the "why" part), Ruslan concentrates on HOW to do it and why it will make you a more rounded musician instead of someone who "knows more stuff". Great video, man!
ISK MUSIC thank you brother
What's the old saying.... Better to know how to play one lick a hundred ways, than to know a hundred licks you can only play one way.
defgecd
@@riczi.j Dammit, just played this on my bass and YA GOT ME!!
I can't Mary has a little lamb on the piano but I watch videos all the cause you a dam good teacher. Awesome
Honestly, you are doing probably the best jazz lessons on TH-cam. Unlike other channels, you don't give us the answers, you give us the tools. Thank you so much!
brb going to practice The Lick in all modes over every chord
Ryszard Jezierski thank you. I really appreciate your words!!
That’s so true
That's great.
As a guitarist i find that this shape oriented approach fits perfectly the geometric nature of our fretboard
Enrico Dell'Aquila yup, on guitar this concept makes even more sense
You just opened my musical world. Thank you !
Большое спасибо! Хорошее упражнение
I've played for well over 40 years - you just taught me something amazing I'd never thought of! Thank you.
Happy to hear this
Russian, this is an amazing eye opener. Thank you for sharing this. It's such a clever way to expand one vocabulary. It all seems so very obvious yet I have never thought of this before. Once again thank you very much. I can't wait to start exploring. Best wishes to you. Terry
Your lessons are such an eye opener.👍
Great musician/great teacher. Thanks!
You Ruslan are an ocean of amazing ideas! You explain those things in a so special way!
I'm going to put in practice the concept with the clarinet.
This is gold! It's not only the treasures you share with us, it is the way you teach to think! The inspiring way to watch the things we love!
I hope I could express what I mean in English, Spanish is my first language.
Thanks as many as possible!!!
Daniel Irilarry thank you so much for your words. I’m so happy my videos bring something positive to the life of other people. I will contribute to make them and I hope you will find them useful, my friend!!! Thank you...
I'm still to listen the teachings but for starters you play nice (very good) and my reserve is due to me doing it for almost fifty years. Congrats for the solo.
OMG! Combine this with Motivic development & the possibilities are endless. Pure Gold!
Ron that is absolutely correct!!
Can you explain what the motivic development concept is please ?
just for game Yes. Here is the explanation: th-cam.com/video/V_wPZ2pJ_ng/w-d-xo.html
Another Gold lesson from the generous genius Mr.Sirota 👍
this was a good chance for people to understand not only shapes but motives... nice.
Very cool, stuff. I've only watched the first five minutes -- not only is that shape a great addition to my melodic minor vocabulary, but also altered. But of course, it's the basic principle of shifting shapes around that is most important. Next step: hitting the subscribe button.
Just subscribed.. teaching myself Donna Lee on piano and guitar. The other day I labeled the notes as relative to Ab major. The Ab is 1 , Bb 2 Or 9, C Maj 3, Db 4, Eb 5, F 6 or 13, 7 Lt.. as I went thought it I realized that many of the same patterns we're being played against new chords and those chords we're giving the same licks new sounds because they were actually different places.
I like what you are doing here. You are essentially playing a mode of the lick..Of course the more complex a lick , the more flavor it will have. The best
Thank you very much Ruslan for this video
Thank you, Ruslan! Your lessons are wonderfully clear, concise and helpful. Much appreciated.
Amazing lesson. Can’t wait to try it on guitar. Thanks.
Hi Ruslan, I'm an intermediate jazz guitarist and I can't thank you enough for the concepts that you cover in your videos. You just made more sense than some of the best jazz books that I have on my shelf (and some of them are pretty darn good). Thank you.
Ricky Molina happy to hear this :)
Great stuff! I will have to try it but I think you can reapply any lick to any scale. You just have to change the notes. This looks like an awesome new way to practice scales too.
Thank you a lot, so simple but very powerful
I am so glad you simplified lyd scale to raised 4. That makes it so easy to remember.
