7 Essential Kendo Men-waza Techniques to help you in matches

แชร์
ฝัง
  • เผยแพร่เมื่อ 27 มิ.ย. 2024
  • Former Kendo Champion Hyoga Kajitani explains the Essential Men-Waza of Kendo.
    Kendo is a martial art that focuses on using swords. In order to be successful in Kendo, it's important to master these seven essential men-waza techniques to help you in matches. This video will show you how to do each of these techniques and help you improve your skills!
    ⏰TIME STAMPS⏰
    00:00 Introduction
    01:33 1. Direct Men
    02:36 2. Men Feint→Men
    05:43 3. Suppress→Men
    07:43 4. Turn→Men
    09:25 5. Men from Below
    12:01 6. Deflect→Men
    12:50 7. Kote→Men
    15:13 Closing
    [ Twitter ]
    / kajitanikendog
    [ Japanese Channel ]
    / @-kendo-9265
    ☆Would you like to share your KENDO photos, illustrations and short videos with our KENDO friends?
    Please post your memorable Ippon, moment from your practice with your friends, using this form.
    ⇩form
    forms.gle/FdhPcbbiJcDg619L6
    #Kendo #剣道 #검도 #剑道 #劍道 #кендо #เคนโด้
  • กีฬา

ความคิดเห็น • 26

  • @demiandelacroix
    @demiandelacroix ปีที่แล้ว +4

    Thank you for the video. It has been very helpful.

  • @user-ft5hw1wv9y
    @user-ft5hw1wv9y ปีที่แล้ว +6

    좋은 영상 고마워요!

  • @doanthanh7025
    @doanthanh7025 ปีที่แล้ว +3

    Thank you for the video

  • @Dezzasheep
    @Dezzasheep 4 หลายเดือนก่อน +1

    Your videos are great, please teach us more :)

  • @Kozioloutsider
    @Kozioloutsider ปีที่แล้ว +1

    Thanks for video!

  • @Cyanoblades
    @Cyanoblades ปีที่แล้ว +5

    Nice video!

  • @oleksiyyefimenko3299
    @oleksiyyefimenko3299 2 หลายเดือนก่อน

    Domo origato! Thanks for clear explanation! very helpful!

  • @user-fe2ec2wx4d
    @user-fe2ec2wx4d ปีที่แล้ว +6

    좋은 영상 감사합니다.

  • @onesinglerider
    @onesinglerider 3 หลายเดือนก่อน

    Thank you

  • @lol1808
    @lol1808 ปีที่แล้ว +1

    Merci pour cette vidéo. Je m’abonne

  • @seongseokyoon4768
    @seongseokyoon4768 ปีที่แล้ว +1

    번역 고맙습니다

  • @thanhminh238
    @thanhminh238 ปีที่แล้ว +2

    I'd like to watch the full 'dream' movie

  • @stefankremer4070
    @stefankremer4070 10 หลายเดือนก่อน

    Super

  • @12kowa
    @12kowa ปีที่แล้ว +3

    구독했습니다.

  • @DistributistHound
    @DistributistHound ปีที่แล้ว +2

    Thanks a lot for the video and effort on the explanations. The supress men looks similar to osae men. And deflect men looks similar to harai men

    • @Kajiatani-Kendo-Global
      @Kajiatani-Kendo-Global  ปีที่แล้ว +2

      That's right. I have chosen words that beginners can understand. In the future, I will also add a supplement of technical terms.

  • @Not-so-cool-name
    @Not-so-cool-name ปีที่แล้ว +4

    Question, how do you keep the left hand in the centre, eg when practicing Kiri Keishi? If you have time to answer, thank you!

    • @Kajiatani-Kendo-Global
      @Kajiatani-Kendo-Global  ปีที่แล้ว +3

      In order to stay centred with the left hand during Kiri-kaeshi, you need to practise controlling the Shinai with your left hand. Consciously control it, especially with the wrist. In concrete terms, you can practise holding the Shinai with your left hand only and using your wrist to turn the shinai back and forth from side to side. A light shinai or, if you do not have a light shinai, an alternative such as a beer bottle will also work.

  • @idkdyk
    @idkdyk 7 หลายเดือนก่อน

    1. Direct Men 1:52
    2. Men Feint -> Men 4:34
    3. Supress -> Men 6:54
    4. Turn -> Men 8:39
    5. Men from below 10:54
    6. Deflect -> Men 12:03
    7. Kote -> Men 14:16

  • @TV-su2rv
    @TV-su2rv ปีที่แล้ว +1

    😊

  • @lanbui9033
    @lanbui9033 8 หลายเดือนก่อน

    Hello. Could you please let me know thw Japanese terms for each of the cuts? Thank you very much.

  • @rosvall216
    @rosvall216 ปีที่แล้ว +4

    This was very nice, I have a Question: I tried all these techniques at the dojo today in shiai, I am quite tall (6ft 4 which is 194cm in most of the world) When going for a men strike from below 1 out of every 6 times that I tried men from bellow the shorter opponents cut a strong debana kote or simply did not raise their hands to protect kote at all, the rest of the times tried it I hit a pretty overwhelming men strike right after cutting into the center pressuring from bellow. but it was harder to execute this technique against a shorter opponent in a shiai.
    Any idea on how to pressure shorter opponents when using this technique? I find that their hands don't guard their own kote as often as players which is of similar height or near my own height. Is it just a case of my own pressure failing when the technique fail? I found it easier to get them to raise their hands if i went for a fake migi-men into men on the other side etc with strong seme once your footwork was on point.
    Got some good advice from our coaches (and an old English national team member gave me loads of advice on how to improve) but would love to hear your take on men from bellow when there is a height difference.
    Cheers

    • @Kajiatani-Kendo-Global
      @Kajiatani-Kendo-Global  ปีที่แล้ว +3

      Sorry for the late reply. We don't have the experience of being as tall as you, so I don't know if this is an appropriate answer!
      However, I would imagine that for a tall person to hit Men from Below, it would require a large movement, which would easily create an opening for the opponent to attack.
      I think it would be good to select techniques suitable for taller people.
      For example, if it is a "supressing" action, such as in the case of Suppressing→Men, it is possible for a tall player to apply pressure while making a small movement.

    • @Jenioshi
      @Jenioshi 10 หลายเดือนก่อน

      The problem of tall people in kendo in size of our (I have 197 cm) hands and legs. Other kendoka can see every move, even if we believe that they are small. I'd like to advice you to learn your own footwork. When you doing seme-ashi, prevent your right leg from going forward more than 5-10 cm and do not move your shinai. Put your shinai down simultaneously with move you left foot (hiki-tsuke), and after that make a strike.