I remember the first time I really listened to this piece intently. I was 15 or so, in high school, and I was biking home from a party late at night, where I didn’t feel welcome or particularly included. ‘Oh well,’ I thought, ‘not like it’s never happened before.’ So I turned on my Mozart, and waited for him to take me somewhere. The first movement perfect for the atmosphere I was in, a cool, late spring, early summer night, biking home a little bit buzzed (though I knew better). It was energetic and peppy, light and airy, just what I needed to bike to on such a pleasant night… when suddenly, it slows down, and comes to its conclusion. Then the second movement comes on. I appreciate what wonderful harmony I hear, the descending bass and ascending melody, as if seeing golden clouds painted on the sky of a setting sun, continuing, elaborating, with emerald fields, rolling hills, old, sturdy, trees, a winding river, a warm and gentle breeze, and a tired peasant, sighing, lamenting his lover’s passing, and giving into tears. Oh wait… that was me. I had to stop biking, get off, and sit down under a tree in a park and weep at the music I was hearing, and stare at the stars. The scene changed with the refrain of the main melody, to a nursing mother rocking a babe in her arms and humming the astonishingly profound tune I was hearing, to sing her child to sleep. Fittingly so, as I later found out, “andante cantabile” means, “slowly, in a singing manner.” And then, as if to make a light-hearted joke out of me, Wolfgang woke me up from my dream with the third movement, shaking me by the shoulders, reminding me I had to bike home and get to bed; I had school in the morning!!!
Beautiful playing. It cannot get any better than this. I don’t think I’ll ever get to play this sonatas with such subtleness and lightness of touch. It’s such a treat. The mature sense of rhythm, the carefulness of dynamics, the tempo never feels rushed, the crystal clearness of everything, no perceptible mistakes. I wonder how many takes it must’ve taken to get such inmaculate recordings. (Given that they are not edited) Common people won’t understand how incredibly difficult is too play this beautifully, it takes a lot of hard work and dedication.
Absolutely outstanding playing.....how did I know she was such a wonderful Mozart exponent. Moments of absolute magic in the slow movement in the f minor passage - the sound world is incredible and in the f major coda. Heavenly! The score is such a treat. Makes you feel closer to Mozart seeing it. Thank you 💜💜
Wunderschöne Interpretation dieser scheinbar leichten doch wesentlich perfekt komponierten Klaviersonate im lebhaften Tempo mit klarem doch zugleich elegantem Anschlag und mit perfekt kontrollierter Dynamik. Fast himmlisch!
Ingrid Haebler spielt alle Klavierwerke des unvergleichlichen, einmaligen M O Z A R T wirklich echt mozärtlich !! Hatte am Mozarteum in Salzburg studiert und gelehrt....!
Pretty freaky how I have to watch any little mistake I make. To get called out within 3 minutes after uploading makes me wonder what the heck I am doing here.
Bartje Bartmans sorry didn’t mean it as a catch you out, but I was waiting for the k330 as it’s one I’m most familiar with and more so you can change before we get multiple comments saying k330
Was Mozart bored or why did he notated the whole sonata in a different key signature??? I Player this Sonata myself. It is very strange to see all the notes a third higher! Thank you very much for your resent mozart sonatas upload! I am really enjoying listen to them!!! Much Love from Germany, Andrey Stepanov
@@bartjebartmans I was wondering the same thing, is there any specific reason why he would have written the sonata in soprano clef? Doesn't seem like the manuscripts in his older sonatas did that.
As you can see in the title of this video, the pianist is Ingrid Haebler, and the original videos (of her own) I've found are these: th-cam.com/video/Kuq1iNL_UCI/w-d-xo.html (1st movement) th-cam.com/video/3X2op5_NhEo/w-d-xo.html (2nd movement) th-cam.com/video/rWwobwkB6Cs/w-d-xo.html (3rd movement) They're in her TH-cam channel, which is this one: th-cam.com/channels/uzZA6KcizEf1tPWavvGuzQ.html Greetings and hope this helps!
I remember the first time I really listened to this piece intently.
I was 15 or so, in high school, and I was biking home from a party late at night, where I didn’t feel welcome or particularly included. ‘Oh well,’ I thought, ‘not like it’s never happened before.’
So I turned on my Mozart, and waited for him to take me somewhere. The first movement perfect for the atmosphere I was in, a cool, late spring, early summer night, biking home a little bit buzzed (though I knew better). It was energetic and peppy, light and airy, just what I needed to bike to on such a pleasant night… when suddenly, it slows down, and comes to its conclusion.
Then the second movement comes on. I appreciate what wonderful harmony I hear, the descending bass and ascending melody, as if seeing golden clouds painted on the sky of a setting sun, continuing, elaborating, with emerald fields, rolling hills, old, sturdy, trees, a winding river, a warm and gentle breeze, and a tired peasant, sighing, lamenting his lover’s passing, and giving into tears.
Oh wait… that was me. I had to stop biking, get off, and sit down under a tree in a park and weep at the music I was hearing, and stare at the stars.