Subscribed today, after watching a couple of your videos. I'm a novice, so most talk sounds foreign, but when you said 'shape' it felt like I had found the Babel fish of Hitchhiker's Guide. Learning to walk, but nice to watch others run.
+Ken Neth thank you very much. I hope i can help you on your journey in any way
Great video! I learned something new.
Thank you so much. This is awesome. More Power!👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻👍🏻😃❤️❤️❤️❤️❤️❤️ I enjoy all your videos.
Finally I can remember the name of this channel when I want to find it (the next level thing was practically unsearchable unless you type in the exact name)
I was messing around with my keyboard last night. I was going up and down the keys playing minor thirds. I don't play piano. I got the keyboard to help me understand how music works- in theory. I discovered that there was a definite shape in this minor exploration. A while ago I discovered for myself the shapes that the various scales make. Now I have to learn how to transfer those shapes to my flute and sax.
Here's another clip of my music, as requested. drive.google.com/file/d/13c4ik31uGPqwqUAm2IGEPS4qVvNEIvBq/view?usp=drivesdk
Ruslan. I am so happy to have found your videos. Because I play mostly diatonic as I am a beginner (but I don't sound like a beginner), but I have a big heart and ear for so much sound. So you are opening things for me because maybe you are the same way. Even when I cannot follow your video (I fall behind because I don't know the scales by heart and my hands are still a little slow), (well no technique, just ear and brain). So my question: What is the best way for me to build my foundation??? I can understand the theory language because I know what intervals are (numbers) (logic + vocabulary) but simply what should I learn for the left hand and drill so I can play around with intentionality (not just surprising myself because something sounds like jazz) .... When did technique and knowledge come together for you to enable like you say "language" to come out... like sharing feeling through the sounds and movements and choices and rhythm? My ultimate goal is pure expression :)
Hi Ruslan, nice video, thanks!
Thankyou!! This is immensely useful and easy to apply.
I Just stumbled across one of your videos the other day. As i watch your videos,you make more sense than all of the other jazz tutorials so far. I just subscribed to your channel. Thanks a lot, and keep up the work.
larry taylor thank you so much!!!
Beautiful. You made it so simple and so real...AND so immediately usable. Thank you!
Great ideas!! Thank You!!!
To use an overdone phrase, this is a game-changer. Thank you for this.
Muy buena técnica !! Ya la estoy aplicando 🎷 Saludos de Uruguay 🇺🇾
Awesome 😂
thanks for the lesson
I love this guy!
I also really dig taking the mirrored version of my licks too!
Love this concept! One simple idea can be turned into a thousand things.
I tried it on the guitar and it works It opens up a lot of new ideas thanks a lot
Definitely well thought out and made super easy to understand! You changed my practice routine and solo style with this video for sure. Amazing!
I just realized a what I can do after proceeding with a shape in the practice methods you speak of. Play it retrograde (reverse order), and in various rhythms and apply over all the changes of a tune. Wow. Finally I am composing not just fishing for ideas!!! Next is to combine 2 and 3 shape ideas over the changes yeah? Say even take bits and pieces of the melody from the song and make solos with this on the spot after lots of practice.
From here I realized I can apply patterns to fit approach notes using chromatic passing tones in the mix to flavor the harmonic structure. We shall see here this takes me...
A good next step to this excellent technique might be to teach u how to connect these in-scale licks with chromatic phrases in a real-world context. i.e. in a standard tune. Thanks for helping us get out of the box.
Love this video. Great job and thank you!
great tutorial - thanks!
This is not the first time I hear of this approach, but your way of explaining it made it much clearer for me ! Thank you, I'm including it in my practice :)
Finally an area where we guitar players have the advantage over the piano players!
Moving step up within the chord scale is not easier on guitar, moving step without respecting the chord scale interval is trivial on guitar.
@@luapmartin maybe not for you...
