Thank you for uploading symphonies with which I am unfamiliar. Yesterday Linek and Rejcha both very beautiful. I see that Naxos has some work by Linek. Thank you.
The symphony is full of cheerful enthusiasm fillig the soul by sonny joyfulness from the first tone up to the last. The melodies are repleted with dialectical leapses - this makes it especially Spiritual !!! Tepper Michael.
Anton Reicha (Rejcha) (26 February 1770 - 28 May 1836) was a Czech-born, later naturalized French composer. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck. He was raised and educated in music by his paternal uncle Josef Reicha. Josef secured for his nephew a place playing violin in the Hofkapelle electoral orchestra alongside the young Beethoven on viola, but for Reicha this was not enough. He studied composition secretly, against his uncle's wishes, and entered the University of Bonn in 1789. In Vienna, where he studied with Salieri and Albrechtsberger he produced his first important works around 1808. After several stays in Paris he became a naturalized citizen of his adopted country in 1829. Reicha stayed in Paris for the rest of his life. Much of Reicha's music remained unpublished and/or unperformed during the his life, and virtually all of it fell into obscurity after his death. He was too far ahead of his time to be understood by his contemporaries. This symphony, the "Symphony à grand orchestre" ("First Symphony") in E-flat major, Op. 41 was composed in Leipzig in 1803. Another version exists (Op 42) dated from the same year. Both were re-discovered in 1970.
Hello my lady. I would like to ask you a point. I'd like to publish some of the music on your channel. Not for commercial purposes but for the purpose of definition. I am translating the pieces into the Arabic language, which is the country that is poorer in classical music content. I would like to introduce it in the Arab world.
Thank you for uploading symphonies with which I am unfamiliar. Yesterday Linek and Rejcha both very beautiful. I see that Naxos has some work by Linek. Thank you.
interesting, exciting music, thanks!
The symphony is full of cheerful enthusiasm fillig the soul by sonny joyfulness from the first tone up to the last. The melodies are repleted with dialectical leapses - this makes it especially Spiritual !!! Tepper Michael.
Anton Reicha (Rejcha) (26 February 1770 - 28 May 1836) was a Czech-born, later naturalized French composer. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck.
He was raised and educated in music by his paternal uncle Josef Reicha. Josef secured for his nephew a place playing violin in the Hofkapelle electoral orchestra alongside the young Beethoven on viola, but for Reicha this was not enough. He studied composition secretly, against his uncle's wishes, and entered the University of Bonn in 1789.
In Vienna, where he studied with Salieri and Albrechtsberger he produced his first important works around 1808.
After several stays in Paris he became a naturalized citizen of his adopted country in 1829. Reicha stayed in Paris for the rest of his life. Much of Reicha's music remained unpublished and/or unperformed during the his life, and virtually all of it fell into obscurity after his death. He was too far ahead of his time to be understood by his contemporaries.
This symphony, the "Symphony à grand orchestre" ("First Symphony") in E-flat major, Op. 41 was composed in Leipzig in 1803.
Another version exists (Op 42) dated from the same year. Both were re-discovered in 1970.
Today, I note that Naxos has many works by Reijcha.
💜
Hello my lady. I would like to ask you a point. I'd like to publish some of the music on your channel. Not for commercial purposes but for the purpose of definition. I am translating the pieces into the Arabic language, which is the country that is poorer in classical music content. I would like to introduce it in the Arab world.