The scene changed with the refrain of the main melody, to a nursing mother rocking a babe in her arms and humming the astonishingly profound tune I was hearing, to sing her child to sleep. Fittingly so, as I later found out, “andante cantabile” means, “slowly, in a singing manner.”
And then, as if to make a light-hearted joke out of me, Wolfgang woke me up from my dream with the third movement, shaking me by the shoulders, reminding me I had to bike home and get to bed; I had school in the morning!!!
mans living in a movie 💀
@@giocosovelasco Lmao.
Mozart is really the most fantastic music composer that ever lived .
Extraordinary sonority at 11:17 ... the pianist knows to bring that out with striking softness
Svaki je nsa svoj nacin vrhunski kompozitor i užitak ih je slušati-lijek za dušu
Beautiful playing. It cannot get any better than this. I don’t think I’ll ever get to play this sonatas with such subtleness and lightness of touch. It’s such a treat. The mature sense of rhythm, the carefulness of dynamics, the tempo never feels rushed, the crystal clearness of everything, no perceptible mistakes. I wonder how many takes it must’ve taken to get such inmaculate recordings. (Given that they are not edited)
Common people won’t understand how incredibly difficult is too play this beautifully, it takes a lot of hard work and dedication.
My daughter is 4 and played this perfectly. I’m sure you can play this soon.😊 Now she is 10 and playing la Campanella, she has made so much progress😮
Absolutely outstanding playing.....how did I know she was such a wonderful Mozart exponent. Moments of absolute magic in the slow movement in the f minor passage - the sound world is incredible and in the f major coda. Heavenly! The score is such a treat. Makes you feel closer to Mozart seeing it. Thank you 💜💜
And the rythmic drive in it, and the perfect tuned piano, what a revelation.
The softest interpretation of his sonata , I ever heard. Playing it myself at the moment and have to learn from Mme Mozart here.
Wunderschöne Interpretation dieser scheinbar leichten doch wesentlich perfekt komponierten Klaviersonate im lebhaften Tempo mit klarem doch zugleich elegantem Anschlag und mit perfekt kontrollierter Dynamik. Fast himmlisch!
Wow. Looking back, I had terrible handwriting.
But good ideas!
Better than Beethoven’s
At least they show "no corrections of any kind"
Eventhough you had terrible handwriting, the ideas are fantastic.😊
Such beautiful music represents another world, one of peace, safety, and beauty.
Excelente!!!! Gracias por este regalo a los oídos y espíritu! Greetings from Chile!!
Ingrid Haebler spielt alle Klavierwerke des unvergleichlichen, einmaligen
M O Z A R T wirklich echt
mozärtlich !!
Hatte am Mozarteum in Salzburg
studiert und gelehrt....!
👍🏻 👍🏻... A gift to listen to 💓🎼🎶🎼🎶❤️
lovely and warm like mom💖💖
k 330? Loving these top class Mozart Sonata uploads😊
Pretty freaky how I have to watch any little mistake I make. To get called out within 3 minutes after uploading makes me wonder what the heck I am doing here.
Bartje Bartmans sorry didn’t mean it as a catch you out, but I was waiting for the k330 as it’s one I’m most familiar with and more so you can change before we get multiple comments saying k330
@@TimothyChiangPianist Fair enough. Thanks.
Haebler is one of the best mozart interpreters
SIE IST DIE *BESTE !!*
Wow! 🤩
Was Mozart bored or why did he notated the whole sonata in a different key signature??? I Player this Sonata myself. It is very strange to see all the notes a third higher! Thank you very much for your resent mozart sonatas upload! I am really enjoying listen to them!!!
Much Love from Germany,
Andrey Stepanov
He used Soprano clef. C is on the bottom line. Try reading choir works from that period and older. All voices have their own clefs.
@@bartjebartmans I was wondering the same thing, is there any specific reason why he would have written the sonata in soprano clef? Doesn't seem like the manuscripts in his older sonatas did that.
Strange that the soprano clef was still used so late in the 18th century.
Christian Wouters I was just wondering about that too!
When was this recording made? I saw that Haebler recorded all Mozart's sonatas twice
I like this song!!
Genio total
Es el manuscrito original?
Yes. Mozart's own handwriting. No copyist's.
@@bartjebartmans emocionante!!
Really beautiful!! Where can I find this recording? Is it part of the Denon 'integrale'? Thank you for sharing.
As you can see in the title of this video, the pianist is Ingrid Haebler, and the original videos (of her own) I've found are these:
th-cam.com/video/Kuq1iNL_UCI/w-d-xo.html
(1st movement)
th-cam.com/video/3X2op5_NhEo/w-d-xo.html
(2nd movement)
th-cam.com/video/rWwobwkB6Cs/w-d-xo.html
(3rd movement)
They're in her TH-cam channel, which is this one:
th-cam.com/channels/uzZA6KcizEf1tPWavvGuzQ.html
Greetings and hope this helps!
Warum spielt sie im langsamen Satz einen anderen Schluß als den im Autograph geschriebenen?
👌
03:37 👍🏻
These pieces need very nimble fingers.
Beethoven is better
Each composers have their pros and cons. We shouldn't be bias in the music community and people have their own opinions.