@@rillloudmother don’t need to be personal. It’s not because you state something that is nonsense and has no physical justification in the first place that you have to be defensive, you could just explain why you thinks that the guitar is advantageous to move by scale tones. We guitarist are curious to know why...
@@luapmartin i don't remember what i was thinking about, but i think it was something to do with the fingerings being different for different keys on piano. i'm not sure what you think i was talking about and frankly i don't care.
@@rillloudmother since you replied twice it seems you care. Maybe you haven’t understood the concept exposed in the video...
Otherwise I should exchange my faulty guitar...
Awesome lesson thabkyou 😎❤
Pure no nonsense lesson.. Top class
Charles Telerant Thank you Charles!
Ruslan Sirota NP Ruslan. I just sent this to a really good keyboard player I know who would appreciate this. Really great, man
You could also play the licks backwards on your way back down the scale. A bit like a Hanon exersize
+jamie woolaway yup
Great lesson, Ruslan. Thanks! Works great for licks containing multiple scales too, like a ii-V-I lick with dorian, alt, and lydian for example. Shift the notes in the shape to fit each chord scale as it goes by. Cool!
yup
Спасибо Вам!!! Очень хорошо объяснили!
Amazing!! I don't know what to say.
You've got a great teaching skill. Besides having a simplified system of looking at stuff and handing out the Knowledge of HOW one comes up with a fresh idea, (which is very rare to find out there by the way), you have a great way of explaining them as well. Which is a very vital part of teaching and learning.
This makes you stand out. I appreciate what you're doing.
Please can you explain what you were playing in the introduction part of this video, I mean before you began to talk about the teaching. What were those scales exactly, and repetitions? Do you have a video that talks about that, or plsss can you explain how you came about those notes and scales and what chords go along in the left hand?
Thank you👍
Fire. Thank you!
Awesome lesson man. Thank you for this insightful approach
Hi Ruslan, what are you playing at the start? Is it improv? If you could give me the song/chords or really anything that would be greatly appreciated. I really want to learn what you're playing there!
Great idea here. Thank you so much.
Ruslan, great like always, excellent information, your lessons are very pedagogical. Man, I would like you to include in your planning a lesson about technique or methodology for comping with left hand, how to model while improvising in the right hand. Thanks Ruslan, God bless you.
Yea i need to do one on left hand for sure!!
Brilliant approach
This is fantastic, thanks!
Very talented - just watched you with Stanley Clarke, good stuff.
Thanks Maestro....great idea
"You don't have to play that same old boring lick you always play, you can play that same old boring lick... a step up!" Made me laugh. Great video though, it helps me a lot and gives me some new ideas to chew on.
This does surely helps me with my improvising without knowing a shit of what I'm doing. ありがと!!
master , greeting from Venezuela . do you have 2-5-1 frases ? let me know please. I am interested in it
Hmm... thank you my friend! Charlie Parker was much better than me at that. You should probably go to him for that!!
Great lesson... thanks!... already adding color to what I can play!
What are the chords and scales of the video's opening piece that you're playing?
Thanks a lot for sharing this!!
Yeyyy!!!! Very nice Ruslan!!
How do you learn new jazz standards?? How do you figure out the chords?
Great content as always! Thanks.
WOW! I'm not quite up to this but it's opening up my mind!
Super helpful.....thank you
Greetings from Jazznet Spandau !
THIS IS GOLD! Thank yooooou!
VERY VERY THANKS .....THE BEST METHOD
Hi please can you take one or a couple of Corinne Bailey Rae’s song and break it down as in example the theory behind the composition. I like her songs, I can play a couple of them on the piano just following the chord progressions but I don’t really get the theory why the songs are so soulful and beautiful. The chord progressions are not very regular either not to talk of the melody over the chord progressions. Please can you breakdown a couple of them as in the root the 5th the 4th as so on so that after learning them one could use some of the theories to compose not just copying chord progressions. Thanks a lot in advance.
Thanks Rusian. This was very helpful to me.
Amazing. The content is very helpful to me even though I am a saxophonist. GOD bless you more Ruslan :-)
Donny Awa I’m very happy to hear this!! :)
Amazing!!!!
Very useful! Thanks! Amazing!
Hi sir thank you for your lesson and I learned
So cool. Please keep posting.
I’m going to apply this to guitar !! Thanks 😉🙏
Great lesson
I found this channel accidentally¡ and all I have to say is thank you Ruslan for doing what you’re doing, it’s amazing¡¡
Now, I’m violinist and after seeing this video I asked to myself: what if the “shape” (DEbGBDC) had the same notes for multiple chords?
One simple example could be: G7#5 the shape (DEbGBDC) is now the fifth grade on that chord¡ so now we can “connect “ multiple chords throughout a simple shape¡ what do you think? Thank you¡¡
Lillys ́s Plants of course. 100% correct
Great lesson as always ✊
I usually make patterns or licks from the different modes of a chord scale. I've found more freedom and personal note choices this way rather than taking someone else's lick and run it through modes and chord scales. Sure I practice arpeggios and other foundational skills as well. But creating your own lick or pattern from different intervals within a scale then running that through the modes of that scale seems for me to be a little more personal. In the long run there's probably not much difference. It's just that choosing each successive note to create a lick against a given chord/harmony gives a slightly personal touch. Then I bring it through modes and other tonalities. Just my 2 cents. :0)
That's amazing, thank You !
Could you make a video about rhythym changes like oleo or i got rhythym? Thanks for share your knowledge.
Damaso Vergara sure! What exactly would you like me to cover in that video? To me rhythm changes is just another tune. Just another set of chords which can be used to teach how to comp, how to solo, how to Reharmonize etc. What exactly would you like me to cover in the Rhythm Changes video?
Thank you Ruslan. I’d like to know your aprouch on left hand voicings and improvisation over rhythm changes
Thanks from Panama!
Ruslan, How to find the chord scale? That I think is key on this video, Could you do that?
Thanks
YcrzyMF that's so close to how all virtical organisation has always worked for me. Plus you clearly can play. Anyway subscribed. This shape thing goes in all directions like scale shapes phrase shapes methods for sequestering common tones between different scales as well as scale types. EG melodic minor modes vs major modes vs diminished etc.
Amazing vid...subscribed! Also, I LOVED your stuff with Stanley Clarke. Saw you in London in 2010 - my first ever jazz concert, and I never forgot it!
Thank you my friend. going back to London soon with Bob Reynolds and his group. Cant Wait.
@@ruslanpiano Dope! Where's it gonna be? I'll come check it out. If you're around long enough I'd love to get a lesson too!
@@AkilHenry March 28th, at Jazz Cafe
makes sense, thank you for your efforts.
Thanks xx
Very good lesson. I learnt a lot here. I like the idea that every chord exists within a scale. The phrase chord scale Is new to me and sums up very well the concept. I think the concept of the chord scale can go beyond Jazz to other kinds of music. Don’t you agree.
Samuel Peckman that’s right... a good way to think about scales is - every scale is a family, a family with its own unique properties.. it’s own humor, it’s own facial expressions, it’s own unique looks.. it’s own history. It’s own strengths and weaknesses... u know, just like real-world families. . And what a chord is, is a few of the members of the family who came together to represent the family. You see the dad, uncle and two cousins who showed up and you know right away -- aaah, it’s the Smiths! With their unmistakable nose! Only the smiths have this shape of nose :) Or... aah it’s the Johnsons! With their unmistakable laugh. Only the Johnsons laugh like this! And you recognize the family by their unique traits. Chords come from scales!
@@ruslanpiano Thank you . I will remember the comparison you made with families. It brings the matter to life and makes music theory more colourful.
Ruslan, on min7 chords, what determines whether I use dorian, aeolean, or frigian? Or, should I just treat all min7 chords as ii chords? Thank you, JOE
Joe Pinto i have a whole video about that. Called “aeolian or Dorian?” Look it up on my channel